Abstract Expressionist Abstract Paintings

Hand-painted. Not a print. Painting is signed atfront and back. Dated. Contemporary FINE ART Original PAINTING, acrylics and spray paint on paper, unframed. Title: Le cycle de la v...

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

Cleve Gray Conjugations, 1975 Vermont Series Mixed media on paper 14 1/2 x 22 1/2 inches each

The artist constructs his spirit animal through mixed media. 48" x 60" Spray Paint, Oil, Construction Paper, Acrylic, Pastel, Marker

An abstract painter who has been an active member of the New York art scene since the early 1980s, James Walsh follows in the modernist tradition of Pollock in using art to reveal it...

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

Description: Wan Rui acrylic on canvas 150 x 170cm dated 2020 About Wan Rui Wan rui is a chinese contemporary artist, born in 1970 in Hunan, China. The artist received her MA fro...

Rebeca Mendoza Serie de los rosas #4, 2015 Oil on canvas 55 x 79 in (139.95h x 199.9w cm)

Abstract Expressionist Painting. Acrylic on Canvas. Collection from revered artist of NYC and The Hamptons. About the Artist: Part of the New York School Abstract Expressionists. Recognized around the world as the leading art movement after WW II. He showed with Jackson Pollock, Willem de Kooning and Franz Kline. 1921 born in Philadelphia 1934 – 38 Graphic Sketch Club 1938 – 40 Philadelphia Museum School of Art 1940 – 41 Pennsylvania Academy of Fine Art 1942 – 45 WWII War Correspondent-Artist, Yank magazine 1946 – 47 Art Students League, Will Barnett 1947- 48 Hans Hofmann Academy 1960–1979 Instructor at: University of California, Berkeley, CA; Princeton University, Princeton, NJ; New York University, New York, NY; Columbia University, New York, NY; Brooklyn College, New York, NY; Temple University, Rome, Italy 2017 deceased Collections: Ciba-Geigy Collection Chase Manhattan Bank Art Institute of Chicago Corcoran Art Museum, Washington Eugene V. Thaw Collection Max Kozloff Collection Montana Historical Society, Montana New York University Norfolk Art Museum Robert Rosenblum Collection Sarah Lawrence Collection Union Carbide Collection University of California Museum University of Massachusetts University of Montana Walter P. Chrysler Collection Walker Art Center, Minneapolis Whitney Museum, New York Yellowstone Art Center, Montana Exhibitions: Individual 2020 Frankfurt TBD 2018 Galerie Barbara von Stechow, Frankfurt 2008 Suvretta House, St. Moritz, Schweiz Galerie Barbara von Stechow, Frankfurt 2006 Ludwigmuseum im Deutschherrenhaus, Koblenz Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf 2005 Galerie Barbara von Stechow, Frankfurt New York „Abstract Expressionism” Galerie Barbara von Stechow, Dr. Alexander Georgieff & Dr. Peter Sewing bei Georgieff Capital, Frankfurt 2004 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf CherryStoneGallery, Massachusetts 2003 Galerie Barbara von Stechow zu Gast in der Galerie Vömel, Düsseldorf Galerie Barbara von Stechow, Frankfurt Kunstverein Augsburg 2002 ART Frankfurt, Galerie Barbara von Stechow, Frankfurt 2001 Galerie Barbara von Stechow, Frankfurt a. M. Art Cologne, Galerie Barbara von Stechow Denise Bibro Fine Art, New York City 2000 Galerie Barbara von Stechow, Frankfurt a. M. Art Frankfurt, Galerie Barbara von Stechow, Frankfurt a. M. Galerie Schröder & Dörr, Bergisch-Gladbach 1999 Galerie Peter Bäumler, Regensburg 1998 Conrad Hinrich Donner Bank, Hamburg 1996 Galerie Hexagon, Aachen Olaf Clasen Gallery, Köln 1995 Olaf Clasen Gallery, Köln Denise Bibro Gallery, New York City 1994 Olaf Clasen Gallery, Köln 1993 Galerie Peter Bäumler, Regensburg Bologna-Landi Gallery, East Hampton, New York 1992 Olaf Clasen Gallery, Köln Benton Gallery, East Hampton, New York 1991 St. Mary’s College, Maryland M 13 Gallery, New York City 1989 Randall Gallery, St. Louis, Mass. RH Love Gallery, Chicago, Illinois Pennsylvania Academy of Fine Arts (Morris Gallery), Pennsylvania 1988 Cyrus Gallery, New York City Benton Gallery, East Hampton, New York 1987 Armstrong Gallery, New York City 1986 Barbara Ingber Gallery, New York City 1984 Barbara Ingber Gallery, New York City 1982 The New School, New York City 1981 Benson Gallery, New York City 1980 Landmark Gallery, New York City 1978 Temple University Abroad, Rom 1977 Andre Zarre, New York City 1974 Bertha Schaefer, New York City 1973 Bertha Schaefer, New York City 1971 Westbeth Galleries, New York City 1965 University of Arkansas, Little Rock 1964 Princeton University, New Jersey 1963 Thibault Gallery, New York City 1962 Hacker Gallery, New York City 1960 Poindexter Gallery, New York City 1958 Poindexter Gallery, New York City 1957 Poindexter Gallery, New York City 1956 Ganymede Gallery, New York City 1954 Artists’ Gallery, New York City 1953 Hendler Gallery, Philadelphia 1952 New Gallery, New York City 1950 Artists’ Gallery, New York City Group Exhibitions: 2018 Titans In the Rough Denise Bibro Gallery, New York, NY 2011 Joe Stefanelli...

