Art by Medium: Pigment
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1,952
1,399
651
1,619
924
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358
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66
418
1,145
4,008
17,380
8,240
Style: Modern
Style: Contemporary
Medium: Pigment
Item Ships From: New York
Real Gabinete Portuguese de Leitura, Rio De Janeiro - color photography
Located in New York, NY
Richard’s love for travel has afforded him many opportunities to shoot different cities and cultures. He loves iconic architecture, whether it’s ancient or modern, and is always foc...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Street altar
Located in New York, NY
Archival pigment print (Edition of 5 + 2 APs)
Signed and numbered on label, verso
This photograph is offered by ClampArt, located in New York City.
Frances F. Denny writes:
“During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8th great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10th great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now?
“Major Arcana: Witches in America is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people.
“Major Arcana explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for Major Arcana (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Beauty Shop
Located in New York, NY
Archival pigment print
Signed and numbered, verso
30 x 40 inches
40 x 53 inches
48 x 65 inches
(Total edition of 15)
This artwork is offered by ClampArt, located in New York City.
...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Elephant Mother and Calf, Amboseli, Africa, Wildlife
Located in New York City, NY
David Burdeny
Elephant Mother and Calf, Amboseli, 2020
Archival Pigment Print
Signature Label
Price for Print only. Ask us for framing options.
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Soft Mountain Sunset (Archival Digital Aerial Landscape Photograph)
Located in Hudson, NY
Contemporary minimalist aerial landscape photograph of orange summer sunset against blue mountains
Archival digital print, Edition of 25 (#369)
Image size 19.3 x 29 inches with 2 inc...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Ink, Archival Paper, Digital Pigment
Limited edition signed print for Doctors of the World - Medecins Sans Frontieres
Located in New York, NY
Terry Winters
Lines of Communication (from Doctors of the World portfolio), 2001
Abstract expressionist digital pigment print
28 × 33 inches
Pencil signed, dated and numbered on the front from the edition of 100
Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions Publisher: Doctors of the World / Art of this Century, NY (Medecins Sans Frontieres)
Unframed
This stunningly prescient work is a pencil signed and numbered digital print that was part of the 2001 “Doctors of the World” portfolio. This series also includes works by artists such as Sol LeWitt, Elizabeth Murray and Chuck Close. In this work for the Doctors of the World portfolio, Winters explores the connections between the lines of communication and illness in a world where you can instantly speak with someone anywhere via the internet and airborne illnesses are the latest form of modern warfare.
More about Terry Winters:
Over the last four decades, Terry Winters has expanded the concerns of abstract painting by engaging contemporary concepts of the natural world. Many of his earliest paintings depict organic forms reminiscent of botanical imagery. Over time, his range of themes expanded to include the architecture of living systems, mathematical diagrams...
Category
21st Century and Contemporary Contemporary Art by Medium: Pigment
Materials
Digital Pigment, Pencil, Lithograph
Delta Shine
By Zack Seckler
Located in New York, NY
Archival pigment print
Signed and numbered, verso
26.7 x 40 inches
(Edition of 10)
40 x 60 inches
(Edition of 5)
53.3 x 80 inches
(Edition of 3)
This artwork is offered by Clamp...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Heaven, Etosha, Namibia, Africa
Located in New York City, NY
47x71 inches (120x180cm)
Edition of 10
Archival Pigment Print
Mounted and Framed - Ask us for framing options.
Björn Persson is an internationally renowned artist based in Stockho...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Black and White, Inkjet, Archival Pigment
Rockface 27: Still Life of Graphic Jagged Rock Cliff in Black and White)
By Andrew Buck
Located in Hudson, NY
Rockface 27 by Andrew Buck
archival pigment print, edition of 5
44 x 44 inches framed
Print is dry mounted without glazing (no glass). Black metal frame is approx 1/2 inch face widt...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
End of Summer (Realist Black & White Still Life Landscape of Lily Pads on Water)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lily pads on water
"End of Summer", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment, Archival Paper
Chez Zsa Zsa Gabor, Bel Air, California, 5 May 2007
Located in New York, NY
Chez Zsa Zsa Gabor, Bel Air, California, 5 May 2007
X
Photographed by Jonathan Becker
Contemporary
44" x 44.5" Archival Pigment Print
Edition Nº 1 of 9
Ce...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Floating Factory
Located in Hudson, NY
archival pigment print
24 x 24 inches unframed
This contemporary, surrealist style photograph was printed by the artistic duo, Kahn & Selesnick, in 2010. The print is part of their 'Mar: Adrift on the Hourglass Sea' series which features deserted landscapes in outer space. In this image, a mysterious and otherworldly mechanism floats through the Martian landscape. It is unknown who or what is operating it. With this imagery, the artists entice an imaginative narrative where the viewer is left to conjure up their own story.
