1980s Mixed Media

Hedy. Original color steelcut (alkyd oil paint on cut-out steel), 1985/90. Edition of 25 signed and numbered impressions on cut-out steel. Tom Wesselmann is one of the biggest American pop artists today. Even he did not like being labeled a pop artist, it is hard to imagine that his artworks featuring consumer goods and assorted American icons would be considered anything but pop art. At first he was a follower of abstract expressionism, but later switched to figurative art. In the late ‘50s he produced a series of small format collages, which became the basis for his future nudes and still life. In 1963 he married Claire Selley, his most faithful model from the series Great American Nude, and other nudes. In his search for creative styles he began to produce three-dimensional works with the technique of assemblage, using everyday objects such as telephones and televisions. In the Still Life series he used advertising techniques and complemented traditional still life with mass consumption items taken directly from ads. In the ‘80s he began to work with metals and produced original works with a special laser. Over the next two decades he returned to large formats and the theme of the nude from the ‘60s, rounding off his career with The Sunset Nude series, inspired by the works of Matisse. Tom Wesselmann went down in history as one of the greatest representatives of pop art due to his exciting commercial images, his aggressive intervention in three dimensions, his choice of trivial motifs, their monumentalization, the use of stereotypes as a basis for his work and the choice of strong colors. Wesselmann’s aesthetic usage of everyday objects was done not in criticism of American consumerism and culture, but as a way to render Classical genres modern so as to explore the gap between art and contemporary life. This 'steel drawing' or doodle, as he called artwork from that series, shows Wesselmann's skills and innovation in terms of technology and media. ‘My original idea, that began the cut-outs, was to preserve the process and immediacy of my drawings from life, complete with the false lines and errors, and realize them in steel. It was as though the lines had just been miraculously drawn in steel. At the same time, I pursued another idea – to make tiny, very fast doodles, which I would then enlarge in cut-out metal, preserving the feel and spontaneity of the tiny sketch…' - said the artist. This laying model...

Limited Edition Keith Haring spray paint set of 4; published circa 2018 featuring the Estate trademark of Keith Haring. A unique Haring collectible that makes for a fantastic Keith Haring display set. Medium: Off-set lithograph on 4 individual metal spray paint cans. Approximately 8 x 2.5 inches each individual. Each new/unused; comes with a pocket cap as originally issued. From a sold-out/out of print edition of unknown. © Keith Haring Foundation, Licensed by Artestar, New York. *Please note international shipping is not available on this piece. Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions. Related Categories Graffiti. Street Art. Pop Art...

A beautiful set of two table lamps by Keith Haring, screenprint on glass, from the limited edition of 2000, published in 1988 by Kreon. The two lamps are in perfect conditions, they ...

Rosemary with Socks, Arms outstretched. Original color steelcut (alkyd oil paint on cut-out steel), 1989/90. Edition of 25 signed and numbered impres...

1984 Colored paper collage and screenprint on wove paper S. 38 1/4 x 25 in. (97.2 x 63.5 cm) Unique Stamped with the Estate of Andy Warhol stamps an...

Keith Haring 'Rap It' record art 1983: A rare vinyl art cover featuring original artwork by Keith Haring and Futura 2000 (reverse side). Truly vibrant colors that make for stand-out ...

In 1985 Christo & Jeanne Claude had the idea to wrap a personal computer. After having made plans for wrapping buildings, sculptures and also parts of the landscape or trees, they st...

Color lithograph with color paper collage, 1987. Pencil signed lower right and dated, and numbered lower left 5/24. Litho depicts a poem titled "Ariadne" by T. Weiss. Published by ...

This is a mixed media monoprint titled Homage a Sam (I first thought it was for Sam Gilliam but the artist told me it was for Sam Francis. He has done a number of these Homages as I ...

Screen printing over paper collage 98,5 x84,6 cm : sheet size with the stamps of the estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts on the reverse and archive number 115.089. catalogue raisonné : cf. Feldman / Schellmann / Defendi III / B / 15 . Provenance: Estate of the artist. The Andy Warhol Foundation for Visual Arts. Literature: cf. T. Schafrazi , C . Ratcliff , R.Rosenblum , Andy Warhol portraits, New York, 2007. condition: At lower margin with restorations in the paper. Commentaires : In the newspaper "Libération " in October 1983...

