Abstract Paintings

The work of catalan artist Camil Giralt reflects his need for inner balance, which is explained by concepts such as calm, silence and distance from everyt...

ABOUT THE PAINTING Within this captivating triptych composition, David Kupferman creates distinct landscape quadrants, each serving as a unique tempor...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

An abstract paining Spades is inhabited by signs that represent the unique mystical universe created by contemporary artist Anna Taganzeva-Kobzeva in her oeuvre. Images of butterflie...

ABOUT THE ARTWORK David Kupferman's 'AH 9-20 A_C' is a captivating geometric masterpiece that seamlessly marries the principles of lyrical abstraction...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

ABOUT THE ARTWORK: Kupferman's piece is an embodiment of inner consciousness, a manifestation of the artist's exploration of the ever-expanding realm of the human spirit. It beckons viewers to journey within, to reflect on the mysterious depths of their own existence and the cosmic forces that shape our lives. ABOUT THE ARTIST David Kupferman...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Within this captivating abstract and geometric composition, the artist invites us into a library of books painted with natural tones, unveiling a mesmerizing celebration of knowledge...

Dimensions: (Frame) H 28.5" x W 35.5" (Painting) H 22" x W 30" Miguel Ángel Aybar Llauca, an artist specializing in expressionist painting, was born in Huancavelica and lives in the city of Ica where he began drawing from a very young age, drawing from its beautiful valleys and customs. In 1970 he began his studies in Drawing, Painting and Sculpture at the Regional School of Ica. He is a graduate of the National Superior Autonomous School of Fine Arts of Peru (1971-1976) with honorable mention, forming the promotion "Juan Manuel Ugarte Eléspuru". "Iqueño Expressionism" is the title of the exhibition that will be available to the public from May 25 to June 13 in the "Paracas" Room of the "Adolfo Bermúdez Jenkins" Regional Museum of Ica. Av. Ayabaca block 8°. Miguel Angel Aybar is a painter who characterizes expressionism in Ica without a doubt. His songs speak of longing, and secret friendships with the hurango, the palm tree of Huacachina or the silent and still sand of Ica. His work is primarily characterized by color. The contrasts between the intense dark contrasted with the radiance of reds, oranges, yellows or greens, achieve a positive effect on the observer. Its warm tones reach high levels like an Ica sun at noon. However, among those quasi Servulian colors , Andean prints maintain their presence. Hats, ponchos or skirts hidden from a root bound by blood or memories. The perfect textures of his works give him the seal, the personality that characterizes a curdled and experienced Aybar who no longer needs to dialogue with the brush; they just flow, hand and brush. When entering the exhibition hall, you do not need to read the signature, he is an Aybar. There is no room for confusion. Although there are not a few artists from Ica who use these boiling tones, and I translate it as a tribute to that Sérvulo that touches you in the depths of your being, if you are an artist and you live in Ica, you want to be possessed by the ghost of the disturbing Sérvulo Gutiérrez turned legend. Servulus still catches the spectator being absorbed, as if observing a volcano, fearing that it might erupt, but with an inexplicable delight that he stops you next to him and captures you. However, Aybar no longer needs Servulo's shadow, he has gained an important space in the artistic world of Ica. He is an artist and a close friend of poets and musicians. Painter recognized by the Ica society and deserving of all the medals and recognitions by the different institutions. He not only paints with mastery, as Alberto Dávila predicted, when he said that his maturity would give him the position that corresponds to him. He now sings in public to the delight of his closest friends. Ica recognizes him as a son and has given him the place that corresponds to this remarkable painter whom I congratulate. DATA ABOUT THE ARTIST Miguel Angel Aybar Yauca, was born in 1952 in Huancavelica. He has lived in Ica since he was very young; he began his art studies at the Ica Regional School of Fine Arts. He later moved to Lima to study at the National Autonomous School of Fine Arts of Peru from where he graduated in 1976. His teacher Alberto Dávila described him as: a restless, imaginative young man with a sober and dramatic color. His forms acquire poise and great eloquence . Aybar also had the painter Carlos Aitor Castillo...

