Salvador Dalí­

Spectacles with Holograms & Computers, Limited Edition Lithograph, Salvador Dali

1975

Original acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 37 x 31 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...

Original acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 31 x 37 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...

Original acrylic painting on double layered Masonite, 1985. Size: 21.5 x 18 inches. Inscription: Signed, recto; signed, dated, and titled, verso. Provenance: Armstrong Gallery (57th ...

Original painting on canvas, circa 1981. Size: 36 x 48 inches. Inscription: signed, recto; signed, dated, titled, verso. Provenance: Fischbach Gallery, New York, NY. Notes: An homage...

Painted Cast Resin Sculpture, 2022. Size: 4.13" x 3.35" x 3.35." Stamped on the underside with the artist's name. Published by Benesse Holdings, Inc., Naoshima, Japan. Excellent cond...

Original acrylic painting on double layered Masonite, 1985. Size: 16 x 19 inches. Inscription: Signed, recto; signed, dated, and titled, verso. Provenance: Armstrong Gallery (57th St...

Abstract Composition is original lithograph realized in 1981 by an unknown artist, mounted on a blue cardboard Passepartout, with the title on the lower left. Hand-signed on the lowe...

This piece is from my private collection of lithographs, etchings and engravings from great artists of the 20th Century. It is a limited edit...

Surrealist print with pastel tones. Edition 6 of 10 prints. Print is titled and signed by the artist. Framed in a wooden frame with a white matte. Dimensions without frame: H 23 in x W 29.5 in. Artist Biography: Honey also known as Melinda Beeman graduate of the San Francisco Art Institute, this celebrated California artist has been exhibiting since 1973. After graduation with a Master of Fine Arts in Printmaking, Melinda spent a year in London studying print making. Since her return, she has exhibited her unique original hand-made prints throughout the United States and Europe. Melinda Beeman's art has also been featured in several international publications, including Art News, Performing Arts Magazine and Art in America. In 2000, she formed and developed the Marfa Studio Arts foundation. She has also taught at the University of Houston. Now she lives with her partner in Marfa raising and milking goats. Her work has been in the collections of, IBM Corporation, Chemical Bank, Bankers Trust, Crystal Energy...

signed ‘ozenfant’ (lower right) Provenance: Sale: Christie's London, 4 April 1989, lot 198 Dr. Arthur Brandt, New York (acquired at the above sale) Literature: P. & M. Guénégan, 'A...

"Sarpta" is an original oil on canvas painting created by Antoni Tapies. This is a fantastically dark mid-century abstract painting. There is a monstrous figure barely visible on the...

Artwork size: 102,5x98 cm Frame size: 110x105 cm This artwork is accompanied by a certificate of authenticity signed by Alisée Matta. Provenance: Artist Jean-Pierre Jouffroy, Paris. The estate of the artist Jean-Pierre Jouffroy, Paris. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...