Mort Lampert

Geometric Acrylic Abstract by Mort Lampert

2002

Non-objective abstract oil on canvas from the estate of Bert Miripolsky. American artist Miripolsky studied painting at Chicago Art Institute in the early 1940s and has exhibited th...

This blue monochrome painting by contemporary artist Mitchel Wright transports us to distant worlds beyond our comprehension. Within his seemingly infinite networks of lines, dots, and crosses, he decodes the recognizable to create something unfamiliar. Wright crosses shades of blue and grey lines, reconstructing a sense of regularity obtained by the arrangement of different triangles sizes. The triangular forms used for the painting contrast with the perfect square shape of the artwork. It sits in a grey metal frame. Mitchell Wright...

These geometric forms in space bring you to another dimension. Enhanced by the resin process, this acrylic painting opens a shiny window into ...

Titled "Architecture", this framed piece of abstract art, signed by Eva Kolosvary in 1973, evokes a distant memory of brutalist architecture, a leftover ghost from Soviet Rule. Both ...

Gregg Robinson, American (born 1948) "Cipher Bar 19" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" W GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska...

Robert Petrick’s ’Dynographic' is a fusion of meticulous geometry and bold abstract expression. From the artist’s 'Innersections' series, this piece is both timeless and contemporary...

Martha Lloyd (American, 1927-2018) Thaw, 1997 Oil and wax (encaustic) on canvas 20 x 20 in. Framed: 21 1/4 x 21 1/4 x 1 3/4 in. Inscribed verso Provenance: Carrie Haddad Gallery, Hudson, NY Martha Anne Lloyd...

This is a striking original abstract acrylic painting on canvas by listed artist Elizabeth McKay, known for her modernist and geometric approach to contemporary art. This vibrant com...