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Brian O'Neill
What Lies Beneath (2024) By Brian O'Neill Acrylic Painting with Gold Leaf

2024

$3,800
$4,80020% Off
£2,880.50
£3,638.5320% Off
€3,363.27
€4,248.3420% Off
CA$5,322.72
CA$6,723.4320% Off
A$5,991.65
A$7,568.4020% Off
CHF 3,169.81
CHF 4,003.9720% Off
MX$74,319.09
MX$93,876.7520% Off
NOK 39,166.38
NOK 49,473.3220% Off
SEK 37,459.18
SEK 47,316.8520% Off
DKK 25,091.67
DKK 31,694.7520% Off
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About the Item

Brian O'Neill's "What Lies Beneath" is an exquisite original artwork created in 2024. This piece, measuring 24 x 48 x 1.50 inches (60.96 x 121.92 x 3.81 cm), features a masterful combination of acrylic paint, resin, copper, and 24K gold leaf on panel. O'Neill's skillful use of mixed media creates a mesmerizing landscape that blends abstract and natural elements. The rich, earthy tones and vibrant blues are complemented by the luminous gold and copper accents, which add depth and texture to the composition. The intricate details and dynamic layering techniques used in this painting invite viewers to explore the hidden depths of the landscape. Although unframed, "What Lies Beneath" is ready to hang, making it a perfect addition to any contemporary art collection. The artist's signature in the bottom left corner authenticates this unique piece. O’Neill’s work has been showcased in galleries and museums across the United States, Canada, England, and Japan. O’Neill is a graduate of the Ani Art Academy apprenticeship program, where he trained with renowned realism painter Anthony Waichulis. Brian has found great success in both classic oil realism and well as bold and dynamic abstract painting. O’Neill’s formal training in representational drawing and painting gave him the freedom to create in both worlds—the recognizable and the imagined. Many collectors of O’Neill’s work are amazed to discover that the same artist has created a highly-refined oil realism painting as well as a contemporary abstract—they are fascinated that he can do both. In O’Neill’s recent body of work, he has begun to merge these two worlds with a collection he calls, the gilded figure; graceful, beautiful, powerful and timeless paintings of the human form within a backdrop of flowing metal leaf work.

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