Abstract More Art

Hello I'm a mixed media abstract painter, born in Wisconsin and currently located in Central Tennessee, USA. After a hiatus, I am returning to showing my work publicly. Thank you for...

Life is a long journey of harshness, honesty, brutality and mistakes. But it is validated in the experience and in the recognition of the the finite.

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and particularly craft, have been vehicles for the symbols, images and visual metaphors of society’s current view of its world and the “nature” of which it finds itself a part. Discoveries and techniques at the leading edge of science have given us astounding views of new levels of nature and reality and have provided opportunities for the development of a new set of imagery and symbols for our time. Parkin’s work has been inspired by the vast visual potential of such scientific areas as electron microscopy, nuclear imaging, “Chaos” physics, and particularly subatomic particle physics. The graphic imagery of Parkin’s current work is not, in the traditional sense, abstract but rather is a representational view of nature that we are among the first generations to see. The images of the Particle Shower series are based upon the visual records of subatomic particle physics, which show the tracks left by subatomic particles as they pass through the bubble and cloud chambers once used by nuclear physicists. Parkin reflects that, “It has been said that Science is the Religion of the modern age. If that is even in part true, then it points the way to an exciting new approach to ornamentation and imagery that goes beyond the commonly observable surface reality to re-establish the fundamental role of art/craft - the articulation and expression of underlying patterns of the natural order as an integral aspect of our created personal environment.” Born in Toronto, Canada in 1956, Ann Parkin received a Bachelor of Fine Arts degree from New York University in 1978 and a Gemological Diploma from the Gemological Association of Great Britain in 1987. She studied metalwork, jewelry and enameling at the 92nd Street Y in New York City with renowned jewelry artists Robert Ebendorf, Rebekah Laskin, Charles Lewton-Brain and John Cogswell. Parkin’s work has appeared in group exhibitions, and as a featured artist, at Aaron Faber Gallery, NYC; Oms Gallery, NJ; Objects of Desire, Louisville, KY; Society of Arts and Crafts, Boston, MA; Newport Harbor Art Museum, Newport Beach, CA; New Jersey Designer Craftsmen Gallery, New Brunswick, NJ; Greater Denton Arts Council, Denton, TX; Artist-Craftsmen of New York, NYC; Crafts National 26, Penn State University, PA; The Farrell Collection, Washington, DC; Contemporary Crafts Gallery, Portland, OR; Views Gallery, Manayunk, PA; Sculpture to Wear, Los Angeles, CA; Craft Students League, NYC; Joan Michlin...

Ann Parkin’s current work is an exploration of new possibilities in technique and materials, as well as the expression of a new imagery for art jewelry. Historically, art and partic...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of...

This is a one-of-a-kind original monotype. The monotype is made with hand-painted textures and painting to create this unique print. The monotype comes in a 1...

This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique shapes and forms to be used in my collages. Monotype collage on Rives BFK 280 gsm printmaking paper...

This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique shapes and forms to be used in my collages. Monotype collage on Rives BFK 280 gsm printmaking paper...

This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique sh...

This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique shapes and forms to be used in my collages. Monotype collage on Rives BFK 280 gsm printmaking paper...

Original monotype made from found objects and textures. I use found objects with various shapes and textures in my original prints to make the monotype have depth and texture. All of my monotypes are unique and one-of-a-kind original monotypes. Printed on Rives BFK 280 gsm printmaking...

Original monotype made from found textures and techniques to create this abstract monotype. I used found objects with various shapes and textures in my original prints to make the monotype have depth and texture. This particular monotype was made using the viscosity printmaking effect to create the organic shape and movement in the composition. All of my monotypes are unique and one-of-a-kind original monotypes. Printed on Rives BFK 280 gsm printmaking paper...

This monotype collage was made from a compiled group of similarly colored and textured monotypes that were made into this landscape collage. I used found objects with various shapes ...

Continuance Ring 3 is a one-of-a kind wearable art piece by Alexandra Forsythe and part of the Instantiating Time Collection. A body of work reflecting objects...

Continuance Ring 5 is a one-of-a kind wearable art piece by Alexandra Forsythe and part of the Instantiating Time Collection. A body of work reflecting objects...

The Perpetuations Neckpiece ( w/ detachable brooch) is a one-of-a kind wearable art piece by Alexandra Forsythe. The necklace has a detachable pin that can be removed and worn as a complement to the necklace or on it's own. This remarkable conversation piece is made of Sterling silver, with petrified wood, and agate. The Instantiating Time Collection is a body of work reflecting objects...

Continuance Ring 4 is a one-of-a kind wearable art piece by Alexandra Forsythe and part of the Instantiating Time Collection. A body of work reflecting objects...

