Andrea Stajan-Ferkul

Untitled (Abstract 20) - 8"x8", Minimal Abstract, Textured, Grey, Beige, Neutral

2015

This contemporary minimal abstract painting puts emphasis on simplifying the composition. Tone on tone greys builds up a subtle texture with a single, thick white brush stroke commanding attention. Layers of neutrals move the eye around, making for an understated yet engaging outcome. // Andrea Stajan...

This contemporary minimal abstract painting puts emphasis on simplified composition. Tone on tone greys builds up a subtle texture with a single, thick white brush stroke commanding ...

This contemporary minimal abstract painting puts emphasis on simplified composition. Tone on tone grey builds up a subtle texture using loose brush strokes, adding contrast to the bl...

In this abstract painting on canvas, emphasis is placed on simplified, subtle and minimal composition. This warm neutral piece features a loosely detailed geometric pattern along the...

"untitled grey and tan no. 1" by lela altman from the "smoke" series. 48" x 36" x 1.5" acrylic painting on canvas. this piece is gallery wrapped, meaning the sides are canvas, no...

Gray Scale Study for Pure Painting 6, 2016 Acrylic on museum board mounted to board Artwork size - 8 x 6.5 inches Framed Size - 16 x 20 inches signed and dated on recto Lee We...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Gray Scale Study for Pure Painting 3, 2016 Acrylic on museum board mounted to board Artwork size - 8 x 6.5 inches Framed Size - 16 x 20 inches signed and dated on recto Lee We...