Paintings

A beautiful 1950's Modern British oil on canvas depicting a gardener with a ramshackle shed. The work is very similar in style and execution to the paintings of Cedric Morris from ...

Guy C. Wiggins Silvery Days, Madison Square Park, 1962 Signed lower left; signed, titled "Silvery Days" and dated on the reverse Oil on canvas 20 x 24 inches Guy Carleton Wiggins is...

Marcel von Herrfeld, born in 1889, was a son of Alice Herrfeldt and the Spanish painter of nudes Luis Ricardo Falero (1851-1896) who worked in Pari...

Big Sur California Seascape Original Mid-Century Oil on Linen Exceptional Seascape ainting in Oil Impasto technique by Ralph Victor Murray (American, 1897-1991). Heavy brush work of the Big Sur Coast rocks and crashing waves. In a period rustic carved frame. Image 24"H x 30.88"W Frame 28.25"H x 35.25"W x 2"D, frame is rustic and has some edge wear included as-is. Ralph Victor Murray was born June 27, 1897 in Fredericton, New Brunswick, Canada. He was raised in Fredericton and Campbellton. He was living in Campbellton in 1910 and witnessed the whole town burn to the ground. He studied at Rothesay Academy and left school at the age of 15 to help support his mother and sisters when his father passed away. He joined the Canadian Expeditionary Forces at age 18 and served during World War 1 in England until he was stricken with Diptheria and transferred to Halifax. He was walking to work on Dec. 16, 1917 when the great explosion of Halifax took place. After leaving the military, he traveled and worked in Canada and the United States until he ended up in San Francisco. While there he heard the California Highway Division was hiring, so he took the test and was hired as a surveyor. From 1923 to 1924 he surveyed Highway One (The Big Sur Highway) between Santa Maria and Carmel. He was retired from the State of California in 1940 and took up oil painting. In 1941 he won 2nd place in the Santa Cruz County Fair. He was mostly self taught, however he did take some private lessons from Burton Boundey and Abel Warshawsky. His work was landscapes and seascapes in oils. He was a lifetime member of the Carmel Art Association in Carmel, California. He frequently exhibited his work there from 1940-1960. His work was also exhibited in Wells Fargo Bank, Cal Am Water Co., Monterey Savings and Loan, Pacific Gas and Electric and numerous other businesses around the Monterey Peninsula. His work was shown in the "Monterey Peninsula Herald" and was also photographed for the L. A. Times for the July 20, 1958 insert. In the 1960's he gave private lessons to Helen Barker and Charles Lee. He also showed his work in the Helen Barker Gallery in Carmel, California. He was featured under People in the February, 1989 issue of Monterey Life. The California Art Review solicited information from him as well as California Artists. His friends and peers were such greats as Abel Warshawsky, Frank Meyers, Myron Oliver, Armin Hansen, Arthur Hill Gilbert, Burton Boundey and Leslie Emery...

Wonderful winter landscape of snow barns by Robert F. McFarren (American, 1917-1997). Signed "McFarren" lower right. Presented in a rustic giltwood frame. Image, 6"H x 12"L. McFarren arrived in Orange County, CA in the 1920s and grew up on an orange ranch. As a child he watched his mother paint and later learned to paint through his observation. He was self-taught. He lived in Corona Del Mar...

Antique American impressionist seascape beach scene oil painting. Oil on board. No signature found. Framed. Image size, 18L x 14H.

Nicely painted American modernist abstract still life oil painting. Framed. Oil on canvas. Image size, 14H by 18L.

Mid-century figurative seascape with boats by Henryk Dzienczarski, (Poland, b-1917). Signed "H. Dzienczarski" lower right. Displayed in a wood fra...

Nicely painted mid century abstract cubist nude oil painting. Great color and composition. Framed. Signed

Jirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academiJirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academies on the west coast including both the Chouinard Art Institute and the Otis Art Institute. es on the west coast including both the Chouinard Art Institute and the Otis Art Institute. The Gathering...

