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Madeline DenaroThe Little Voice That Tells Me So2021
2021
$29,500
£22,361.77
€26,109.60
CA$41,321.09
A$46,514.15
CHF 24,607.72
MX$576,950.84
NOK 304,054.76
SEK 290,801.50
DKK 194,790.62
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About the Item
Synthetic polymer on canvas
My work is very much about process. I find the image secondary to the art making. Although abstract in nature, there is an underlying visual order that gradually seems to emerge. Working intuitively, I enter a realm of the unknown where there is more of a following than any real choice. I seem to be forever altering and adjusting the framework of some invisible reality.
There is an openness that is needed for this direct experience, this self-imposed repetitive process as I build, destroy, erase, paint over. There is a definite chaos through which each work evolves and it seems to return repeatedly to its beginning. But with each revival there are the markings, the scars of the previous. I have a relationship to these subtleties, these sensitivities, keeping some, hiding some; but knowing full well all that has been before.
- Creator:Madeline Denaro (American)
- Creation Year:2021
- Dimensions:Height: 85 in (215.9 cm)Width: 65 in (165.1 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Park City, UT
- Reference Number:1stDibs: LU48337581172
Madeline Denaro
To allow something that I do not control to have an action, to allow oneself to bring this action into a materiality; this is why I make art. My work is very much about process. I find the image secondary to the art making. Although abstract in nature, there is an underlying visual order that gradually seems to emerge. Working intuitively, I enter a realm of the unknown where there is more of a following than any real choice. I seem to be forever altering and adjusting the framework of some invisible reality. There is an openness that is needed for this direct experience, this self-imposed repetitive process as I build, destroy, erase, paint over. There is a definite chaos through which each work evolves and it seems to return repeatedly to its beginning. But with each revival there are the markings, the scars of the previous. I have a relationship to these subtleties, these sensitivities, keeping some, hiding some; but knowing full well all that has been before.
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