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G. Campbell Lyman
"Paladin" - Contemporary Multimedia Abstract Painting

2021

About the Item

(Painted on thick gallery-wrapped professional canvas, ready to hang or be framed if you prefer. A video has been included to provide a dimensional view of the piece.) Artist's Statement: "I was working on my "Gridish" paintings (you can find them in a search on the term "Gridish" on this site) when I became fascinated with certain materials I was working with - a new type of super-flat, super-black paint; powdered graphite; and iron oxide pigment. I had a small canvas ready to go, and shifted my attention to concentrating on just one of the rectangular forms I had been using in the Gridish series, and applying these materials in a way that pleased me. The edges here I find particularly appealing. But that sort of industrial sheen on the surface of the rectangle is really beautiful to me. So far this is a one-off painting; we'll see if my interest sticks, as I tend to be capricious. Quite obviously the mood given off by this painting is greatly different from the colorful Gridish paintings that spawned it. My daughter, studying design at RISD, said she found the pic of it I sent her gloomy. For some reason I don't; I just like the beauty of the materials, and I find the painting more elegant and sophisticated than depressing." (the following is the Artist's Statement on the"Gridish" paintings, quite different from the one here but spawned by it. NOTE: if you enter "Gridish" into the 1stDibs search field you can view other paintings in this series) Artist’s Statement: “As I often do, I chose a very simple form to work with in this series of paintings – a grid of rectangles. It was some Sean Scully forms I was thinking of when I started these. Content never interests me much, and I don’t spend time thinking about it. I’m interested in the balance of assonant and dissonant colors, line quality, texture and impasto, push and pull, these sorts of issues. Making the paintings is a series of minute decisions about addition and subtraction that goes on for a long time, even if the result looks deceptively simple. It’s never simple to do. These have been selling here in New Orleans before I have been able to list them, so I have been pulling out select ones to show only online, so that collectors of my work elsewhere and new folks get a chance to see them." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018

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"Paladin #2" - Framed Contemporary Multimedia Abstract Painting
By G. Campbell Lyman
Located in New Orleans, LA
(Comes float-framed behind glass.) Artist's Statement: "I was working on my "Gridish" paintings (you can find them in a search on the term "Gridish" on this site) when I became fascinated with certain materials I was working with - a new type of super-flat, super-black paint; powdered graphite; and iron oxide pigment. I had a small canvas ready to go, and shifted my attention to concentrating on just one of the rectangular forms I had been using in the Gridish series, and applying these materials in a way that pleased me. That sort of industrial sheen on the surface of the rectangle is really beautiful to me. This was a second I made, on paper. Quite obviously the mood given off by these works is greatly different from the colorful Gridish paintings that spawned them. My daughter, studying design at RISD, said she found the pic I...
Category

2010s Abstract Abstract Paintings

Materials

Lacquer, Pastel, Acrylic, Graphite, Pigment

"Sonata in Three Colors" - Contemporary Multimedia Abstract Painting
By G. Campbell Lyman
Located in New Orleans, LA
Artist's statement: "Separate from the tar paintings I have been doing, I am creating a series of work in which I am channeling some of the things I have always loved about Cy Twombly along with qualities of a painting I saw in a local collection by a Cuban painter that I really admired and have thought about a lot since. Of course both share a graffiti quality; Twombly was the first to work with a sort of automatic drawing, beginning in the 1950s, and what he did opened up this new language for countless painters. You still see traces of it in so much contemporary art. Antoni Tapies has been a big influence on me as well, and you can see some of him in this work as well. I limited the color palette in this one as a sort of exercise in discipline, since it is easy to let color get away from you in a painting like this one. There are areas of three-dimensional paint that help flatten the picture plane and restrict the eye from reading depth into the painting; they function in the same way as Barnett Newman's 'zips' and Susan Rothenberg's lines across some of her horse images...
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2010s Abstract Abstract Paintings

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Charcoal, Pastel, Oil, Spray Paint, Acrylic, Graphite

Multiverse #13 (Framed Contemporary Abstract Painting)
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Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered graphite and other media. They are painted on fiber pan...
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"Multiverse #16" - Framed Geometric Contemporary Abstract Painting
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Comes framed and ready to hang in black floater frame. Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...
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Multiverse #22 - Abstract Contemporary Painting, Framed
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Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...
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