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Eric Mack
MTB-4276 - Vibrant Contemporary Abstract Collage Painting w/ Glitter on Canvas

2008

$8,925
£6,765.38
€7,899.26
CA$12,501.38
A$14,072.50
CHF 7,444.88
MX$174,552.07
NOK 91,989.45
SEK 87,979.77
DKK 58,932.42
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About the Item

MTB-4276 is one of Mack's strongest paintings. This piece part of his ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery such as life expectancy charts, lists of other countries, constellations, emojis, crowns, the sun, and more. The paper adhered to the canvas follows the same interstellar type quality that is created from the washy acrylic background. This painting seems to connect ourselves with the world and on a larger scale, to the universe.
  • Creator:
    Eric Mack (1976, American)
  • Creation Year:
    2008
  • Dimensions:
    Height: 72 in (182.88 cm)Width: 36 in (91.44 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Signal Mountain, TN
  • Reference Number:
    1stDibs: LU98513336391

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"PRLS-1000" is part of Eric Mack's urban grid series. Using a grid to create the framework of the painting, Mack creates movement across the piece with dynamic techniques of washy underpainting underneath matted pieces of paper, and thread. His paintings have been described as "intellect on top of emotion." Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina...
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OYV-19 - Contemporary Abstract Collage Painting- Yellow, measuring tape
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OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...
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