An abstract collage on wood by Kenneth Morrow Martin, American (1911-1983). Exhibited: 1st Knoxville Art Center National Exhibtion, 1961 White Landscape by Keith Morrow Martin...

Antique American modernist farm landscape oil painting. Oil on canvas. Signed. Framed. Measuring 19 by 25 overall and 18 by 24 painting alone.

Impressive 1963 modernist painting. A cubist abstract with great composition and color. Framed. Signed.

Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in hues of blue comes house in a contemporary natural wood frame presentation.. The ar...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 27 x 33 Frame Size: 35 x 41 Medium: Oil On Canvas Late 1940s-Early 1950s "Bluebonnet Time" Texas Hill Country Landscape Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican-American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910 near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions. While a few of his early works have a soft, tonalist quality, with subtle gradations of sunset colors, most were painted in a style that fits well within the currents of the late American Impressionist style, with solid drawing and a warm, chromatic palette. Like Robert Wood's works of the 1930s, the paintings Salinas produced as a young man were usually well composed and detailed views of the spring wildflowers in full bloom in the Texas countryside. In contrast to Wood's work, however, early Salinas compositions were usually pure landscapes without the pioneer farms or dilapidated fences that Wood often used to add visual interest to his wildflower scenes, and he also painted scenes of San Antonio itself as his mentor Jose Arpa had done. To residents of the Hill Country, Salinas was especially adept at accurately capturing the palette of the region and its unique atmosphere. In 1939 Salinas began working with Dewey Bradford (1896-1985), one of the great characters of Texas art. Bradford was a second-generation dealer whose family operated the Bradford Paint Company in Austin, where they sold art supplies, framed artwork, restored paintings and exhibited paintings by Texas artists. Salinas was struggling when he met Bradford, but the older man took the young artist under his wing and began to sell his work reliably, even though the prices that people would pay for a painting were still low due to the lingering effects of the Great Depression. Bradford was a born salesman with a gift for storytelling, and truth be told, a bit of embroidery. The relationship between Bradford and Salinas was often rocky, but it was to last the rest of the artist's life and give him a modest sense of loyalty and security, things which are all too rare in the art world. While Bradford could be critical of his work, Salinas knew that he had a dealer who encouraged him, believed in him and was not shy about singing his praises to anyone who entered Bradford's store on Guadalupe Street. During the early years of World War II Salinas met a pretty Mexican woman from Guadalajara named Maria Bonillas, who was working as a secretary for the Mexican National Railways office in San Antonio. While he was walking downtown with a painting of a bullfighter under his arm, he started a conversation with the young woman, and things progressed rapidly. The couple were married on February 15, 1942 and settled into life in bi-lingual San Antonio and they eventually purchased a tidy stone home on Buena Vista street that had a detached studio in back. By the time the United States entered World War II, Salinas was starting to make a decent living selling his art and beginning to garner recognition across Texas. However, in 1943, like millions of other young men, he was drafted into the service of his country. Fortunately, as an older Army draftee with special talents, after his training he was assigned to Fort Sam Houston, right in San Antonio, allowing him to remain at home while still completing his obligation to "Uncle Sam." Because of his artistic abilities, Salinas was asked to do paintings for the Army as well as a mural for the Officer's Club, which has been re-discovered in recent years. In his spare time he kept working on landscapes and when the war ended in 1945, he was not faced with the same rocky transition from military to civilian life as many veterans. That same year, Salinas became a father as he and Maria celebrated the birth of his only child, Christina Maria Salinas. Like most landscape artists of the era, Salinas was an avid Plein-air painter, and he took his easel and paint box with him on trips throughout Texas and into Mexico. He and his wife traveled deep into her native country, where the artist painted the majestic volcanic peaks of Iztaccihuatl (known as the "Sleeping Woman" because of its unique shape) and Popocatepetl (called the "smoking mountain" because the volcano is still active), south of Mexico City. Salinas also painted studies of rustic villages and their residents. While his most popular paintings were always the scenes of the Texas Bluebonnets and other wildflowers that bloom all over the Hill Country in the spring, he also painted scenes of the twisted Texas oak trees of central Texas, the more arid landscapes of the Texas panhandle and West Texas, and the historic Texas missions; he even sold rapidly executed scenes of bullfights and cockfights for Mexican-American collectors. By the late 1940s, the American economy was finally growing again and wealthier Texans began to collect Salinas paintings, purchasing them from galleries in San Antonio and Dallas and at Dewey Bradford's County Store Gallery in Austin. Salinas also sold work to the Atlanta dealer Dr. Carlton Palmer, who represented Robert W. Wood for many years. In 1948 Palmer sold two large Salinas paintings to the Citizen National Bank in Abilene, Texas. Because Austin was the state capitol, Bradford counted many of the state's elite among his patrons, and due to his interest in history and literature, he played a large role in the cultural history of central Texas. Bradford introduced a number of the major Texas political figures to Salinas' work, including Lyndon Baines Johnson (1908-1973), who was then in the House of Representatives and on his way to winning a controversial election that vaulted him in the United States Senate. Johnson became an enthusiastic collector, as did his political mentor, the legendary House Speaker Sam Rayburn (1882-1961). Johnson decorated his Washington