An original mixed media work on paper and wooden sculpture by American artist Andrew Topolski. This piece is signed and dated "82" upper left. This unique combination was created f...

1983 Charcoal, watercolor, dye and graphite on paper S. 22 1/4 x 30 in. Unique in pencil lower right; titled lower left; Titled 'Study for Cold Heaven' lower left; signed and dated '...

Mixed media collage

Collaboration between David Wojnarowicz and Jane Bauman Contact gallery for price. This work is offered by ClampArt in New York City.

Robert Motherwell's "The Red and Black No.52" is an abstract collage that incorporates oil based etching ink, pasted papers, and aquatint on paper. The piece was created between the ...

Spray paint on paper Contact gallery for price This work is offered by ClampArt in New York City.

This wall sculpture by Yaacov Agam is a 3D screen print on folded construction paper mounted in a plexiglass enclosure. It is # 86 in a series of 99 printed in 1984. The color palett...

"Self-Portrait" is a stunning mixed media piece showing the vibrancy of the figure through the use of bold lines and placement of the blue and orange colors. The figure appears to be...

"Surreal Study: Male and Female Figures on a Branch" is a complex piece with figures both facing toward and away from the viewer sitting on a branch in a mammoth tree or a fallen tre...

Collage and Painted mixed media artwork painting. Born 1930 in Chile, Golomb immigrated to Palestine in 1935. He later became a member of the Radius Group and an instructor at the Avni Institute, Tel Aviv. He had 20 one-man shows and participated in numerous exhibitions. Golomb has been using oils, tempera, acrylic, encaustic and pencil to produce his works often based on musical associations. Education: With Canadian, Barry Ortzki, a pupil of Henry Moore, and studied painting in tempera with Ernst Fuchs and Wolfgang Manner, Reichenau, Austria Studied drawing with Esther Peretz Arad and Avinoam Kosowsky Teaching Avni Institute, Tel Aviv Group Exhibition, Radius, Tel Aviv 11 February, 1984 - 7 March, 1984 Artists: Shimon Avni, Lea Nikel...

'HeartofAlcamo' by Stanley Boxer, 1989. Oil and mixed media on canvas, 51 x 24 in. / Frame: 52.25 x 25.25 in. This impasto painting has an active surface that is thickly painted wit...

Mixed media with glitter on paper in artist's gold leaf frame 4.25 x 3.25 inches, paper size 12.5 x 8.75 x 1.75 inches, framed NFS.

Donald Sultan Born 1951 Herndon Railway, 18 August 1988 Latex and tar on canvas 96 x 96 inches Donald Sultan is an acclaimed American painter known for his large-scale paintings p...

Donald Sultan Born 1951 Forest Fire, 14 May 1985 Tar, spackle and latex on tile over masonite 96 x 96 inches Donald Sultan is an acclaimed American pa...

Donald Sultan Born 1951 Lines Down, 11 November 1985 Latex and tar on tile 96 x 96 inches Donald Sultan is an acclaimed American painter known for his large-scale paintings produc...

Rise Nagin Title: Gate Medium: Cellophane, pieced, appliqued, stained, layered, quilted Size: 70 x 70 inches Year: 1989 "Risë Nagin's rectangular fabric constructions are often cal...

Cast Paper with Hand-Coloring 19 x 19 inches Signed and Numbered 4/15 *In Plexiglass Shadowbox Frame (27.5 x 27.5 inches) Figurative* artist Larry Rivers was born in the Bronx in 19...

John Rozelle was born in St. Louis, Missouri and holds a B.F.A with a major in painting and a minor in sculpture from Washington University and a M.F.A from Fontbonne College. John R...

Technique: Original Gouache with Color Paper Collage on HMP handmade paper Size: 80.5 x 60 cm / 31.7 x 23.6 in This is an original unique work by Andy Warhol...

Ronnie Cutrone was an American pop artist known for his large-scale paintings of some of America's favorite cartoon characters, such as Felix the Cat, Pink Panther and Woody Woodpecker.

Artist: Romare Bearden Title: Memories #2 Year: 1981 Medium: Ink, Dye Paint and Collage, signed left Paper Size: 8.8 x 9.8 inches Frame Size: 11 x 15 inches

Vacuum formed plastic or styrene painted and screenprinted by the artist. from his artist license plate series. Pop Art from the corporate art collection...