Canvas Abstract Paintings

Jonathan Adolphe (American, b. 1952) Stolen From the Mirror, 1983 Oil on canvas 24 x 24 in. Signed & inscribed verso: Jonathan Adolphe, Middle #2 Panel, Stolen From the Mirror, 1983, please don't stand upside down Solo Exhibitions: Gallery Baraz, Istanbul Turkey Marc Jancou Gallerie, Zurich, Switzerland Bess Cutler Gallery, New York City Gallery Nagata, Tokyo, Japan Colin De Land – American Fine Arts Company, New York City Partial List of GroupExhibitions: Frederieke Taylor Gallery, New York City Renèe Fotouhi Fine Art East, New York City, “JFK In Memoriam: Myth and Denial Galerie Langer Fain, Paris, France Barbara Krakow Gallery, Boston, Massachusetts Carnegie Mellon Art Gallery, Carnegie Mellon University, Pittsburgh, PA, “New Generations: New York” Patrick & Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, “Romanticism and Cynicism In Contemporary Art” Peder Bonnier, New York City, “Art Totem” Jonathan currently works out of his studio in Gowanus, Brooklyn. Excerpt from interview with Voyage LA: "I studied theater design at New York University but always wanted to be a painter. The painting I was drawn to make was a hybrid of both painting and sculpture. My first one man show in New York were abstract paintings covered in sand. My second one may show in New York were paintings on chalkboards with texts. I’ve had one man shows in Zurich, Tokyo, and Istanbul. Afterward, I felt stuck; an artist’s block had come over me. I turned my attention to raising my daughter and focusing on her becoming an artist. Julia Adolphe is now a successful contemporary classical composer...

"Bird on a Wire" The Crow - Acrylic on Canvas Playful depiction of a crow by California-based artist, Ricardo de Silva (American/Brazil, 20th C). The crow is shown with green and ye...

Artist: Cary Smith, Puerto Rican/American (1955 - ) Title: Not Now Year: 1989 Medium: Oil and wax on canvas Size: 72 x 72 in. (182.88 x 182.88 cm)

Stephen Sacklarian 1899-1983 Sacklarian studied art at the Pennsylvania Academy of Fine Art, the T- Square Club-School for Architects, The Philadelphia College of Art, the Fleisher ...

Tristan Fabris, 1980’s French Surrealist painter Abstract Surrealist Figurative nude work oil on canvas, unframed painting: 26 x 32 inches private collection, France The painting is...

Signed twice, verso, on stretcher 'Marsha Straus' for Marsha Rogow Strauss (American, 1944-2008) and painted circa 1995. A substantial and vibrant oil abstract comprising massed, ov...

Vintage signed American abstract landscape oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 24H.

Tristan Fabris 1989, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso dated 1989 painting: 32 x 25.5 inches private collection, F...

Red and Black Abstract Expressionist - Tribute to Jose Guerrero in Acrylic Richly textured abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). T...

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: Our framing studio could not accommodate the scale of this work, so it is being sold as-acquired. The canvas is housed in an original “studio strip” frame installed by the artist. Please see condition notes below for additional details and an assessment of condition. Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Unknown Aboriginal Artist Untitled (Geometric Abstraction), c. 1980 Acrylic on canvas 24 x 24 1/4 in. Inscribed verso: KLN 1116

Oil-based mixed media on canvas. Signed verso. 47.25 x 56 in. 48.25 x 57.25 in. (framed) Custom framed in white oak. Provenance Allan Stone Gallery, New York John Beardman...

"Bern Series" is a painting by Robert Natkin. The painting is signed lower middle, "Natkin". The framed piece measures 49 x 54 x 1 7/8 in. Robert Natkin (1930-2010) was born in Chicago and graduated from the Art Institute of Chicago in 1952. Natkin’s art blends Abstract Expressionism with Post-Impressionist colors. His work often runs in series he created using columns...

