Mid-20th Century Mixed Media

This stunning abstract artwork was made in 1960, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper sheet and other glued element...

Jack Hooper "Woman on Red" 1/2/1970 Gouache, ink and pencil on glossy, red paper 11"x8.5" unframed Signed and dated in ink lower right In the year 1970, Jack Hooper's artistic prowe...

Max Bucaille ( 1906-1996) , né à Sainte-Croix-Hague.FRANCE poèmes et collages surréalistes depuis 1930 . " les Cris de la Fée " 1939 . ce collage d...

General Merch Way Down in Chinatown - Vintage Illustration in Ink This illustration, inked in intricate detail by Irene Pattinson (American, 1909-1999), shows two men with long brai...

Rem Raymond Coninckx (1904 - 1974) Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also creat...

In diesem Katalog soll es auch ein paar Entdeckungen geben, denn sie sind der Antrieb für alle Kunstaficionados und somit auch für mich als Galerist. Diese wunderbar reduzierte Arbei...

Larry Zox Study for Scissors Jack Series, 1965 Mixed media and colored ink drawing on draft paper Hand signed and dated on lower right recto (front). Bears Forager House Collection s...

ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 8 1/2 x 5 1/2 inches Watercolor, gouache, and ink on black pap...

Alan Shields Lonely Night, 1969 Screenprint and Pochoir with collage on perforated paper Pencil signed, numbered and dated from the limited edition of 100 Unframed Mixed media colla...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

This striking Abstract Expressionist sixties composition is by Danish artist Erling Andersen. Painted in 1969 it is a mixed media composition on canvas...

Mixed media abstract expressionist work on board, presented in a gilt wood frame. Artist unknown. Acrylic paint in blue, white and black has been thickly applied to a weave of orga...

THOMAS BROWNELL ELDRED Untitled Mid Century Modern Abstraction, 1941 Gouache on paper Hand signed and dated 1941 on the front 14 3/4 × 21 inches Unique Provenance: Acquired from the estate of Thomas Brownell Eldred Unframed This gorgeously colored gouache painting on thick paper was created at a time when the Guggenheim Museum (Museum of Non-Objective Painting) was collecting Eldred's work, alongside works by Kandinsky and Bauer. Unique works like this by Eldred are very desirable in the marketplace. It typifies the artist's eclectic style, reflecting his involvement with Surrealism and the New York School. It also highlights Eldred’s excellent draftsmanship through the characteristic bright colors and patterns that he developed during his time as a naval wood pattern maker in the merchant marines...

Jean Picart Le Doux, French (1902 - 1982) "Au Rendez Vous Des Oiseaux" Larger handmade wool Aubusson tapisserie Produced by Maison M. Berthaut Aubusson Atelier, France. Signed Lower left corner woven with firm's monogram and lower right with artists full name. Bears stitched label attached en verso. Original documents included with the lot. Measures 71-1/2" x 50". Jean Picart Le Doux, born in Paris in 1902 and died in 1982, was a French painter and painter-cartonnier the revival of contemporary flat weave tapestry. He is the son of the painter Charles Picart Le Doux (1881-1959). His first tapestry dating from 1943 after winning the Grand Prix of the theater poster exhibition in the imaging. He met Jean Lurcat and, and Marc Saint-Saëns,and together they founded the Association of painters cardboard tapestry in 1947. In 1950, he comes up with the idea for ​​the Alliance Graphique Internationale, during the meeting with exhibitors of an exhibition of their work in Basel, Switzerland along with two other French designers Jean Jacques Colin and Nathan, and two Swiss graphic designers, Fritz Buhler and Donald Brown. AGI is officially founded November 22, 1952 and Picart Le Doux will be its first president. Picart Le Doux was a French artist noted for his role in the revival of contemporary hand woven Aubusson tapestry. Picart Le Doux's first tapestry cartoon was a diptych entitled The Four Seasons. Made in 1943...