Richard Saba, the American abstract painter, is best known for works that relate to Lyrical Abstraction and Abstract Expressionism. He is renowned for his colorful palette, appearing vastly open yet concise and analytically conceived. The artist’s abstract works juxtapose geometric forms with organic splashes, much like celestial bodies seen through the Hubble Telescope...

This abstract painting is illustrating the ancient writer symbols and drawing attention to the accient writer acrylic on canvas on 100x80 cm canvas

The first time I heard the words “abstract expressionism” I was in New York, trying to grab another day of leave before the army shipped me overseas. At that time in 1952, while brow...

"Cactus Triptych" Abstract Painting (Triptych) 47" x 75" inch by YASMINE HASSAN Yasmine Hassan’s still life portrayals of cacti and other stark foliage can scarcely be described as ...

"Inferno" Abstract Painting 39" x 47" inch by Amal Nasr Acrylic on Wood “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure of the fir...

"Longboats" Abstract Painting 39" x 47" inch by Amal Nasr “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure ...

Anne Russinof's newest works are part of a series in which she intimates baroque ceiling patterns. Having long been inspired by architectural forms and patterns because they provide ...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Michael David (b. 1954) Billie's Tree Signed, Titled, and Dated 1982 Verso. Provenance: Museum of Contemporary Art, Chicago (bears label en verso) where it had been exhibited for nearly two decades. It was also Exhibited at the Museum of Modern Art (MoMA NYC) just after he won the National Guggenheim Award. The Piece Measures approximately 70" x 71" x 8" Deep. Michael David Singer; born 1954, is an American painter. Born in Reno, Nevada, David's family relocated to Brooklyn, New York, where he was raised. He attended SUNY Fredonia for one year and in 1976 received a B.F.A. from Parson's School of Design. Michael David is classified as an abstract painter, best known for his use of the encaustic technique, a was pigmentation technique which incorporates pigment with heated beeswax. He is also known for his works in mixed-media figure painting, photography and environmental sculpture. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. His work is included in the permanent public collections of the Metropolitan Museum of Art, the Guggenheim Museum, the Jewish Museum in New York, the Museum of Contemporary Art in Los Angeles, and the Los Angeles County Museum of Art, among others. In 1976 David, erotic photographer Roy Stuart and Fredonia friend Richie Stotts formed a band called The Numbers, with David on bass. The group was a fixture in New York's early punk rock music scene, playing in clubs alongside punk pioneers Television, Blondie and the Ramones. David also played bass with punk innovators Jerry Nolan of The New York Dolls, Cheetah Chrome of The Dead Boys, Marky Ramone, Peter Gordon, David Van Tieghem and the free-improvisation noise music group Borbetomagus. In 1977, The Numbers were approached by impresario Rod Swenson, who was seeking musicians to form a backing band for singer Wendy O. Williams, whose radical persona he sought to exploit as punk music and performance art. The Numbers became The Plasmatics but the attention David began to gain as an important voice in the art world caused him to leave the band to pursue his burgeoning painting career. David's first one-man show was in 1981 at the historic Sidney Janis Gallery. That year he was awarded a Guggenheim Fellowship, at the time the youngest artist ever to do so, and in 1982 was awarded an American Academy of Arts and Letters prize. He went on to exhibit at galleries worldwide and was represented by Knoedler & Co. for the next 25 years. David is best known for using the encaustic technique of painting, which uses pigment combined with heated beeswax. David built his early career on abstraction and religious iconography, which formed the bulk of his output until 1999. Since then he has also experimented with representational painting and traditional photography. In 2000, he developed the "Chortens" and "Populations" series, about which prominent art historian and critic Donald Kuspit writes: "They are enigmatic works, all the more so because of the way their innumerable details form singularly monumental, intimidating wholes. Dense yet delicate, awesome yet intimate, they convey the fragility as well as grandeur of sheer being. Layer upon layer of paint piles up