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Liz Rundorff Smith
Runway (abstract, patterns, bright colors, layers, red, purple)

2024

$800
£608.62
€711.66
CA$1,118.84
A$1,256.88
CHF 668.90
MX$15,541.86
NOK 8,150.62
SEK 7,880.48
DKK 5,308.31
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About the Item

gouache on paper 20 x 17.5 inches framed
  • Creator:
  • Creation Year:
    2024
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 9 in (22.86 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU16814582752

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Self Care (abstract, patterns, dark colors, layers, green, purple, red, texture)
By Liz Rundorff Smith
Located in New York, NY
Acrylic and gouache on paper 22 x 20 inches framed
Category

2010s Contemporary Abstract Paintings

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Underbite (abstract, patterns, bright colors, layers, red, green, texture)
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Located in New York, NY
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Category

2010s Contemporary Abstract Paintings

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For The Gods (abstract, bright colors, rainbow, layers, pattern)
By Liz Rundorff Smith
Located in New York, NY
gouache on paper 13 x 9 inches 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of vener...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Gouache

Major (abstract, bright colors, yellow, blue, layers)
By Liz Rundorff Smith
Located in New York, NY
Gouache on paper 13 x 9 inches unframed 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places...
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Gouache

Mind Blowing (abstract, bright colors, dark colors, layers)
By Liz Rundorff Smith
Located in New York, NY
Acrylic on paper 21.5 x 19.75 inches framed
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Acrylic, Gouache

View from a Great Height, abstract geometric painting, dots
Located in New York, NY
Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow
Category

2010s Abstract Geometric Abstract Paintings

Materials

Paper, Gouache, Handmade Paper, Graphite

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