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Jose Gonzalez VeitesLarge Latin American Blue Abstract Oil Painting Mexican Art Jose Gonzalez Veites1998
1998
$4,800
£3,619.22
€4,170.65
CA$6,658.90
A$7,461.26
CHF 3,883.87
MX$91,277.03
NOK 49,298.53
SEK 46,561.88
DKK 31,134.74
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About the Item
José González Veites (Mexican, born Mexico City 1957) Works in the collection of the Metropolitan Museum of New York City.
Born in Mexico City, where he still lives and works, the prolific artist José Gonzalez is known both for his paintings in oil and his watercolors and gouaches. His geometric abstractions are often reworked over a period of months as he experiments with different techniques and colors. Equally well known in Mexico and abroad, his work is held primarily by American, Swiss, Mexican and Colombian collectors, including former Colombian President César Gaviria. He is represented by the Roseline Koener Gallery in New York and the Galeria de Arte Mexicano in Mexico City.
The work of José González Veites is one of the most hidden treasures in Mexican art history. His technique and his concept of the painting reveals a both a deeply knowledge and interest about the canvas as a surface to define light, color and space.
González Veites studied Fine Arts at San Carlos Academy in Mexico City. He was always interested in the possibilities of the painting to create multiple forms and turned the canvas into a space full of light. His early works were an exploration about geometry with a monochrome palette. After graduating from San Carlos, Veites traveled to Europe where he was in touch with the work of artists such as Carlos Cruz-Diez (Caracas, 1923 – Paris, 2019), Jesus Rafael Soto (Ciudad Bolívar, 1923 – Paris 2005), and Victor Vasarely (Pecs, 1906 – Paris, 1997), whose works—related with the Op-Art and Kinetic Art—influenced him on the relationship between geometry and color. Since then, Veites understood that geometry isn’t always or necessarily perfect, and allowed his brush-strokes to flow along with the painting process. Mark Rothko, Antoni Tàpies, Victor Vasarely, all are visible in his works as the influences of invisible masters. He was born in Mexico City in 1957, in 1977 he studied at the former Academy of San Carlos and years later he worked in Spain in the Emilio Vedova atelier workshop. He arrived at geometric abstraction through much exploration of light and color, and he breaks this structure with the gesture and scraping that he submits to the canvas looking for layers of color. His painting requires a lot of patience and he knows how to wait, drying time is part of his daily life.
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View AllLarge Rigoberto Mena Contemporary Cuban Abstract Expressionist Oil Painting
By Rigoberto Mena
Located in Surfside, FL
"Grey".
Oil/Acrylic on Canvas. Signature lower right
Image: 39.5" x 39.5". Framed: 41" x 41".
Rigoberto Mena Santana (Cuban, born 1961) was born in Artemisia, Havana in 1961, where he currently lives and works. He attended the Instituto Politecnico de Diseno Industrial, La Habana, and continued his studies at San Alejandro Fine Art Academy, Havana. He traveled extensively throughout Europe to study the great masters. Mena has had Solo Exhibitions in China, Germany, Netherlands, Mexico, Cuba, Spain, France, and Holland, and in the U.S. in Miami, Massachusetts, Washington, D.C, and California. Following the inauguration of his exhibition “Hablando en Lenguas”. In 2011, Rigoberto’s work was chosen to be a part of the permanent collection of the National Museum of Fine Art in Havana, Cuba. Through the eyes of an abstract expressionist, he draws inspiration from his home’s urban landscapes and the spirit of the people and the city. The start of the Cuban Abstract movement was through a group called Los Once or The eleven. Though Mena was not an original member the influence by this new outlet began to spread ideals that put his own practice into fashion. Rigoberto is considered an important painter of his generation. He is one of the few artists in Cuba who has to have a private art gallery. Mena's private gallery at the Plaza de Armas is adjacent to the neighboring government art gallery. His work has been exhibited in Mexico, Belgium, Germany, France, Spain, and Holland.