"Dusseldorf, Germany" 1993, oil on canvas, hand signed and dated lower left, Canvas (unframed):18 X 48. framed: 19.5 X 49.5 Provenance: directly from the artist. Exhibited at Phyllis Kind Gallery in NYC in 1987. Archie Rand (American, born 1949) is an artist from Brooklyn, New York. Rand's work as a painter and muralist is held in the collections of the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Victoria and Albert Museum in London, the Bibliothèque Nationale de France in Paris, and the Tel Aviv Museum of Art. His graphic works and books are held by the Metropolitan Museum Of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute Of Chicago, The Brooklyn Museum, the Baltimore Museum of Art, the Smithsonian Institution, and The New York Public Library; and are owned by Harvard, Yale, Columbia, Brown, and Johns Hopkins universities. Born in Brooklyn, Rand received a Bachelor of Fine Arts in cinegraphics from the Pratt Institute, having studied previously at the Art Students League of New York. His first exhibition was in 1966, at the Tibor de Nagy Gallery in New York. He has since had over 100 solo exhibitions, and his work has been included in over 200 group exhibitions. He is currently Presidential Professor of Art at Brooklyn College which granted him the Award for Excellence in Creative Achievement in 2016. Before joining Brooklyn College, Rand was the chair of the Department of Visual Arts at Columbia University. The Italian Academy For Advanced Studies in America at Columbia University presented him with The Siena Prize in 1995. He was awarded a Guggenheim Foundation Foundation Fellowship in 1999 and was made a Laureate of the National Foundation for Jewish Culture, which awarded him the Achievement Medal for Contributions in the Visual Arts. In 2002 he received the Presidential Award for Excellence in Teaching from Columbia University. In 2002 he became the artistic advisor to film director Ang Lee for his production of The Hulk, and was asked by Milestone Films to provide a commentary track for the DVD release of Henri-Georges Clouzot’s classic 1955 film The Mystery of Picasso. Archie Rand’s earliest major works are “The Letter Paintings” (or “The Jazz Paintings”) (1968–71), a radically positioned series of technically inventive, mural-sized canvases. The Letter Paintings, by incorporating the names of mainly male and female African-American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary. In 1974 Rand received a commission from Congregation B’nai Yosef in Brooklyn. Rand was asked to paint thematic murals on the complete 16,000-square-foot (1,500 m2) interior surfaces of the synagogue. The work took three years, and completing this commission made Rand the author of the only narratively painted synagogue in the world and the only one we know of since the 2nd Century Dura-Europos. The religious legal controversy raised by placing wall paintings in a traditionally iconoclastic space was resolved by the verdict of Rabbi Moshe Feinstein, then considered to be the world’s leading Talmudic scholar, who declared the paintings to be in conformity with the law. His subsequent turn to figuration may have been influenced by his friendship with Philip Guston, whose own work was transformed in the late 1960s. Like Guston, Rand "chafed at the limitations of purely abstract forms." A near-cult figure who started out as a child prodigy and whose admirers range from John Ashbery to Julian Schnabel. Rand’s paintings display a vast and savvy menu of inventive and finely executed approaches. He has completed many series after the works of Paul Celan, Moyshe-Leyb Halpern, Eugenio Montale, Yehuda Amichai, Rainer Maria Rilke, Samuel Beckett/Paul Eluard and Jack Spicer. Working often with poets, he has produced books and continues to engage in publishing collaborative projects. He maintained a correspondence with the American British Jewish painter R.B. Kitaj. In 2008, on a warehouse wall, Rand mounted the painting, “The 613”, which at 1700 square feet (17’ x 100’) is nearly twice the size of James Rosenquist’s F-111. It is one of the largest freestanding paintings ever made. Reminiscent of “The Segments” paintings it is intimidatingly enormous. Paradoxically, despite the raucous cartoony bytes that shoot colorful flashes from the manic surface, “The 613” glows warmly. Its overall effect is strangely calming and majestic. In an article on a 2011 exhibition of Rand's "Had Gadya" series, David Kaufmann wrote: Rand displayed his work in 15 solo exhibitions between 2008 and 2017, many of them showcasing paintings done after Scripture, or his workings with poets: Including “Had Gadya, 2005”, Borowsky Gallery, Philadelphia, PA (2011); “Gods Change, Prayers Are Here To Stay (after Yehuda Amichai), 2000", Katz Gallery, Atlanta, GA (2014); “Psalm 68, 1994”, Derfner Museum, Riverdale, NY (2014); “The Chapter Paintings”, Tribeca Gallery, NY (2015); “Men Who Turn Back (after Eugenio Montale), 1995", SRO Gallery, Brooklyn, NY (2016); “Sixty Paintings From the Bible” & “The Book of Judith, 2012”, Cleveland State University Galleries, Cleveland, OH (2016) & The American Jewish Museum, Pittsburgh, PA (2017); “Archie Rand: Early Works With Poetry: Jack Spicer, 1991 and Samuel Beckett/Paul Eluard, 1993”, St. Francis College, Brooklyn, NY (2017). "The 613" In 2015 Blue Rider/Penguin/Random House published The 613, allotting one color plate per page for each of the 614 units in the painting. The Wall Street Journal labeled The 613 as “dynamic…remarkable…thrilling” The New York Times selected the book as “Editors' Choice” and praised it in two separate reviews calling it “wonderfully garish” and declaring that “nothing prepared the art world for 'The 613.' Recent Activity In 2016 Rand showed two bodies of work that were done in Italy, “La Certosa Di Pontignano, 1995” and “Mount Etna, 2005,” at The Interchurch Center Galleries, New York. From 2016 to 2017 he served as the Curator and Juror for the Governor of Wyoming’s Capitol Arts Exhibition at The Wyoming State Museum, Cheyenne, WY. A 2017 exhibition, “Archie Rand: Early Works With Poetry”, featured two series of work from 1991 and 1993 after poems by Jack Spicer and Samuel Beckett/Paul Eluard. This painting was exhibited in the Phyllis Kind Gallery in NY in 1987. (Phyllis Kind was an American art dealer active in Chicago and New York. She promoted the work of the Chicago Imagists, The Monster Roster and The Hairy Who and outsider artists. Kind opened a gallery in Chicago in 1967. Called Pro Grafica Arte, the gallery dealt in master prints and drawings. In 1975, she opened a gallery on Spring Street in New York's SoHo district. She gave some of the artists in the movement their first solo shows: Jim Nutt and Gladys Nilsson...