Painting measures 18" x 24" and framed 22 ⅝" x 28 ¾" x 1 ¾". Frame is original and all original labels are intact. This piece was likely exhibited in the artist's first show at Willa...

JACQUES LIPCHITZ Study for a Lesson from a Disaster, ca. 1952 Black and Blue Crayon on Paper Signed in graphite pencil lower right front Unique work of art Framed: held in original v...

This striking Abstract Expressionist sixties composition is by Danish artist Erling Andersen. Painted in 1969 it is a mixed media composition on canvas...

Tête de Faune, Picasso, Unique work, 1960's, Terracotta, Tiles, Design, Sculptur Tête de faune Unique work 14.03.1961 Painted and glazed terracotta tile...

5-3424 Figural painting Mixed media on artist board Image size 12x10" Displayed in a black wood frame Signed Vanzina

Joan Miro Spanish, 1893-1983 Affiche pour l'Exposition Miro-Artigas, 1963 Lithograph on Rives paper 33" x 22 1/4" W/frame 33 ¾ by 23 in. Pencil signed lower right from an edition o...

Robert Lepper (1906-1991) . Cubist composition, 1931. Cut copper, brass and steel sheeting tacked to masonite panel. Panel measures 14.5 x 24 inches. Total framed measurement 20 x 29...

Mickey Mouse Original Comic Strip Art C.1967 Original pen and ink with mixed media Dimensions 24.25" wide x 16.5" high The frame measures 2...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 11 x 13 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and ...

Titled verso lower left: "Arcadia V"; signed lower right: "Ruth Eckstein". From the estate of the artist. Ruth Eckstein has received national and international recognition as an abs...

Genre: Modern Subject: Abstract Medium: Mixed Media Surface: Board Dimensions: 28.75 X 24 (size includes frame. signed with initials and bearing a label verso. Reminiscent of the Ar...

Knight and Girl is an original painting realized by an anonymous artist in the 1950s. Painting in tempera, watercolor, and China ink on paper. Included a Passepartout: 41 x 51 cm. ...

MAN RAY Two Hands, 1966 Mixed Media: Silkscreen on Plexiglass Published by Gemini GEL Measurements: Image: 20"h x 16"w sheet plexi: 25.5"h x 19.5"w overall (with frame): 26.75"h x 2...

Abstract Non Objective Work on Paper Guggenheim Woman Artist 1940s Drawing w/c HILLA REBAY (1890 - 1967, GERMAN/AMERICAN) Abstract watercolor and graphite on paper 14 x 16 1/2 inche...

Dating to the mid-20th century, this colorful Hmong textile is a classic example of the appliqué technique used for the traditional cloth known as paj n...

HOWARD MEHRING Study for Spring Sweep, 1964 Oil, oil stick, charcoal, gouache painting on paper Hand signed, dated and annotated with the names of the colors in graphite pencil on the front Frame included: elegantly matted and framed in a museum quality dark blue wood frame with UV plexiglass This 1964 hard edge painting on paper...

Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi...

Signed and dated twice lower right: Reginald Marsh 46 / Reginald Marsh 1946

Superbly handcrafted pair of Mid-Century-Modern wooden wall art sculpture panels. The artworks feature dimensional female and male faces or m...

Gerald Laing City Center Light Opera, 1968 Lime colored Screenprint on die-cut Mylar Hand signed, numbered 6/144 and dated in pencil on the front 25 × 35 inches Unframed Gerald Laing Biography Born in 1936, Gerald Laing attended the Royal Military Academy, Sandhurst 1953-1955 and after a short army career attended St Martin’s School of Art between 1960-1964. After art school, Laing lived in New York for five years and then became artist in residence at Aspen Institute...

This stunning modernist abstract enamel plaque composition is dated circa 1960. The brutalist design has contrasting red, orange, black, and white colors. There is no visible artist ...