offices with Salinas paintings and he brought a number of them home to his vast LBJ Ranch, near Johnson City, Texas. In spite of his important patrons, Salinas went through a fallow and difficult period in the late 1950s. He had a volatile temperament, which made relationships difficult, and it took great patience for his wife to help him manage his career. As Salinas entered middle age his work began to sell steadily, but except for tourists who purchased his paintings in San Antonio, he was known primarily only to Texas art collectors. All that changed in 1961 with the election of John F. Kennedy (1917-1963) to the Presidency of the United States and his running mate Lyndon Johnson to the Vice Presidency. Johnson was an expansive, larger-than-life character and his status as a long, tall Texan in a cowboy hat was a large part of his imposing political image. During his storied career in the House of Representatives and the United States Senate, Johnson and Lady Bird Johnson (1912-2007) spent their time in Washington in a modest house on the edge of Rock Creek Park, but this home would not do for a Vice President. So, in 1961, the Johnsons purchased a French chateau-styled home in the Spring Valley section of the Capitol. Obtained from the famed socialite and ambassador Perle Mesta (1889-1975), the house came with a fine collection of French furniture and tapestries, and the designer Genevieve Hendricks was hired to meld the French look with objects from the Johnsons' overseas travels and paintings of the flora and fauna of their native Texas. Featured prominently in the foyer were the paintings of Porfirio Salinas. Because of the Johnsons' patronage, his work was mentioned in Time Magazine and other national publications. Lady Bird Johnson loved her landscapes of the Texas Hill Country and told reporters that, "I want to see them when ever I open the door, to remind me where I come from." After President Kennedy's death thrust Lyndon Johnson into the Presidency, he brought his Salinas paintings into the historic halls of the White House, further enhaning the Texas painter's national reputation. At the time of the President Kennedy's assassination, Salinas had completed a scene of a horse drinking titled "Rocky Creek" that was to have been presented to Kennedy during his ill-fated visit to Dallas. Instead, in an effort to memorialize the fallen President, Salinas painted a symbolic work of a lone horse depicted against foreboding clouds. During his tenure in the White House, President Johnson presented a Salinas landscape as a state gift to the President of Mexico, Gustavo Diaz Ordaz (1911-1979). During the 1960s, Salinas paintings sold briskly and, thanks to Presidential patronage, for escalating prices. In an interview with a writer from the New York Times, President Johnson enthused about the work of "his favorite artist" and said that, "his work reminds me of the country around the ranch." Salinas was invited to the LBJ Ranch frequently during the Johnson administration and his paintings were hung throughout the ranch, in the President's offices and even in the private quarters of the White House. The connection to President Johnson was a great boon to sales of Salinas paintings, and in 1964, when the demand was at its height, Texas Governor John Connelly (1917-1993) was told that all Salinas'work was sold and that he would have to wait for a painting. In 1960, a half century after his birth, Salinas was honored by his home town of Bastrop, a celebration that touched the modest artist. In 1962 Salinas was given a solo exhibition at the Witte Museum in San Antonio that featured more than twenty of his works. By the early 1960s, sales of reproductions of the artist's landscapes by the New York Graphic Society and other publishers grew rapidly, enlarging his audience throughout the United States. In 1967, Dewey Bradford helped to organize the production of a book of Texas stories titled "Bluebonnets and Cactus" (Austin: Pemberton Press: 1967), which was profusely illustrated with paintings by Salinas. His works were still popular when Salinas died after a brief illness in April of 1973, just a few months after former President Johnson's passing. He was memorialized in the City of Austin by Porfirio Salinas Day, which honored him for having "done much to bring the culture of Mexico and Texas together with his paintings." Bastrop, Texas, the city of the artist's birth, has been holding a Salinas Art Exhibition annually since 1981. He painted hundreds of scenes of the wildflowers, including the various varieties of Blue Lupin, the state flower, as well as other flowering flora. These show the influence of his artistic mentors Robert W. Wood and Jose Arpa Y Perea. Salinas also painted a number of scenes of Prickly Pear Cactus that show the influence of the English painter Dawson Dawson-Watson (1864-1939), who painted many such works during his tenure in Texas. He painted the more arid Texas landscape infrequently and these works are very rare today and sought after by collectors from the Texas Panhandle and West Texas. Salinas also painted many river landscapes along the Guadalupe, Rio Frio, the San Antonio and the Rio Grande. On trips to his wife's homeland of Mexico, he painted a number of scenes of the volcanic peaks as well as scenes of peasant villages and villagers. Figurative paintings are rare among Salinas' works and these scenes of bullfights, fandangos and cock fights are probably the least sought after of his paintings. There are also a small number of modest marines, painted on trips to the Texas and California coast. Salinas paintings are highly prized by collectors of early Texas art, with the paintings of wildflowers in greatest demand. Works by Porfirio Salinas can be found in a number of public collections, including the Panhandle Plains Historical Museum in Canyon, Texas; the Texas State Capitol; the Texas Governor's Mansion; the Lyndon Baines Johnson Ranch; the Sam Rayburn Library and Museum in Bonham, Texas; Amarillo High School; the Witte Museum in San Antonio; the historic Joan and Price Daniel House in San Antonio; the Stark Museum in Orange, Texas; the R.W. Norton Art Gallery in Shreveport, Louisiana; the Sangre de Cristo Arts Center in Pueblo, Colorado; Texas A & M University and the Modern Art Museum of Fort Worth. Salinas has been featured in a number of reference works as well as anthologies devoted to American Western Art...