About the series:
"Mars: Adrift on the Hourglass Sea" is Kahn and Selesnick’s first project to feature a female protagonist; a woman finds herself alone in a wasteland that appears to be Mars. It is uncertain how she arrived in this place, via spacecraft, through a fold in the space-time continuum or perhaps the landscape is a mental projection. Either way, it is clear that she has escaped an unnamed catastrophe on Earth. In a series of hallucinatory episodes she simultaneously explores the planet and builds a mock-life for herself from a combination of high-tech and stone-age materials. Mars is revealed to have ruined artifacts and monuments from a previous, or perhaps future, civilization. The remains of massive stone listening devices are littered about the landscape, leading us to wonder: is this a colony that has collapsed and lost touch with earth? How did its occupants become stranded? Or are these the nocturnal imaginings of a post-apocalyptic survivor?
About the artists:
The ultimate storytellers, who have been showing with Carrie Haddad Gallery for more than 20 years, are Nicholas Kahn and Richard Selesnick...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
In Paradisum #8 Inside a Forest - Landscape Photography
Located in New York City, NY
Daniel Mansur
In Paradisum #8, 2018
47 x 71 inches
120 x 180cm
Also available in:
40 x 60 inches
100 x 150cm
60 x 88.5 inches
150 x 225 cm
Edition of 6 copies overall
Archiva...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
first snow, Provincetown Harbor from Cook Street Beach, Provincetown
By Frank Yamrus
Located in New York, NY
Archival pigment print (Edition of 11)
Signed, dated, and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editi...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Where Stella Lives
By Marc Yankus
Located in New York, NY
Where Stella Lives
2007
Signed, titled, numbered, and dated, verso
Archival pigment print
22 x 17 inches, sheet
(Edition of 15)
$1,400.00
17 x 11 inches, sheet
(Edition of 15)
$9...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
In Paradisum #8 Inside a Forest - Landscape Photography
Located in New York City, NY
Daniel Mansur
In Paradisum #8, 2018
40 x 60 inches
100 x 150cm
Also available in:
47 x 71 inches
120 x 180cm
60 x 88.5 inches
150 x 225 cm
Edition of 6 copies overall
Archiva...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Barn, New Concord (A tranquil winter scene of Barn and Evergreen in Sepia)
Located in Hudson, NY
Barn, New Concord
pigment print on watercolor paper
Available in the following sizes:
13 x 16, edition of 25 $1500
20 x 24, edition of 25 $2500
40x50, edition of 25 $6,500
This Black and White Sepia-toned print of a barn in the snow was taken by photographer, James Bleecker. The nearly monochromatic, picturesque landscape depicts an idealistic rural scene lit beautifully by an overcast sky.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry Diller...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Horses on ridges - black and white photography
Located in New York, NY
"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
One World Trade Center 11 (Panoramic Landscape Color Print of Freedom Tower)
Located in Hudson, NY
Large panoramic landscape photograph of the Freedom Tower at night
One World Trade Center #11 by James Bleecker
50 x 100 inch sheet size, edit...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Clam Shells (Framed Still Life Photograph of Blue/White Shells with Drift Wood)
Located in Hudson, NY
Clam Shells (Still Life Photograph of Blue/White Shells with Drift Wood) by David Halliday
10 X 15 inches, 17 x 22.5 inches framed
Color Work Series
archival pigment print
edition #2 of 25
In this series, Halliday captures the beauty of everyday life in still lifes of various objects and vegetation arranged against simple backgrounds. This seaside still life of deep blue and white clam shells beside a piece of drift wood is set on a concrete surface in front of a cream colored plaster wall. The subtle color palette extenuates the various textures and gentle shadows cast on the objects.
About the artist:
American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States
Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Orlando, 2000
Located in Hudson, NY
Price is for UNFRAMED item
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This y...
Category
21st Century and Contemporary Modern Art by Medium: Pigment
Materials
Digital Pigment
Tree and Pond, Ghent (Sepia Toned Pigment Print of a Sunlit Landscape)
Located in Hudson, NY
Tree and Pond, Ghent NY, 2018
pigment print on watercolor paper, signed dated and numbered on face
20 X 24, edition of 25 $2,500.00
also available in 13 x 16 inches, edition of 25 $1,500
This Black and White Sepia-toned print of a pond in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a leafy tree streaming with sunlight. The pond in the background is surrounded by trees and reflects some of the golden light.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry Diller...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Fish on Blue (Still Life of Silver Fish on Farm Table)
Located in Hudson, NY
archival pigment print, edition of 10
32 x 60 inches unframed, $4200
Fish on Blue is a contemporary still life photograph of small, silver fish strewn across an icy blue farm table...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Flower shop A - figurative wall sculpture
Located in New York, NY
This beautiful wall sculpture by David Gerstein is made of laser cut steel that is hand painted with special colors.
