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Andy Warhol
Vintage Signed Campbell's Soup Can from 1964 Bianchini Gallery Exhibition

1964

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    Located in Missouri, MO
    Blonde Vivienne, 1985-86 Transfer-printed service plate in colors. Diameter: 12 in. (30.5 cm). published by Rosenthal, Limited Edition, Germany
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  • Zero Horizontal (Zero I)
    By Peter Max
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    Peter Max "Zero Horizontal" (Zero I) 1973 Color Lithograph Ed. 194/300 Signed and Numbered Framed Size: approx. 32 x 25 inches Print Size: approx 20 x 26 inches Peter Max is a multi-dimensional artist focused on contemporary events. When he left art school in the 1960s he began producing, "cosmic imagery . . . that caught on right away, and before you knew it, I got an eight-page cover story in Life magazine." He explores all media, including mass media as a "canvas" for his creative expression. His decorative designs are on a Boeing 777 Continental, Dale Earnhardt's #3 Millennium race car, U.S. postage stamps and 235 U.S. border murals. He created two 155-foot murals for the U.S. Pavilion at the Seville World's Fair in Spain, 12 postage stamps for the Earth Summit in Rio de Janeiro, Brazil, and a 600-foot stage mural for Woodstock 2. He has also painted for five U.S. presidents, as well as the Beatles, Aerosmith and the Rolling Stones. After September 11th, 2001 Peter Max began a project by finishing 356 portraits of the firefighters that were lost in the attack. His portraits were then given to the victims' families. In addition, from a special request from President George W. Bush, he recently created another 356 portraits for a firefighters' memorial. Peter Max has worked with oils, acrylics, water colors, finger paints, dyes, pastels, charcoal, pen, multi-colored pencils, etchings, engravings, animation cells...
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    1970s Pop Art Figurative Prints

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  • Apple (Poster) -- signed
    By Roy Lichtenstein
    Located in Missouri, MO
    Hand-Signed and dated Lower Right Original screenprint poster in yellow, red, blue an black on white wove paper. Designed by the artist for a traveling exhibition for the Saint Lou...
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  • Blue Profile with Pink Orb
    By Peter Max
    Located in Missouri, MO
    Color Lithograph Signed and Dated Lower Right Numbered Lower Left 22/100 Image Size: approx. 23 x 29 inches Framed Size: approx. 31 x 37.5 inches
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    1970s Pop Art Figurative Prints

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  • One of Diamond and Thirteen of Diamonds
    By Donald Sultan
    Located in Missouri, MO
    "One of Diamonds and Thirteen of Diamonds" (from Playing Cards) 1990 Aquatint Engravings Framed Together Each Signed, Titled and Dated Each Numbered Lower Right 2/44 aside from the 1...
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  • Bird's Eye View
    By Ronnie Cutrone
    Located in Missouri, MO
    Ronnie Cutrone (1948-2013) "Bird's Eye View" c. 1980s Color Lithograph Ed. 222/250 Signed, Numbered and Titled Image Size: 17 x 23.5 inches Framed Size: approx. 24 x 30 inches. Ronnie Cutrone, a figurehead of the Pop and Post-Pop art scenes, was Andy Warhol's assistant at the Factory atop the Decker Building from 1972-1980, and worked closely with Roy Lichtenstein, combining stylistic elements of both. Cutrone's large-scale paintings of American cartoon icons, like Mickey Mouse, Felix the Cat, and Woody Woodpecker further reinvented kitsch and popular media in terms of fine art. Executed in fluorescent monochromatic colors with the finesse of mass-produced silkscreen and prints, Cutrone's works are the reverse of tromp-l'oeil; they use fine art media (watercolor, pastel, crayon - on high-quality paper) to celebrate, rather than hide, the artifice of their subjects. "Everything is cartoon for me", Cutrone is noted for saying, even "ancient manuscripts...
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    Lithograph

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  • 4K, Acrylic, aerosol, and collage of torn pictures on canvas
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    Multidisciplinary artist Joachim Romain aligns himself with a contemporary wave, propelled by the concepts of time and the resulting wear and tear. He delves into the urban environment and the consumer society that conditions us on a daily basis. His work is grounded in paper, posters, and advertising discourse, referencing overconsumption. "The consumer society in which we live exists thanks to paper and advertising posters that sprawl across cities in 4 x 3 format," he states, utilizing this medium to denounce the commercial message. The poster is thus recycled, manipulated, glued, and exhibited once again, reflecting the endless mirror...
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