Paintings

Oil on canvas. Signed

Robert William Wood (American, 1889-1979) Golden Splendor, 1964 Oil on canvas Signed and dated lower right Titled verso with artist's stamp Unframed canvas: 24"h x 48"w Image shown w...

Agustí Ferré Pino (1884-1960) - Still life of flowers - Oil on canvas Oil measurements 61x50 cm. Restored. Frameless.

BANANAS Size: 30.5 x 42cm (including frame) Oil on Board A vibrant mid-century modernist still life composition, painted in oil onto board. Sitting atop a table are a myriad of eve...

P Clment 1968 Partially Nude Figure Oil Painting Oil on canvas 32 x 36 unframed

Vintage signed European oil painting. Oil on canvas. Framed. Signed.

Oil on wood, 1930. Signed lower right. Framed. Height 31.10 in ( 79 cm ), Width 25.19 in ( 64 cm ) The Hungarian artist Hugó Scheiber lived 1922-1934 in Berlin, that's where he pai...

#5-2752b Tuscan Country House Landscape, a country scene painting , oil on artist board displayed in a gilt-silver wood frame, signed lower left by Wang. Image size 17 H x 12.5 W

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker S...

Old town on the Bay in Baja Mexico Original Oil painting on Linen by Palavicini Old Village in Baja Mexico by unknown Mexico artist Palavicini. (Mexico 20...

Louis Bosa (American, 1905–1981) Two Wagons, Bucks County, PA, 1934 Oil on canvas Signed and dated lower right 20 x 24 inches 30 x 34 inches, framed Born in Codroipo, a small villag...

3930 Mid Century oil on board Image size 17.5x21.5"

As they take center stage, four acrobats are depicted, forming an architectural structure composed of contorted human bodies. The small gallery of onlookers displays a variety of ex...

Bridge in autumn. 1964. Oil on cardboard, 61x78 cm

#5-3044 West Indies ,Culebra island of Puerto Rico ,oil on artist board, displayed in a wood frame, signed backward by Ericson 1936.

5033 Surreal acrylic on rapped canvas with painted edges no frame required

Vintage American modernist abstract painting. Oil on board. Framed.

F Brown Mid-century painting of colorful figure '69 Oil on canvas 8 x 10 unframed, 9.25 x 11.25 framed

FERNAND LEGER (1881–1955) Gouache paint on paper, signed with the artist's initials F.L and dated 1938.

5-2854a Acrylic on canvas Unframed

5204 Vintage Mixed Media portrait of a 60's Rocker Signed on the quitar

Charles Green Shaw Tabac, circa 1935 Signed on the reverse Oil on canvasboard 5 3/4 x 8 3/4 inches Provenance: Washburn Gallery, New York, 1982 Private Collection (acquired from the above) Christie's, The Collector, October 20, 2021, Lot 307 Private Collection, Scarsdale, New York (acquired directly from the above) Literature: Hilton Kramer, "Charles Shaw: In the Minimal Tradition," New York Times, February 21, 1982, Section 2, p. 25. Charles Green Shaw was born in 1892 to a wealthy New York family. He lost both his parents at a very young age; his mother died when he was just three years old. Despite the early loss of his parents, Shaw lived the whimsical life of a New York socialite. As a beneficiary to an inheritance based in part upon the Woolworth fortune, he was brought up surrounded by the well-bred, well-groomed and well-moneyed citizens of New York’s elite social class. His social status as an adolescent was cultivated while spending summers in Newport and attending Christmas balls at Mrs. W.K. Vanderbilt’s. At age six, Shaw began to take an interest in drawing, and by nine, he was known to have a fondness for sketching historical costumes. After graduating from Yale University in 1914, Shaw spent a year studying at Columbia University’s School of Architecture. Subsequently he served for eighteen months as a Lieutenant in World War I. After his service, Shaw returned to New York and tried his hand as a businessman selling real estate, but his attempt was short lived. In the early 1920s, Shaw began his career as a journalist and novelist. He achieved professional success, writing consistently for magazines such as The New Yorker, Vanity Fair and The Smart Set. Shaw’s writing was a record of his approvals and disapprovals of the social crowd to which he belonged. His profession along with his social pedigree, brought him in contact with a number of the most significant figures of the 1920s such as, F. Scott Fitzgerald, Sinclair Lewis, George Gershwin, George Jean Nathan and the American artist George Luks. Some of his profiles included celebrity caricatures used as illustrations, these were the publics’ first look at Shaw’s artistic ability. In 1928, a collection of Shaw’s articles and interviews were published in one volume titled, The Low Down. Just previous to the stock market crash and the end of the Jazz Age, Shaw left New York and traveled to Paris and London. He arrived in Paris in 1929. In an autobiographical note Shaw suggests it was on this trip when he first began to paint seriously. London also acted as a great source of motivation for the budding artist. He began to sketch everyday in St. James’s Park, making large pastels of its vistas in the style of Cezanne. When he returned to New York in 1932, Shaw considered himself a painter. Success for Shaw came quickly with his first solo exhibition mounted at the Valentine Gallery in 1934. The following year Albert Eugene Gallatin included works by the artist in an unprecedented solo exhibition at his Gallery of Living Art at New York University. Shaw further cemented his reputation as an artist through his association and friendship with fellow abstract artists Morris and Gallatin. The trio soon was regarded as ‘the Park Avenue Cubists’. As a founding member of the American Abstract Artists, Shaw became an impassioned defender of the style. His 1938 essay in the American Abstract Artists yearbook, “A Word to the Objector”, acted as a defense against those who failed to see the illustrative quality of abstract art and scolded those who disregarded American artists as serious Abstractionists. He was also an influential force at the Museum of Modern Art, where he sat on the Advisory Board from 1936 to 1941. In the later years of Shaw’s life he continued to produce abstract paintings, yet in a more private manner. He was known to be a reserved man— a ‘gentleman’; not much is known about his personal life in these later years. During this time he maintained his career as a writer, publishing the well-known children’s book, It Looked Like Spilt Milk in 1940 and two books of poems in 1959 and 1962. In 1974, Shaw died...