As all of Gerstein's pieces, it is very colorful, dynamic and vib...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Metal
Washington Square Arch (New York City Sepia Toned Print on Watercolor Paper)
Located in Hudson, NY
Washington Square Arch
pigment print on watercolor paper
18 x 13, edition of 25 $1500
24 x 20, edition of 25 $2500
50x40, edition of 25, $6,500
...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Pigment
Log Rafts - Port of Tacoma, WA (Archival Digital Aerial Landscape Photograph)
Located in Hudson, NY
Minimalist aerial landscape photograph of golden brown logs in a midnight blue body of water
Log Rafts - Port of Tacoma, Washington, USA
Archival digital print, Edition of 25 (#080)
Image size 21.7 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs golden brown logs floating on a dark blue, almost black, body of water. When seen from above, the cross hatching warm brown colored logs resemble an abstract shape that can be likened to an abstract minimalist painting.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Ink, Archival Paper, Digital Pigment
Untitled from "Pia"
Located in New York, NY
Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Photographic Paper, Archival Paper, Digital, Archival Pigment, Digital P...
In Paradisum #2 Inside a Forest - Landscape Photography
Located in New York City, NY
Daniel Mansur
In Paradisum #2, 2018
40 x 60 inches
100 x 150cm
47 x 71 inches
120 x 180cm
60 x 88.5 inches
150 x 225 cm
Edition of 6 copies overall
Archival Pigment Print
Sig...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Plowed Fields, Hannibal, MO (Minimalist Aerial Landscape Photograph)
Located in Hudson, NY
Contemporary minimalist aerial landscape
photograph of a plowed yellow field with dark blue shadow
Archival digital print, Edition of 25 (#013)
Image size 31 x 39 inches unframed, m...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Ink, Archival Paper, Digital Pigment
Untitled from "Pia"
Located in New York, NY
Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Photographic Paper, Archival Paper, Digital, Archival Pigment, Digital P...
high tide at Herring Cove Beach, Provincetown
By Frank Yamrus
Located in New York, NY
Archival pigment print (Edition of 11)
Signed, dated, and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editi...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
My Body My Blood
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...
Signed Limited Edition Feminist Contemporary Art Print - Betty Friedan 687
Located in New York, NY
Linda Stein, Betty Friedan 687 - Signed Limited Edition Feminist Contemporary Art Print
Linda Stein considers her Women of Courage Mood Portraits serie...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Maat
Located in New York City, NY
40x40in
ed.18
Archival Pigment Print
UNFRAMED
Also available in 48x48in and 60x60in.
Limited edition signed print by Guido Argentini.
Guido Argentini was born in Florence, Italy i...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
La Dame En Bleu. From the Château D’eau Enfilades series
Located in Miami Beach, FL
The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Buckham Twins, Chateau Marmont
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work.
In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style...
Category
1990s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Wild Coast Wave
By Zack Seckler
Located in New York, NY
Archival pigment print
Signed and numbered, verso
26.7 x 40 inches
(Edition of 10)
40 x 60 inches
(Edition of 5)
53.3 x 80 inches
(Edition of 3)
This artwork is offered by Clamp...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Many Windows in Chelsea
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed and numbered, verso
22 x 17 inches, sheet
(Edition of 15)
38 x 27 inches, sheet
(Edition of 9)
From the series, "The Space Between"
This photograph is...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Stuttgart library - color photography
Located in New York, NY
Richard’s love for travel has afforded him many opportunities to shoot different cities and cultures. He loves iconic architecture, whether it’s ancient or modern, and is always foc...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Rome, Italy, Roman Staircase, Contemporary Photography, beiges
Located in New york, NY
A contemporary color photograph of a spiral staircase in Rome, Italy by Roberta Fineberg (RF) captures the symmetrical cylindrical abstract quality of a building stairwell in the Et...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Ink, Archival Paper, Rag Paper, Digital, Archival Pigment, Digi...
Fenster
By Traer Scott
Located in New York, NY
Archival pigment print (Edition of 50)
Signed and numbered, verso
20 x 16 inches, sheet
From the series, "Shelter Dogs"
This photograph is offered by ClampArt, located in New York ...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Man With Dog ( Side View), 1997
By Barnaby Hall
Located in Hudson, NY
ABOUT
After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and t...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Floating Horse, Saddle Shop Lake Worth, FL
By David Saxe
Located in Hudson, NY
David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...