Contemporaneous with the controversial, "La Generacion de los 80s" - The 80s Generation of Contemporary Cuban Art also referred to as New Cuban Art. This new Cuban plastic arts movement, with an expression of conceptual and non specific conscience manifestation, addressed many burning issues of the time and unveiled what these artists felt was the true reality of Cuba. It was more than a moment of artistic inspiration; it was a reflection of critical self-awareness and the new social role of art - the fundamental essence of the movement. They included Rubén Torres Llorca, Jose Bedia Valdes, Ricardo Rodriguez Brey, Juan Francisco Elso, Rogelio López Marín (Gory), Gustavo Pérez Monzón, José Manuel Fors, Leandro Soto Ortiz, Israel León, Tomás Sánchez and Carlos Alfonzo. In the second half of the decade, other artistic groups were formed, including 4 x 4, Grupo Hexágono, Arte Calle, Grupo Provisional, the duet René Francisco Rodríguez and Eduardo Ponjuán González and ABTV. Grupo Puré, another new wave of young artists, graduates of the Instituto Superior de Arte (ISA) included Ana Albertina Delgado Álvarez, Adriano Buergo, Ciro Quintana, Ermi Taño and Lázaro Saavedra, all greatly influenced by the German Kitsch art movement. Additionally, a large number of talented creators excelled independently, such as Florencio Gelabert (sculptor), Arturo Cuenca Sigarreta, Rigoberto Mena, Humberto Castro, Gustavo Acosta, Kcho, Antonio Eligio Fernandez (Tonel), Adriano Buergo, Flavio Garciandía, Tania Bruguera, Juan Francisco Elso, Carlos Rodríguez Cárdenas, Quisqueya Henríquez, Glexis Novoa, José Toirac, Carlos García, Heriberto Mora, Segundo Planes and Pedro Vizcaíno, among others.
Select Personal Exhibitions
2015 RBK 4200 ,La Cabaña,fortress. Bienal de La Habana,
2014 The shape without shape. Visual Arts Development Center, Bayamo, Cuba
2013 Allegro Ma Non Troppo. Lloyd’s Register, Havana.
2012 Spirit. Dennis Rosenthal Gallery, Chicago, U.S.A.
2011 Speaking in languages. Fine Arts National Museum, Havana.
2010 The places of time (with Alan Kleinmann). Orígenes Gallery, Havana’s Great Theater.
2009 The writing and the limit. 23 y 12 Gallery, Havana.
2007 The pleasure of absorb yourself. RAC Gallery, Veracruzan University, Xalapa, México.
2006 Coexistence. Public space, during the Ninth Havana’s Biennale.
2005 Ball change. La Casona Gallery, Havana, Cuba
Das Unbestimmbare Selbst. Refugium Gallery, Berlin.
2004 From the nothing to the infinite. La Casona Gallery, Havana, Cuba
2003 The visual poetry of life. Refugium Gallery, Berlin.
Rigoberto Mena. Recent Work. Habana Gallery, México DF.
Recent graphic work (with Jo Ann Rothschild). Graphic workshop, Havana.
Rigoberto Mena. Recent Work, Boston Art Institute, Lesley Boston University,
2001 Two plus one doesn’t make three (with Julio Girona and Angel Rivero), L Gallery,
2000 Cuba I, Space 12 Gallery, Boston, Massachusetts, United States.
Three abstract painters (with Jo Ann Rothschild and Julia Valdes...
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Brazilian Modernist Abstract Oil Painting Latin American Expressionist Concreta
Located in Surfside, FL
Abstract oil on canvas painting by Ivan Freitas.
25" x 31" inch canvas, framed to 30" x 36".
Bearing a Barcinski Art Gallery label verso and a second label stating that the painting was sold in 1961 at a benefit auction for the Albert Einstein Hospital held at the Museum of San Paulo.
Ivan Freitas was a Brazilian Postwar & Contemporary painter and Muralist (1932-2006)
Son of muralist Severino Araújo, Ivan started painting as a self-taught artist.
His first individual exhibition was at the Public Library, in 1957. With the success of the exhibition, he was able to move to Rio de Janeiro the following year, in 1958, where he came into contact with the work of artists such as Salvador Dali and Rene Magritte who influenced him. Between 1962 and 1963 he resided as a fellow in Paris. Between 1969 and 1972, he was on his second tour abroad, in New York City and commissioned by the International Telephone and Telegraph Corporation.
Back in Brazil, he painted a mural of over a thousand square meters on the external wall of the National School of Music in Rio de Janeiro in 1984 - the first of the Arte nos Muros Project. Still in the 70s, he married Dalva Mendes Gall whom he left after his death in 200, an extensive collection where one can find all the best works of this renowned Paraiba artist in Brazil and abroad.
