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Medium: Archival Paper
WOP 2 - 00628
Located in Phoenix, AZ
mixed media on paper; unframed Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light i...
Category

Early 2000s Romantic Archival Paper Mixed Media

Materials

Paint, Paper, Mixed Media, Archival Paper

WOP 2 - 00624
Located in Phoenix, AZ
mixed media on paper; unframed Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light i...
Category

Early 2000s Romantic Archival Paper Mixed Media

Materials

Paint, Paper, Mixed Media, Archival Paper

WOP 2 - 00668
Located in Phoenix, AZ
mixed media on paper; unframed signed lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated wi...
Category

2010s Minimalist Archival Paper Mixed Media

Materials

Paint, Paper, Mixed Media, Archival Paper

WOP 2 - 00617
Located in Phoenix, AZ
mixed media on paper; unframed paper size 22.25 x 30 inches Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illumi...
Category

Early 2000s Romantic Archival Paper Mixed Media

Materials

Paint, Paper, Mixed Media, Archival Paper

Heart Chakra #4
Located in Lake Worth Beach, FL
Heart Chakra #4 Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has hon...
Category

2010s Pop Art Archival Paper Mixed Media

Materials

Acrylic, Watercolor, Archival Paper

Sacral Chakra #2
Located in Lake Worth Beach, FL
Sacral Chakra #2 Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has ho...
Category

2010s Pop Art Archival Paper Mixed Media

Materials

Acrylic, Watercolor, Archival Paper

Meandering - Loss and Hope
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Mixed Media, Archival Paper

The Divide Polarized
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Mixed Media, Archival Paper

Mirror Metamorphosis
Located in Boca Raton, FL
(48 x 48 inch framed + $2,000) New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social me...
Category

21st Century and Contemporary Contemporary Archival Paper Mixed Media

Materials

Mixed Media, Archival Paper

MW Mirror
Located in Boca Raton, FL
85 x 61 inch framed + $2,400 New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social media. His “Mirrors” series suggest a close examination of self, and yet hands held to the face shield...
Category

21st Century and Contemporary Contemporary Archival Paper Mixed Media

Materials

Mixed Media, Archival Paper

Mixed Media Planet with Roots: 'Fons et origo #3' (Source & Origin)
Located in New York, NY
Fons et origo, which in Latin means Source and Origin, includes 8 wall-sculptures. These circular shapes sprout long roots in delicate hand-cut formations. Some of the roots have tin...
Category

2010s Conceptual Archival Paper Mixed Media

Materials

Metal, Wire

Portrait of an African - Collage
Located in Miami, FL
Mixed media on paper, 1990, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 30 x 22 in. (sheet), 36 x 28 in. (frame). Provenance:The artist, Art Planning Consult...
Category

1990s Abstract Geometric Archival Paper Mixed Media

Materials

Found Objects, Mixed Media, Archival Paper

She’s Come Undone from the Chasing the Fog:Learning How to Breathe Series
Located in Los Angeles, CA
Archival pigment prints from a scanned polaroid, taken with a vintage SX70 Polaroid camera Available in various sizes Chasing the Fog :: Learning how to Breathe is an exploration of...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Thread, Acrylic, Archival Paper

"Inwardness #11082021" - digital mixed media photography - Zao Wou-Ki
Located in Atlanta, GA
"Inwardness #11082021" is digital mixed media work featuring green, red, yellow and black hues. The frame dimensions are 22 by 25.75 inches. Zhou Peng is inspired by the work of CAI...
Category

2010s Abstract Archival Paper Mixed Media

Materials

Archival Paper, Archival Pigment

'Treading Water in The Deep End #2' - figurative - black & white - Kara Walker
Located in Atlanta, GA
'Treading Water In The Deep End #2' is a black and white figurative work made of cut paper. Jerushia Graham is inspired by the works of Elizabeth Cat...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Archival Paper

Door to the Dream Room
Located in Boston, MA
Artist commentary: Magic happens in a space that is a room with a door to the subconscious mind. Words that describe the piece: dreams, door, magic, colorful, abstract,
Category

21st Century and Contemporary New Media Archival Paper Mixed Media

Materials

Archival Paper, Digital

Flowers in the Multiverse
Located in Boston, MA
Artist commentary: Flowers do grow in the Multiverse! But they only show their shapes as negative space. Words that describe the piece: colorful, flowers, bold, expressive
Category

21st Century and Contemporary New Media Archival Paper Mixed Media

Materials

Archival Paper, Digital

"Marmara Totem" abstract mixed media collage, (blue, red, brown, silver grey)
Located in New York, NY
12"x9" mixed media collage: acrylic, metallic watercolor and papers, ink, collage dressmaking patterns, framing options available. Linda Ganjian's artwork captivates with its ornat...
Category

2010s Abstract Archival Paper Mixed Media

Materials

Foil

Butterfly with Mended Wing #1
Located in Los Angeles, CA
Butterfly with Mended Wing is a study of the human condition and the work we all do in our own lives to belong more fully to ourselves. The red stitch on the wing is symbolic of our ...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Thread, Acrylic, Archival Paper