Category
2010s Modern Art by Medium: Pigment
Materials
Archival Pigment
Rollercoaster - black and white photography
Located in New York, NY
"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the image in my mind of a skier going down a breast. This was it - the universe repeating its shapes - a body looking like a mountain. It was also an example of two realities coexisting. The picture could be seen as a landscape and it could also be seen as a body. Although they were different, both perceptions were right at the same time. I knew instantly that I had an entire series of images waiting to be captured on film"
black and white photography
miniature photography
sport photography...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
La Chasse au Cerf, Normandie, France, September 1975
Located in New York, NY
La Chasse au Cerf, Normandie, France, September 1975
Photographed by Jonathan Becker
Contemporary
44" x 44.5" Archival Pigment Print
Edition Nº 1 of 9
Certificate of Origin
Signed a...
Category
1970s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Log Cabin - black and white photography
Located in New York, NY
"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Ocean Wave
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed, titled, numbered, and dated, verso
17 x 11 inches, sheet
(Edition of 15)
22 x 17 inches, sheet
(Edition of 15)
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
Originally trained as a painter, and then working as a collage artist, Marc Yankus began incorporating his own photographs into his artwork around 1999. However, when he did so, it marked a turning point in his career. In many of Yankus’ photographs, textures scanned from old tintypes, books, and other objects are digitally layered on top of the artist’s original images. The superimposition of the old and the new serves as an apt metaphor of Yankus’ wider conceptual interests. Throughout his work, the artist oscillates not only between the old and the new, the past and the present, but also between figuration and landscape. Establishing a rhythm and play between timeless portraits and beautifully still and quiet landscapes and cityscapes, Yankus’ achievement is a wonderful consistency of mood. Hushed, introspective, and at turns even melancholic, this body of work is ultimately a reflection of the artist’s personal past and his passage into the present time.
Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
sunset on Pilgrim Lake, Provincetown
By Frank Yamrus
Located in New York, NY
Archival pigment print (Edition of 11)
Signed, dated, and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Please note that prices increase as editi...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
high tide at Herring Cove Beach, Provincetown
By Frank Yamrus
Located in New York, NY
high tide at Herring Cove Beach, Provincetown
2004
Signed, dated, and numbered, verso
Archival pigment print
6.5 x 6.5 inches
(Edition of 11)
$950.00
The first print in the editi...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Field of Pink Tulips, Color Nature Photography by Geoffrey Baris, Flowers
Located in New York, NY
Field of Pink Tulips, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and number...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Color, Archival Pigment
Evan, Stretching
By Jan Rattia
Located in New York, NY
Evan, Stretching
2020
Signed and numbered on label, verso
Archival pigment print (Edition of 5 + 1 AP)
12 x 18 inches
$1,400
This work is offered by CLAMP in New York City.
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Amber Ray
Located in New York, NY
Archival pigment print
Signed and numbered, verso
20 x 24 inches, sheet
(Edition of 15)
30 x 40 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Cowboy - black and white photography
Located in New York, NY
"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Untitled (from the series "30, 000 Feet")
By Lane Coder
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
16 x 20 inches, sheet
(Edition of 10)
30 x 40 inches, sheet
(Edition of 10)
50 x 60 inches, sheet
(Edition of 10)
This ...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
"Northern Saw-whet Owl"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Ink, Archival Paper, Archival Pigment
Laundromat
Located in New York, NY
Archival pigment print
Signed and numbered, verso
40 x 50 inches
48 x 62 inches
(Total edition of 15)
This artwork is offered by ClampArt, located in New York City.
Please note tha...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Fishnets, New York Burlesque Festival, Southpaw
Located in New York, NY
Archival pigment print
Signed and numbered, verso
24 x 20 inches, sheet
(Edition of 15)
40 x 30 inches, sheet
(Edition of 8)
This photograph is offered by ClampArt, located in New...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
June, Mixed Media, Contemporary Photographic Resin Art, Clouds & Blue Skies, 2/5
Located in New york, NY
June, 2025 by Isabelle Schneider is a contemporary photographic mixed-media work, focusing on a serene day in June. The reflections of white clouds and bright green tree leaves agai...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Resin, Mixed Media, Wood Panel, Archival Pigment
Pigment art for sale on 1stDibs.
Find a wide variety of authentic Pigment art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Brian Finke, Howard Lewis, David Burdeny, and Marc Yankus. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment art, so small editions measuring 1 inches across are also available
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