#5-3514 Countryside Scene Painting Circa 1920 ,oil on canvas applied to a board, signed by Victor Lawson ,displayed in a new wood frame.Image size 19.5 ...

Vintage signed abstract landscape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Exhibited.

This splendid early Modernist painting by Edgar Scauflaire ended up in an auction WAY undervalued and I jumped on it. (I have included a pictu...

This large painting is a ca. 1960 copy of a famous Rockwell Kent painting that was executed in Vermont in 1921. The work is oil on canvas and well represents the original image, tho...

5050 Heavy impasto figurative oil painting Set in a hand carved 19th century wood frame Image size 17.5x 13.5"

Oil painting representing "Basset Griffon Vendéen" hunting dogs in a wooded landscape. Oil on canvas in perfect condition (fully restored in our worksh...

#5-3065 Impressionist Landscape, a 1940's Autumnal scene , oil on canvas displayed in a wood frame.Illegible signature lower right.Image size 13.5 H x 19 w

5-3365 Oil on artist board of on enchanted lily pond Set in an ornate hand painted wood frame Image size 12.5x15.5"

Work on canvas

CYPRUS VALLEY Size: 39.5 x 43.5 cm (including frame) Oil on canvas board A wonderfully painted mid-century modernist style landscape painting of Cyprus, executed in oil onto canvas ...

Piccolo olio che raffigura un angolo di Parigi, La senna e una piccola Chiatta

5-2714 Impressionist woman portrait,oil on canvas displayed in a black wood frame, signed lower left by Vanzina. Image size 19.50 H x 15.50 W

3706 Figurative Oil on stretched canvas

Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Une Femme Oil on canvas, mounted on Masonite, 1965 Signed and dated lower right Titled lower right recto Signed with the estate stamp verso: Beni Kosh Collection #118 Condition: Or...

THE NAVY SHIP Size: 50 x 65 cm Oil on Canvas An oustanding modernist style seascape composition, executed in oil onto canvas and dated 1967. Containing semi-abstract elements, the ...

*Dimensions include the frame This maritime scene is reminiscent of the Impressionist fascination with water, light, and atmosphere. The painting features a lighthouse and architect...

Sandu Darie (1908-1991) "Untitled" 1960, casein on wood 11.4 x 12.5 (29.8 x 31.7 cm).

Oil on canvas by Paul Collomb (1921-2010), France, 1960s. The beautiful view. Measurements : with frame: 54.5x41.2 cm - 21.5x16.2 inches, without frame: 46x33 cm - 18.1x13 inches, fo...

5057 Vintage American portrait of a southern country gil Set in a painted wood frame under glass Image size 13x10.5"

Oil on paper (glued on canvas) sold with frame Wooden frame with glass Total size with frame 56x48 cm Baldo GUBERTI is an artist born in Italy in 1907 and died in 1974. His works h...

Oil on canvas by Charles PICART LE DOUX (1881-1959), France, 1939. The Beautiful Girl. With frame: 85.5x72.5 cm - 33.7x28.5 inches ; without frame: 73x60cm - 28.75x23.6 inches. 20F f...