Feminist Sculptural Tapestry - 929 Growing Up Female: Jewelry, Guns, Landmines
Located in New York, NY
Linda Stein, Growing Up Female: Jewelry, Guns, Landmines 929 - Feminist Contemporary Sculptural Tapestry Growing Up Female: Jewelry, Guns, Landmines 929 is from Linda Stein's Sexis...
Category

2010s Feminist Archival Paper Mixed Media

Materials

Fabric, Wood, Archival Paper, Archival Pigment

Four Figures 985 - Contemporary Art Drawing Collage
Located in New York, NY
In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Paper, Archival Paper, Ink

The illustrated Long Walk to Freedom 30th Anniversary of Presidency
Located in Knowle Lane, Cranleigh
A leather-bound autobiography with an original pencil signature inserted posthumously. L27 x W23 x D3 cms Book Dimensions L29 x W25 x D5.5 cms Presentation Box Dimensions This beaut...
Category

1990s Post-Modern Archival Paper Mixed Media

Materials

Archival Paper

Atoll
Located in New York, NY
paper construction on wood panel 14"x 11" (available unframed) Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on m...
Category

21st Century and Contemporary Abstract Archival Paper Mixed Media

Materials

Archival Paper, Glitter, Paint, Wood Panel

Basket
Located in New York, NY
paper construction on wood panel 9"x 12" (available unframed) Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on ma...
Category

21st Century and Contemporary Contemporary Archival Paper Mixed Media

Materials

Archival Paper, Glitter, Mixed Media, Paint

Drawing in Water
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed? Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see. In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along? In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter? “Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Ink, Archival Paper

Taking Place
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed? Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see. In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along? In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter? “Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Ink, Archival Paper

The Fatigue of the Conquest
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed? Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see. In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along? In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter? “Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Ink, Archival Paper

The Second Flight
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Archival Paper, Magazine Paper

Undercurrents
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Archival Paper, Magazine Paper

Into Mystery Land
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Archival Paper, Magazine Paper

No Such Border
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Archival Paper, Magazine Paper

Henson and Peary - Past Entanglements
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Archival Paper, Magazine Paper

The Forward March Loses Ground
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Archival Paper, Magazine Paper

"$4.20" by Charles Patrick with Mixed Media Butterflies
Located in Greenwich, CT
This work is sourced directly from the artist. Butterflies cut from $2 bills, arranged in the shape of a pot leaf, and pinned with stainless steel entomology ...
Category

21st Century and Contemporary Contemporary Archival Paper Mixed Media

Materials

Canvas, Plexiglass, Wood, Paint, Paper, Acrylic, Pins, Archival Paper

Henri Matisse, "Blue Cut Out/Flower" Paper Collage
Located in Boston, MA
Artist: Matisse, Henri Title: Blue Cut Out/Flower Date: Unknown Medium: Paper Collage Unframed Dimensions: 4" x 5.75" Framed Dimensions: 20.75" x 22.5" Signature: Initialed E...
Category

1940s Modern Archival Paper Mixed Media

Materials

Archival Paper

"Alone", Contemporary Self Portrait of Artist in Oil and Paper Collage
Located in Philadelphia, PA
"Alone" is a unique artwork by Eustace Mamba made from mixed media, layered paper and oil painting. This piece measures 30"h x 24"w x .75"d and ships with a gallery-issued Certificat...
Category

21st Century and Contemporary Contemporary Archival Paper Mixed Media

Materials

Textile, Paint, Mixed Media, Canvas, Oil, Archival Paper

Outlander, Contemporary Photographic Collage by Justine Kurland
By Justine Kurland
Located in New York, NY
Outlander, Contemporary Photographic Collage by Justine Kurland Justine Kurland “Outlander” 2022 Signed Collage (Unique) 48 x 43.5 inches Contact gallery for price.
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Archival Paper, Photographic Paper

Blue
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 22 x 16 inches. James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Spray Paint, Acrylic, Archival Paper

Blue
Price Upon Request
Pink
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 22 x 16 inches. James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Spray Paint, Acrylic, Archival Paper

Pink
Price Upon Request
Green
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 18 1/2 x 14 1/2 inches. James Henderson’s work explores the concept of memory and nostalgia. Utilizing found...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Spray Paint, Acrylic, Archival Paper

Green
Price Upon Request
Orange
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 18 1/2 x 14 1/2 inches. James Henderson’s work explores the concept of memory and nostalgia. Utilizing found...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Acrylic, Spray Paint, Archival Paper

Orange
Price Upon Request
Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
Located in Santa Fe, NM
Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Archival Ink, Archival Paper

Heart Message, by Melanie Yazzie, work on paper, framed, yellow, abstract, blue
Located in Santa Fe, NM
Framed work on paper with monotype elements Hand pulled and painted 1/1 unique work of art As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage....
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Plexiglass, Mixed Media, Archival Paper, Monotype

