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Melisa Taylor MetzgerStages 4 (future dusk space age galactic blue grid minimal painting wood)2024
2024
$3,000
£2,304.79
€2,648.18
CA$4,219.87
A$4,740.84
CHF 2,477.09
MX$57,864.13
NOK 31,451.86
SEK 29,605.30
DKK 19,761.68
About the Item
The series "Stages" explores the marriage of chance-embrassing gestures with exacting grid geometry. Built upon a multilayered convergence of airbrush painting and hard-edge techniques on wood, this ethereal series solicits our visual perception by suggesting optical motifs emerging out obscuration and shimmering planes. "Stages" is an hommage to our concert-going culture which offers a space of magical communion after the harsh and isolating confinement era.
The piece comes ready to hang and is painted over the edges.
keywords; galactic blue, celestial blue, ultra violet, future dusk, contemporary, Op Art, Design, Multilayered, Serial Formalism, musical, vibration, minimal, ethereal, contemplative, precise, detailed
About the artist:
In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. Melisa has assimilated to her visual language an eclectic multilayering process combining hand-made stencilling, airbrushing, pyrography and staining on wood. Mechanical-like execution and arbitrariness converge to create what she calls "systèmes faillibles" whereby painstakingly applied layers are potentially defaced by one single final intervention. A resulting subterranean tension is generated that jeopardizes the ethereal aspect of her imagery populated by spectral motifs that simultaneously emerge and recede through an obscuring lattice. Melisa Taylor's vibrant geometric abstractions evoke simulacra of human-scale screens that attempt to capture the vertiginous amount of incoming data and distractions contemporary humans experience on a daily basis in this era of “hyper-connectivity”, all the while attempting to temper the “noise” to induce a contemplative experience.
Melisa lives and works out of her home studio in Quebec City.
- Creator:Melisa Taylor Metzger (1977, Canadian)
- Creation Year:2024
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU907114271552
Melisa Taylor Metzger
In Melisa Taylor’s work, the natural world acts as blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. She has assimilated in her practice an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Wabi-sabi -embracing chance- is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Her work has been exhibited internationally and acquired in private and corporate collections across North America and abroad.
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