Signed "James Montgomery Flagg" Lower Right by Artist "'I've found a woman to sew on buttons,' he said politely. 'Have I?' he inquired of Nancy. 'Big Boy, you have.'" Illustration ...

Signed "James Montgomery Flagg" Lower Right by Artist "Mr. Corroway was wearing a broad smile. He slapped Dave jovially on the shoulder and said: 'No hard feelings, I hope, about o...

This is a rare find; one of 6 we recently acquired by Angelo Ippolito (1922-2002). Abstract mixed media collage in various printed and solid-hued 8-ply rag papers. Presented in a per...

Red Grooms "Our First Brush With Red Grooms/ It Was Exciting!", 1968 Paint brush with paint inside acrylic casing 11 × 3 1/2 × 2 inches Unframed This paint brush - with original pain...

[117] pp. First Edition Exemplaire No 90 imprime specialement pour le Baron et la Baronne de Rothschild 10 1/4" x 12" Privately Printed: Monaco (1961). oblong 4to. The lavishly ...

LECHA DODI Hebrew Shabbos prayer with text of the blessings. Genre: Modern Subject: Abstract Medium: Mixed Media Surface: Board Alexander Raymond Katz, Hungarian / American (1895 ...

Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi...

Signed Lower Left by Artist The Saturday Evening Post cover, December 1, 1945

Brumm Handcrafted Wood Wood box with velvet interior. This beautiful handmade inlaid wood decorative box by artist Norman Brumm (1939 - 2008) is an intri...

Titled Carnival with bright colors and geometric shape of a circus carousel, this bears some elements of the color field blocks of Mark Rothko. New York born painter and printmaker,...

Anne Youkeles Gemini, ca. 1969 Three-dimensional silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the edition of 1...

Signed and Dated "Hannes Bok 1960" Lower Left

3D multiple, 1966, published by The Something Else Press, New York, a wooden box with plexiglass slipcover, containing one book with 94 pages, ‘Performances Notations 1959/66’ 15 fol...

'Sailors in the Port of Nice', mixed media - gouache, pastel and oil on paper, by Alfred Salvignol (circa 1950s). The Port of Nice is one of the key hubs of Nice and, in fact, of the...

Portrait of a Lady by Wladyslaw Szary, circa 1960’s See label reverse for bio details Oil painting on canvas with applied mixed media Canvas is 64cm x 44cm Original frame Good condi...

Dennis Hopper, (American, 1936-2010) Mixed media sculpture "Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage, Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d. There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made. Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010 From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd." Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years. Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis. In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place. Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz...

Lucio del Pezzo (Italian, 1933-2020) Signed: del Pezzo 1969 (Lower, Right) " Gold Green Table ", 1969 (Titled on Verso) Mixed media with reliefs in gold leaf 32" x 25 1/2" x 1 1/4...

