Paintings

5132 Danish Seaside village scene landscape Image size 12.5x15.5

A visually interesting and expressive work done in thick impastic paint and expressive brushwork. Artist is internationally collected, especially in Japan! Cottavoz painted lively s...

Luminary Nights James Hiroshi Suzuki, Japanese/American (1932) Date: 1960 Oil on Canvas, signed lower right, dated and titled on verso Size: 23 x 24 in. (58.42 x 60.96 cm) Frame Size...

Medium: Oil on Canvas Signature: Signed Upper Left Image of two men, one seated and one standing. From the book Head Tide by Joseph C. Lincoln

Portrait is an artwork realized by Antonio Feltrinelli, 1930s.  H 160 x 110 cm. Oil paiting on canvas. Hand signed lower left margin. Good cond...

Woman on Sofa is a modern artwork realized by Antonio Feltrinelli in the 1930s. Another painting of human figure on rear. Includes frame. Mixed colored oil painting on canvas Antonio Feltrinelli (Milan, 1887 – Gargnano, 1942) He was born in Milan on June 1, 1887 to Giovanni Feltrinelli, the nephew of Giacomo, who was the founder of the Feltrinelli partnership. Feltrinelli was not only a prominent figure in the Italian economic and financial field, but he was also a painter, who was characterized as a strong, impetuous hot colorist, and preferred still lifes, portraits and landscapes. He started his career in 1930 at La Permanente (Milan), where he exhibited a portrait and a still life that won him the Fornara award. That same year, Feltrinelli exhibited his work at the Venice Biennial and at the Pesaro Gallery in Milan. Together with other prominent avant-garde artists, he participated in various foreign exhibitions on modern Italian painting...

Signed Lower Right by Artist Film Fun, May 1930, illustrated on the front cover. C. Martignette, L.K. Meisel, The Great American Pin-Up, Köln, 1996, p. 121, fig. 153, illustrated. The present playful Art Deco image of a jester by Enoch Bolles is illustrated on the cover of the May 1930 issue of Film Fun magazine. Marian Nixon (1904-1983), popular Hollywood film actress of the 1920s and 1930s, posed for the cover. Nixon began her career in silent film, appearing in such notable films as Riders of the Purple Sage...

Beautiful 1930's California seascape of the rocky Monterey coast, with numerous smooth stones on the water's edge depicted in great detail, by San Jose,...

This graphic and flatwork was an Interior illustration for the Saturday Evening Post. George Giusti( Italian - American 1908-1990)- ''The Last Snapshot''- ink and acrylic on illust...

Sunny seascape of seagulls over ocean waves breaking on the coast by Joe Hazel Conrad (American, 20th century). Presented in a wood frame. Signed ...

Date: 1932 Medium: Oil on Canvas Sight Size 30.00" x 22.00", Framed 38.00" x 30.00" Signature: Signed Lower Right Saturday Evening Post Cover, October 1, 1932. Exhibitions: Christi...

Prophet (31) John F. Leonard American (1921–1987) Date: circa 1965 Oil on board Size: 22 in. x 25 in. (55.88 cm x 63.5 cm)

An abstract, Op Art painting by Francis Celentano. "Undulating Units" is a black and white, abstract Op Art painting from seminal Op Artist Francis Celentano. "Undulating Units" is a large format, black and white, acrylic on canvas painting. Signed verso, “F. Celentano 1968” Provenance: Jacobsen Howard Gallery, New York, New York Loretta Howard...

Medium: Oil on Canvas Sight Size 29.00" x 21.00", Framed 34.00" x 27.00" Signature: Signed Lower Left Valentines Day, Saturday Evening Post cover, February 16, 1935

'The Stray Cat', oil on board, by F. DuParc (circa 1960s). A thoroughly modern depiction of a colourful, graceful feline most likely inspired by Italian Futurist, Fortunato Depero (1...

Harry Jelinek (1905-1986) “Lady Posing in a Red Dress” Signed and dated 1965 Acrylic on board

Signed lower right, 'Barnes' for David P. Barnes (American, born 1930) and painted circa 1965. A vibrant, modernist still-life showing a profusion of white Ca...

