Late 20th Century More Art

After Andy Warhol. These lithographic prints feature an image of Mick Jagger - an iconic rock legend and the lead singer of the Rolling Stones. These unsigned postcard sized prints ...

Donald Baechler Wasted Time and Money: A Month in India with Ranbir Singh, and Getting There (Hand signed and inscribed to art critic Anthony Haden-Guest), 1989 Softcover catalogue with stapled wraps (Hand signed by Donald Baechler and inscribed to art critic Anthony Haden-Guest) Hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page 10 1/2 × 8 inches This super rare softcover catalogue with stapled wraps is hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page. The inscription reads: For Anthony 3 April 91 Donald Baechler Book information: Publisher: Ajax Press, New York, 1989 Printing: John Hauser...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XLV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XLVI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Belgian made, jacquard woven with relief stitch. Fully lined with rod pocket for hanging. Cotton and rayon. Gold background shown and also available with grey and brown borders. Avai...

Alberto Giacometti Dessins - Lithographies - Eaux-fortes is the title of the artist's catalogue, written for the exhibition 31 May - 22 October 1986, at the Patrick Cramer Gallery, G...

René Fumeron "COSMOS" (1921-2004) Wool tapestry signed and numbered 44/200 Atelier Robert Four 140X140 cms

Somnath Hore Untitled Limited edition color lithograph 18 x 23 inches (Famed & Delivered) Inclusive of shipment mounted not framed, Should you wish to receive the same framed and sh...

Victor Vasarely Planetary Folklore (Hand signed by Victor Vasarely), 1973 Hardback monograph with dust jacket Hand signed by Victor Vasarely on the first front end page 9 1/2 × 9 7/...

Joan Miro (1893-1983) - Composition Lithograph from 1974. Dimensions of work: 56.2 x 27.5 cm. Plate signed. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Marc Chagall (1887-1985) - Poèmes, Planche II (trial proof) Woodcut print from 1968. Double-sided (front-verso) trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimen...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXXVI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

A vibrant tapestry by Peruvian artist Victor Delfin, depicting four birds feeding on the nectar from a large flower. Four Birds Victor Delfin, Peruvian (1927) Date: 1978 Tapestry Si...

George Segal (Hand signed, dated and inscribed), 1979 Hardback monograph with dust jacket, hand signed, dated and warmly inscribed to David by George Segal Hand signed, dated and ins...

Twilight Plate is an original decorative limited edition porcelain plate realized in the 1990s. This plate was produced by Royal Doulton, an English ceramic manufacturing company fo...

Dennis Oppenheim Dennis Oppenheim: Selected Works 1967-90 : And the Mind Grew Fingers (with handwritten signed letter laid in separately), 1992 Softback book with separate hand signe...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche V Etching and aquatint from 1976. An unnumbered and unsigned copy in black, outside from signed edition ...

Highly collectible and coveted item: Francis Bacon von [with] John Russell (Monograph, hand signed and inscribed twice by Francis Bacon), 1972 Hardback monograph with dust jacket (ha...

Manantial II. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós ex...

Erté Poster  is a vintagel offset poster about an exhibition of the famous alphabet realized by Erté in Marino gallery at Rome in Navona's square. Edition...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Jean Michel Basquiat: Paintings: Akira Ikeda Gallery, 1985: Rare sought-after Basquiat exhibition catalog from 1985 published by Akira Ikeda Gallery, Tokyo - this the rarer cloth bou...

Cubist Style Mid Century Color Ethiopian Girl in pink hue Comes Unframed On Stretched Canvas About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Batman The Animated Series, Catwalk SKU: IFA2859 ABOUT THE IMAGE: In the episode Catwalk, ...

This unique work in colours is hand signed in pencil by the artist "Wesselmann", at the centre of the lower image. It is also dated in pencil “99” [1999] next to the signature. The...

Kouri, Pentti LOTHAR BAUMGARTEN: Carbon. 142 pages. Oblong folio, cloth. Los Angeles, The Museum of Contemporary Art, 1991. Signed by Baumgarten. Issued with additional booklet la...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Beautifully executed cross stitch chinese embroidery of a field of irises. Artist red seal lower left with calligraphy above. Condition is excellent. Circa 1990. Artist unknown. Unde...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Vintage offset poster realized in occasion of exhibition of graphic works by Giovanni Fattori at Galleria Marino Rome, in the late 1970s. Limited edition of 1000. Very good condition.

