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Betsy Kaufman
Landscape of Reflection Study
1988

About the Item

Artist: Betsy Kaufman – American (1953- ) Title: Landscape of Reflection Study Year: 1988 Medium: Acrylic on paper mounted to canvas Sight size: 13.5 x 10.5 Canvas size: 16 x 16 inches. Framed size: 17.25 x 17.25 inches Signature: Signed, dated, titled on reverse Condition: Very good Frame: Framed in original frame. Frame in fair to good condition Born in San Francisco, CA. Education: BFA Rhode Island School of Design, Providence, RI; Attended Hampshire College, Amherst, MA. Artist’s Residency Fellowship, Akademie Schloß Solitude, Stuttgart, Germany. Lives and works in New York, NY. ONE AND TWO-PERSON EXHIBITIONS 2019 Through Thick & Thin, Kerry Schuss, New York 2016 New Paintings and Works on Paper 2015–2016, Leslie Tonkonow Artworks + Projects, New York 2014 A Story of Red and other Works, Leslie Tonkonow Artworks + Projects, New York 2008 Leslie Tonkonow Artworks + Projects, New York 2005 Leslie Tonkonow Artworks + Projects, New York 2002 Leslie Tonkonow Artworks + Projects, New York 2001 Judy Ann Goldman Fine Arts, Boston Sketches, Art Resources Transfer, New York 2000 Leslie Tonkonow Artworks + Projects, New York 1999 Leslie Tonkonow Artworks + Projects, New York 1997 Leslie Tonkonow Artworks + Projects, New York Akademie Schloß Solitude, Stuttgart, Germany 1996 Akademie Schloß Solitude, Stuttgart, Germany 1994 Patrick Callery, New York 1991 Berland/Hall, New York 1990 Julian Pretto/Berland Hall, New York 1989 Center for Contemporary Art, Chicago 1989 Julian Pretto/Berland Hall, New York 1988 Center for Contemporary Art, Chicago 1986 Wolff Gallery, New York 1984 Wolff Gallery, New York GROUP EXHIBITIONS 2019 Notebook, 56 HENRY, New York Through Thick and Thin, Kerry Schuss, New York 2018 Out of Control, Venus Over Manhattan, New York 2016 Drawing, Kerry Schuss, New York 2013 Julian Pretto Gallery, Minus Space, New York 2011 Betsy Kaufman: Many Paintings, Robert Watts: Some Objects, Lawrence Weiner: 3 Videos, Leslie Tonkonow Artworks + Projects, New York Plot: Plan: Process: Works on Paper from the 1960s to Now, Leslie Tonkonow Artworks + Projects, New York 2010 The Jewel Thief, Tang Museum and Art Gallery, Skidmore College, Saratoga Springs, N.Y. (curated by Jessica Stockholder and Ian Berry) Off The Grid: Betsy Kaufman, Oditi Donald Odita, W.C. Richardson, G Fine Art, Washington, D.C. 2004 The Fine Line (Between Something and Nothing), Leslie Tonkonow Artworks + Projects, New York Colored Pencil, KS Art, New York 2003 “Ballpoint Inklings,” KS Art, New York (in association with Geoffrey Young) Drawing, G Fine Art, Washington, D.C. 2002 Watercolor in the Abstract, The Hyde Collection Art Museum, Glens Falls, N.Y.; Michael C.Rockefeller Arts Center Gallery, SUNY College at Fredonia, N.Y.; Butler Institute of American Art,Youngstown, Ohio; DePauw University, Greene Castle, Ind.; Ben Shahn Gallery, WilliamPatterson University, Wayne, New Jersey; Sarah Moody Gallery of Art, University of Alabama,Tuscaloosa; Nina Freudenheim Gallery, Buffalo, N.Y. 2001 Paintings, 123 Watts, New York 2000 Solitude in the Museum: 10 Years of Solitude, Staatsgalerie Stuttgart, Germany Musée d’Art Moderne de Saint-Etienne, France 1999 Pattern, James Graham & Sons, New York Pencils of Nature: A Dialogue, Leslie Tonkonow Artworks + Projects, New York Do Paintings Dream of Veronese Green?, Elga Wimmer Gallery, New York The Passion/Passions of Art, Richard Anderson Fine Art, New York 1998 Disappearing Act, Leslie Tonkonow Artworks + Projects, New York Asian Inspiration, The Rhode Island School of Design Museum of Art, Providence, Rhode Island 1997 On the Wall, TIAA-CREF, New York (organized by Viart Corp.) Current Undercurrent: Working in Brooklyn, Brooklyn Museum, Brooklyn, N.Y. 1996 Seven Strangers, Patricia Faure Gallery, Santa Monica, California New York, Andrea Pintsch, Munich, Germany Margaret Lipworth International, Boca Raton, Florida 1995 Like Young: 12 New York Artists, Three Rivers Arts Festival, an activity of the Carnegie Museum of Art, Pittsburgh Other Rooms, Ronald Feldman Fine Arts, New York Partly Sunny Tomorrow, Geoffrey Young Gallery, Great Barrington, Massachusetts 1994 Six Artists