This stunning oil on canvas painting of a highly colorful still-life composition features a fruit bowl with fruits and grapes. It is an extremely lively and vibrant post-cubist exec...

Enrico Donati Aswan IV, 1984 Signed, dated and inscribed as titled on the reverse Oil and sand on canvas 36 x 42 inches Provenance: Gimpel & Weitzenhoffer Gallery, New York Doyle, October 12, 2022 Enrico Donati, a surrealist and abstract expressionist painter, was born in Milan, Italy in 1909 and died in Manhattan on April 25, 2008. He was known for his association with the surrealist movement of the 1940's, but his artwork continued to transform itself through the many trends that have occurred during his long career. In Italy he attended the Universita degli Studi in Pavia where he studied economics. In 1934, he moved to the United States settling in New York where he studied at the New School for Social Research and the Art Students' League. Considered the surviving dean of the Surrealist Movement and a member of the New York School, Donati painted with Ernst, Matta and Tanguy in the thirties and forties, and in particular with Andre Breton, regarded by many to be the grand master of Surrealism. He helped organize the Exposition Internationale du Surrealisme in Paris in 1947 where he exhibited three of his pieces. The Surrealists were known to avoid presenting or representing reality, and put the emphasis on invention and creativity by uncovering the poetic aspect of life with its kaleidoscopic multidimensional images, using reality only to enhance imagination. Donati survived the decline of Surrealism in the late 1940's by adapting his style to current art trends as he worked with new materials and textures throughout the 1950's. One trend with which he became involved was Abstract Expressionism, which originated in the 1940s, and became popular in the 1950s. It was a movement in which artists typically applied paint, rapidly and with force, to large canvases, in an effort to show feelings and emotions. Paint might be applied with large brushes, sometimes dripping or even throwing it onto canvas. Abstract Expressionist work is characterized by a strong dependence on what appears to be accident and chance, although it is actually highly planned. Donati held a retrospective at the Palais des Beaux-Arts in Brussels in 1961 and went on to exhibit at the Betty Parsons Gallery with other forerunners of American Abstract Expressionism: Mark Rothko, Barnett Newman, and Jackson Pollock. It was at this time that Donati created some of his most inventive and extraordinary work, some of which was featured in a survey exhibition at the Alter & Gil Gallery, Beverly Hills, California, in January 2000. He has held many teaching positions and has been an active lecturer, while continuing to add to his artistic repertoire. From 1960 to 1962 he was a Visiting Lecturer at Yale University, and from 1962 to 1972 a Member of the Yale University Council for the Arts and Architecture. He has had seventy-five one-man shows, among them an exhibit of new paintings at the Maxwell Davidson Gallery (57th St., New York) in the fall of 1997. Donati's work is held in collections throughout the world, and his work has appeared in over 300 articles and publications, two hard cover books...

Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

Original work by the Spanish artist Jorge Castillo Perfect state CASTILLO, Jorge (Pontevedra, 1933). Since childhood, Jorge Castillo is passionate about drawing, and takes only te...

Vintage signed surreal nude painting. Oil on board. Framed. Image size, 12L x 8H. Signed.

Oil on canvas abstract painting with a bird motif signed by artist Edward (Eduardo) Arcenio Chavez (1917-1995) circa 1980. Painted in red, blue, purple, orange, and black. Presented in a vintage frame measuring 30 ½ x 28 ½ inches, image size is 29 ¼ x 27 inches. About the Artist: Born 1917 Died 1995 Born in Wagonmound, New Mexico, Eduardo Chavez...

Contemporary abstract geometric painting by artist Mark Byckowski. The piece features horizontal lines with a variety of vivid colors of blue, pink and purple painted against a bright white background. Each of Byckowski's work features a bright red line at the bottom right corner. Signed, titled, and dated on reverse. Currently unframed, but options are available. Artist Biography: Mark Byckowski was born March 18, 1957 in Chicago, Illinois. He remained in and out of the Chicago area until moving to Raleigh, North Carolina in 1990. In 2016 moved to Livingston, Texas where he currently resides. At an early age, he began drawing, studying, and creating art which has continued throughout his life. His artwork has changed and evolved through different periods and styles that span for decades. In the early years, he was influenced by traditional representational artists and illustrators, then impressionism, surrealism, and avant-garde of modernism captured his imagination. His artistic talent eventually led him to Northern Illinois University where he received Dean List Honors in Fine Art with an emphasis in the studio painting. As a studio artist he has produced a body of work in various media painting, drawing, sculpture, printmaking, and computer art also known as digital art. While in college the artist began searching for an original idea and style of his own. In 1979 when the first apple personal computers became available in the art department. He immediately knew the technology would eventually influence the direction of fine art in the future. It took time to learn how to program and explore the possibilities of computers as a new tool in the creation of art. Personal computers back then did not have the capabilities they have today and were not user-friendly. There were only two fine artists Mark Pinson and I working with computer technology back then. We worked on our own ideas and after completing the programs and turning them into paintings and drawings we collaborated and mounted a two-man exhibition. My first program was a series of interconnected images entitled “Concatenation” paintings and drawings created from the program were exhibited with Mark Pinson’s work entitled “Random” in a two- man show at The Holmes Center Gallery, Northern Illinois University on November 30, 1980. The second program entitled “Visual Music” the paintings and drawings exhibited in a one man show at The Recital Hall Music Building Gallery, Northern Illinois University on April 26, 1981. Followed by an exhibit sponsored by Illinois Bell, works on paper selected a drawing from the Visual Music series for “A New Generation of Artists” at The Lobby Gallery, 225 West Randolph Street, Chicago, Illinois, May 14 through June 12, 1981. The artist has participated in exhibitions dating back to 1974. The above exhibitions were selected because they marked a new beginning and direction in the artist’s work that continues to the present day. Other positions held in the Fine Art field include: 1984-1985- Austin Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Gallery Director 1982-1984- Atlas Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Assistant Gallery Director Artist Statement: Subject matter for computer art, painting, and drawing Mark S. Byckowski In 1979 searching for a for an original idea and style of my own I began looking for abstract ideas that I could program with a computer for a new a paintings series. I decided on an idea called “Concatenation” a series beginning from the original image undergoing a transformational change from the previous image connected in a linked series. Example: Image 1 is the original, image 2 changes image 1 by adding a new line, and image 3 changes image 2 by adding an additional new line. Continually changing the previous image by adding an additional line etc. In 1980 I began working on a new abstract idea that I could again program with a computer for a new painting and drawing series. The similarities between music and art intrigued me and began thinking about how I could create a visual representation of musical sound. In music notes are arrangements turned into compositions. In art color is also, arranged into compositions and both seek aesthetic rhythms and harmony. Depending on what notes or colors used can also, affect different emotions and moods. The Artists painting process Step one: Create the computer drawing. For years I have used Microsoft classic paint to create drawings. It allows me to arrange an aesthetic composition and select a color scheme in advance. I can make changes easily until I am satisfied. Step two: I build a custom stretcher frame with support bars and corner braces. Step three: Measure and Stretch the canvas onto the frame pulling the canvas and using a staple gun...