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Donald Baechler ArT RANDOM Donald Baechler Japanese catalog (hand signed and inscribed to writer and art critic Anthony Haden-Guest), 1989 Hardback monograph Hand signed and inscribed to writer and art critic Anthony Haden-Guest 12 × 9 1/4 × 1/2 inches Unframed This uncommon 1989 Japanese hardback monograph with no dust jacket as issued, is hand signed and inscribed by artist Donald Baechler to the art critic Anthony Haden-Guest. Inscription reads: For Anthony 4.April. 91 Donald Baechler Book information: First edition. Published by Kyoto: Kyoto Shoin International Co., Ltd., 1989. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Paintings and drawings by Donald Baechler. Text (in English and Japanese) by Lisa Liebmann. Unpaginated (48 pp.), with 36 four-color plates. About Donald Baechler: Donald Baechler was one of the most promising artists of the 1980s. He was associated with a group of painters in New York that included Julian Schnabel, David Salle, Jean-Michel Basquiat and Philip Taaffe...

MEDIUM: Giclée on Paper EDITION: 100 SIZE: 17” x 13.5” SIGNED BY: Alan Burnett, Paul Dini & Bruce Timm DESCRIPTION: Some of Gotham's greatest villains circle Batman and the place they call home in this signed hand-painted limited edition cel. Featuring The Riddler, Scarecrow, The Joker, Harley Quinn...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXXV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Andy Warhol Record art: A set of Debbie Harry record albums with offset cover art designed by Andy Warhol and Stephen Sprouse. Featured prominently in 'Andy Warhol: The Record Covers...

Birth of Venus. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós e...

Somnath Hore - Girl Lithograph on Paper 19.25 x 14.5 inches ( Unframed & Delivered ) Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche LXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Dance of the Deer of Cocacho. (Gouache on Paper.) Mexico. Signed and dated in 1994.

Engraving on silver plate numbered 24/100 and signed Augusto Perez (Messina, 1929 - Naples, 2001) Augusto Perez made his debut in the 1951 Neapolitan co...

FISCHL, Eric. Annie, Gwen, Lilly, Pam and Tulip. By Jamaica Kincaid. 14 pp. Illustrated with 9 original lithographs by Fischl. Folio, bound in publisher's black cloth with embos...

Robert Irwin Being and Circumstance Notes Toward a Conditional Art, 1985 Hardback monograph with dust jacket (hand signed and dated 2015 by Robert Irwin) Boldly signed and dated May...

Somnath Hore - Wounds Lithograph on Paper 15 x 22 inches, 1975 (Framed & Delivered) Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped ...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 12 Field PRODUCTION: Superman the Animated Series, Fun and Games SKU: IFA1807 ABOUT THE IMAGE: As a follow up to ...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Cindy Sherman Comme des Garcons postcard 1994: A rare advertisement/promotional card designed and (offset) illustrated by Cindy Sherman in conjunction with Comme des Garcons FW94. D...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXIII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of President John F. Kennedy. Her popularity as First Lady was due to her devotion to historical preservation of the White House, her fashion sense, and her devotion to her children, which endeared her to the American public. During her lifetime, Jackie was regarded as an international fashion icon. Her ensemble of a pink Chanel...

2000 Augury is an happy new year card with autograph notes by Luigi Ontani.. A folding card, on laid paper, including the original envelpe. Excellent co...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XLVII Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in...

Marc Chagall (1887-1985) - La Thora Rouge Etching and aquatint from 1981. An unnumbered and unsigned copy outside from signed edition of 60. Dimensions of sheet: 49.5 x 32.5 cm D...

Jack Earl Mug Material: Clay, glaze Size: approx. 5.5 x 4.5 x 2 Date unknown Signed by artist Jack Earl (born August 2, 1934 in Uniopolis, Ohio) is an Ameri...

Illustrated with 13 drawings by Leonard Baskin. Large Folio in cloth-backed portfolio in cardboard slipcase. New York: Medicina Rara, 1972. One of 2500 copies (there were 300 copi...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Marc Chagall (1887-1985) - Poèmes, Planche II Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensions...

Working clock artwork by Nayland Blake on display for The Queer Show Pt II at Hal Bromm Gallery. Edition 2/10.