Mixed Media

Landscape is an artwork realized by Mario Sinisca, 1970s.  Mixed media on canvas, 143 x 245 cm; not framed. Hand signed lower left. Good conditions. 

JACQUES LIPCHITZ Study for a Lesson from a Disaster, ca. 1952 Black and Blue Crayon on Paper Signed in graphite pencil lower right front Unique work of art Framed: held in original v...

Construction Assemblage of mat board or Bristol board. titled Geo 1 and signed and dated verso. Lawrence Saul Heller, (Larry Heller) (American, born 1965) Born Great Neck, NY Kent S...

Composition is an artwork realized by Leo Guida in 1970s.  Fabric, 120 x 78 cm; framed. Good conditions.

Max Bucaille ( 1906-1996) , né à Sainte-Croix-Hague.FRANCE poèmes et collages surréalistes depuis 1930 . " les Cris de la Fée " 1939 . ce collage d...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

5-3424 Figural painting Mixed media on artist board Image size 12x10" Displayed in a black wood frame Signed Vanzina

DEREK BOSHIER "Culture Carriers Stamp Out Art", (Hand Signed), from the Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 in 15.2 × 22.9 cm Limited Edition of 250; hand signed and numbered 24/250 Signed in ink lower left of the lithographic stamp affixed to the envelope, and hand numbered 24/250. From the series The Post Office Worker's Strike Commemoration Stamps Unframed The artwork consists not just of the signed, limited edition Boshier postage "stamp", but also the franked envelope, which it is affixed to, with the stamps as described above. The entire mixed media piece is far more desirable than the stamp alone. As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Derek Boshier along with a group of British artists including Allen Jones, David Hockney, Christopher Logue, Eduardo Paolozzi and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250, with Derek Boshier signing each by hand in black ink with his initials on the lower left. This particular stamp is also numbered 24/250. The stamp itself measures 3.25 by 2.75 inches, and it is affixed to a franked (postmarked) envelope which measures 6 inches by 9 inches, bearing the stamped text "Culture Carriers 23 Feb 1971" on the top left, and the stamp "CULTURE CARRIERS STAMP OUT ART" on the lower left (front). and the stamp "STRIKE ISSUE" lower right front of the envelope. Very desirable as an ensemble. these were known as The Post Office Worker's Strike Commemoration Stamps. This particular piece has superb and interesting provenance, as it came from the private collection of the American art critic Anthony Haden-Guest. As additional provenance, we will furnish the buyer with a xerox copy of the receipt from Flair Magazine...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

This superbly handcrafted abstract wooden wall art sculpture panel was designed by French artist Maxime Tendero (1927-1998) in 1973. Mounted o...

Alcune lettere respinte al mittente  is an artwork realized in 1987 by Gianfranco Baruchello . Mixed media on paper (China ink and enamel on cardboard). Hand-signed and dated on the...

Keith Haring Eight Ball 1989: This extremely rare 4 page printed/faxed document was created by Haring in 1988/1989, as a set of instructions to his publisher on “Eight Ball - Haring’...

Alan Shields Lonely Night, 1969 Screenprint and Pochoir with collage on perforated paper Pencil signed, numbered and dated from the limited edition of 100 Unframed Mixed media colla...

Peter Halley Core, 1991 Limited Edition Silkscreen with lithography on Coventry Rag paper. Pencil signed and numbered 13/50 on the front Publisher: Edition Schellmann & Pace Editions...

Stephen Mueller (American, 1947-2011) Southwest Spirit, 1973 Mixed media on paper Signed 'Stephen Mueller 4 '73 NYC' on the reverse Full sheet: 36 x 24 inches In vintage wood frame. Over all dimensions 39.75 X 27.75 Inches Provenance: William Talbot...

THOMAS BROWNELL ELDRED Untitled Mid Century Modern Abstraction, 1941 Gouache on paper Hand signed and dated 1941 on the front 14 3/4 × 21 inches Unique Provenance: Acquired from the estate of Thomas Brownell Eldred Unframed This gorgeously colored gouache painting on thick paper was created at a time when the Guggenheim Museum (Museum of Non-Objective Painting) was collecting Eldred's work, alongside works by Kandinsky and Bauer. Unique works like this by Eldred are very desirable in the marketplace. It typifies the artist's eclectic style, reflecting his involvement with Surrealism and the New York School. It also highlights Eldred’s excellent draftsmanship through the characteristic bright colors and patterns that he developed during his time as a naval wood pattern maker in the merchant marines...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Enamel on metal attached to wood frame

Keith Haring Party of Life 1986 (Keith Haring birthday invite 1986): 
Rare original silkscreened t-shirt invitation to Keith Haring’s third ...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Joan Miró vinyl album art, 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for th...

Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings. Jacob Pins was born in ...