"The Fire," night landscape by Gabrielle Ricard - Cordingley. Yr 1967. A night landscape with forest fire, painted by Gabrielle Ricard-Cordingley (b. 1924), daughter of a well-known ...

In this abstract and geometric composition, the artist immerses us in a red library where warm and cool tones blend in a captivating chromatic dance. This ...

Jichak Pressburger, Painter. b. 1933, Bratislava, Czechoslovakia. A concentration camp survivior. Came to Israel aboard the ship, "The Exodus". 1964 Went to Paris. In 1979 Returned as new immigrant. Education Tel Aviv University, B.A. in art, with Marcel Janco and Isidor Ascheim at Avni art school. Beaux Arts, Paris with Professor Coutaud. Itzchak Pressburger Stays in Paris from 1963 – 1979, Resident of the “Cité des Arts” 1969-1972. Lives and works in Jerusalem since 1979. One-Man Exhibitions 1963 Gallery Dugit, Tel-Aviv 1968 Cultural Center Enkhuizen, Netherlands 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) 1970 Gallery Zunini, Paris 1973 Gallery Maitre Albert, Paris. Cultural Center Verfeil sur Seye, France 1974 Gallery Maitre Albert, Paris 1976 Gallery Mundo, Barcelone 1980 Artists’ House, Jerusalem 1981 Gallery Alain Gerard, Paris Group Exhibitions 1966 Rathaus Charlottenburg, Berlin. (The first show of Israeli painters in Germany Artists Center of Silvarouvres, Nantes, Ffance XXXth Salon of Finances at “l’Hotel des Monnaies”, Paris 1969 Maison de Culture, Le Havre, France 1968 Gallery Zunini, Paris (chosen by the art critic of « Opus : Jean-Jacques Lévèque) Salon « Grands et Jeunes d’Aujourd’hui », Paris Museum of Fine Arts, Nantes, France Cultural Center Vitry, France Gallery Il Giorno, Milan Cité des Arts, Paris 1972 Salon “Grands et Jeunes d’Aujourd’hui”, Paris Salon de Mai, Paris 1973 Städtische Galerie, Siegen, Germany 1974 Jewish Cultural Center, Paris Publicis, Paris 1975 Réalitiés Nouvelles, Paris 1976 Salon de Mai, Paris 1977 “Perspectives Israeliennes”, Grand Palais, Paris 1981 Salon Alain Gerard, Paris 1984 Artists’ House, Jerusalem Publication 1990 Haggadah Yom Kippour (Hebrew/French) Abraham Bliah (private edition), Paris Acquisitions 1968 The City of Paris 1972 The State of France The Yitzchak Pressburger artist was born in Bratislava – known for centuries by its German name of Pressburg – but the outbreak of World War II found him and his family in Prague. His father realized they had to escape from the Nazi occupiers and tried to get the family across the border into Hungary. However, they were caught near the crossing point, arrested and incarcerated overnight at the nearby railway station. The Czechs put them on a train to Hungary early the next morning. That was their first miracle in their quest for survival. They survived with relative ease until late 1943, when the father was taken away to a forced labor camp. He subsequently died in a death march. Things became even more precarious in early 1944, when the Holocaust made its full-blown presence felt in Hungary. “It wasn’t the Germans, it was the Hungarian Nazis who did the dirty work,” Pressburger points out. The family lived in so-called “safe houses” that were protected by Switzerland, Finland and Sweden. The havens were dismantled in late 1944, and the Pressburgers moved into one of the two Jewish ghettos in Budapest. The Nazis had found two houses with Jews, including the one where we had been, and took them all out and shot them next to the Danube. Today there is a monument by the river [called Shoes on the Danube Bank]. We should have been with the Jews who were killed by the river,” he says. After the war, Pressburger and his siblings were farmed out to various orphanages run by the Jewish Agency, and things took a decidedly better turn. “We finally had food to eat,” he recalls. “After a while we were put on trains that were protected by the Jewish Brigade [of the British Army], and we were sent to Austria, and then to Germany.” “My uncle was a famous artist, and I learned a lot from him,” he says. While in Germany, Pressburger