The Complete Illustrated Book of Card Magic by Walter B. Gibson 1969 This is not one of the many reprints issued later. This is the actual book from 1969! Mr. Gibson wrote dozens of great books on magic and many other topics and also ghost-wrote for others. Book is in excellent condition, like new. See photos. The complete illustrated book of card magic: the principles and professional techniques fully revealed in text and photographs. Details: All basic secrets, master methods, and the greatest magic tricks done with cards – explained and illustrated step-by-step by WALTER B. GIBSON, one of the greatest authorities in the history of magic! If you have ever been baffled by the flawless performance of a card trick . . . if you have ever dreamed of amazing your friends with a deck of cards . . . this astonishing, giant of a book is for you. It shows how all the tricks are done – and how to do them yourself. And it’s easy! Because Walter Gibson – friend and close associate of Houdini and Blackstone – explains every trick every step of the way! The ultimate reference on card magic You’ll learn Houdini’s own “top change,” how to prepare a deck, how to force a spectator to choose the card you want him to. You’ll find nine pages of gambler’s tricks. In all, you’ll learn 23 simplified tricks; 89 basic sleights; 86 methods of card control; 34 patterns of card discoveries; 18 special tricks; 51 flourishes; 9 color changes; 85 full-pack tricks; 33 special types of tricks; 17 dealing tricks; and 20 prepared tricks. All in the 200,000 clearest, most authoritative words ever written on the subject. Plus . . . 379 Photo-illustrations. Every photograph is captioned and every one was taken with mirrors. Which means that, as Walter Gibson performed, he saw his hands and chose the clearest position for the photograph . You see every step of the trick exactly. Page 1 Triumphant Threes Page 2 As Many As You Page 3 Royal Roundup Page 5 Add-a-Card Page 6 Predicted Heap Page 8 Thieves and Sheep Page 9 Improved Piano Mystery Page 10 Mental Mastery Page 11 Double Choice Page 11 Super Mental Mastery Page 13 Kings and Queens Page 14 Royal Marriages Page 16 Red-Card Prediction Page 17 Super-Red Prediction Page 19 Twenty-Seven Trick Page 20 Fifth Card Page 21 One Choice in Five Page 21 One Out of Many Page 22 Transposed Cards Page 23 Color Sense Page 24 Three Color Packets Page 25 Forty-Nine Cards Page 29 Ways of Dealing Cards Page 29 Simple or Reverse Deal Page 30 Turnup Deal Page 31 Group Deal Page 32 End Deals Page 32 Bottom Draw Page 32 Cutting the Pack Page 33 Single Cut Page 33 Multiple Cut Page 33 Undercut Page 34 One-Hand Table Cut Page 35 Turnover Move Page 37 Shuffling the Pack Page 38 Standard Overhand Page 39 Reverse Overhand Page 39 Front-and-Back Overhand Shuffle Page 40 Dovetail Shuffle Page 41 Outer-Corner Shuffle Page 41 False Cuts Page 41 Double Pickup Page 41 Double Laydown Page 42 Top-Card Blind Page 43 Simulated Cut Page 43 False Three-Heap Cut Page 44 False Running Cut Page 45 False Triple Cut Page 47 False Shuffle Cut Page 48 False Shuffles Page 48 False Dovetail Page 49 Small-Group Dovetail Page 50 Push-Through Shuffle Page 51 V Twist Page 52 Inverted V Twist Page 52 False Overhand Shuffles Page 53 Top-to-Bottom Shuffle Page 53 Double Pullaway Page 53 Cut Shuffle Page 54 False Front-and-Back Shuffle Page 54 False Shuffle Devices Page 54 In Jog Page 56 Out Jog Page 56 Break Page 58 Second Deal Page 60 Turnover Second Deal Page 62 Bottom Deal Page 64 Methods