Star Fighter evolved out of Clifford Singer's work during the 1980s using arcs and straight lines.

Clifford Singer worked with arcs and straight lines, collinear intersections during the 1980s.

In 1974, Tom Lieber attended the University of Illinois and earned his M.F.A. Lieber then moved to San Francisco to fulfill his afinity with Ba...

Clifford Singer. Spiral Series. 1988-1992.

Signed, verso, 'Charles Seligman' (American, 20th century) and dated '1986-1988'. Texas abstract artist Charles Seligman boldly interweaves pointilli...

Pierre Marie Brisson is a French painter known for his Iconographic style. His work appropriates the forms, concepts, and imagery of art history. Spanning from prehistoric art to Roc...

Clifford Singer worked with arcs with straight lines and collinear intersections through the 1980s.

Janet Jennings Oil Painting on Canvas Peace and Plenty, 1989. Hand signed Dimensions: Canvas, 65 1/2" x W: 59 1/2". framed 68 X 62 inches Janet Jennings received her BFA from the University of Dayton and attended The Dayton Art Institute, Antioch College and The Art Students League. Her paintings are in numerous corporate and private collections worldwide. She has exhibited at numerous galleries on Long Island, the Hamptons and New York City including The New York Design Center, Hampton Road Gallery, Pamela Williams Gallery, Folioeast, Lizan-Tops Gallery, Chase Edwards Gallery, Gallery North, Elaine Benson Gallery, Glenn Horowitz Gallery, Mark Humphrey...

Acrylic on canvas. Signed, dated, titled, and estate stamped on verso. 50.25 x 31 in. 51.25 x 32 in. (framed) Custom framed in maple. Provenance Estate of Jack Roth Born in Brockway, Pennsylvania, Jack Roth was at various times a painter, poet, photographer, and mathematician. He enrolled at Pennsylvania State University in 1943 to study chemistry, but like many of his fellow Abstract Expressionists, his matriculation was interrupted World War II, where he served in both the Army and Air Force. Discharged from the service in 1948, Roth moved to Big Sur, California and married his first wife, Colleen Bleier, with whom he had two daughters. A year later, the young family settled in San Francisco, where Jack enrolled at the California School of Fine Arts. It was here that he studied painting under Mark Rothko, Clyfford Still, Richard Diebenkorn, David Park, and Elmer Bischoff. The Roth family left the Bay Area to return to Pennsylvania, where Jack completed his Bachelor of Science degree in Chemistry in 1951. In pursuit of his seemingly discordant academic interests, Roth moved yet again, this time to Iowa where he received a Master of Fine Arts at Iowa State University in 1953. Seeking gainful employment, Roth moved to New York, settling in the lower East Side where he began looking for a teaching job and working as a reviewer for Arts Digest magazine. Now divorced, in 1954 Roth married the artist Rachel Chester whom he had met in Iowa. He continued to paint and work odd jobs, some of which were as a hotel night clerk and an orderly at Beekman Downtown Hospital. That year, he unsuccessfully applied for the Guggenheim Memorial Foundation Fellowship in the field of photography. However, Roth’s professional prospects greatly improved when his work was selected by James Johnson Sweeney, Director of the Guggenheim Museum of Art for the traveling exhibition Younger American Painters, alongside giants such as William Baziotes, Richard Diebenkorn, Adolph Gottlieb, Philip Guston, Franz Kline, Willem de Kooning, Robert Motherwell, Jackson Pollock, Morris Louis, and others. One of the first major debuts of the Abstract Expressionist movement to be shown at an American museum, the exhibit traveled to the prominent museums across the country. In 1956 he began graduate work in mathematics at New York University. Opting to dive back into academia, Roth began graduate coursework in mathematics at New York University in 1956. He enrolled at Duke University in 1958, receiving his PhD in mathematics in 1962. Roth continued to create art throughout the pendency of his graduate studies and in 1963, legendary Museum of Modern Art (MoMA) curators Dorothy Miller and William Lieberman recommended Roth as the new talent graphic artist for Art in America. Concurrently, MoMA purchased several works from Roth for the museum’s permanent collection. During this period of artistic achievement, Roth continued to teach - first, at the University of South Florida in Tampa, before moving back north to Montclair, New Jersey, where he was hired as the chairman of the Mathematics department at Upsala College. In 1971 he accepted a dual appointment at Ramapo College, teaching both mathematics and advanced painting. After he received tenure and his finances were secure, his artistic production thrived as he received the first Thomases Award for contributions at the school, which came with the use of a large studio space. This allowed him to work with larger canvases and become what he saw as an Abstract Expressionist Color Field painter. In 1978, the acclaimed gallery Knoedler & Co. in New York began representation of Roth’s work. Other artists represented by the gallery at this time included Alexander Calder, Adolf Gottlieb...

