Abstract Paintings

"Sphere" is an abstract oil painting by Maestro Lili Sotirova. The painting is unframed. About the artwork: TECHNIQUE: Oil painting STYLE: Abstract, Contemporary Edition : Unique...

A painting by Carl Morris. “Untitled” is an abstract expressionist painting, acrylic on canvas in yellows and greens by American artist Carl Morris. The artwork is signed in the lowe...

Artist Commentary: The symbol of many corporate, government, and charitable entities are their headquarters buildings. Keywords: headquarters, hq, sky, corporate, corporations, gove...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park 92"". Born in South Korea, Park Jae Kon...

A painting by Carl Morris. “White Field” is an abstract expressionist painting, acrylic on canvas in yellows, whites, and browns by American artist Carl Morris. The artwork is signed in the lower left. Born in Yorba Linda, Calif., in 1911, Carl Morris studied at the Chicago Art Institute, as well as in Vienna and Paris, before he became director of the Spokane Art Center in Washington and, eventually, the most important painter to establish himself in Oregon. From an aesthetic perspective, he fit in with the New York School painters was counted Mark Rothko and Robert Motherwell, as well as the Northwest School...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in cream and gold by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Ja...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in greens and oranges by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower left, ""Jae Kon Park, 92"". Born in South Korea, Park Jae Kon (1937 – 1993) attended Seoul National University of Fine Art. Not long after graduating, Park Jae Kon left Korea with his wife and two daughters. He and his family traveled widely, eventually settling in Argentina. He spent the rest of his life in South America, traveling to various regions and using the landscape and cultural history as inspiration for his artworks. As an artist, his output spanned various media, styles, and subject matter, producing work that ranged from gestural abstract expressionism and typographic woodcuts. Throughout his career, travel continued to inspire him. Park Jae Kon created abstract landscapes that reflect the colors and light of the Andes Mountains and geometric abstractions that incorporate iconography from the South America’s ancient civilizations. Park Jae Kon himself found a deep spiritual resonance with South American and Indian cultural history, and his work captures this personal connection to Aztec, Incan, and Hindu iconography. In his later work, Park Jae Kon attempted to reconcile his Korean identity with his adopted homeland of South America. These works often combine the colors and patterns of ancient Incan and Aztec art...

A painting by Jae Kon Park. ""Untitled"" is an abstract painting, oil on canvas in grays and blues by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, "Je Kon park 92". Born in South...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in a colorful palette of blues, oranges, yellows, and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 92". Born in South Korea, Park Jae Kon...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

"Untitled No. 7" is an abstract Post War acrylic, pencil and gesso on canvas by Agnes Martin in 1974. The artwork is 72 x 72 inches and, with the frame, is 72 3/8 x 72 3/8 x 1 1/2 in...

Thai artist Surachate Noisagha’s art is a combination of colour and poetic imagery. He applies acrylic paints on canvas and creates “almost-perfect” circl...

A painting by Willem de Kooning. "Woman in a Rowboat" is an abstract, oil on paper laid on masonite painting executed in a lush and swirling palette primarily of greens, whites, beiges and yellow and depicting an abstracted, nude woman in a boat by Post War artist Willem de Kooning. "Woman in a Rowboat" is a seminal work by de Kooning that has a new fluidity which relates to his next major series of Woman paintings which he began in 1964. Signed lower left, "de Kooning." Provenance: Allan Stone Gallery, New York Private Collection, New York Private Collection, Arizona Exhibition: North Hampton, Smith College Museum of Art; Cambridge, The New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Willem de Kooning: a Retrospective from Public and Private Collections, April – June 1965 (Cambridge only) New York, Allan Stone Gallery, De Kooning/Cornell, February – March 1965 Rotterdam, Museum Boijmans Van Beuningen, American Paintings, September - October 1966, cat. no. 26 Dublin, The Royal Dublin Society, Rosc'67:The Poetry of Vision, November – December 1967, p. 201, illustrated Detroit, J.L. Hudson, Willem de Kooning: Three Decades of Painting, March – April 1968, no. 31 (exhibition checklist) Easthampton, Gild Hall...