Food Drawings and Watercolor Paintings

Bostrychoceras Fossil from museum specimen, watercolor on 300 lb cold press paper. Working as a volunteer fossil preparator at an awesome natural history museum, I have learned t...

Exceptionally detailed mid century watercolor still-life depicting an autumn harvest, with bumpy gourds spilling out of a basket, several ears of deep purple corn, and a fringed blan...

This piece calls on memories of sensational summers and glorious holidays. The piece was inspired by my memories of being a child and putting down my ice lolly and watching as the su...

Please note the background of this piece is white. This hyperrealist pencil drawing presents something familiar, nostalgic and humble as a jewel, something noteworthy bringing att...

BRITISH SCHOOL (19th Century) Still Life of Cherry and Holly Leaf Watercolour and bodycolour Unframed, in mount only 10.5 by 7.5 cm., 4 ¼ by 3 in. (mount size 25 by 21 cm., 6 by 8...

"Persimmons, Tangerines & Blue Kerchief" is an original watercolor painting by Alicia Czechowski. The artist signed the piece in the lower right. This painting depicts orange persimm...

A fine watercolour painting with gouache details by the British artist Christopher Hughes, depicting a still life of apples and grapes. Signed to the lower right-hand corner. Well-pr...

A fine watercolour painting with gouache details by the British artist Christopher Hughes, depicting a still life of peaches and blackberries. Signed to the lower right-hand corner. ...

Condition: Excellent overall Condition. Original canvas and frame. No restauration necessary. No retouching under UV light. Dimensions with frame 28 x 34 cm. Free US CONTINENTAL Shi...

BRITISH SCHOOL (19th Century) Blackberries Watercolour and bodycolour, circular Unframed, in mount only Diameter 8 cm., 3 ¼ in. (mount size 21.5 by 21 cm., 8 ½ by 8 ¼ in.)

Intervention 2. 2012, canvas, oil, 70x90 cm

"White Eggplant on Red Table" is a color pencil drawing on paper by artist Emilio Sanchez. The drawing is to the paper edge and initialed "ES" in the lower right. There is an Emilio...

Every year a miracle harvest grows from a small seed.

Pen on round canvas. Certificate of authenticity by the Artist.

Every year a miracle harvest grows from a small seed..

Blue Crabs on an old boat rudder with a Japanese fishing ball. :: Painting :: Photorealism :: This piece comes with an official certificate of authenticity...

George Mauersberger (American, 20th Century) Veg 10, 2004 Watercolor on paper 9 x 12 inches 13 x 16 inches, framed George Mauersberger completed t...

"Red Peppers" is a color pencil drawing by artist Emilio Sanchez. It is drawn to the paper edge and initialed "ES" in the lower left. "Emilio Sanchez Found...

Recto: ‘Cubist City Scene’ Verso: ‘Pineapple Still Life’ by Jan Matulka (1890-1972) Pencil, colored pencil, and watercolor on paper 14 ¼ x 27 ½ inches unfr...

“The apples in my paintings is full of life, humanity and spirit. Apples come in various forms and colors, just like every human being creates all kinds of life journeys.” Lim Kim Hai devoted himself to paint apples in his entire artist’s career. He started drawing apples when he was studying at École Nationale Supérieure des Beaux-Arts in Paris, France. As a foreign art student needed to save money for living, apple became a common subject for Lim to develop his skills because it is one of cheapest object to buy. A simple and cheap object as an apple, it is also one of favorite subjects to the impressionism master Paul Cézanne. Cézanne’s apple paintings...

mixed media on paper image size: 17 X 25 framed size: 28 X 34 Provenance- Originally purchased from the Candy Store. It is from the Cherie and Ron Petersen collection and exhibited in 1989 in an exhibition "Collectors Choice, Drawings Paintings and Prints from the collection of Cherie and Ron Petersen". Bio- Born in Benicia, California in 1930, Robert Arneson was encouraged by his father to draw. He became a proficient draftsman early in life and drew cartoons for a local newspaper as a teenager. After Arneson studied art education at the California College of Arts and Crafts in Oakland he taught in a local high school, where he became interested in ceramics. He went on to receive an MFA from Mills College in 1958. Arneson became head of the ceramics department at the University of California at Davis in 1962 and became a full professor of art in 1973. Arneson was greatly influenced by the expressionist work of fellow Californian Peter Voulkos, who had studied Pablo Picasso’s works...

Still life is an artwork realized by Serge Fotinsky in 1947. Original drawing in pencil. Signature lower right. 20 x 27 cm. Good conditions escept ...