A beautiful mid 20th century French oil on canvas depicting glass bottles on a white shelf or ledge. Lovely quality and condition work. Presented in a painted frame with white slip. ...

Antique American impressionist landscape oil painting. Signed verso. Really nicely framed. Great color and thick impressionist impasto. Image size, 10L x 8H.

Jean Porcher, French, 1927, La vieille 'Fiat abandonnée', Oil on canvas modernist painting Provenance: verso gallery label "Galerie Drouant-David St Honore Paris" Hand signed and dated verso and along top to upper left 19 3/4 x 29, framed 22 x 31 1/2 It depicts an antique abandoned Italian Fiat car...

This stunning Scottish oil painting is by noted landscape artist Douglas Falconer. Painted circa 1960 the composition is of a seated golden eagle in a mountainous highland landscape....

This elegant pastel painting on paper was created by John Alfred Begg (1903 - 1974). This artwork has a beautiful blue-gray cubist nude study with contrasting black lines. There is no visible signature.  This artwork comes from the artist's estate. Newly reframed in an elegant blue-silver textured wood frame with black matte and acrylic glass protection. Measurements: With frame: 15 in wide (38 cm) x 19.69 in high (50 cm). Opening view: 7.32 in wide (18.5 cm) x 12 in (30.5 cm). (The last two pictures show the piece of art before framing). Biography: John Alfred Begg was born in New Smyrna Beach...