of Presenting the Pass Page 66 Standard Pass Page 69 Slow-Motion Pass Page 71 End-over-End Pass Page 73 Slow-Motion End-over-End Pass Page 76 Turnover (Herrmann) Pass Page 79 Delayed Turnover Pass Page 80 Modified Turnover Pass Page 82 Charlier Pass Page 85 Screening the Charlier Pass Page 85 Turnaway Page 85 Behind the Back Page 85 Behind the Arm Page 86 Right-Hand Screen Page 86 Full-Front Pass Page 87 Charlier Turnover Page 87 How to Palm Cards Page 87 Top Palm Page 88 Simple Side Palm Page 88 Palm Holds Page 90 Improved Side Palm Page 91 Side Count Page 91 Spread Count Page 91 End Count Page 92 Spring Palm (Spring Count) Page 93 Thumb Count Page 93 End Palm Page 94 Corner Palm Page 96 Turnover Palm Page 96 Second Palm Page 97 Swivel Palm Page 98 Bottom Palm Page 98 Standard Bottom Palm Page 99 Bottom Count Page 100 Push-Out Page 100 Thumb Steal Page 101 Replacing Palmed Cards Page 101 Simple Replacement Page 102 Turnover Replacement Page 102 Riffle Replacement Page 102 Drop-On Page 103 Bulge Page 104 Pickup Page 104 Cut Pickup Page 105 Spread Replacement Page 105 Ways of Changing a Card Page 105 Bottom Change Page 108 From Right to Left Page 108 Sleeve Change Page 109 Top Change Page 111 From Right to Left Page 111 Top-Change Deal Page 112 Take-Away Change Page 114 Concealed Top and Bottom Changes Page 119 Palm Change Page 120 Throw Change Page 122 Spring Change Page 124 Alternatives for the Pass Page 124 Alternatives for the Standard Pass Page 124 Sleeve to Sleeve Page 125 Sleeve Switch Page 125 Top-Middle-Bottom Page 126 Revolving Pass Page 127 Riffle Pass Page 128 Throw Pass Page 128 Alternatives for End-over-End Page 128 Crosswise Bridge Page 130 Longitudinal Bridge Page 131 Single Card Page 132 Double End-Over Page 133 Forward Drop Page 134 Push-Back Page 136 Fan Grip Page 137 Shuffle Pass Page 137 Simple Shuffle Pass Page 138 Reverse Shuffle Pass Page 139 Special Shuffle Pass Page 139 Corner Crimp Page 140 Upward Crimp Page 141 Downward Crimp Page 142 Random Card Page 143 Various Sleights I Page 143 Half Pass Page 143 With the Standard Pass Page 143 With the Turnover Pass Page 143 With the Modified Turnover Pass Page 143 With the Charlier Pass Page 144 Half Flip Page 144 Turning the Pack Page 144 Turnover Page 145 Layover Page 145 Glimpsing a Card Page 145 Dovetail Glimpse Page 146 Shuffle Glimpse Page 146 Squeeze Glimpse Page 147 Quick Top Glimpse Page 148 Expert Glimpse Page 148 Gambler’s Glimpse Page 150 Various Sleights II Page 150 Glide Page 151 Slip (Slip Cut) Page 152 Slide Page 153 Flipover Page 154 Double Lift Page 154 Outward Lift Page 156 Inward Lift Page 156 Side Lift Page 157 Remarks on Lifts Page 157 Triple Lift Page 158 Thumb-Off Page 158 Drop Page 159 Buckle Page 160 Buckle Count Page 160 False Count Page 161 Forcing a Card Page 162 Standard Force Page 163 Behind the Back Page 164 Alternative Procedure Page 164 Joker Force Page 165 Variant Page 165 Face-Front Force Page 167 Charlier Force Page 167 Glide Force Page 168 Cards in the Case Page 169 Turnover Force Page 169 Riffle Force Page 169 With a Short Card Page 170 Double Deal Page 171 Double Turnover Force Page 171 Special Controls Page 171 Peek Page 172 Tilt-Back Page 173 Side-Drop Page 173 Corner Grip Page 174 Side Steal Page 176 Riffle to Pocket Page 177 Multiple Push-Through Page 179 Palm Steal Page 180 How to Switch Packs Page 180 Simple Pocket Switch Page 181 Duplex Pocket Switch Page 181 Two-Pack-Trick Switch Page 181 Single-Trick Switch Page 181 Pocket-Handkerchief