like layer upon layer of coral, but the textural result is more epic, not to say startling, than any coral island, and virtually any other existing abstract expressionist painting (upon which they are stylistically founded)." In 2001, David developed bi-lateral neuropathy due to being poisoned by gases released by overheated beeswax used in the encaustic process. The disease left him with partial paralysis of his legs, slowing the production of his painting for a number of years. That year, David began painting one of his best-known series, the "fallen Toreadors", inspired by 19th century French Realist painter Édouard Manet's "The Dead Toreador" of 1864. In 1993, David experimented at the "20x24" Polaroid studio in Manhattan, which resulted in a series of portraits of playwright Edward Albee and of friend Jackie Gross, which would become the ongoing "Jackie" series of mixed-media works. When neuropathy rendered him unable to paint during 2003, he returned to the 20x24 camera and shot large-format Polaroids inspired by Caravaggio; nude men and women dressed as Toreadors, and religious imagery. In 2002, David began to develop The Greenhouse Project, an evolving "architectural construct" based on historical American Antebellum greenhouses built using the actual glass negatives sold to starving farmers in the post-American Civil War South. David has indicated that each greenhouse will, through the display of photography and use of social networking, create a forum and exhibit for ideas and artifacts related to civil and human rights; the specifications of each greenhouse particular to the community in which each is built. David's work was reviewed in Artforum and Art in America, and is considered one of the last links to the New York School of painting. David may be the most innovative master of immediate surface since the abstract expressionists. He has acknowledged his debt to Abstract Expressionism, but he has transformed it. Where the abstract expressionist paintings of the forties and fifties seem like modern cave paintings, as their crude, unfocused, often meandering, turbulent painterliness suggests, and as such to reinstate prehistory, David seems to turn the cave into a temple, as his more considered, concentrated, indeed, dense, contemplative painterliness indicates, so that his paintings have the aura of post history. SELECT GROUP EXHIBITIONS 2023 Radiate, Garvey Simon, New York, New York 2021 Selections from NYFA - Courtesy of the Martin Z. Margulies Foundation, New York, New York 2020 Bill Lowe Gallery Presents: Masterworks from the Gallery 2016 The Golem, The Jewish Museum of Berlin, Berlin, Germany In a Post-World: Post-Punk Art Now, The Invisible Dog Art Center, Brooklyn, New York 2014 Gallery Artists, Bentley Gallery, Pheonix, Arizona 2011 Post Mammalian Tension: Michael David & Scott Browning, Bill Lowe Gallery, Atlanta, Georgia 1999 Waxing Poetic: Encaustic Art in America, Montclair Art Museum, (Jasper Johns, Jackson Pollock, Robert Rauschenberg etc) Forty Years of American Drawings, Raab Galerie, Berlin, Germany Germany Summertime, Knoedler & Company, New York, New York 1997 Michael David and James Hyde...

Colorful vintage abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009), circa 1970. From the e...

Vintage American school abstract expressionist cityscape painting. Oil on board, circa 1968. Signed. Displayed in a period frame. Image, 24.5"L x 20.5"H.

From amber skies to purple mountains the brigade of trees stand guard over the inlet. In this multi-faceted abstract expressionist marine landscape, painted with many nuances of col...

Mirtha Moreno Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to th...

A modern abstract mixed media painting with the figure of a man by the ocean by contemporary Maine artist Troy M. Stafford (21st c). Troy Stafford is an artist that has lived on both the East and West Coasts and he currently resides in Brunswick, ME. Troy is a multifaceted artist that paints and creates using mixed media. He builds and creates extraordinary picture frames and is a furniture designer and maker. His work is in many private collections as well as in the permanent collections of The Fine Arts Museums of San Francisco, The New Britain Museum of American Art, Portland Museum of Art, North Carolina Museum of Art, and The Columbia Museum of Art among others. Artist Statement: “I have always been drawn to making things, the idea to make something where nothing had previously been felt right to me at an early age. Growing up in the desert I loved going to the dump...