Pure mid century abstract expressionist painting. Great colors and movement. Oil on canvas. Framed. No signature found.

Antique American modernist oil painting. Oil on canvasboard. Signed.

A MOMENT LEFT BEHIND Oil on canvas Size: 43 x 39 cm (including frame) A modernist style interior still life composition that captures a quiet moment, executed in oil onto canvas and...

Mid Century Autumn Landscape, Showers Beneath San Gabriel Hills by Aletha Martin Vibrant autumn landscape of a crystal clear stream under the San Gabriel Mountains by California art...

A beautiful 1960's oil on canvas by Paul Lucien Dessau depicting the famous entrance to Horse Guards in central London, with mounted Guardsmen on watch and parade. The work is signe...

Antique American modernist abstract oil painting by Ervin B. Nussbaum (1914 - 1996). Oil on canvas. Framed. Signed. Dated 1950. Artist Bio: Ervin B. Nussbaum was born in Co...

Wonderful early American modernist abstract expressionist oil painting. Framed. Oil on canvas. Signed.

Finely painted and impressive European seascape. Appears to be Greece. Framed. Oil on canvas. Signed. Image size, 18.5H by 21L.

Peaceful winter landscape of a calm stream winding through a snowy forest by Lorenz Griffith (American, 1889-1968). Signed "Lorenz Griffith" lower left. Titled "A Winter Stream - Virginia" and dated 1960 on verso. Presented in a giltwood frame. Image size: 23.25"H x 29"W. Lorenz E. Griffith was born in Indiana; he was active/lived in North Carolina, Florida, Indiana and many places across the United States. Lorenz Griffith is known for luminist landscapes and portraits. He was painted in the style of the Florida Highwaymen...

Antique American modernist beach scene oil painting. Oil on board. Framed. Image size, 16L x 20H.

Artist: Jose Antonio Velasquez, Honduran (1906 - 1983) Title: View from House - San Antonio de Oriente Year: 1962 Medium: Oil on Canvas, signed,...

Lafuente - Flowers - Oil on canvas Spanish school signed "Lafuente". Oil measures 61x50 cm. Frameless.

Introducing a beautifully gripping post-war oil painting by British artist Joseph Duncan. Within this intense expressionistic work, the powerful use of c...

This Mount Fuji inspired work is what Noel called a Palimpseste. Meaning like an ancient piece of papyrus paper, man would use the paper over and over again, making his markings. There is sand on the canvas and he worked on this wet to incise in and build up the surface so there is beautiful texture. It is elegantly framed in a gold leaf float frame - 24 karat gold. Noel is an avant grade artist that worked alongside Cy Twombly in his early years at Fachetti Galleries in Paris - both artists used writing/.graffiti to form their compositions. Beginning in the late 1950s through 2000, Georges Noël produced both canvases and works on hand-made papers inspired by palimpsests, 6th century manuscript pages...

Signed lower right, 'Marda' (French, 20th century) and inscribed verso 'Street Scene by Marda #4'. A substantial, mid-century oil cityscape showing a view of a rainy Parisian boulev...

Original drawing painted in wax by Joan Miro. Certified by Jacques Dupin, official certifier of the artist's work. The work is a wax painted on two continuous pages of a book publish...

'Portrait of a Bird in Snow', oil on board, by Anna Costa (circa 1960s). This is a unique still-life painted by the artist in warm colours in an Impressi...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowi...

This original vintage oil painting on panel presents a peaceful romantic landscape in the tradition of 19th-century pastoral scenes. A lone tree stands bare against a glowing amber s...

Original oil on canvas painting by the well known artist Jonas Gerard. Signed by the artist lower right “Gerard”. Condition is excellent. Strong, vibrant colors. Circa 1965. Bridg...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

'Landscape with Church in Touraine', oil on paper, by Lilian Whitteker (1968). The Loire Valley of France comprises about 800 square kilometres (310 sq mi). It is referred to as the ...