Selected from the Artists File, Artists Space, New York 1993 Painting as Paradigm, Stark Gallery, New York 1992 Berland/Hall, New York Neurotic Art Show, Artists Space, New York Benefit Auction, White Columns, New York 1991 Ornament, John Post Lee Gallery, New York 1990 Nature/nature, Gallery 400, University of Illinois, Chicago 1988 The Renaissance Society, Chicago Art of the 1980s: Artists from the Eli Broad Family Foundation Collection, Kresge Art Museum, Michigan State University, East Lansing, Michigan Mutations, Anina Nosei Gallery, New York 1987 Center for Contemporary Art, Chicago Romanticism and Classicism, Queensborough Community College, New York Elliot Smith Gallery, Saint Louis, Missouri Wolff Gallery, New York Classical Myth and Imagery in Contemporary Art, Queens Museum of Art, Queens, N.Y. 1986 New York on Paper, Wolff Gallery, New York Current, Linda Farris Gallery, Seattle PUBLIC COLLECTIONS Sheldon Memorial Art Gallery Staatsgalerie Stuttgart, Germany JPMorgan Chase The Capital Group Citibank, N.A. Eli Broad Family Foundation Bank of America Progressive Corporation Goldman Sachs Merrill Lynch Amerada Hess Corp. Arthur Anderson, Inc. G. Heilman Brewing Co. Pepsico Prudential Insurance Co. West Collection at SEI Comcast BIBLIOGRAPHY Biegler, Beth. “Betsy Kaufman at Wolff Gallery,” East Village Eye, December 1985 Bjornland, Karen. “Watercolors: Cutting-edge artists turn to neglected medium in Hyde Exhibit,” Schenectady Gazette, October 21, 2001 Braun, Adrienne .“Nervöse Bilderschau,” Stuttgarter Zeitung, October 4, 2000 Braun, Adrienne. “Schnitzeljagd der Einsamen,” Süddeutsche Zeitung, October 25, 2000 Churner, Rachel. "Polly Apfelbaum and Betsy Kaufman," Artforum, October 2019 Cohen, Ronny. “Betsy Kaufman at Berland/Hall,” Artforum, September 1990 Forstbauer, Nikolai. “Die Kunst findet doch im Saale statt,” Stuttgarter Nachrichten, September 30, 2000 Hackett, Regina. “Current,” Seattle Post Intelligencer, March 26, 1986 Johnson, Ken. “Pattern,” The New York Times, July 16, 1999 Koplos, Janet. “Betsy Kaufman at Leslie Tonkonow,” Art in America, March 2000 Malen, Lenore. Romanticism and Classicism, Queensborough Community College, 1987 (exhibition catalogue) Matilsky, Barbara C. Classical Myth and Imagery in Contemporary Art, The Queens Museum, 1988 (exhibition catalogue) McClemont, Doug. “Reviews: New York – Betsy Kaufman at Leslie Tonkonow Artworks + Projects,” ARTnews, Summer 2014 McQuaid, Cate. “Kaufman's View,” The Boston Globe, May 10, 2001 Morton, Julie. “Betsy Kaufman,” New York Press, January 19–25, 2005 Nichols, Matthew Guy. “Betsy Kaufman at Leslie Tonkonow,” Art in America, June/July 2005 Ostrow, Saul. “Betsy Kaufman: The Chaotic Order of Images,” Drawing, Winter 1998–99 Ottmann, Klaus. “Betsy Kaufman at the Center for Contemporary Art,” Flash Art, January 1990 Perl, Jed. “The Counter-Atmosphere,” The New Republic, December 2000 Perl, Jed. “Transformations,” The New Republic, December 1997 Rose, Barbara. Contemporary Art and the Watercolor, 2001 (exhibition catalogue) Scott, Andrea K. “Paintings (Between Texts and Textiles),” The New Yorker, July 16, 2001 Schehl, Günter. “Junge Kunst-alte Meister: Keine Angst vorm Absturz,” Badisches Tagblatt, October 11, 2000 Schwendener, Martha. “The Fine Line (Between Something and Nothing),” Artforum, August 16, 2004 Schwabsky, Barry. Betsy Kaufman, Stuttgart: Edition Solitude, 1997 Schwabsky, Barry. “Betsy Kaufman at Patrick Callery,” Artforum, March 1995 Schwabsky, Barry. “Betsy Kaufman at Wolff Gallery,” Artscribe, April 1986 Smith, Roberta. “Art in Review,” The New York Times, April 14, 1995

Creator:

Betsy Kaufman (1957)

Creation Year:

1988

Dimensions:

Height: 17.25 in (43.82 cm)Width: 17.25 in (43.82 cm)Depth: 1.75 in (4.45 cm)

Medium:

Canvas,Paper,Acrylic

Movement & Style:

Abstract

Period:

1980-1989

Condition:

The painting is in very good condition. The frame is in fair to good condition with a few small areas of paint loss on the left frame bar. There are also a few very small dings on the part of the lower frame bar which does not face the painting.

Gallery Location:

San Francisco, CA

Reference Number:

Seller: PM11102020-11stDibs: LU66637040572

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