The stay in New York, from 1969 to 1972, was perhaps the greatest turning point in Ivan's career. Until then, according to art critic Roberto Pontual, the plastic artist followed "a phase of abstraction close to the informal". In the United States , with so much technological influence around him, Ivan becomes interested in the machine and its movement mechanisms and inserts these perceptions in his works, as kinetic constructions with small motors hidden in boxes as Pontual defines, and also and triggering light patterns in cyclic and repeated series. (similar to the Op Art works of Julio le Parc and works by Yves Tinguely being shown at Rene Denis Gallery in Paris
In 1968, the magazine Galeria de Arte Moderna (GAM), published an article entitled Ivan Freitas and the Cosmic Space.
In the Brazilian Dictionary of Plastic Artists , the Italian art critic Giuseppe Marchiori refers to Ivan Frentas as someone who "controls and dominates each part of the painting with a desire to deepen the image that surprises and enchants". Still according to the critic, Ivan is someone who preserves the mystery in the harmony between lines and the colorful atmosphere, where he creates pauses and rhythms for the reading of his "secret structures". Arte Neo Concreta artists Lygia Clark, Helio Oiticica and Lygia Pape, were all contemporaries
The poet Ferreira Gullar writes: "Freitas does not turn to the subjective world, does not inquire into the arcana of the unconscious; he inquires into the future and, in the solitude of his paintings, promises us a serene and orderly world. And, if in his landscapes man does not appear, it is not that this order excludes him - it is that he has not yet reached it. "
Selec Solo Exhibitions
1957 - João Pessoa Public Library; João Pessoa, PB.
1960 - Ivan Freitas: Painting Exhibitions , at the Penguin Gallery; Rio de Janeiro - RJ.
1961 - MAM-BA , Salvador , BA.
1962 - Rubbers Gallery; Buenos Aires , Argentina .
1962 - La Cabana Galeria; Trieste , Italy .
1962 - Brazil-United States Cultural Institute; Rio de Janeiro - RJ.
1962 - Brazil-Uruguay Institute; Montevideo , Uruguay .
1962 - Barcinski Gallery; Rio de Janeiro - RJ.
1963 - Galleria Del Canale, Naples , Italy.
1963 - Ivan Freitas: Paris 1963, at the Barcinski Gallery ; Rio de Janeiro - RJ.
1964 - Barcinski Gallery; Rio de Janeiro - RJ.
1966 - Relief Gallery; Rio de Janeiro - RJ.
1968 - Relief Gallery; Rio de Janeiro - RJ.
1969 - Pan American Union; Washington , United States.
1971 - Miramar Gallery; New York, United States.
1971 - Bloomingdale's Art Gallery; New York, United States.
1973 - Individual, at Galeria Bonino; Rio de Janeiro - RJ.
1973 - Galeria Collection; São Paulo , SP.
1974 - Ivan Freitas: Paintings / Objectives , at the Rio de Janeiro Art Exchange; Rio de Janeiro - RJ.
1975 - Arte Global Gallery; São Paulo-SP.
1976 - Ivan Freitas: Paintings / Space / Movement , at Galeria Ipanema; Sao Paulo-SP.
1977 - Paulo Prado Gallery; Sao Paulo-SP.
1978 - Paraíba State Cultural Foundation; João Pessoa, PB.
1979 - Gallery B. 75 Concorde; Rio de Janeiro - RJ.
1980 - Individual, at Galeria do Sesi; Sao Paulo-SP.
1980 - Paulo Prado Gallery; Sao Paulo-SP.
1986 - Ivan Freitas: The Reinvented Landscape , at Galeria Arte Aplicada; Sao Paulo-SP.
1987 - Applied Art Gallery; Sao Paulo-SP.
1989 - Evasion Arte Gallery; Sao Paulo-SP.
1994 - GB Arte Gallery; Rio de Janeiro - RJ.
Select Group Exhibitions
1959 - 8th National Salon of Modern Art; Rio de Janeiro - RJ.
1960 - 9th National Salon of Modern Art; Rio de Janeiro - RJ.
1961 - 10th National Salon of Modern Art - jury exemption and critical award; Rio de Janeiro - RJ.
1961 - 6th São Paulo International Art Biennial , at the Ciccilo Matarazzo Pavilion; Sao Paulo-SP.
1963 - Art from America and Spain; Europe .
1963 - 2nd Youth Biennial; Paris, France.
1963 - 7th São Paulo International Art Biennial, at the Fundação Bienal; ; Sao Paulo-SP.
1964 - 2nd Art Summary of Jornal do Brasil, at MAM-RJ; Rio de Janeiro - RJ.
1965 - Current Brazilian Art; Bonn , Germany .
1965 - Current Brazilian Art; London , England .
1965 - 1st Esso Young Artists Salon, at MAM-RJ; Rio de Janeiro - RJ.