Impressive early American modernist forest landscape oil painting. Framed. Oil on board. Signed. Image size, 24H by 16L.

Oil on canvas painting by the Polish born artist, Ernest Kosmowski. The painting is done with palette knife and brush typical of his style and children theme in the 1960’s. Soft, pa...

'Abstract of Lines and Colours II', oil on panel (circa 1960s), German School, signed, 'X. Kruger'. This artwork is a clear homage to Piet Mondrian (1872-1944). Recognised for the pu...

Lithograph on Arches paper Exemplaire B/165

Artist: Rene Portocarrero, Cuban (1912 - 1985) Title: Ciudad de la Habana, 1961 Medium: Oil on Canvas Size: 34 x 24 inches Provenance: Private Cuban Collection in South Florida....

George Dannatt (1915-2009) Havannah Lake No 1 1966 Gouache on paper Image: 24.2 x 34.3 cm Frame: 41.9 x 52.0 cm Exhibitions 1970 Sep. Penwith Gallery, St Ives. 1975 Newlyn ...

Impressive early American modernist abstract oil painting by Alton S. Tobey (1914 - 2005). Framed. Oil on board. Signed. Impressive modernist painting by an important and historical artist. The following is written and submitted by Joseph Dolice, Exhibition Director of the New Rochelle Council on the Arts. This information accompanied the exhibition, "Alton Tobey," of the New Rochelle Council on the Arts October 22 to November 14, 2003. Millions of Americans have seen reproductions of the art of Alton Tobey, one of the most famous of today's living illustrators -- in national magazines such as Life, Reader's Digest and American Artist; and in public murals such as at The Smithsonian Museum in Washington DC, the Intrepid Sea, Air & Space Museum in New York City; and in Westchester where his Roots of Westchester mural is installed at the White Plains County Courthouse. Few people, however, had had the opportunity to see almost three dozen of his original paintings, including many of his portraits of famous people, at any single time or place before in history. From October 22nd through November 14th, 2003 The New Rochelle Council on The Arts, a major cultural resource for the citizens of New Rochelle and the residents of the surrounding Westchester community will present a special one-man exhibition of thirty-three of Alton Tobey's original paintings, many of which have never been publicly shown before. The show will be held in the 3000 square foot Lumen Winter Gallery in the lobby of The New Rochelle Library, the site of many major exhibitions in the past by the NRCA, such as its show of original artwork of Norman Rockwell and of Frederic Remington. Both of these artists also achieved fame mainly as illustrative painters, and had ties to the community. Alton Tobey was born in Middletown, Connecticut and received his BFA and MFA at the Yale School of Fine Arts and later taught there for four years. He has also taught at the City College of New York and has been juror for many prestigious art competitions. His work is in over 30 museums and in important government, corporate and private art collections. He has had over 50 one-man exhibitions. His work has been published in over a dozen national magazines and books, and he has over three dozen historic murals to his credit. Education: Yale School of Fine Arts, B.F.A. and M.F.A. Taught at: Yale School of Fine Arts; City College, New York City; 92nd St. YM-YWHA, New York City Affiliations: Hudson River Contemporary Artists - President Emeritus; National Society of Mural Painters - President Emeritus; Artists Equity of New York - President Emeritus; Mamaroneck Artists Guild - President Emeritus; International Arts Association - Past Vice-President Memberships: Abraxis; League of Present Day Artists; Fine Arts Federation; American Society of Contemporary Artists; Metropolitan Arts Association Awards: PWA Mural