Artist: Nick Wallis, American Title: More Afterthoughts 2 Year: circa 1980 Medium: Oil on Canvas, Signed l.r. Size: 60 x 60 in. (152.4 x 152.4 cm)

Tondo. Clifford Singer had done several tondo paintings in the late 1980s which work with spirals.

Vintage signed American modernist landscape oil painting. Oil on canvas. Signed verso. Frame available.

signed 'Gillian Ayres 88' (lower left)

the painting is being offered with a work and authenticity certificate

Wai Ming is a Chinese Asian Modern & Contemporary painter who was born in 1938. In this colorful abstract painting, women are huddled in a circle gambling and betting. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work. His primary interest was to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong, and so was able to find some initial success. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons but was ultimately embraced by dealer Jack Swanson...

A vibrant oil painting by American artist Gordon Micunis. Known for Richly colored botanical and landscape paintings, theatre scenery and costume design...

A large, oil and sand painting by American Artist, Lou Fink. Provenance: Gift of Florence Fink, wife of the artist. Artist: Lou Fink, American (...

Beautiful cubist portrait of a woman by unknown Russian artist. Oil on canvas measures 17 x 25 inches. Signed and dated lower right. Label fragments affixed on verso.

Green and blue-toned landscape painting by Houston, TX artist Earl Staley. This painting depicts a dense, green forest with a mountain in the center background. Signed and dated at bottom right corner. Currently hung in a thin brown floating frame. Dimensions Without Frame: H: 7.75 x W: 11.75 Artist Biography: Earl Staley grew up in the suburbs of Chicago, Illinois and resides in Houston, Texas. He is an artist and teacher with more than 50 years of experience. Mr. Staley holds Bachelor of Fine Arts and Master of Fine Arts degrees. He taught at Washington University, St. Louis; Rice University...

