Agnes Hart

Abstraction with Sand Motifs

Signed lower left. “Abstract and Fractured Biomorphic and Geometric Forms” which was painted in the mid to late 1950’s is a nod to Picasso’s famous painting Guernica, which Hart may have seen when it was given to the Museum of Modern Art in New York in 1958. Several elements in the painting clearly reference Guernica: the black geometric and cut-out shapes, the biomorphic shapes, the abstracted horse’s head and body, with a district reference to the bull’s tail, along with the black and white pallet choice and various details throughout-all hallmarks of Picasso’s Guernica. The abstracted reality Hart presents in these references go beyond a simple nod and reflect a personal interpretation reflected in the splintered abstraction and her bespoke interpretation. Agnes Hart’s first began her career as a social realist artist in the 1930’s. She was also WPA artist. Her longtime friend Milton Avery encouraged her, and she exhibited in the same gallery in the late 1940’s, the RoKo Gallery. Her instinctive and personalized modernist periods often reflected a similar path of her compatriot artists during the first half of the 20th century. Her early works were influenced by her teachers Josef Presser, Paul Burlin and Lucile Blanch, and Reginald Neal, and reflected historical modern trends-at times showing the influence of Avery and other modernist. Like Elaine DeKooning, Lee Kraser, Michael Corrine West...

Signed lower left. About the artist: Rolph Scarlett was a painter of geometric abstraction during the American avant-garde movement of the 1930s and 1940s. Born in Guelph, Ontario,...

Signed lower right. Description An example of Scarlett’s abstract drip painting, this untitled work has linear and geometric elements rendered in shades of black, rose, and blue and...

Signed lower right Agnes Hart was born in Meridan, Connecticut. She studied at the Ringling School of Art in Sarasota, Florida; at Iowa State University with Josef Presser, Paul Burlin and Lucile...

This painting is an abstract art work from the Topography series by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to em...

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

40 x 40 cm Translated title: " Amulets " Acrylic paint, oil and sand on canvas. The artist sells the handmade, original and one-of-a-kind piece, but he reserves the right to dup...

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...