Switch Page 182 Handkerchief on Table Page 182 End Shuffle Page 182 Basic Shuffle Page 183 Simple Card Location Page 185 Flash Force Page 185 Bottom Glimpse Page 186 End Shuffle Card Control Page 187 False End Shuffle Page 187 End Shuffle Force Page 188 Top Glimpse Page 189 Hit the Deck Page 189 Knockout Page 190 Countdown Page 190 Name the Card Page 191 Card in Wallet Page 191 Double Detection Page 191 Cards Caught in Midair Page 192 Card Through Handkerchief Page 192 Handkerchief Repeat Page 192 Magnetized Card Page 193 Jumping Card Page 193 Any Number Down Page 193 Double Count Page 193 Turnup Count Page 194 Calling All Cards Page 194 Chosen Card Up Sleeve Page 194 Follow-Up Sleeve Page 195 Any Number Up Page 195 Card Finds Card Page 195 Your Card Is Next Page 195 Best Card in Pocket Page 196 Pocket Prediction Page 197 Baffling Queen Page 197 Like Seeks Like Page 198 Three-Card Climax Page 199 One Chance in Four Page 200 Third Card Page 201 Double-Dealer Page 202 A Neat Card Location Page 202 Three in a Row Page 203 Find Five Cards Page 203 Klip-Kard Page 204 Card, Clip, and Ribbon Page 204 Sit-Down Strike Page 205 Six-Card Repeat Page 209 Six-Card Repeat Without Extra Cards Page 211 Twelve Cards Up Sleeve Page 215 Slap Vanish Page 215 Packet-to-Packet Page 219 Reversed Passage Page 220 Red and Blue Packets Page 221 Between Ten and. Twenty Page 223 Thirty-third Card Page 225 Quick Prediction Page 226 Do As I Do Page 227 Shuffle Do As I Do Page 228 Triple Do As I Do Page 229 Card Through Handkerchief and Case Page 230 Phonepathic Card (Super Telephone Telepathy) Page 233 Twenty-Card Memory Page 235 Ten-Card Memory Page 237 Spring Page 239 Spring Location Page 239 With Additional Cards Page 240 Another Spring Location Page 241 Spring Pass Page 242 Arm Spread Page 243 Slide-Down Page 243 Turnover Page 244 Slide Toss Page 244 Somersault Page 245 Turnover Catch Page 246 Inward Catch Page 246 Backhand Catch Page 247 One-Hand Catch Page 247 Double Catch Page 247 Shuffled Spread Page 248 Halfway Turnover Catch Page 249 Waterfall Page 250 Electric Pack Page 250 Fan Sleights Page 250 One-Hand Fan Page 251 Fan Production at Elbow Page 252 Face-Front Fan Production Page 254 Repeat Fan Production Page 254 Vanishing Pack Page 256 Reappearing Fan Page 258 Card-Fan Pack Switch Page 259 Fan Force Page 262 One-Hand Fan Force Page 263 Fan-Force Location Page 263 Reverse Fan Sweep Page 265 Fan-Sweep Location Page 267 Fan-Sweep Palm Page 269 Pressure Fan Page 270 Ornamental Fans Page 271 Finger Fan Page 272 Closing the Fan Page 272 Blank Fan Page 273 Split Fans Page 274 Special Fanning Packs Page 274 Giant Fan Page 275 Double Fan Page 275 Wedge (Faro) Shuffle Page 276 Card Vanishes and Productions Page 276 Back-and-Front Palm Page 279 Showing the Back of the Hand Page 281 Alternative Mode of Transfer Page 281 Vanish and Reproduction of Additional Cards Page 285 Six-Card Vanish and Production Page 286 Continuous Card Production Page 287 Continuous Fan Production Page 290 Cards at Finger Tips Page 291 Snap Production Page 293 Perfection Card Production Page 295 Perfect Color-Change Routine Page 295 Thumb Steal Color Change Page 297 Palm Color Change Page 298 Color-Change Routine Page 301 Erdnase Color Change Page 304 Vertical Color Change Page 307 Transposed Spot Page 308 Visible Change Page 311 Visible Change Routine Page 316 With a New Pack Page 316 Multiple Mentality Page 317 Three-in-a-Row Page 318 Cards Foretold Page 318 Double Detection Page 319 Seven-Handed