A modern abstract mixed media painting with two figures by contemporary Maine artist Troy M. Stafford (21st c). Troy Stafford is an artist that has lived on both the East and West Coasts and he currently resides in Brunswick, ME. Troy is a multifaceted artist that paints and creates using mixed media. He builds and creates extraordinary picture frames and is a furniture designer and maker. His work is in many private collections as well as in the permanent collections of The Fine Arts Museums of San Francisco, The New Britain Museum of American Art, Portland Museum of Art, North Carolina Museum of Art, and The Columbia Museum of Art among others. Artist Statement: “I have always been drawn to making things, the idea to make something where nothing had previously been felt right to me at an early age. Growing up in the desert I loved going to the dump...

Rabbit’s Choice by contemporary artist Maria Cohen was the central work of the eponymous series and has been a part of the artist's graduation exhibition from Camberwell College of Arts held at South London Gallery in September 2021. The work is exploring sexual identity...

Antique American modernist abstract oil painting. Oil on canvasboard. No signature found. Framed. Image size, 24L x 18H.

'La Multitud Sodomita Rodea la Casa de Lot' Titled and signed in Spanish. it refers to the biblical story of Lot with the Sodomites. It is a very well executed piece signed Castro an...

Ana Hefco's (US based) "Teal Waves #22" is an original, hand made mixed media painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aerial/satellite image of a coastal beach where the waves are crashing on shore. Artist Bio and Statement: Born and raised in Bucharest Romania, I am a self-taught dreamer and artist. To dream is my path and to paint is my dream. Lack of control is not my strong suit, but in the painting process things are different. The resin (also known as liquid glass) has a mind of its own and I learn to mindfully let go every time I paint. I allow those liquid color induced emotions I feel to drive me and take lead of my hands and at the end of the process, it’s just music and bliss. My inspiration is always nature's force, balance, perfection in purpose and beauty. It can be a place I travelled or sailed to or just a feeling floating on our boat docked in a Turkish marina or just on anchor nearby a Greek taverna on a remote tiny island in the Mediterranean or Aegean Sea. It can be this artist as a little girl reading...

Wonderfully vivid mid century abstract expressionist painting by San Francisco artist Jerry W Ward (American, b. 1968), circa 2000. Titled "Erotic Clown Diva" and signed verso. Condi...

His way of painting exudes history, the culture of plunging his gaze as far as the techniques in broken and fragmented touches. This kaleidoscope of emotions revealed in its canvases...

Landscape with multiple readings, where the viewer's gaze can form its own imaginary universe

In 'Red Door Gray House,' Duan orchestrates a visual symphony with darker hues, accentuated by hints of vibrant orange, bold red, and serene white. The interplay of these colors evok...

I Don't Need A Name, Original Abstract Painting 30 x 30 inches Acrylic on canvas Original painting signed by the artist Wire hardware installed on the back so the artwork arrives re...

Imaginary landscape

This intricate artwork unfolds as a multi-dimensional tapestry, where each layer contributes to a narrative that resonates with the soul. At the uppermost layer, a delicate dance of...

Oil on canvas. Signed lower right. 50.5 x 38.25 in. 51.5 x 39 in. (framed) Custom framed in maple. Theodore Franklin (“Ted”) Appleby, Jr. was born January 28, 1923 in Asbury Park, New Jersey to a very prominent family in Monmouth County. He attended the Pauling School in New York and studied at the atelier of John Corneal. On December 12, 1942, Appleby enlisted in the U.S. Marine Corps, subsequently seeing action in the Marshall Islands. Upon the conclusion of the war, he was stationed for a year in Yokohama, Japan, where he studied local engraving techniques. In 1947, after returning home, Appleby moved to Mexico for a year to study mural painting in San Miguel de Allende. Following his sojourn in Mexico, Appleby briefly returned home to the U.S. before ultimately relocating to Paris. There, he joined a lively community of expatriate American artists involved with what would come to be known as the “School of Paris.” Appleby befriended fellow Americans Sam Francis and Jackson Pollock, exhibiting extensively throughout France with the former. He also regularly visited the atelier of Fernand Léger, and was represented in the "Salon de Réalités Nouvelles" and the “Salon d’Automne” during the 1950s and 60s. From 1955 to 1961, Appleby participated in group exhibitions in Chicago, Leverkusen (Germany), Lisbon, London, and Paris. He also had three notable solo exhibitions during this period: Studio Facchetti, Paris (1956); Martha Jackson Gallery, New York (1957); and the American Cultural Center, Paris (1959). In 1957, Appleby’s work was presented at the 62nd American Exposition of Painters and Sculptors at the Chicago Art Institute, where he was awarded the Norman Wait Harris Bronze Medal and Prize. Answering the famed artist André Lhote’s call to help save the village of Alba-la-Romaine in the Ardèche, Appleby and his wife - the artist Hope Manchester - purchased a home in the village in 1950, ultimately settling there until their deaths. Source: Taylor Graham Gallery

An exciting, rare and impressive painting that is of a great size for a sofa or long wall. Very hard to find paintings with this format. It is of an early and important historical ...