KENNETH NOLAND Untitled, for Trustees of the Honolulu Museum of Art, 1984 Mixed Media collage with silver and colored foil on board. Signed on verso (back) with personal inscription. "for Twig and Laila" (Trustees of the Honolulu Museum of Art), Deaccessioned from the Honolulu Museum of Art Collection Inscription done in black marker and reads: "A Little Exercise For Twig and Laila With Thanks For A Wonderful 3 Days At ' Cedar House' On The 'Big Island'... 1 Sept 1984 Honolulu Hawaii." Frame included Measurements Framed: 12.5" x 12.5" x .3" Artwork: 8.75" x 8.75" This reflective Chevron collage was de-accessioned by the Honolulu Museum of Art. In 2018, it was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri, and is reproduced in the exhibition catalogue. Unique signed and dedicated mixed media collage with silver and colored foil on board by the important Color Field painter Kenneth Noland. It's quite a dazzling work, combining color field, geometric abstraction with Op Art, as the work changes appearance and color with the reflected and refracted light. - sometimes appearing light; sometimes darker. See the photos -- there's a light one and a darker one - and they both depict the same work. What's so impressive is that this work literally changes color depending on how the light reflects against it. The artist wrote a personal and heartfelt inscription on the verso to "Twig and Laila". (Twig (sic), which the artist deliberately misspells, is Thurston Twigg Smith, former publisher of The Honolulu Advertiser, who was married to New York philanthropist Laila Twigg Smith. Laila had lived in Hawaii since 1970, where she and her husband had put together a substantial collection of contemporary art. Unfortunately, the two divorced in 1996 and soon after she returned to New York. Two years later, in 1998, Laila died of liver failure at the young age of only 53. Laila was a major philanthropist and art collector who moved from Manhattan to Hawaii. She was a board member of the New Museum of Contemporary Art in New York and a major donor the Honolulu Museum in Hawaii. Laila donated the present Ken Noland...

This abstract painting by Genichiro Inokuma measures 18" x 24" and framed 22 ⅝" x 28 ¾" x 1 ¾". Frame is original and all original labels are intact. This piece was likely exhibited ...

HOWARD MEHRING Study for Spring Sweep, 1964 Oil, oil stick, charcoal, gouache painting on paper Hand signed, dated and annotated with the names of the colors in graphite pencil on the front This is a unique work Frame included: elegantly matted and framed in a museum quality dark blue wood frame with UV plexiglass This 1964 hard edge painting on paper...

ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 8 1/2 x 5 1/2 inches Watercolor, gouache, and ink on black pap...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

This striking Abstract Expressionist sixties composition is by Danish artist Erling Andersen. Painted in 1969 it is a mixed media composition on canvas...

Jack Hooper "Woman on Red" 1/2/1970 Gouache, ink and pencil on glossy, red paper 11"x8.5" unframed Signed and dated in ink lower right In the year 1970, Jack Hooper's artistic prowe...

Colourful decoupage harlequin portrait by Colobesa? '89 Art Sz: 8 1/2"H x 5 1/2"W Frame Sz: 13 1/4"H x 10 1/4"W w/ chrome frame w/ red & yellow mat

I love this extraordinary American surrealist piece - a collage/montage, an assembly of objects in a velvet-clad box/frame - for a number of reasons reasons. I love the fact that it depicts pipes, among the most iconic images of the surrealist movement, rooted in Magritte’s famous 1929 painting which depicts a pipe accompanied by the caption “Ceci n'est pas une pipe” (This is not a pipe). Marcel Duchamp loved using pipes...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Composition by Sam Francis (1923-1994) Acrylic and paper collage on paper 57.2 x 81.3 cm (22 ¹/₂ x 32 inches) Stamped o...

Exceedingly rare, one-of-a-kind handwritten Jewish calendrical manuscript from Władysławowie, 1837. This book belongs in a museum. Rebound beautifully by James MacDonald & Co. Photos are the actual photos of the book. See all photos. The history of the Jewish calendar may be divided into three periods—the Biblical, the Talmudic, and the post-Talmudic. The first rested purely on the observation of the sun and the moon, the second on observation and reckoning, the third entirely on reckoning. The study of astronomy was largely due to the need of fixing the dates of the festivals. The command (Deut. xvi. 1), "Keep the month of Abib," made it necessary to be acquainted with the position of the sun; and the command, "Also observe themoon and sanctify it," made it necessary to study the phases of the moon. The oldest term in Hebrew for the science of the calendar is ("fixing of the month"); later ("sanctification of the new moon"); ("sanctification of the new moon by means of observation"); ("sanctification of the new moon by means of reckoning"); ("science of fixing the month"); ("rules for the sanctification of the new moon"). Among other names besides these we find (" the secret of intercalation"). The medieval and modern name is Babylonian Calendar. The Babylonian year, which influenced the French time reckoning, seems to have consisted of 12 months of 30 days each, intercalary months being added by the priests when necessary. Two Babylonian calendars are preserved in the inscriptions, and in both each month has 30 days as far as can be learnt. In later times, however, months of 29 days alternated with those of 30. The method of intercalation is uncertain, and the practise seems to have varied. The Babylonian years were soli-lunar; that is to say, the year of 12 months containing 354 days was bound to the solar year of 365 days by intercalating, as occasion required, a thirteenth month. Out of every 11 years there were 7 with 12 months and 4 with 13 months. Strassmeier and Epping, in "Astronomisches aus Babylon," have shown that the ancient Babylonians...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 11 x 13 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and ...