Oskar D'Amico (1923-2003). Fisherman at Dusk, c.1960. Oil on linen canvas, 16 x 30 inches; 18 x 32 inches (frame). Signed lower right. Excellent condition with no damage or conservation. Biography: Oskar Maria D'Amico (February 22, 1923 – May 3, 2003) was an active Italian artist in Rome, Naples, Lanciano, Cisterna, Milan, Gallarate, Torino, Zagabria, Paris, Toulouse, Melun, Carenac, Maubeuge, Madrid, Barcelona, Zaragoza, Budapest, Győr, Mexico City, Cuernavaca, Morelia, Toronto, New York City, Philadelphia, Los Angeles, San Francisco, Miami, Denver, Santa Fe, Albuquerque and Socorro, between 1943 and 2003. He is considered a Nomad artist because of his ability to work in various styles. He had three major periods in his artistic life: Figurative, Materic and Geometric. [1]He also was an outstanding art director for more than 75 epic movies. D'Amico had a very outgoing personality. He was a non-conformist, which was reflected in his work throughout his life. D'Amico was born in CastelFrentano, Italy, a small village in Abruzzo. At a young age, he felt he had to leave and dive into the big world. After being a seminarist with the Salesiani during World War II, he left Naples, where he studied architecture, and began a great adventure in Rome. He specialized at the time in decorating nightclubs and bars, and invented a special type of double ceiling to hide the lights. D'Amico, who was self-taught as a teenager in drawing and painting, burst onto the filmmaking scene in Rome when an art director asked him to do a perspective of a set design. Soon other moviemakers were calling him.[2] D'Amico was an art director on 75 films including two by Orson Welles. D’Amico was able to create a real marble floor in the set of the palace of the King Saul, in "David and Goliath" directed by Orson Welles. Art directors previously painted a simulated marble on top of concrete due to the cost of the real thing. D'Amico became an associate of Jadran Films in ex-Yugoslavia, which specialized in Roman and Egyptian constructions. While an art director, he never stopped painting. His faceless clowns, reflecting the people who had no identity after World War II, were a big success. In the early 1960s, D'Amico moved with his family to Toronto, Canada, another place he felt was too small. He left for Philadelphia and New York City, which affected his work. He turned his focus to abstract, and for more than a decade created abstract Expressionist paintings "on the plane of all matter" that he called "Materic". The Materic style, which he invented, was done in several media and could not be changed once on the canvas. The paintings were very well received. D’Amico sold more than 400 in Philadelphia and New York City. Unfortunately he had to stop doing the Materics because the colors he used were harmful to his liver. In the mid 1970s, he returned to his architectural roots and developed a new vision for Abstract Constructivism using just acrylic colors. Presented in Paris by his French Art dealer, Francoise Tournier, at the Grand Palais de Paris, and in Mexico City, D'Amico's interpretation of the "New Geometry" was widely admired. In 1983, when he presented the work at the Bodley Gallery, people whispered that he had the potential to be the new Picasso because of his eclecticism and the Nomad nature of his styles. In 1987, D'Amico abandoned the gypsy life and settled in New Mexico. Albuquerque was the perfect place to dedicate himself 100 percent to his work.[3] There were no distractions and a good climate that reminded him of his beloved Cuernavaca in Mexico. Staying in close contact with his French art dealer Tournier, D’Amico had several shows in Denver at the Helen Karsh Gallery and in Albuquerque at the Black Swan and Café Galleries. At least once a year, D’Amico went to Europe to immerse himself in the antique world and visit museums and galleries. In 1992, visiting Tournier at the Castle of Saint Cirq Lapopie, he met the man who founded the MADI movement in 1940, Carmelo Arden Quin...

Signed "HP" at lower right, and inscribed "Eric Horsbrugh-Porter / Phyllida one week old" on verso. The overall dimensions, including the frame, are 17 x 21 5/8 inches.