Diego Barboza - 1945-2003 Hand signed and dated 1988 Oil on Canvas Diego Barboza was born the Carabobo street of Maracaibo, Venezuela on February 4, 1945. He was a Venezuelan Neo Figurative Painter who is among the most famous and influential figures in Venezuelan art history. Diego Barboza opened a new chapter in Latin America, beyond the surreal or the magical realism of the Modern Latin American Masters. He created a new language of dislocation and transgression. Personages became distorted to the point that was very exaggerated forms His figures twisted and contorted without losing their presence or their pull. Extremities muscles, and bones burst into an explosive compound of divergent and convergent lines. Through eruptive brushstrokes and fractured outlines. Barboza created a world of illusions. Barboza was born into a upper-middle-class family. He stopped going to school at 12 years old, and he registered himself at the School of Visual Art in the City of Maracaibo Venezuela. Barboza studied at the School of Visual Arts in Caracas, Venezuela. Barboza began his training as an artist at age 12 in his native Maracaibo when he left formal education to enroll in the then School of Plastic Arts of Zulia, then Julio Arraga School of Plastic Arts, where he was a student in the modeling, collage and Drawing of Angelina Curiel. His first collages, in the sixties, show the influence of American Pop Art. In 1967 he exhibited at the Ateneo de Caracas his series 'Los Ratones', a proposal then 'criticized by critics as unprecedented in Venezuela'. In his tribute to the film "Nosferatu" Friedrich Murnau included 32 drawings as well as two-dimensional objects. In 1968 he moved to London where he studied at the London College of Printing. From that time is his '30 Girls with Nets', an action in which 30 students of the London College of Printing, dressed in black and covered by white nets, toured London public places, behaving naturally. His 'street expressions', which he later called 'poetic actions', symbolized a breakdown of social restraints through unusual behaviors that sought to provoke public reactions. Upon his return to Venezuela in 1973, Barboza continues with this line of work, being recognized as one of the initiators of Venezuelan conceptual art. In the 1980's Diego Barboza turned to painting, the New Venezuelan Figuration. Here belongings and the feminine figure fill the work of that time, in which he embodied his intimacy and daily life through scenes of furnishings and flowers that included objects from his workshop and home. His nudes were made from live model, then to follow the path of distortion resulting in their unmistakable females: a figure that represented their personal way of appreciating beauty. Barboza presented his first individual exhibition at the Centro de Bellas Artes of Maracaibo Venezuela. In 1963, he traveled to London when the Conceptual Art movement started, he had the support of the London New Art Lab Gallery. On March 7, 1970 Barboza displayed his first work on Conceptual Art, which he called Art of Action. In London with the performance of 30 Girls with nets (30 Muchachas con redes). His second work was Nets and Hats in markets and restaurants (Con sombreros y redes en mercados y restaurantes). In London UK. His third The Centerpiece (El Ciempies) and the fourth Expression on a laundry-mat (Expresiones en una lavandería) In 1974. Baboza returned to Venezuela. Where he presented two very important Conceptual Art works: The Armadillo Box (La Caja del Cachicamo) and from the School of Athens to the New School of Caracas (De la Escuela de Atenas a la Nueva Escuela de Caracas). Closing his cycle of Conceptual Art creation. IN Venezuela a sort of impromptu academy started up at Claudio Perna’s house. Eugenio Espinoza, Roberto Obregón, Antonieta Sosa, Alfred Wenemoser, Yeni and Nan, Sigfredo Chacón, Diego Barboza, Luis Villamizar, Margherita D’Amico, Pedro Terán, Alfredo del Mónaco, as well as international figures who happened to be visiting Venezuela such as Antoni Muntadas, Charlotte Moorman, and Roman Polanski would gather there. Venezuela, especially Caracas, was a rich field of action for modernism in South America. Venezuelan Geometric Abstraction, Op art and Kinetic Art dominated through crucial figures like Jesús Rafael Soto, Gego, Alejandro Otero, and Carlos Cruz Diez, the country’s kinetic art made a fundamental contribution internationally. The Greater London Arts Association and the Arts Council of Great Britain did several exhibitions of (North, Central, South, London, Wales, Scotland and Ulster) to show the actual Visual Arts in all of the United Kingdom and Diego Barboza was invited for this event with a solo exhibition, expressions around a cylinder (Expresiones alrededor de un cilindro). Diego has made numerous solo and group exhibitions, obtaining rewards since 1963. He is represented in the most important museums of Venezuela, as well as in England, Brazil, Colombia and Cuba. In 1986 he was awarded the Municipal Visual Arts Award of the Municipal Council of the Federal District and in 1997 he received the National Prize for Plastic Arts granted by the National Council of Culture, CONAC. Select Group Exhibitions 1964 Ateneo de Caracas, Caracas, Venezuela 1965 Salón Arturo Michelena, Valencia, Venezuela 1968 Salón Oficial Museo de Bellas Artes, Caracas, Venezuela 1971 Art Spectrum London, London, Great Britain 1972 Serpentine Gallery, London, Great Britain 1973 Midland Group Gallery, London, Great Britain 1974 Galería BANAP, Caracas, Venezuela 1975 Casa de Las Américas, La Habana, Cuba Museo de Bellas Artes, Caracas Galería de Arte Nuevo, Buenos Aires, Argentina 1976 Museo de Arte Moderno, Bogotá, Colombia Museo de Arte Contemporáneo, Sao Paulo, Brazil Museo de la Tertulia, Cali, Colombia Bienal de Venecia, Venecia, Italy 1979 Centro de Artes y Comunicación, Buenos Aires, Argentina 1980 Galería NBC, Memphis, Tennessee, USA 1981 Galería de Arte Nacional, Caracas, Venezuela Museo de Arte Contemporáneo, Medellín, Colombia Museo de Bellas Artes, Caracas, Venezuela 1986 Museo de Arte La Rinconada, Caracas, Venezuela 1989 Galería Venzor, Chicago, Illinois, USA 1990 Museo Bellas Artes, Santiago de Chile, Chile 1992 Ambrosino Gallery, Coral Gables, Florida, USA 1993 Museo de Arte de Petare, Caracas, Venezuela Centro de Arte Lia Bermúdez, Maracaibo, Venezuela 1994 Galería Namia Mondolfi, Caracas, Venezuela 1995 Galería Art Nouveau, Maracaibo, Venezuela Galería Cesar Sassòn, Caracas, Venezuela Maremares Resort, Puerto La Cruz, Venezuela Galería Durban, Caracas, Venezuela Galería Odalys, Caracas, Venezuela 1996 Centro de Arte Grupo Li, Caracas, Venezuela Galería Uno, Caracas, Venezuela Centro Cultural Consolidado, Caracas, Venezuela Espacios Unión, Caracas, Venezuela Hebraica, Caracas, Venezuela 1997 Sociedad Dramática, Maracaibo, Venezuela, Venezuela CELARG, Caracas, Venezuela Galería Ocre Arte, Caracas, Venezuela Museo de Arte Contemporáneo , Maracay, Venezuela Galería Medicci, Caracas, Venezuela Awards 1963 Premio Estímulo - IX Salón d’Empaire, Maracaibo, Venezuela 1964 Premio José Ortìn Rodríguez - X Salón d’Empaire, Maracaibo, Venezuela 1965 Primer Premio de Dibujo - III Salón Pez Dorado, Caracas, Venezuela 1968 Premio Henrique Otero Vizcarrondo - XXIV Salón Oficial Anual de Arte Venezolano Museo de Bellas Artes, 1973 Premio Emilio Boggio...

