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G. Campbell Lyman"Lost Languages #5" - Contemporary Multimedia Abstract Painting2021
2021
$960
$1,20020% Off
£727.71
£909.6320% Off
€849.67
€1,062.0920% Off
CA$1,344.69
CA$1,680.8620% Off
A$1,513.68
A$1,892.1020% Off
CHF 800.79
CHF 1,000.9920% Off
MX$18,775.35
MX$23,469.1920% Off
NOK 9,894.66
NOK 12,368.3320% Off
SEK 9,463.37
SEK 11,829.2120% Off
DKK 6,338.95
DKK 7,923.6920% Off
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About the Item
(Note: sorry about the large pic of the full painting; could not get the light right, without reflections from the varnish; in person the negative space is less brownish, lighter. The secondary pics are more accurate). Artist’s Statement: “After working on my 'Gridish' series for awhile, I went back to revisit a series of work I did in 2020, where I was putting down successive layers of paint in a process of simultaneous addition and subtraction. As so often happens upon revisiting an earlier way of painting, the work took on a new appearance while still quoting where it evolved from. There is more drawing in these and a bit more formal rigor, among other differences. Making these paintings is a series of small decisions that involves taking them to a certain stage, then walking way and coming back later to see them freshly and determine what to do next. It’s never simple to do. The paintings in the earlier series had been selling here in New Orleans before I was able to list them, so I was pulling out select ones to show only online, so that collectors of my work elsewhere and new folks got a chance to see them. There are not many left from that series, unfortunately. I am going to put these new ones directly on 1stDibs as they're finished."
On professional gallery-wrapped canvas, ready for hanging.
“Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being loud or decorative. "
Artbeit Zeitschrift
(On prior series by the artist): “These paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.”
ArtSeen, 2018
G. Campbell Lyman
G. Campbell Lyman is a prolific collector of works by lesser heralded artists and an accomplished abstract painter in his own right. Lyman’s own abstract paintings and watercolors comprise repeating patterns of irregular circles, rectangles, whorls and cellular forms painted with thick brushstrokes in vivacious hues.
Lyman grew up in New Orleans, where he started collecting and making his art as a teenager. When he was around 30 years old, he began traveling to discover and sell undervalued art, living in various places in the United States and Europe.
Eventually, he returned to New Orleans and opened Guy Lyman Fine Art on the city’s famous Magazine Street. He operated the gallery for several years before moving his business entirely online in the late 2010s. Lyman divides his inventory into four sections: 19th- and early 20th-century art, modern and contemporary art, New Orleans and Louisiana art, and finally, his own creations.
Lyman cites "painterly" painters like Robert Rauschenberg, Sean Scully, Cy Twombly and Julian Schnabel — as well as movements such as Pop art and Abstract Expressionism — as having influenced his work. He is less concerned about the forms on the canvas and more about the paint’s texture, color and line, as well as the negative space around it. He appreciates and creates art that shows the presence of the artist's hand.
Lyman's work is held in art collections from California and Aspen to London and Beirut. He strives to keep his prices affordable for a broader demographic of collectors.
On 1stDibs, find G. Campbell Lyman paintings, drawings, mixed media and more.
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(NOTE: if you enter "Gridish" into the 1stDibs search field you can view other paintings in this series)
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"This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...
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(Comes professionally framed in a solid maple floater frame, ready to hang)
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Comes framed and ready to hang in black floater frame.
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Category
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Lacquer, Charcoal, Wax, Oil, Acrylic, Graphite
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