Mid Century Modern Chichen Itza Ruins Landscape Wonderful mid century modern abstracted landscape oil painting of the ruins at Chichen Itza by Jose Nacho (Mexican, 20th Century), 19...

Robert Mus Untitled 1 Acrylic, oil and paper on Isorel 1968 90 x 118 Certificate from the artist's daughter 2300 euros

Dancer (26) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 24 in. x 20 in. (60.96 cm x 50.8 cm)

Artist: Lowell Nesbitt (1933-1993) Title: X-Ray Series (with Lily) Year: 1964 Medium: Oil on canvas Size: 44 x 36 inches Inscription: Signed, dated by the artist, verso Notes: Lowell...

Ken Gore: 1911-1990. Well listed American artist with Auction records over $3500, but sells for more in galleries. Is best known for his paintings around Glou...

Oil on canvas Signed verso

Stunning white cubes, a substantial abstract expressionist oil painting by James McCray (American, 1912-1993). Unsigned, with his inventory number scheme on stretcher "C- I-66 for C for Cal' University of California Berkeley,1966. From the estate of James McCray; provenance: David Carlson Collection. Unframed. Image size, 24"H x 30"W. As one of the second wave of San Francisco abstract...

Resilience - Abstract Watercolor and Ink on Paper Abstracted watercolor and ink painting depicting a deep orange background, with black contrasting string formations. Signed and da...

5-2581 Oil on board Displayed in a faux bamboo wood frame Image size 15.5x19.5"

Georges Girard (1917-2003) was a French painter known for his work throughout the 20th century. His art often appeared in auctions, with pieces like Picador and Le Jeune Homme et l'O...

Striking mid-century painting of pair of sailboats by French artist M. Charco, 1961. Signed by artist lower right. Original artwork on paper displayed on a white mat with a gold ...

A wonderful and charming cover concept as an attractive young women stares at a beautiful butterfly caught in the netting of her hat. Fabry executes the work with his stylised loos...

Signed lower right, 'Leah Schwartz' (American, born 1920) and painted circa 1965. A lyrical Modernist still-life showing three ripe peaches in a glazed earthenware bowl. An attracti...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

"Full Personality," by John Taintor Foote and illustrated by Henry P. Raleigh for the Saturday Evening Post, January 28, 1933. "I've come to drown myself -- will you help?" Henry Patrick Raleigh...

Signed lower left, 'Gregory Deane' (American, born 1938) and painted circa 1985. Framed dimensions: 15 H x 31.5 W x 1.5 D inches This contemporary California Expressionist incorpora...

Bernard Buffet (French, 1928 – 1999) was a French painter, printmaker, and sculptor. An extremely prolific artist, he produced a varied and extensive body of work. His style was excl...

Portrait of a Seated Woman oIl on canvas, c. 1930 Signed on the reverse in oil paint: "Paul W" Created while the artist was a student at the Minneapolis Institute of Arts Provenance: Estate of the artist Condition: Cleaned and stretched by Monica Radecki, South Bend, Indiana. The painting is unframed Canvas size: 30 x 24 inches This work created while the artist was in art school. Winchell studied art at the Minneapolis and Chicago Art Institutes in the 1930’s. He went on to teach at both institutions. Winchell studied under the noted artists Daniel Garber and Leon Kroll. Winchell exhibited at the Minneapolis Institute of Arts, Art Institute of Chicago and the Kansas City Art Institute. He retired to a quiet life in Painsville, Ohio. Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld (1878-1973), Daniel Garber (1880 – 1958), Charles Woodbury (1864 – 1940), George Oberteuffer...

Artist: Lou Fink, American (1925 - 1980) Title: Asphalt Year: 1967 Medium: Oil on Canvas, signed verso Size: 40 x 48 in. (101.6 x 121.92 cm)

Homage to Klee is an original contemporary artwork realized by Sergio Barletta in 1960. Mixed colored oil on masonite. Includes frame: 78 x 26 cm Hand signed and dated on the high...

Date: 1930 Medium: Oil on Canvas Dimensions: 40.00" x 30.00" Signature: Initialed and Dated Lower Right of Right Canvas Woman with suitor/explorers wearing pith helmets Pub...