Poker Page 321 Special Setups Page 321 Pack-to-Pack Page 322 Suit-for-Suit Page 324 Alternative Method Page 325 Red-and-Blue Coincidence Page 326 Climax Card Change Page 327 Three-Card Climax Page 328 Two Minds in Tune Page 330 Card Foretold Page 331 Simplex Coincidence Page 332 Multiple Surprise Page 333 Divided Packs Page 333 Red and Black Page 334 Pairing the Suits Page 334 Odds and Evens Page 334 Suits and Values Page 335 Shuffling and Cutting the Divided Pack Page 335 With the Dovetail Shuffle Page 335 With the Overhand Shuffle Page 335 Cutting the Pack Page 336 Double Choice Page 336 One-Way Packs Page 338 Handling the One-Way Pack Page 338 Sweep Replacement Page 338 Turnover Turnabout Page 339 Dividing the Pack Page 339 Shuffling the Pack Page 339 Bringing Turned Cards to Top Page 340 Setting Up the One-Way Pack Page 340 Natural Affinity Page 341 Red-and-Black Baffler Page 342 Pointer Cards Page 343 Prearranged Packs Page 344 Naming a Chosen Card Page 344 Multiple Detection Page 345 Suit and Value Page 345 Three Heaps Page 346 Concentration Page 346 Lucky Thirteen Page 347 Card at Any Number Page 348 Where Is My Card? Page 348 Perfect Bridge Deal Page 349 Faked Packs Page 349 Peek Deck Page 350 Naming Chosen Cards Page 350 Vanished Cards from Pockets Page 350 Two-Pack Climax Page 350 Special Speller Page 351 Notes on Peek Decks Page 351 Brain Wave Deck Page 353 Impromptu Brain Wave Page 354 Follow-Up to Impromptu Brain Wave Page 355 Alternative Brain Wave Page 356 Alternative Brain Wave (with Spread-Out) Page 357 Svengali Pack Page 358 In the Force Page 358 When the Pack is Shuffled Page 358 Display Riffle Page 359 Fan Discovery Page 359 Count to Chosen Card Page 359 Think of a Card Page 360 Wrapped Pack Page 360 Unseen Card Page 360 Reversed Card Page 360 Card on Chosen Heap Page 360 Ascending Card Page 361 Card-Stabbing Climax Page 361 Svengali Outdone Page 361 Mene-Tekel Pack Page 363 Mental Detection Page 363 Card in Pocket Page 363 Face-Up Card Page 364 Face-Up Repeat Page 364 Red and Blue Page 365 Two Packets Page 366 Remote Control Page 367 Wizard Pack (Strippers) Page 368 Controlling a Chosen Card Page 369 Tricks with the Wizard Pack Page 369 Dropaway Cards Page 369 Cards Under Handkerchief Page 369 Four-Ace Deal Page 369 Cut to Any Number Page 370 Red-and-Black Fantasy Page 370 Prediction Pack Page 372 Spelling Tricks Page 372 Triple Mental Speller Page 373 Alternating Speller Page 374 Multiple-Speller Mystery Page 376 Spell It Yourself Page 377 The Card You Took Page 378 Shuffled Speller Page 379 Spelling Bee...

Dance Paper, mixed media, 21x26.5 cm The focal point of the artwork is a representation of dance, capturing the movement, rhythm, and expression of the art form through the use of ...

Act Paper, mixed media, 29x19 cm This work presents a colorful and stylized representation of a woman's figure engaged in an act or performance, capturing the movement, emotion, an...

Stanley Boxer Bathers, 1967 Mixed Media watercolor & ink wash drawing Hand signed by the artist on lower right hand corner on the front 8 1/2 × 11 1/4 inches Unframed This is a uniqu...

LeRoy Neiman Original Mixed media on paper; including tempera, acrylic, pastel, watercolor, and conte' crayon Dated 1966 8 1/2″ x 16 1/4″ viewab...

French mid 20th century picture frame Internal measurement (to house painting or mirror): 13 x 18 inches Overal outer measurements: 21.5 x 26 inches Provenance: from a collection in Paris Condition: all old picture frames...