Synthetic Resin Mixed Media

Untitled #139 by Murray Duncan, 2024 Mix media on paper Unframed Size: 32" x 40" Murray Duncan Studio: Murray Duncan, born in 1966, is a self-taught creative visionary celebrated f...

The goat plays a strange role in mythology and legend; perhaps its ambivalence, appearing on both sides of the spectrum, give it the appeal it enjoys. Most ancient cultures from the Assyrians via the ancient Greeks and Vikings have a goat appear in their legends. Berlin’s goat skulls...

Tasha Jentel is an abstract sculptural painter with a deep love for minimalism and thick textures. Guided by her passion for exploring spatial tension, Je...

Steven H. Rehfeld's '1994' is a versatile and dynamic 38" x 64" mixed media artwork that resonates with the spirited essence of abstract expressionism. The canvas is a symphony of co...

Ettoja is one of the most prominent illustrators and street art creators in Lithuania. His work explores themes such as social issues, ecology, environmental protection, and the rela...

Well known for her cut paper artwork, and amusement park themes, Ms. Marano’s delightful imagery is included in numerous books and documentaries about Coney Island history. In this ...

XV From The Red Series Cotton wicks, watercolour pencil and acrylic on paper Image size: 11.7 in H x 8.3 in W Frame size: 12.5 in H x 9.5 in W x 1.5 in D White wood frame Certificate...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Framed Size - 65 x 65 cm Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisat...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This 20" x 30" contemporary abstract mixed media piece by Steven Rehfeld is a captivating exploration of form, color, and texture. The composition features a harmonious blend of soft pastel hues — calming blues, delicate pinks, and mellow yellows — juxtaposed against more assertive tones of deep magenta, vibrant orange, and charcoal gray. The painting showcases Rehfeld's signature style of blending geometric shapes, notably triangles and circles, with freer, more organic brushstrokes. The added depth is achieved through the inclusion of mixed media elements: fragments of paper with faint sketches, scribbles, and translucent overlays create a multidimensional visual experience. The smoky, sinuous black mark towards the center adds a hint of dynamism, while the layered application of paint and paper produces a tactile richness, making the piece an engaging visual journey. Steven is now one of the top emerging artists in the U.S. His works are groundbreaking, bold, and imbued with unflinching disregard for painting conventions. Many works are in collections and museums in the U.S. Steven is also part of the 'Outsiders' school of art, originating in France in the 19th century. Also known as the Naïve movement, and was comprised of people with no art training at all, who suddenly started to paint. Many of them are from very challenging backgrounds. All they had was talent that had never before been tapped. In no time this movement became a significant art phenomenon and spread all over the world. His work, however, has branched out past the movement and his use of earth elements renders a basic and raw interpretation of his message. Original, 1-of-1. Shown at the American Art Gallery, Carmel-By-The-Sea, California. Keywords: colorful, mixed media, contemporary, abstract, expressionism, blue, pink, yellow, magenta, orange, grey, Steven H...

William DeKoornbolt "Wonton Malice" Original Mixed Media Abstract Painting c.1981 Fine mixed media abstract painting by noted artist William DeKoo...

Dramatic mixed media composition of fabric, inlaid wood veneers, paint and gold leaf laid down on masonite. Circa 1950. Condition is very good. Ran Su Studio l...

AUDRA WEASER "Bathing Light" Acrylic, Metallic Pigments, Plaster Paint on Canvas 36 x 36 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based painti...

To create this masterpiece, Kempken used a unique technique of painting multiple artworks and cutting them up to weave them back together. The process of weaving to her is meditativ...

In this contemporary artwork, crushed opal and aquamarine in light blue with dry pigment and wood ash are adhered with polymer medium to create a layered geometric pattern on light g...

Cosmas and Damian is an original painting realized by the Italian artist Salvatore Travascio in 2012. This beautiful artwork is a diptych in oil pai...

The movie releases of the three musketeers, the tale of Monte Christo, makes me want to dive back into the novels of cape and sword that enchanted my childhood. I just wanted to sugg...

Stunning mixed media on canvas painting form the studio of Peter Rossiter

Stephen Mueller (American, 1947-2011) Southwest Spirit, 1973 Mixed media on paper Signed 'Stephen Mueller 4 '73 NYC' on the reverse Full sheet: 36 x 24 inches In vintage wood frame. Over all dimensions 39.75 X 27.75 Inches Provenance: William Talbot...

Contemporary mixed media abstract collage on handmade hemp paper by Marc Foster Grant (American, b. 1947), 2016. Grant uses a variety of materials in this...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About ...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

New Series - Over The Moon with Little British Birds. New Series - Over The Moon with Little British Birds. We are so blessed with such a variety of beautiful garden bird species wi...

48" DIAMETER 2.5" SIDES "Kollabs is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In our work, we create compositions juxtaposing undomesticated anim...

"ASYMPTOTIC FREEDOM" Abstract Mixed media painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY),...

