20th Century Mixed Media

James Louis Steg Untitled (children playing and dolls) 30 x 22 “ Xerography on paper on paperboard Unsigned This is a unique work, a collage made from manipulated xerography. James...

Hand-painted (13) star hand-painted/ wood slat Americana flag c1970s Image Sz: 13 1/2"H x 19 3/4"W Frame Sz: 16"H x 22"W

Original advert c1950s artwork for Lanvin of Paris to promote their Arpege Perfume with lipstick red panels by Alexander Warren Montel (1921-2002) Art ...

Signage for Ralph Calvetti's Californians nightclub featuring palm tree & orange stripe awning graphics c1930s Print Sz: 15 1/2"H x 12 1/2"W Frame Sz: 20"H x 17"W w/ gilt bamboo ...

Ancient Tombstones of The Hamptons Photographed and Layered with images to create abstract narratives. Archival Ink. Produced by Dye Sublimation - whi...

Watercolor and Pencil on Board

Signed Lower Left Illustration for part eleven of "The Flying Fish" by Arthur Somers Roche, Collier's, August 19, 1918.

Signed Lower Right otes: F. R. Gruger was one of the most admired artists of the Golden Age of American Illustration. His pictures appeared in almost every major national magazine, but he is best remembered for his long association with The Saturday Evening Post. He was the original illustrator of the serializations of Harry Leon Wilson's Ruggles of Red Gap (1915), Booth Tarkington's Seventeen (1916) and Edna Ferber's Show Boat (1926). Other writers whose work he illustrated during his long career include Bret Harte, Owen Wister, Walter D. Edmunds, P. G. Wodehouse, W. Somerset Maugham, Aldous Huxley, John Galsworthy, Agatha Christie, Ring Lardner, Theodore Dreiser...

Signed Upper Left Saturday Evening Post 8/9/1924

Signed Lower Right

Signed Lower Right Inscribed "Argoflex" on the reverse. The Argus Argoflex was a camera made betwenn 1940 and 1948.

JEAN [HANS] ARP 1886-1966 Strasbourg, France 1886 - 1966 Basel, Switzerland (German/French) Title: Variable Picture (3 x 7 = 21 Shapes) Variables Bild (3 x 7 = 21 Formen), 1964 Te...

Dimensions: 10.00" x 8.25" Signature: Unsigned Nothing ever seems to turn out right for Wile E. Coyote. Even his attempts to take a cool, refreshing dip in the local watering hole a...

Medium: Mixed Media on Paper Dimensions: 24.00" x 20.00" Signature: Unsigned

Cut Paper Collage Jim’s of Lambertville is proud to offer this artwork by: Josef Zenk (1904 – 2000) Josef Zenk was born in New York City in 1904. After graduating from high school...

Cut Paper Collage, Signed Lower Left. Hilla Rebay was an avant-garde artist who believed deeply in the power of intuition while creating art. She was the progenitor of The Museum...

Martin Bradley 1931-2023 Untitled (Double Happiness), 1965 circa oil on wood diameter, 182.9 cm (72 in) signed Martin Bradley is a 20th-century painter. Born in London in 1931, fro...

Artist: Matisse, Henri Title: Blue Cut Out/Flower Date: Unknown Medium: Paper Collage Unframed Dimensions: 4" x 5.75" Framed Dimensions: 20.75" x 22.5" Signature: Initialed E...

Original piece by David Wojnarowicz. Showing at The Queer Show Part II.

Hardcover book in dust jacket signed by David Hockney and Stephen Spender From a limited edition of 1,100, numbered 'AP 73/100' Accompanied by a five-colour folding lithographic prin...

Basquiat Skateboard Decks Set of 3 (2019-2020): Vibrant, superbly rendered Basquiat Skateboard Decks licensed by the Estate of Jean Michel Basquiat in conjunction with Artestar, feat...

Limited Edition Keith Haring spray paint set of 4; published circa 2018 featuring the Estate trademark of Keith Haring. A unique Haring collectible that makes for a fantastic Keith H...

This work is the 10th sheet of the ten-part series ‘Ten Landscapes’ from 1967. Technique: Screenprint on chromogenic photographic print and translucent moiré Rowlux collage, mount...

Barrow Street Robe #3 Jim Dine, American (1935) Date: 1986 Acrylic, Gouache, Pastel and Charcoal on Paper, signed and dated top middle Size: 41 x 29 in. (104.14 x 73.66 cm) Frame Siz...

MICHAEL ROTHENSTEIN RA (1908-1993) EIGHT, 1966 (later retitled Blue, Red, Green & Yellow) The Artist’s Wooden Palette & Metal Paint Pans Boxed 61x91x7cm Comprehensive cataloguing an...