406 Piazza in San Gregorio, Original Abstract Painting 48x60 (HxW), Oil Paint Artist Commentary: This is a big, juicy oil painting! With warm colors of oranges, yellows, and white. ...

Painting titled "Disco Inferno" by Jeanne Cosimano. Wonderful vibrant gouache on paper and dated 2020. Frame is included. This work was recently featured in a solo show at Gallery 2112...

"Travels to the Land of the East" Oil Painting 51" x 55" in by Sanjar Djabbarov ABOUT Sanjar Djabbarov was born in Gulistan, the capital of the Sirdaria Province in eastern Uzbeki...

Antique American school abstract oil painting. Oil on canvas. Framed. Image size, 25L x 47H.

Aha Moment, Original Contemporary Dramatic Expressionist Abstract Painting 30x40 (HxW), Acrylic Paint Sporadic brushstrokes and large sweeps of color creat...

Oil pastel on paper Brodsky’s first classroom experience under Ad Reinhardt at Brooklyn College in 1961 was an extraordinary one. The students were asked to take their places in fro...

Sea of Crimson by Elaine Ford [2021] original Acrylic and Mixed Media on Canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:3.8cm Sold Unfram...

A wonderful mid-century interpretation of prehistoric, Paleolithic cave paintings; done in reddish earth tones and rich in visual texture by Sausalito, California artist Nan Street F...

The artwork "Into the Web" by Nan Van Ryzin is a masterful display of abstract expressionism on a grand scale, measuring an impressive 67" x 82". This oil on canvas is a riot of colo...

"Labyrinth" 2021, 23.5" x 21.5" vertical drawing on paper by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional Home, Veranda Magazine, ...

2010-22 Acrylic on paper 22 x 30 in. (55.9 x 76.2 cm) Signed, titled, and dated on the reverse

Artist: Ruben Popovian Work: Original painting, handmade artwork, one of a kind Medium: Acrylic on canvas Year: 2023 Style: Abstract Title: Autumn Pa...

Non-objective collage abstract work depicts the colors, textures and motion that occur in the natural world. Education: Graduate-Boston Museum School of Fine Arts, Boston, MA B.S. Art Education, Tufts University, Boston, MA M.A. Art History, Boston University, Boston, MA Solo Exhibitions: “Color Music” InArt Santa Fe H. Heather Edelman Gallery, New York, NY "New Work" A Muse Gallery, Columbus, OH "New Paintings", Expressions Gallery, Santa Fe, NM “Cantos”, Two Serious Ladies Gallery, Albuquerque, NM “Planes of Obscure Feelings,” Guadalupe Fine Art, Santa Fe, NM “Mindfields”, Guadalupe Fine Art, Santa Fe “Colors of the Canyon,” H. H. Edelman Gallery, New York, NY Ward Nasse Gallery, NYC Michael...

Today we can consider the artist Bette Ridgeway as the one and only true heir of Paul Jenkins: her mentor and teacher. Ridgeway's painting is dynamic and rhythmic; like the most “en...

The story of the post-WWII New York School artists is still being written. The role of women in the art of the day still needs examination and study. Kur...

William Pellicone (American 1915-2004) Mixed media, pyrography, oil on wood carving painting. Dated 1958 Title - Enthymeme #14. Oil painting on carved and burnt distressed wood panel. Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58. Label on reverse with a typed definition for Enthymeme. Dimensions: 27 inches high, 42.5 inches wide. Metal wrap frame. Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959. William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York. William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts...

"Revelation" Abstract Painting 39" x 47" inch by Amal Nasr “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure of the first experience...

Oil on canvas. Signed lower right and on verso. 59 x 54 in. 60 x 55.25 in. (framed) Custom framed in a hickory floater. After World War II, William Quinn...

Gouache on paper Estate of Samuel Esses Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than once prove...

Abstract landscape painting by British contemporary artist Alanna Eakin. Alanna Eakin (b.1988) is a British painter. She lives in London and works from her studio in Wimbledon. Gra...

The story of the post-WWII New York School artists is still being written. The role of women in the art of the day still needs examination and study. Kur...