48"x36" abstract composition in golden yellow, rose pink and turquoise on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Magenta and blue forms central to the painting are surrounded by rose pink, mauve, lavender rise over a field of blue. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Magenta and blue forms central to the painting are surrounded by rose pink, mauve, lavender and turquoise blue rise over a field of blue. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements. Miranda Maher’s a...

An artwork on paper by New York artist Miranda Maher. Made with Reproductions of maps of the moon printed on Unryu Inkjet washi, mounted to Magnani cotton paper, Overlayed with Sumi ...

A minimalistic monochrome lithograph by Chaim Koppleman. This artwork is a testament to the artist's skill in creating powerful images using simple forms. The lithograph is divided ...

WILLIAM THEOPHILUS BROWN (American, 1919-2012), "For Steve," Hand signed, dated, and titled at lower margin. Abstract Composition, 2001, Acrylic on paper collage, Dimensions - Sh...

Technomeditation, 70x50 cm, acrylic on black paper The work is sold without a frame and mat

Technomeditation, 70x50 cm, acrylic on black paper The work is sold without a frame and mat

Technomeditation, 70x50 cm, acrylic on black paper The work is sold without a frame and mat

Technomeditation, 70x50 cm, acrylic on black paper The work is sold without a frame and mat

Sean Scully Shadow, 1970, 2016 (hand signed) Offset lithograph card Boldly signed in black marker by Sean Scully Published by Cheim & Read on the occasion of the exhibition "Circa '...

Raymond Gallucci (1923-2005) Lamp Base, ca. 1970. Glazed ceramic. 15 " h, 7 3/8" w, 6" d. Opening for lamp post measures 11/16 inch. While the piece would make a lovely lamp, we...

Collection: Beyond The Horizon Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. Th...

Collection: Earth Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. The physicality...

Italian stainless steel with blue tint. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, ...

Italian stainless steel that shows the genesis of sculpture from rough unfinished at the bottom to highly polished at the top (unique piece). Sculptor Santiago Medina Italian stainl...

Marine outdoor Italian stainless steel with turquoise tint. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, S...

Printed on Italian stainless steel. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City...

Italian stainless steel with a special high-temperature patina. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvar...

Italian stainless steel with red tint. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, C...

Two-piece Italian stainless steel with a blue tint. Allows the collector to change the position of the pieces so the collector can become part of the artistic expression. Sculptor S...

Italian stainless steel with turquoise tinting. This sculpture will be shipped directly from the artist's studio.

Special suspended/hanging Italian stainless steel with turquoise tinting.

Italian stainless steel with red tinting. This sculpture will be shipped directly from the artist's studio.

Italian stainless steel with blue tinting. Wall or table top sculpture. This sculpture will be shipped directly from the artist's studio.

Italian stainless steel with a blue tint. This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless steel...

Italian stainless steel with blue tint and granite base. Harvard University has one of the editions permanently. This sculpture will be shipped directly from the artist's studio. A...

Italian stainless steel with a blue tint. This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless steel...

Suspended Italian stainless steel This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless steel availab...

Italian stainless steel. Medina summarizes his artistic passion as “I bring inert stainless steel to life by creating sculptures full of light and movement”. Since studying at Harva...

Marine outdoor Italian stainless steel. This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless steel a...

Italian stainless steel. This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless steel available and im...

Italian stainless steel with a turquoise tint. This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless ...

Marine outdoor Italian stainless steel. From this edition, there is one in the permanent collection of the CES University Museum in Columbia. This sculpture will be shipped directl...

Italian stainless steel. This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless steel available and im...

When I hear music, it translates into color. —Toots Zynsky Toots Zynsky’s distinctive heat-formed filet de verre (glass thread) vessels enjoy a widespread popularity and deserved acclaim for their often extraordinary and always unique explorations in color. Defying categorization, her pieces inhabit a region all their own, interweaving the traditions of painting, sculpture, and the decorative arts. Mary Ann Toots Zynsky was born in 1951 and raised in Massachusetts. Known professionally and to her friends as Toots Zynsky, she received her bachelor of fine arts in 1973 at the Rhode Island School of Design (RISD) in Providence. There, she was one of a group of pioneering artists studying with Dale Chihuly, who made studio glass a worldwide phenomenon. “Glassmaking was wide open,” Zynsky remembers. “Hot glass slipped through the air, pulled and stretched. There was music and the furnaces were roaring. . . and everyone was working in concert. . . It was this material that hadn’t been widely explored as an artist’s medium. Everything was possible, and there was so much to be discovered. There were no rules. You could do anything you wanted.” In Chihuly’s words, her class was a group with extraordinary energy, amounting to “the most creative, highly charged institutional experience I’d ever been a part of.” Among Zynsky’s classmates at RISD were other artists who went on to build successful careers, such as James Carpenter, Bruce Chao, Dan Dailey, and Therman Statom...