I brought some blackberries in to paint and quickly decided to paint a pair of bullfinches on the prickly stems. Bullfinches really enjoy feasting on these juicy sweet berries and ar...

Seascape is a Color Markers Drawing realized by Reynold Arnould (Le Havre 1919 - Paris 1980). Good condition on a sheet of a notebook. No signature. Reynold Arnould was born in ...

Watercolor work on an archival quality paper , Arches 300g/m. Belongs to an ongoing series about the food the painter eats. She likes the deep rich red and shinny texture of this red pepper...

This original artwork Freeze #4 was realized by the Italian artist EMPHI in 2019. Watercolor and ink on cardboard from the series Tuttifrutti. Hand-signed on the upper left. Certi...

This original artwork Pattern was realized by the Italian artist EMPHI in 2020. Watercolor and ink on cardboard from the series Tuttifrutti. Hand-signed on the lower right. Cert...

Pencil on paper Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She always preferred pas/pas/passionately the image to the word and al...

Vibrant watercolor of pears with surreal patterning by Kathy Garvey (American, b. 1949). Initialed "KG" in the lower right corner. Notes by the artist on verso, including date and ti...

I always inspired by beauty of nature to paint and this one of my still life painting, painted on my studio. I was trying to capture of real fruit color and light. I love watercolor ...

Still life of an old can of coffee. Watercolor on Arches cold pressed 140 lb watercolor paper. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity...

"Diner" is an original signed watercolor by Bruce McCombs. It depicts the front facade of a diner with careful attention to reflection, atmosphere, and light. 22" x 29 1/2" art 25"...

Caramel apples loaded with sweet toppings such as: coconut, chopped nuts, Oreo cookie pieces,and jellies. Colorful, fun and mouth watering! :: Painting ::...

Ink on paper Kui Shui is a Chinese artist born in 1970 who lives and works in Shenzhen, China. Over the years, he researched the combination of animal spirit and image spirit to fin...

"Rabbit disguised as a Tomato Basil Potato Chip" is an original photograph embellished with ink and watercolor by David Barnett, signed and dated in the lo...

Artist Commentary: The original work is a watercolor still life painting. Keywords: tomatoes, vegetables, seasonal, still life, representational, produce, green, yellow, red, farm, ...

Watercolor sculptural collage

A soft and hzy interior scene with a botanical still life of flowers and fruit on a table. A view of a continental countryside can be seen through the arched windows. The artist has ...

artwork dimensions (unframed): 35.5h x 39w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

ink on paper 13 1/2 x 17 1/8 in ; 34.3 x 43.4 cm

This is one of my studio paintings. I love watercolor because it’s a very challenging medium. I used Daniel Smith Extra Fine Watercolors with world-class acid-free Arches 300gsm wa...

Watercolor work on Arches archival quality paper. I like going to the market in the summer and choose among the great choice of fruits and vegetables to bring home and paint. :: Pai...

Every year a miracle harvest grows from a small seed..

Watercolor on Canson paper 300 g The artwork will be shipped rolled up in a tube Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She a...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Dora Maar (1907 - 1997). Born Henriette Théodora Markovitch in France, Dora Maar was a 20th century photogra...

"White Eggplant on Black Table" is a color pencil drawing by artist Emilio Sanchez, circa 1995. It is drawn to the paper edge and initialed "ES" in the lower right. The "Emilio Sanch...

Watercolor, circa 1925. Framed. Measurements: 10,24 x 14,17 in ( 26 x 36 cm ) Josef Mangold was a german artist in the style of NEUE SACHLICHKEIT an...

pastel on toned sanded paper signed and dated on bottom left . part of the artist's restless still life series

Mary Reilly explores the full tonal depth of graphite in her nature drawings and landscapes. She finds all of the soft subtleties of gray as she shifts seamlessly from branch to pebb...

Watercolor work on archival quality paper , Arches 300 g/m. Work belonging to a series having as principal subject food. :: Painting :: Contemporary :: This piece comes with an offi...

Art Sz: 4"H x 2 1/2"W Frame Sz: 7"H x 5 1/2"W

Sz: 23"H x 14 1/2"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Guitar Player

Watercolor work on archival quality paper. The painter likes to paint what whe will eat, in this case attracted by the colors and shape of a wonderful red pepper. :: Painting :: Expr...

For this painting the artist assembled everything necessary for a successful movie night - popcorn, candy, DVD, soft drink, and an adult drink. It is paint...