The image shows an old, worn page titled Memoirs of My Dead Life. Below the title is a small, black botanical element, resembling a pressed or carved leaf or fern, attached to the pa...

The image features a page from a medical or anatomical text titled A Study of the Voluntary Muscles, showing a diagram of a shoulder and arm structure. The diagram is labeled with le...

A leather-bound autobiography with an original pencil signature inserted posthumously. L27 x W23 x D3 cms Book Dimensions L29 x W25 x D5.5 cms Presentation Box Dimensions This beaut...

Victor Vasarely’s complex paintings and sculptures helped define the ethos of the Op art movement. The artist’s vibrant compositions feature a mix of rigidly geometric and more fluid...

"Portal-Thorns" Wall Sculpture 71" x 59" inch by Gosha Ostretsov Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and works in Moscow. PUBLIC COLLECTIO...

LeRoy Neiman (American, 1921-2012) Statue of Liberty, July 4, 1986 Signed and Dated Lower Left Acrylic Paint and Chalk 24 x 16 inches 37.5 x 29.25 inches with frame Mr. Neiman's ki...

"Digital Relationships and Debt Rescuer" 59" x 81" inch by Gosha Ostretsov Medium: Carpet, Wool, acrylic, varnish Ships rolled in a tube Born in 1967, in Moscow Lived in Paris fo...

"Love with a Robot and a Two-Headed Pegasus" 81" x 59" inch by Gosha Ostretsov Medium: Carpet, Wool, acrylic, varnish Ships rolled in a tube Born in 1967, in Moscow Lived in Pari...

Follow up photo we be replace the enclosed as all the detail is washed out from the flash. Additional photos if requested . A photo certificate accompanies this painting. It is frame...

Untitled, 1973 - Acrylic on canvas with aluminium and fibreglass construction, British Abstraction - Sandra Blow Signed and dated on canvas overlap Acrylic on canvas with aluminium...

Composition II, 1965 - Acrylic, tea and collage on canvas, British Abstraction - Sandra Blow Signed and dated on reverse Acrylic, tea and collage on canvas 11 1/2 x 10 inches San...

This bouquet is a beautiful work of art by the French Master, Bernard Buffet , painted in the medium of gouache and oil . You can see the art work has raised texture and one can also...

Robert Indiana Classic LOVE (Pop Art, Modern, Neo-Dada, Iconography, Tuft, Framed) Tuft - Multiple 1996/2007 Size: 29.1x29.1in Edition: 10.000 COA provided Ref.: 924802-1819 * could come framed in a black or white frame made from composite wood/plastic. No glass. ** This piece has a lead time of 2-3 weeks Tags: Pop Art, Modern, Neo-Dada, Iconography, Tuft, Framedhy Robert Indiana was an American artist associated with the pop art movement. His "LOVE" print, first created for the Museum of Modern Art's Christmas card in 1965, was the basis for his 1970 Love sculpture and the widely distributed 1973 United States Postal Service...

This unique artwork by Conrad Marca-Relli is offered by CLAMP in New York City.

Available at Madelyn Jordon Fine Art. 'Marblemanandfaith' by Stanley Boxer, 1991. Oil and mixed media on canvas, 8 x 4 in. / Frame: 9 x 4.5 x 2...

Available at Madelyn Jordon Fine Art. 'Marblemanblossom' by Stanley Boxer, 1991. Oil and mixed media on canvas, 6.25 x 4.75 in. / Frame: 7 x 5....

Francisca Sutil is a Chilean painter known for her research of the chromatic surface, the nature of the support and the study of textures and materials that she prepares herself. Born in Santiago de Chile in 1952, she moved to New York where she received an M.F.A. from Pratt Institute in 1981. Since 1992, Sutil has lived and worked in Santiago. Sutil’s work is characterized by its superb construction and unique contemplative qualities. When approaching her paintings, the viewer is immediately captivated by the textures and hues. She proposes a rigorous exercise of painting on support, regardless of its material composition, in search of pictorial depth. It is a mental process from which a neat and pure chromatic production emerges. Intending no specific content in her paintings, she instead asks viewers to respond openly and honestly to her abstractions. She uses her work to provoke emotions and sensations, and in turn, encourages reflection, meditation and lasting thoughts and memories...

Sophia Vari (born in Athens, Greece) recently deceased, was an established international visual artist known for polychrome sculptures, collages, oil and watercolor paintings. Her ex...