1965 - Opinion 65, at MAM / RJ; Rio de Janeiro - RJ.
1965 - 1st Esso Salon of Young Artists, at MAC / USP; Sao Paulo-SP.
1965 - 8th São Paulo International Art Biennial, at the Fundação Bienal; Sao Paulo-SP.*
1965 - Current Brazilian Art; Vienna , Austria .
1966 - 5 Contemporary Painters from Brazil; Buenos Aires, Argentina.
1966 - 5 Contemporary Painters from Brazil; Montevideo, Uruguay.
1966 - 1st National Biennial of Plastic Arts; Salvador BA.
1967 - 9th Bienal Internacional de Arte de São Paulo, at the Bienal Foundation; Sao Paulo-SP.
1968 - 2nd Esso Young Artists Salon, at MAM / RJ; Rio de Janeiro - RJ.
1969 - 7th JB Art Summary, at MAM-RJ ; Rio de Janeiro - RJ.
Local de realização:(Brasil / Rio de Janeiro / Rio de Janeiro) Instituição de realização:Museu de Arte Moderna do Rio de Janeiro, Ficha Técnicado evento Resumo de Arte JB
Artista participante: Anna Letycia, Darel, Farnese de Andrade, Fayga Ostrower, Flexor, Frans Krajcberg, Ione Saldanha...
Category
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Large Abstract Biomorphic Spanish Bold Modern Oil Painting Angel Ponce de Leon
Located in Surfside, FL
Abstracto Rojo (Red Abstract)
Hand signed and dated 1966
Angel Ponce de León (Spanish-French, 1925-)
The artist, apparently still living in his ...
Category
1960s Abstract Abstract Paintings
Materials
Canvas, Oil
Large Rigoberto Mena Contemporary Cuban Abstract Expressionist Oil Painting
By Rigoberto Mena
Located in Surfside, FL
"Yellow/Green"
2004. Oil/Acrylic on Canvas. Signed lower right
Image: 34.5" x 47". Framed: 49" x 37".
Rigoberto Mena Santana (Cuban, born 1961) was born in Artemisia, Havana in 1961, where he currently lives and works. He attended the Instituto Politecnico de Diseno Industrial, La Habana, and continued his studies at San Alejandro Fine Art Academy, Havana. He traveled extensively throughout Europe to study the great masters. Mena has had Solo Exhibitions in China, Germany, Netherlands, Mexico, Cuba, Spain, France, and Holland, and in the U.S. in Miami, Massachusetts, Washington, D.C, and California. Following the inauguration of his exhibition “Hablando en Lenguas”. In 2011, Rigoberto’s work was chosen to be a part of the permanent collection of the National Museum of Fine Art in Havana, Cuba. Through the eyes of an abstract expressionist, he draws inspiration from his home’s urban landscapes and the spirit of the people and the city. The start of the Cuban Abstract movement was through a group called Los Once or The eleven. Though Mena was not an original member the influence by this new outlet began to spread ideals that put his own practice into fashion. Rigoberto is considered an important painter of his generation. He is one of the few artists in Cuba who has to have a private art gallery. Mena's private gallery at the Plaza de Armas is adjacent to the neighboring government art gallery. His work has been exhibited in Mexico, Belgium, Germany, France, Spain, and Holland.
Contemporaneous with the controversial, "La Generacion de los 80s" - The 80s Generation of Contemporary Cuban Art also referred to as New Cuban Art. This new Cuban plastic arts movement, with an expression of conceptual and non specific conscience manifestation, addressed many burning issues of the time and unveiled what these artists felt was the true reality of Cuba. It was more than a moment of artistic inspiration; it was a reflection of critical self-awareness and the new social role of art - the fundamental essence of the movement. They included Rubén Torres Llorca, Jose Bedia Valdes, Ricardo Rodriguez Brey, Juan Francisco Elso, Rogelio López Marín (Gory), Gustavo Pérez Monzón, José Manuel Fors, Leandro Soto Ortiz, Israel León, Tomás Sánchez and Carlos Alfonzo. In the second half of the decade, other artistic groups were formed, including 4 x 4, Grupo Hexágono, Arte Calle, Grupo Provisional, the duet René Francisco Rodríguez and Eduardo Ponjuán González and ABTV. Grupo Puré, another new wave of young artists, graduates of the Instituto Superior de Arte (ISA) included Ana Albertina Delgado Álvarez, Adriano Buergo, Ciro Quintana, Ermi Taño and Lázaro Saavedra, all greatly influenced by the German Kitsch art movement. Additionally, a large number of talented creators excelled independently, such as Florencio Gelabert (sculptor), Arturo Cuenca Sigarreta, Rigoberto Mena, Humberto Castro, Gustavo Acosta, Kcho, Antonio Eligio Fernandez (Tonel), Adriano Buergo, Flavio Garciandía, Tania Bruguera, Juan Francisco Elso, Carlos Rodríguez Cárdenas, Quisqueya Henríquez, Glexis Novoa, José Toirac, Carlos García, Heriberto Mora, Segundo Planes and Pedro Vizcaíno, among others.