Award, 1939; Westchester Society Merit Award; Edwin Abby Mural Award, 1965; Grumbacher Awards, 1982, 1985; Westchester Council for the Arts, 1987; Lindner Memorial Award, 1992 Murals: Tazewell Museum; Tazewell, VA; 16 Chief Justices; St. Paul, MN; Signing of the Constitution; St. Paul, MN; Roots of Thomasville; Thomasville, GA; Intrepid Sea, Air, Space; New York, NY; Smithsonian Museum (2); Washington, DC; California Bank, Rockefeller Center; NYC; American Bureau of Shipping; NYC; Council on Fitness; Washington, DC; U.S. Post Office; East Hartford, CT; MacArthur Memorial, (6); Norfolk, VA; Falstaff Mural; St. Louis, MO; Three Murals for Saudi Arabia; Jidda, SA; History of Transportation; Hartford, CT; Project 400 (14 Murals); Chadds Ford, PA; Evyan Perfumes/Cheseborough; NYC; Campbell Avenue Library; E. Hartford, CT; Eastchester Town Hall; Eastchester, NY; Liebowitz Family (2); New York, NY; Roots of Westchester County; WhitePlains, NY Publications where featured: Life Magazine; Iconagraphy of Stradivari; American Artist; Readers' Digest; Spotlight; Epic of Man - Life; The Plate Collection Magazine; Birds of Tikai - Museum of Natural History; Men and Power - Western Publishing; The Golden Book of American History (in 12 volumes - 300 paintings by Tobey) August 1, 1961 in Plate Collector magazine (with Tobey featured on the cover): "Tobey Brings Murals to Plates" by Susan Elliott: Winter, 2007 (Vol. 5 Number 20) in Illustration magazine: "The Curvilinear Career of Alton S. Tobey" by John Matuszak. Also in numerous newspaper articles in The New York Times, USA Today, Gannett newspapers, and others. Corporate collections: ABC TV; New York, NY; Charles Pfizer Co.; New York, NY; Readers' Digest; Pleasantville, NY; Ciba-Geigy; Ardsley NY; American Cyanamid; Bound Brook, NJ; General Foods Corp.; White Plains, NY; Evyan Perfumes; New York, NY Portraits: Albert Einstein; Pope John Paul II; Ronald Reagan; Charles Pfizer; Golda Meir; Alexander Calder; Cardinal Cooke; Armstrong, Aldrin, Collins; Robert Merrill; E. Ronald Harriman; Robert Frost; Douglas MacArthur; Alfred DelBello; Robert Merrill; John L. Lewis; Charles Picker; John F. Kennedy and Robert Kennedy Government & other projects: Newberger Museum; Purchase, NY; Dept. of Commerce; Washington, DC; Amer. Machine/Foundry; White Plains, NY; President's Council on Fitness; Wash., DC; Yonkers Professional Hospital; Yonkers, NY; Iona College; New Rochelle, NY; NYU Law Library; New York, NY; Jewish Community Center; White Plains, NY; Instituto Norteamericano del Arte; Mexico; American Center; Stockholm, Sweden; Amer. Bureau of Shipping; New York, NY; The National Academy; New York, NY; St. Patrick's Cathedral; New York, NY; St. Francis Hospital; Hartford, CT; Elmira College; Elmira, NY; Hofstra University; Long Island, NY; Murray Av. School; Larchmont, NY; Mercy College; Dobbs Ferry, NY Limited editions: Royal Doulton Plates; London, England; Lucien Picard; New York, NY; Scafa Tournabene; West Nyack, NY; Numa, Ltd.; Akron, OH International collections: Copenhagen, Denmark; Minori, Italy; Jerusalem, Israel; Lima, Peru; LaRochelle, France; Stockholm, Sweden; Athens, Greece; Buenos Aires, Argentina; Guatemala City, Guatemala; Mexico City, Mexico; Tepotzian, Mexico Solo Shows: American Center; Stockholm, Sweden Alliance Galleria; Copenhagen, Denmark Mamaroneck Artists' Guild; Larchmont, NY Silvermine Artists Guild; New Canaan, CT Instituto Mexicano Norteamericano; Mexico Galleria Satellite; Mexico City, Mexico Casa de Aquarella, Mexico City, Mexico Jewish Center; New Haven, CT Alice Tully Hall; Lincoln Center, NYC Riverside Museum; New York, NY Westchester Art Society...

Antique American modernist abstract oil painting. Oil on canvas. Signed.

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