also took some lessons with a local artist. His mother managed to get him and two of his siblings berths on the Exodus, which set sail from Marseilles for Palestine in July 1947. Pressburger was 13 at the time and clearly recalls the aborted attempt to get to the Promised Land. “It was so crowded on the boat. This was a ship that was made to ply rivers in the United States, with a few hundred people on board, and we had over 4,500 passengers crammed in.” As we know, the British prevented the Exodus from docking in Palestine, and the passengers were shipped – in three far more seaworthy vessels – back to France. After the French government refused to cooperate with the British, Pressburger and the others found themselves back in Germany. The teenager eventually made it here in 1948, just one month before the Declaration of Independence. After a short furlough in Tel Aviv, during the first lull in the fighting in the War of Independence, he moved to Kibbutz Kfar Ruppin, where he worked in the cowshed. All the while he continued feverishly drawing and honing his artistic skills, which he says came in handy when he joined the IDF. After completing his military service, which included a spell as one of the founding members of the Flotilla 13 naval commando unit, he worked in Sdom for a while at the Dead Sea Works before starting his formal arts training in earnest. I was in the first group of students at the Avni Institute [in Tel Aviv],” he says. “There was quite a famous bunch of students and teachers like Moshe Mokadi and Isidore Ascheim and Aaron Giladi.” In such illustrious company, one might have thought Pressburger was set to unleash his burgeoning talents on art connoisseurs across the globe, but it was a while before that happened. Pressburger arrived in the French capital in 1964 and spent close to 15 years there, with a short interlude in Germany, before returning to Israel. His time in Paris was a professionally rewarding period of his life, and he also found love. “[Avni Institute teacher] Yochanan Simon gave me the name and address of a French-Israeli family in Paris, but when I got to the house, a young woman opened the door and told me the family was on vacation in Israel,” he explains. Despite missing his expected hosts’ welcome, he and the German-born young lady who greeted him soon fell for each other, and romance quickly led to wedding bells. By all accounts, Pressburger did well in Europe. He secured a rare three-year berth at Cité Internationale des Arts, where artists are normally provided with accommodation and studio space for between two months and a year. He was also accepted to the prestigious Beaux Arts academy of fine arts, mounted solo exhibitions, and took part in group shows all over Europe. One of these last was a group exhibition at Rathaus Charlottenburg in Berlin in 1966 – the first exhibition of Israeli artists in Germany after the Holocaust. When he arrived in Berlin, the lineup for the Israeli show was already signed and sealed, but somehow his work came to the attention of the German culture minister, who arranged for him to join. The Pressburgers’ year-long sojourn came to an abrupt end following an encounter he had one day while walking through the crowded Berlin streets...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Charles Arnoldi, is an American painter, sculptor and printmaker. He was born April 10, 1946 in Dayton, Ohio. Charles Arnoldi has been described as an artist who “draws in space” to...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Scott McMillin is perpetuating the tradition of well-known scrap metal artists such as John Chamberlain or Cesar to create unique abstract geometric compositions. Using discarded car...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Marie Amédro is a French abstract artist, born in 1989, who lives and works in the countryside of Lille, France. This painting is called Tableau Vert n°3 ( = Green Painting n°3). N...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