An original mixed media study by American artist Peter Max. Max experimented with color and form in this mixed media acrylic and pencil over lithograph. Max would use these studie...

El Temor (The Fear) (#1719) 2019 Signed in black ink, l.c. Watercolor, acrylic, and India ink on paper 30 x 22 inches This work is offered by ClampArt in New York City.

'Swing Out Sister!' from multidisciplinary visual artist Kim Frohsin, who created the series, 'Dancers and Athletes', from a variety of media—acrylic ...

Clarence Holbrook Carter (American, 1904-2000) Rockefeller Center, 1962 Acrylic and sand on scintilla Signed and dated lower left 25 x 20 inches Clarence Holbrook Carter achieved a ...

John Baker’s “Best of Both Worlds II”, an acrylic painting on canvas with collage 25 x 22 x 1.5 inches (frame 4 inches wide), is a self-portrait in...

Experimental photographic work by Kim Frohsin, who is often associated with the Bay Area Figurative movement, began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art: The Morgan Flagg Collection." Frohsin is a multidisciplinary visual artist, who is at home with painting, drawing, monoprintIng, and mixed media. Her subjects include the female figure as well as mundane ''objects" and series — including ‘Cautionary Tales’ and ‘Portraits of Numbers’— that attract her attention, and which are most often autobiographical in nature. This mixed media work is created from deconstructed pinhole photographs...

Original acrylic painting on canvas. Hand-signed in acrylic on front by Peter Max. Peter Max studio catalog number on canvas side. Canvas size 60 x 60 inches. Canvas is stretched....

This vivid circular mixed media on paper, titled “Atlas 06” by Jose Palacios, showcases his signature abstract pop art style, blending vibrant colors and dynamic forms. The compositi...

GREG MILLER "Charm Magnolia" Acrylic, Collage 48 x 48 in. Signed verso by artist Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller expl...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. This piece symbolizes the remarkable traits of African women, likening their beauty and resilience to that of the hibiscus flower in full bloom. It acknowledges their strength and ability to flourish despite adversity, celebrating their vibrant spirit and unwavering perseverance. About Artist Olalekan Odunbori...

Exhibiting the bold colors and textures that her work is known for, "Unrestrained" is a large abstract painting on by Nancy Eckels. Using sculptural texture with beautiful lavender...

We are the Earth is comprised of a photograph, acrylic paint, found objects in nature (bones, leaves, flowers, stones, crystals) and resin. The base materials for the work consist of a wooden paneled canvas that provides the platform for the adhesion of a rolled photographic canvas, a fine art photography print. The canvas print, in this case a double exposure digital photograph, is adhered to the wood using a clear acrylic varnish. Acrylic Paint is added along with the objects that I found in nature, which are all placed in a careful and meticulous fashion, finally cemented in resin. This specific piece of art was my first large scale piece of its kind, created in my studio in Brooklyn in 2019. This piece was inspired by the colors of my travels, the deserts, trees, mountains and sunsets. The human depicted is myself, it is a self-portrait captured in Great Sand Dunes...

This vibrant circular mixed media painting, “Atlas 03,” by Jose Palacios is a vivid representation of his signature abstract pop art style. The piece bursts with tropical-inspired sh...

Registros XX, 2023 by Nat Orlowski From The Series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Size: 500 H cm x 200 W cm. Unique Impressions of pa...

Untitled carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). Wood panel has large cut-outs where golden wire is strung between the edges. This striking pi...

Dusk, 2024 by Murray Duncan Mix media on canvas Size - 48" w x 60" h x 1.5" d Signed Will be shipped as a rolled canvas. Murray Duncan, born in 1966, is a self-taught creative visio...

Original work in XL American box Made on a wooden panel (MDF 10mm) prepared in the traditional way with a gesso coating, the painting is entirely done by hand, no gluing, no AI. The ...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...

Patricia Zippin View Through the Window 1980s Mixed Media 20"x 14.25" white wood gallery frame float mount 24.5"x19.5 Patricia Jayne Zippin (1930-2015) She was born to Ben and Dorot...

Step into a world of vibrant colors and dynamic textures with this mesmerizing mixed media abstract floral painting with a black float frame. Measuring at an impressive 5' x 7', this...

Sarah Johnson infuses passion, heart, and a lifetime of creative experience into each original painting. Her radial series exhibit both uninhibited freed...

Sarah Johnson infuses passion, heart, and a lifetime of creative experience into each original painting. Her radial series exhibit both uninhibited freed...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

John Baker’s “At the Easel” is a 36 x 30 inch acrylic on canvas with collage in midnight blue, lobster red and flesh tones. Calculated ambiguities and imp...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Deborah T Colter is a contemporary abstract painter who lives on the Island of Martha’s Vineyard. Deborah graduated from the Rhode Island School of Design with a Bachelor Degree of ...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

New Series - Over The Moon with Little British Birds. We are so blessed with such a variety of beautiful garden bird species within the UK. I feel inspired and 'Over The Moon' with ...