Frédéric Choisel

Snow Falling at Twilight - Tombe Du Ciel I & II / Diptych - Oil on Linen

2017

Promesse I & II ( Diptych) is a magnificent abstract oil painting of ephemeral clouds floating on an elegant deep blue sky . A unique view of clouds at twilight, in rich shades of...

Ether Sans Oiseaux I & II (Ether without Birds) Elegant sophisticated whites and creams of the clouds on rich blue sky. Diptych French American Frédéric Choisel, has had multiple so...

Cieux de Braises, ( Ember Skies) Rich, warm, elegant colors of soft grays, cream, rose and orange and blue; a timeless sunset. French American Frédéric Choisel, has had multiple solo...

Green, yellow and bronze abstract Impressionist reflective scene alludes to light on water. Created with a rich range of golden tones. The late-career established artist paints thinl...

Contemplative, rich, Turner-esque warm bronze abstract Impressionist reflective scene alludes to light falling on a vast landscape or body of water. Created with a rich range of gold...

Musically inspired oil painting with lively color from Stephen Henriques, who is influenced by Bonnard and Vuillard, and the western landscape and its light. When referring to his oi...

Primary Colour Series- White Butterfly ( It's just Another Stage of Life) is Shizico Yi's latest project, inspired by Japanese woodblock Print and the a nod to calligraphy tradition....

Primary Colour Series - Gladiolus Common Blue: A Continuation of Shizico Yi's Sunlit Series "Gladiolus Common Blue" marks the latest project by Shizico Yi, a continuation of her reno...

Spring-Memory Landscape features Magnolias, among the first flowers to grace the Spring Equinox after the long, cold winter, symbolising regeneration and vitality. These early Magnol...

Yellow Dahlias in Blue (Sunlit Series) is one of Shizico’s latest works. The series is a continuation of “Sunlit Series", an artistic exploration with and around the colour of yellow...

Edward Avedisian ( 1936-2007 ) 7 X 13 Oil paint on wood panel with pink, red and green abstract. This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...