Nicola Bolla is an Italian painter and sculptor. A practicing ophthalmologist and eye surgeon, Bolla divides his time between two passions: art and medicine. Both activities are link...

Largely self-taught, Hutchison has developed and innovated methods and mediums including hand-building and bending Plexiglas forms to facilitate her artistic process. Notably Hutchison's works are constructed of utilitarian, and often re-purposed materials and incorporate ambient light as a primary material. She shares similar concerns with the Light and Space artists...

Again, the versatility in her texture, shapes an palette are reflected in this work.

This work is a great sample of the versatility in use of medium, texture and color. This work is also oil on gessoed paper.

Valerie Hird's work reflects her travels throughout Morocco, her unique palate and textures, really evoke an essence of Morroco and how she perceives it.

Susana Jamie-Mena is a visual artist from Argentina, the uniqueness in her paintings, is that she blurred the lines between painting and sculpture, and her works looked like they cou...

It is a relief, cast stone, hand painted work by Karel Appel, and comes from an edition of 99.

Limited Edition Jean-Michel Basquiat spray paint can set published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. A unique Basquiat collector’s set that makes for...

Robert Kushner (American, b. 1949) Alphonsine, 1983 30 x 22 inches without frame 32.75 x 25 inches with frame Titled Lower Left Signed and dated Mid Lower Right A member of the Patt...

Yellow Store Front, Project, 1980 By. Christo (Bulgarian, 1935-2020) Signed Lower Right Titled Lower Left Unframed: 32 x 23.5 inches Framed: 32.5 x 24 inches An environmental instal...

Ross Bleckner Untitled, 1989 Mixed media on paper 28 x 22 inches (71.1 x 55.9 cm)

Takashi Murakami Flowers Skateboard Decks 2017 & 2019: set of 2 works: A vibrant set of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami ...

A Stroll Through the Village, Two Figures By. Theo Tobiasse (Israeli, French, 1927-2012) Signed Lower Left Unframed: 40" x 27.5" Framed: 55.5" x 42.25" Théo Tobiasse came from a Lithuanian-Jewish immigrant family who moved to Paris in 1931 for economic reasons. Here Tobiasse completed an apprenticeship at the École des Arts Décoratifs, which was interrupted by the outbreak of World War II. The family lived hidden in the French metropolis for over two years without ever leaving the small apartment or even lighting it up. The time was spent reading, drawing and playing chess, and Tobiasse built up a huge pool of drawings from which he could later draw. After the end of the war, he worked as a graphic designer for the Hermès company...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

David Hayes (1931 - 2013) Untitled Paper Collage, 1993 Paper Collage, Mounted on Paper 21.75 x 22.25 in

"Portrait of Victory" By Paul Pletka (1946- ) Image Size: 30" x 23" Framed: 42" x 36" Signed: Lower Right Paul Pletka is a neo-surrealistic painter inspired by his fascination from early childhood with Native Americans of the Southwest. His style, described as neo-surrealistic, "is both realistic and deeply spiritual, being highly sensitive to the inner thoughts of Native Americans." Paul Pletka was born in southern California in 1946 and currently resides in New Mexico. After high school, he won a scholarship to Arizona State University and then transferred to Colorado State University, but feeling disappointed in his college art training, did not paint seriously until the late 1960s. His works of art have been exhibited in one-man shows in Colorado, New Mexico, Arizona, Texas, Illinois, New York, Kansas and Missouri continuously since 1964. Pletka's paintings are in more than 40 private and public art collections including the Albany Museum of Art, Albany, GA; Hallmark Cards, Kansas City, MO; Mel Pfaelzer Collection, University of Northern Illinois, De Kalb; the Norton Gallery & School of Art, West Palm Beach...

Fritz Bultman (1919-1985) was an American Abstract Expressionist painter, sculptor, and collagist and a member of the New York School of artists. He was born in New Orleans, Louisiana and moved to Germany to join the Bauhaus at the age of 16. There, he was acquainted with Maria Hofmann, the wife of Hans Hofmann, which initiated a move to New York to study under his guidance. Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculpture, and the adoption of collage as a core practice. In 1950, Fritz Bultman and 27 other distinguished artists signed a letter protesting the conservative nature of the work selected for a forthcoming national exhibition at the Metropolitan Museum of Art. The signees of this historic letter were identified as, the “Irascibles,” resulting in the majority achieving international acclaim as Abstract Expressionist artists including Willem de Kooning, Robert Motherwell, Jackson Pollock, and Mark Rothko, among others. Throughout his life Fritz Bultman received several awards including Fulbright and Guggenheim Fellowships and was a founding member of the Long Point...