Kyong Lee

Drawing For Color As Adjective-noun 6 (Grey) (Abstract painting)

2022

Drawing For Color As Adjective-noun 8 (Sky Blue) (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work derives from the series Color as Adjective, a series of drawings...

Drawing For Color As Adjective-noun 7 (Pink) (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work is part of a series titled ""Drawing for 3 configurations', ...

Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a seri...

Emotional color chart 092 (Abstract Painting) Pencil and acrylic on Fabriano-pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is in...

Angela Lane’s three-dimensional abstract canvases are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit ...

Octavia Art Gallery is pleased to present Aaron Collier: Of Rocks and Ruins. The “Everything You Need to Know” website that intends to prepare visitors for the breezy summit and sce...

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Mixed media on Korean traditional paper (Jangji) & wood panel Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea. She studied painting at the Colle...