"Patriots Throne" is a painting by Larry Bell. The painting is signed verso, "L Bell '89". Throughout his career Larry Bell has made investigations into the properties of light on surface. By experimenting with the nature of surface and its relationship to space, Bell has devised a methodology characterised by spontaneity, intuition and improvisation. Bell began his career in 1959 and his earliest works consisted of abstract, monochrome paintings on paper and shaped canvases whose outlines corresponded to the silhouette of a box drawn in isometric projection. Panes of glass and then mirrors were substituted for parts of the painted design and this exploration of spatial ambiguity eventually evolved into sculptural constructions made of wood and glass. These works represent the genesis of Bell’s later...

Abstracted portrait of a renaissance era woman by Sonia Gichner (20th Century). This piece is painted with splashes of bright colors, contrasting nicely with skin tones and black lin...

Iron Drops (Gocce di ferro) is a contemporary artwork realized by Tommaso Cascella in 1991. Mixed media painting (oil painting on rough canvas; copper inserts and base). Hand signe...

This abstract watercolor by the American artist Marc Bensimon (1926-) features vertical lines of blues sliding down the canvas like raindrops on a window. It is signed in blue pencil...

Remarkably beautiful, lush, and impressionistic in form—Rajasthan is a stunning example of Canadian artist John Graham Coughtry’s masterful use of colour. Rendered in the exotic spic...

Menashe Kadishman - The Tide - Kings Gallery - Fine art - Israeli art - Israeli artist - international art - Sheep. “The Tide” by Menashe Kadishman Menashe Kadishman721ViewsItamarIta...

Large acrylic painting by Pat Rosenstein, American Woman Artist, graduate of Pratt Institute whose work has been exhibited extensively. Rosenstein, who...

Mixed media on jute

Mixed media on jute

Mixed media on jute

Mixed media on jute, diptychon

Artist/ School: French School, signed and dated Title: Kissing Couple, beautfiful Modernist work with green, beige, brown, yellow, golden colors. Med...

This large-in-scale, oil-on-canvas Tryptique painting by Stuart Carey features a chess pawn, the bishop and the knight. It is full of expression and movement. These are three separa...

'Rolling Stones - Three Heads' acrylic on canvas, by Peter Robert Keil (1985). Big, bold with brash brush strokes painted in exuberant colours is the trademark of the artist. Strange...

To Celebrate A Childhood-The Rains pulses with rhythmic movement. There are faint suggestions of dancing figures or forms that have been blended into a vibrantly textured haze, remin...

Swipes and shapes in rust orange, bubble gum pink, aqua, ultramarine and black move in an orchestrated procession across a soaked charcoal ground in this acrylic by Milly Ristvedt. This large, square acrylic canvas is a poetic narrative of space, light, texture and movement through the application of color. Milly Ristvedt (b. 1942, Kimberley, BC) RCA, began her career in Toronto in 1964 after studies with Takao Tanabe...

20th century Abstract Impressionist, Fauvist inspired, view of sunlight in a forest, oil on canvas, by French artist Norbert Palmade. The painting is signed bottom right and is signe...