Select Personal Exhibitions
2015 RBK 4200 ,La Cabaña,fortress. Bienal de La Habana,
2014 The shape without shape. Visual Arts Development Center, Bayamo, Cuba
2013 Allegro Ma Non Troppo. Lloyd’s Register, Havana.
2012 Spirit. Dennis Rosenthal Gallery, Chicago, U.S.A.
2011 Speaking in languages. Fine Arts National Museum, Havana.
2010 The places of time (with Alan Kleinmann). Orígenes Gallery, Havana’s Great Theater.
2009 The writing and the limit. 23 y 12 Gallery, Havana.
2007 The pleasure of absorb yourself. RAC Gallery, Veracruzan University, Xalapa, México.
2006 Coexistence. Public space, during the Ninth Havana’s Biennale.
2005 Ball change. La Casona Gallery, Havana, Cuba
Das Unbestimmbare Selbst. Refugium Gallery, Berlin.
2004 From the nothing to the infinite. La Casona Gallery, Havana, Cuba
2003 The visual poetry of life. Refugium Gallery, Berlin.
Rigoberto Mena. Recent Work. Habana Gallery, México DF.
Recent graphic work (with Jo Ann Rothschild). Graphic workshop, Havana.
Rigoberto Mena. Recent Work, Boston Art Institute, Lesley Boston University,
2001 Two plus one doesn’t make three (with Julio Girona and Angel Rivero), L Gallery,
2000 Cuba I, Space 12 Gallery, Boston, Massachusetts, United States.
Three abstract painters (with Jo Ann Rothschild and Julia Valdes...
Category
20th Century Abstract Expressionist Abstract Paintings
Materials
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Large Abstract Expressionist Oil Painting on Canvas John Von Wicht WPA Artist
Located in Surfside, FL
John von Wicht (German American, 1888-1970)
"On Blue"
1964
Oil and acrylic on canvas
Hand signed lower right "V. Wicht",
Hand signed, titled, and dated on the stretcher "1964-66"
D...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Oil, Canvas, Acrylic
Abstract Spanish Catalan Oil Painting Josep Guinovart from Joan Prats Gallery
By Josep Guinovart Bertrán
Located in Surfside, FL
Josep Guinovart (1927 –2007) was a Spanish Catalan painter most famous for his informalist or abstract expressionist work.
In 1941, he began to work as a decorator. Three years later, he started his studies at the Escuela de Artes y Oficios de la Llotja (Art School of La Llotja) where he stayed until 1946.
He first exhibited his work in 1948 in Galerías Syla in Barcelona. In 1951, he produced his first engravings entitled 'Homage to Federico García Lorca'. Two years later, he was awarded a grant from the French Institute to study in Paris for nine months. Here he discovered the cubist works of Henri Matisse and Pablo Picasso and travelled to Belgium, Holland and Germany.
On his return to Barcelona and after a period working as an illustrator and set designer, around 1957 he began moving towards abstract art. His work is highly unconventional and usually on a large scale, using a wide range of materials, three-dimensional objects and organic substances such as eggshell, earth and straw.
In 1962, he illustrated a book of poetry entitled Posies by Joan Salvat-Papasseit for the Ariel Editorial. He won many accolades for his work throughout the 1970s and 80s, including Spain's National Award for Plastic Arts in 1982. In 1994, a museum foundation dedicated to his art was inaugurated in Agramunt, his mother's birthplace to which he always felt a special attachment.
In 2006 he designed the winery Mas Blanch i Jové in La Pobla de Cérvoles (Lleida) and created The Artists' Vineyard, a project intended to mix sculptures and other art works from different artists in the middle of a vineyard. The Artists' Vineyard was inaugurated after his death in 2010 with the unveiling of his sculpture The Countryside Organ: a music instrument, 6 meters height, for the wind to sing the vines. This winery also displays the 10.5 meters work In Vino Veritas...
Category
1970s Abstract Abstract Paintings
Materials
Canvas, Oil
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