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Gin StoneFiber painting: 'Arras no. 4: Life'2023
2023
$2,565
£1,969.81
€2,257.38
CA$3,610.89
A$4,044.99
CHF 2,107.81
MX$49,340.54
NOK 26,785.42
SEK 25,256.74
DKK 16,848.45
About the Item
Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing
Recovered Ghost Gear Data:
Retrieval Coordinates: 42° 10ʹN 69°52ʹW
Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx. 100 fathoms/183 meters/600 feet
Source: pre-Magnuson-Stevens Act* foreign, most likely Russian,
fishing net
Environmental Advocacy
"I will inhale smoke and exhale butterflies"
This quote, gleaned from a dream, encapsulates my need to take man’s pollution of this world and transform it into something of nature.
As a multidisciplinary artist, I explore the possibility of a material’s ability to transform. My focus is on fiber and mixed media constructions and installations that convey environmental activism, while incorporating material based sub-text. My materials include commercially fished line, ghost gear, recycled and antique textiles as well as found objects, which come together to create a universe only slightly different from our own.
The resulting effect is a cocktail of science, culture, nature, myth, history, and ritual, inhabiting the space of its viewers with intrigue while inspiring thoughtful dialogue of how material can be both physical as well as an abstract concept. The beauty inherent in nature is brought to life to craft a portrait of meaning and movement, while building chapters on evolution and ecology. An installation approach I frequently employ is the natural history museum style of diorama.
Born in New York in 1971, I now live and work in a studio located on a spit of sand on coastal Massachusetts.
- Creator:Gin Stone (1971, American)
- Creation Year:2023
- Dimensions:Height: 16 in (40.64 cm)Width: 18 in (45.72 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU422312683802
Gin Stone
From 1989 until 2010, Gin Stone worked solely as a painter- this background gave her a strong knowledge of color and form. Over a decade ago, she began experimenting with textile, particularly reclaimed fishing gear and line. From trial and error with different types of gear, she found that longline, used to commercially fish haddock and cod local to her studio, could be hand-dyed and manipulated into a strong color pallet with a uniform gauge. She create three dimensional work by cutting and re-piecing material to make the animal’s ‘pelt’s. Other details are hand carved from shell, stone, wood and metal. In 2018, she was invited by the Provincetown Art Association and Museum to conduct a course at the Lillian Orlowsky and William Freed Museum School on exploring new processes and creating a cohesive body work. Stone is a PAAM member with her work in their permanent collection alongside such notables as Robert Motherwell, Hans Hoffman and Edward Hopper. Stone has delivered talks at the Chandler Gallery, Cambridge, MA; the Fountain Street Gallery, Boston; and the Cambridge Art Association, Cambridge. In collaboration with Fountain Street, Chandler and Kathryn Schultz galleries, she has curated several shows in the Boston and Cambridge area. Her work has been included in exhibitions by such notable curators as Randi Hopkins, Director of Visual Arts Boston Center for the Arts; Paul Ha, Director of the MIT List Visual Arts Center; and Sam Tager, Independent Curator and Exhibition Designer. Gin has been awarded grants from the Rauschenberg Foundation, the Arts Foundation of Cape Cod and the Berkshire Taconic Community Foundation. Born in New York in 1971, Stone currently lives and works in eastern coastal Massachusetts.
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By Gin Stone
Located in New York, NY
Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing
Recovered Ghost Gear Data:
Retrieval Coordinates: 42° 10ʹN 69°52ʹW
Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx. 100 fathoms/183 meters/600 feet
Source: pre-Magnuson-Stevens Act* foreign, most likely Russian, fishing net
'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects.
I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal.
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The brief text talks about memory, starting from 4 books e mixing 4 different languages: Italian, French, Greek and Sanskrit. The artwork’s material is a particular kind of recycled hard fabric that recalls paper.
The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles.
The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge.
Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
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The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles.
The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge.
Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
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Located in New York, NY
The artwork is an excursus between different languages, beyond the historical, cultural and geographical boundaries, starting from the Indo-European root √AR, from which it takes its name.
This root can be associated with words such as arena, artillery that refer to a military and warlike environment, but also it has in itself the idea of unity, explored in the artwork, and with it that of cohesion, of right direction; the idea of integrity and of moral rightness.
Coexisting languages in AR: Hittite, Sanskrit, ancient Greek, Latin, runic Proto-Germanic and Italian.
The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles.
The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge.
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The duo was officially born in 2017 with the RAR project, which focuses on the value of the analogy in literature. At the heart of their investigation is the dynamic that leads reading to become writing, and other way the user to become a creator, a maker, mixing roles.
The exchange that is established guarantees the transmission, that it goes beyond repetition and finds its completion in transformation. The eternity of an experience, whatever it is (physical, material, emotional, intellectual), is measured by its capacity to be an eternal breeding ground for discovery and knowledge.
Their work was exhibited in solo shows by art galleries, such as Raffaella De Chirico Contemporary Art in Turin and Manuel Zoia Gallery in Milan, and in Art Fair such as ArtVerona and WOP in Lugano (CH). In 2021, they were finalists in the Cramum Award. Between October 2022 and January 2023, they took part in the World Textile Biennale – Italian Act, a series of three exhibitions curated by Barbara Pavan. In January 2023 they attended their first group show in New York at the Ivy Brown Gallery.
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