Wonderful mid century impasto seascape of Brittany fishing boats on the water by Walter Prescher van Ed (German/French, 1916-1988), circa 1960. ...

magnificent abstract, painting by the well listed Italian artist Paolo Buggiani relationship relationship. Born in Italy in 1933, but worked in America from the 1950s. He has auction...

Gorgeous mid-century Pacific seascape of brilliant blue waves breaking on shallow rocks by Ruth Kjos Berg (American, 20th century), circa 1960s. You can feel the intense energy comin...

Paul-Élie Gernez (1888-1948) Oil on wood panel signed low right and back with date 1939 Old original frame Size canvas : 54 X 81 cm Size frame : 76 X 103 cm Paul-Élie Gernez (born 27 January 1888 in Onnaing, France, and died 6...

"A Young Girl Reading a Book" is a captivating portrait by Swedish artist Gustaf Arnolds. Arnolds was a prolific painter whose roots began in Vingåker and later in Ronneby from his teenage years. His educational journey in art took him through prestigious institutions such as Althins målarskola and the Tallbergska grafikskolan in Stockholm, followed by a significant period at the Konstakademien, Stockholm, between 1904 and 1909. His talent and dedication were recognized early on, earning him a scholarship to Paris, a city that would deeply influence his artistic direction. This particular work, likely painted shortly after his return to Sweden, reveals a profound influence from his time in Paris. It portrays a young girl absorbed in reading a book, a simple yet profound subject that Arnolds imbues with a sense of tranquility and introspection. The background hints at a serene landscape, dotted with quaint houses, a nod to the everyday beauty surrounding us. What sets this piece apart is Arnolds’ technique, reminiscent of pointillism but distinguished by longer, more expressive brush strokes that add a vibrant texture and depth to the canvas. This method showcases Arnolds' unique adaptation of the techniques he encountered during his Parisian studies, particularly during his interactions with Nils Dardel...

Vintage American modernist abstract painting titled "Praying Mantis". Oil on canvas, circa 1970. Signed. Image size, 12L x 16H. Housed in a period wood frame.

Approximate Date: 1936 Medium: Oil on Board Signature: Signed Lower Right Sight Size 28.00" x 22.00", Framed 34.00" x 28.00"

Still life with palette and books is an artwork realized by an unknown artist in 1969. Oil on canvas. Handisgned and dated in the lower right margin. 47 x 66,5 cm ; 58,5 x 78 cm ...

Presenting an absolutely stunning and large original oil by French artist Paul Alex Deschmaker. "Backstage" is an original oil on canvas, signed, dated 1931, beautifully framed an...

Artist: Lucio Ranucci, Italian (1925 - ) Title: Birdwatcher Year: 1969 Medium: Gouache, signed and dated l.l. Image Size: 15 x 20 inches Size: 20 x 27 in. (50.8 x 68.58 cm)

Work on canvas Molded plaster frame and gilded wood 73.7 x 92.5 x 6 cm

'Mexican Fishermen in Lake Patzcuaro', lithograph by Yves Brayer (1963). Unframed. The artist, Yves Brayer, spent time painting in Mexico in 1963, one of the many worldwide destinati...

A 'View of Saint-Médard Church, Paris', gouache on art paper, by Lucien Génin (circa 1930s). As viewed from the Rue Mouffetard, the church, which dates from the mid-1400s, continues ...

Mirror of the soul, where water and sky blend in a silent dance for this Australian landscape, dated the year '64, and signed by the artist Robert Wade. The composition centers on a...

A beautiful mid 20th century French naïf oil on board depicting Place de la Concorde in Paris, by Jean Fous. The work is signed lower right and framed. Jean Fous is a well known Fre...

5168 American Impressionist landscape ouil painting Image size 18x23" Gilt frame

Date: 1938 Medium: Gouache on Board Dimensions: 28.00" x 25.50" Signature: Unsigned Cream of Wheat Advertisement

Fish,red,yellow,sea, animals Italian 1937 Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that...