"Four is More #2" Acrylic on canvas 40 x 30 x .5 inches 2023 Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see...

Original piece based on energetic fields

Signed lower left, 'Ide' for Tom Ide (Canadian-American, 1919-1996) and dated 1965. Ide first studied at the Art Institute of Chicago (1951-1955) before movin...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

HOWARD MEHRING Study for Spring Sweep, 1964 Oil, oil stick, charcoal, gouache painting on paper Hand signed, dated and annotated with the names of the colors in graphite pencil on the front This is a unique work Frame included: elegantly matted and framed in a museum quality dark blue wood frame with UV plexiglass This 1964 hard edge painting on paper...

Original abstract painting/intuitive painting based on energy fields

This original abstract artwork plays with color theory to provoke an energetic field

Post Dogmatist Painting on Panel, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa...

Sophie Dumont, an artist who holds a prominent position on the global art scene, showcases her exceptional talent in "Geometric" by seamlessly merging the precision of geometry with...

"Four Is More #1" Acrylic on canvas 40 x 30 x .5 inches 2023 Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see...

'Blue' glows with serene aqua blue. The abstract meditative painting is inspired by Taoist teachings and meditations, with a focus on color, rhythm and flow. Matuszewski creates medi...

Dan Christensen Untitled, circa 1970-71 Acrylic and enamel on canvas 44 x 20 inches Provenance: The artist Sherron Francis (gift from the above) Dan Christensen was an American abs...

“Los sueños eternos fluyen como las olas del mar siempre en movimiento y transformación.” Technique: Paint on paper, aluminium and wood base

“El mar nos enseña a apreciar la esencia azul de la existencia.” Technique: Paint on acrylic and aluminium

"Ability #12" Acrylic on canvas 30 x 24 x .5 inches 2023 Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? Wh...

“Los ecos del océano nos hablan en susurros recordándonos la profundidad de la existencia.” Technique: Paint on methacrylate and Wood base

“La vida humana es como las mareas helénicas siempre en constante cambio y movimiento.” Technique: Paint on ceramic

“Escucha los ecos marinos y encontrarás la sabiduría eterna del mar.” Technique: Paint on paper, aluminium base

Golden Mica Polka Daubs, Original Pop Art Painting This heavily textured painting from Ann Marie Coolick's Polka Daubs series was created using oil paint and golden mica. 18"x14" fra...

Artist: Jack Brusca, American (1939 - 1993) Title: Metallurgy Year: 1968 Medium: Oil on Canvas, signed, dated and titled verso Size: 20 x 20 in. (50.8 x 50.8 cm)

“Cada gota de mar contiene el secreto de la creación un extracto de la eternidad.” Technique: Paint on paper, aluminium and wood base

“En cada forma, en cada ángulo, reside una historia que aguarda ser descubierta en el Xagon.” Technique: Paper on aluminium and wood base

“Navegar por la travesía helénica es descubrir el verdadero significado de la vida.” Technique: Paint on ceramic

“En Ikaria, la eternidad se encuentra en la simplicidad de la vida diaria.” Technique: Paint on ceramic

abstract, geometric painting of books in a library. The colors are worked in a shades of yellow and white mixing warm and cold colors. The library is a favorite subject of the artist...

abstract and geometric painting of books in a library. The colors are bright, mixing warm and cold colors. The library is a favorite subject of the artist who began his series in 201...

This is a 60" x 60" original abstract oil painting in a white float frame. The artist created a dripped grid overlay finished with circles, typical of the artist's Metanarrative bod...

Bold, Bright, Bursting with Color! Original, One of a Kind Painting, Acrylic on Canvas by Renowned Canadian Artist Jasmin Aldin. Date of Creation: 2011 Medium: Acrylic on gallery w...

This abstract geometric acrylic painting is a vibrant and playful composition that draws inspiration from vintage Italian parasols. With a focus on bold, bright colors and clean lines, the painting features intersecting shapes and patterns that evoke the cheerful, summery vibe of a day spent lounging in the shade of a colorful umbrella. Details: Title: Oasis in The Desert...

Modern expressive abstract painting by Mexican artist Juan Sanchez-Juarez. The work features a tan and cream field with large geometric sh...

Polka Daub Carnival, Original Pop Art Painting Heavily textured abstract geometric painting inspired by the colors and textures of the carnival. Orig...

"Four is More #3" Acrylic on canvas 40 x 30 x .5 inches 2023 Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see...