5059 Italian hand painted ceramic wall panel made up of individual tiles. Framed in custome bradeded wood frame Signe lower left Cer.M.Dilleto

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Ramón Llovet (1917-1987) - Father and son - Oil on canvas Canvas measures 50x61 cm. Frame measures 56x67 cm. Ramon Llovet Miserol (Barcelona, ​​August 7, 1917 - Barcelona, ​​August ...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

5036 Vintage abstract flower arrangement Signed on verso

Wonderful mid century cubist figurative of older woman with flowers and basket in style of Jacques Villon (French, 1875 - 1963). Signature (Possibly "Louyot") and dated "1964" lower right corner. Presented in original, gilt-toned painted frame (included as-is). Image size: 36"H x 25"W An early 1900s modern art movement, Cubism focused on exploring relationships between images, perspectives and materials, and opened the door to Abstraction. Cubism began in Paris with Pablo Picasso and Georges Braque. The term 'Cubist' was a derisive description by a critic of a geometric landscape painting done by Braque in 1908. Juan Gris, the originator of Collage, joined Picasso and Braque in 1910. Originating influences on Cubism included geometric-shaped paintings of Paul Cezanne, Post-Impressionisms’ emphasis on flat picture surfaces, and Picasso's fascination with the abstraction he perceived in African tribal masks. Aspects of Cubism were Analytical Cubism and Synthetic Cubism (see Glossary). By 1914, the Cubist movement as an organizing force officially terminated with the beginning of World War I. But its effects remain today. "Almost all later art, figurative and abstract, two and three-dimensional, random or hieratic, was conditioned in some way by these new dimensions of reality." (Phaidon) Other French artists associated with Cubism concepts were Fernand Leger, Marcel Duchamp and Nicholas Delauney. In America, leading Cubist painters...

Fannie Hillsmith (1911-2007) oil on canvas,1967 Exhibited at Peridot Gallery Note : titled 'Blue Plate', numbered on back of canvas '181', signed on canvas, F. Hillsmith 67’, dim...

Sophie is an expressive and highly individualistic Post Impressionist work reminiscent of Chaim Soutine. Cottavoz isn known and celebrated for using incredibly thick paint that is a...

"Portrait of a Soldier from Tehran" is an original oil painting by Cyrus Afsary. The artist signed the painting in the lower right. This piece depicts an Iranian man with a white head scarf, a Keffiyeh. Artwork Size: 27 1/2" x 19 3/4" Frame Size: 34 1/4" x 26 1/4" Artist Bio: Cyrus Afsary studied art under the strict discipline of the Russian Realist style of painting, graduating with two degrees. He has won numerous awards, including the Best of Show at the C M Russell show of Original Western Art and the Exceptional Merit Award from the National Arts Club at the 1986 Pastel society of America show. He has also received gold and silver medals from the National Academy of Western Art and was the first recipient of the coveted Lougheed Memorial Award. Cyrus won the Painting Award for “ mystical Transformation” at the Buffalo Bill Art Show in 2006 and also shared in the choice award. In 2007 he was awarded the Best of Show at the Eiteljorg Museum and in 2009 at the Charles Russell Museum he received the staff choice award, for “Entrance to Shrine” and in 2010 the Williams Award for Collectors’ reserve at the Gilcrease Museum. Oklahoma. Cyrus is an artist /member of the Cowboy Hall of Fame. He participates annually in the Prix de West invitational, and the Masters of the American West Exhibition at the Autry Museum in CA. The Eitejorg Museum in Indianapolis, IN and also the Buffalo Bill show in Cody Wyoming. Cyrus was featured in the 2002 Gilcrease Museum Rendezvous in Tulsa, Oklahoma. He is also a member of the Northwest Rendezvous Group. Cyrus and his work appear in numerous publications, including American Artist, Art of The West, South West Art...

5017 Vintage American morning duck hunt. Framed Signed

Beautiful and historic original painting of the red fishing shack known as “motif number one” at the end of Bradley’s Wharf in Rockport, Massachusetts. The artist of the painting is the well known American marine...

5054 Vintage American tropical seacape Set in period wood frame Image size 5.75x7.75" Signed Lower left

Antique American school modernist landscape painting. Oil on canvas. Framed. Signed.

Untitled Large Seascape Abstract Mixed Media Ink and gouache wash on paper board about 1970s, Artist signed lower right corner. Lim Ha Shan, was born in Seoul, Korea in 1945. The ...