Benjamin SPaRK is a Franco-Belgian artist born in 1969, who lives and works in Brussels. The painting was made as a gift for a friend, as it says on the back 'to my friend Alick'

In 1985, Warhol teamed up with Keith Haring to make a wedding gift for their friend Madonna before her marriage to Sean Penn. They replaced a New York Post image on the front page wi...

Susan Fateh Sol Posto III Mixed Media Year: 1992 Signed, dated and titled by hand Unique Size: 19.0×12.2in COA provided Ref.: 924802-1173 Susan Fateh (1958) is a Scottish/Iranian co...

Judy Pfaff Untitled, 1994 Collage, Mixed media, Gouache and Leaves on paper, in Artist's Frame. Signed with Andre Emmerich & Bellas Artes Gallery Labels - accompanied by original shi...

The swimmer. Marco Silombria (Savona, 1936 - Albissola, 2014) Painted on paper, mixed technique Hand signed lower right "Silombria". Painting represent...

Modern expressive abstract painting by Mexican artist Juan Sanchez-Juarez. The work features a tan and cream field with large geometric sh...

Robert Morris (1931-2018) Study for Copper Sculpture, 1980 Screenprint with Metallic Ink, signed and numbered in pencil Pencil signed, dated, and numbered PP1/7 by Robert Morris on t...

This striking Abstract Expressionist sixties composition is by Danish artist Erling Andersen. Painted in 1969 it is a mixed media composition on canvas...

lithograph and screenprint with pochoir collage and embossing on paper

Signed lower right, 'Barbara Johnson' (American, 1927-2021) and titled, lower left, 'Oberon Series 1'. Exhibited: Carmel Art Association, circa 1995 (accompanied by original label) ...

Robert Lepper (1906-1991) . Cubist composition, 1931. Cut copper, brass and steel sheeting tacked to masonite panel. Panel measures 14.5 x 24 inches. Total framed measurement 20 x 29...

Linda Stein, Writing on the Wall 001 - Mixed Media Collage Contemporary Art Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also wor...

Red Grooms The Daily Arf, 1974 Embossed Silkscreen and Blind Intaglio Hand signed and numbered: Pencil signed and dated 1974 lower right; pencil numbered from the edition of only 12 ...

Joy of Twins Mother is an original painting by the late Prince Twins Seven-Seven. About the Artist Twins Seven-Seven was born Taiwo Olaniyi Oyewale Aitoyeje in Ogidi Ikumu, Nigeria,...

Charming decoupage "Amarylis" floral still life by BM (Bobby Livingston) signed (LL) & dated April- 1987 on verso Art Sz: 12 3/8"H x 8 5/8"W Frame Sz: 16 3/8"H x 12 3/8"W w/ gilt ba...

Keith Haring City Cycles NYC 1985: Vintage double-sides 1980s Keith Haring City Cycles bag designed and illustrated by Haring for the legendary former downtown bike store: City Cycle...

Jean Picart Le Doux, French (1902 - 1982) "Au Rendez Vous Des Oiseaux" Larger handmade wool Aubusson tapisserie Produced by Maison M. Berthaut Aubusson Atelier, France. Signed Lower left corner woven with firm's monogram and lower right with artists full name. Bears stitched label attached en verso. Original documents included with the lot. Measures 71-1/2" x 50". Jean Picart Le Doux, born in Paris in 1902 and died in 1982, was a French painter and painter-cartonnier the revival of contemporary flat weave tapestry. He is the son of the painter Charles Picart Le Doux (1881-1959). His first tapestry dating from 1943 after winning the Grand Prix of the theater poster exhibition in the imaging. He met Jean Lurcat and, and Marc Saint-Saëns,and together they founded the Association of painters cardboard tapestry in 1947. In 1950, he comes up with the idea for ​​the Alliance Graphique Internationale, during the meeting with exhibitors of an exhibition of their work in Basel, Switzerland along with two other French designers Jean Jacques Colin and Nathan, and two Swiss graphic designers, Fritz Buhler and Donald Brown. AGI is officially founded November 22, 1952 and Picart Le Doux will be its first president. Picart Le Doux was a French artist noted for his role in the revival of contemporary hand woven Aubusson tapestry. Picart Le Doux's first tapestry cartoon was a diptych entitled The Four Seasons. Made in 1943...

"Montagne Sainte-Geneviève, Paris" - Watercolor Drawing of French Street Scene Vintage sketch of a 1920's Paris street scene by E. (Elizabeth) (Elisa...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

CARL ANDRE Untitled Drawing, 1984 Felt tip pen, marker and stamp on Postmarked (franked) card to Lynn Charles Foster 3 3/5 × 6 1/10 inches Hand-sig...

DAVID HUMPHREY Lies III (Framed with David McKee Gallery Label), 1986 Monotype on wove paper Unique signed and dated in graphite on the recto Frame included Measurements: 29 1/2 x 21...

Chuck Jones (American, 1912-2002) Untitled (Bugs Bunny), Second half of the 20th Century Hand painted animation film cel Sight: 10 x 12 in. Framed: 16 1/2 x 18 1/2 x 1 1/2 in. Stampe...