Side Track 58
Located in New York, NY
Earth, air, water, and fire are the center subjects of my art. I live in New York City-it is close to the ocean, and I’ve developed a deep affinity for the sea, which has also evoked...
Category

2010s Abstract Archival Paper Mixed Media

Materials

Canvas, Paint, Archival Ink, Mixed Media, Acrylic, Archival Paper

Storm
Located in New York, NY
Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...
Category

2010s Abstract Archival Paper Mixed Media

Materials

Archival Ink, Oil, Acrylic, Archival Paper, Archival Pigment

Lincoln's Bullet as a Meteorite
Located in New York, NY
Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...
Category

2010s Surrealist Archival Paper Mixed Media

Materials

Steel, Stainless Steel

Starry, Starry, Starry
Located in New York, NY
Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...
Category

2010s Surrealist Archival Paper Mixed Media

Materials

Archival Ink, Mixed Media, Acrylic, Archival Paper, Archival Pigment

Danger
Located in New York, NY
Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...
Category

2010s Surrealist Archival Paper Mixed Media

Materials

Steel, Stainless Steel

Homage to Frida Kahlo (Red Frida)
Located in New York, NY
The complete title of the work is "HOMAGE TO FRIDA KAHLO (RED FRIDA) "Exhilaration-is-within-There can be not Outer Wine So Royally intoxicate" E. Dickinson. Lesley Dill is an Amer...
Category

Early 2000s Archival Paper Mixed Media

Materials

Fabric, Cotton, Silk, Ink, Archival Paper

Acteon
Located in New York, NY
Sophia Vari (born in Athens, Greece) recently deceased, was an established international visual artist known for polychrome sculptures, collages, oil and watercolor paintings. Her ex...
Category

1990s Archival Paper Mixed Media

Materials

Canvas, Charcoal, Cardboard, Archival Paper

Acteon
Price Upon Request
Kyrzig Motif III
Located in New York, NY
Again, the versatility in her texture, shapes an palette are reflected in this work.
Category

1990s Archival Paper Mixed Media

Materials

Gesso, Oil, Archival Paper

Motif II (Male, Dragon)
Located in New York, NY
This work is a great sample of the versatility in use of medium, texture and color. This work is also oil on gessoed paper.
Category

1990s Archival Paper Mixed Media

Materials

Gesso, Oil, Archival Paper

Bedouin Cliffs I
Located in New York, NY
Valerie Hird's work reflects her travels throughout Morocco, her unique palate and textures, really evoke an essence of Morroco and how she perceives it.
Category

1990s Archival Paper Mixed Media

Materials

Gesso, Oil, Archival Paper

Diana vs Grace
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Plexiglass, Archival Ink, Mixed Media, Archival Paper, Archival Pigment

JFK vs Jackie & Jackie vs JFK
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category

2010s Contemporary Archival Paper Mixed Media

Materials

Plexiglass, Archival Ink, Oil, Archival Paper, Archival Pigment

Untitled
Located in Saint Louis, MO
Ross Bleckner Untitled, 1989 Mixed media on paper 28 x 22 inches (71.1 x 55.9 cm)
Category

1980s Abstract Archival Paper Mixed Media

Materials

Mixed Media, Archival Paper

Untitled
Untitled
Price Upon Request
Nest Builder
Located in Kansas City, MO
Aster da Fonseca Nest Builder Acrylic on Tape on Paper Year: 2022 Size: 12x9in Signed by hand COA provided Ref.: 924802-1374 collage acrylic paint ta...
Category

2010s Modern Archival Paper Mixed Media

Materials

Tape, Acrylic, Archival Paper

Cardinal's Nest
Located in Kansas City, MO
Aster da Fonseca Cardinal's Nest Acrylic on Tape on Paper Year: 2022 Size: 12x9in Signed by hand COA provided Ref.: Ref.: 924802-1372 collage acrylic...
Category

2010s Modern Archival Paper Mixed Media

Materials

Tape, Acrylic, Archival Paper

Feeding Time
Located in Kansas City, MO
Aster da Fonseca Feeding Time Acrylic on Tape on Paper Year: 2022 Size: 14x17in Signed by hand COA provided Ref.: 924802-1370 collage acrylic paint tape nature landscape bird tree b...
Category

2010s Modern Archival Paper Mixed Media

Materials

Tape, Acrylic, Archival Paper

Parakeet
Located in Kansas City, MO
Aster da Fonseca Parakeet Acrylic on Tape on Paper Year: 2022 Size: 19x24in Signed by hand COA provided Ref.: 924802-1365 collage acrylic paint tape nature landscape bird tree beaut...
Category

2010s Modern Archival Paper Mixed Media

Materials

Tape, Acrylic, Archival Paper

Archival Paper mixed media for sale on 1stDibs.

Find a wide variety of authentic Archival Paper mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Hiro Yokose, Jessica Houston, Kim Frohsin, and Audrey Anastasi. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper mixed media, so small editions measuring 0.1 inches across are also available

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