Abstract Abstract Paintings

Untitled. From "La Música Ausente" series. Oil on canvas Image Size: 170 H x 190 W cm. Unframed _______ The paintings of Sergio Bazán have a strong gesture and expressionist impri...

Preludio en el Hospital VS. From "La Música Ausente" series. Oil on canvas Image Size: 200 H x 145 W cm. Unframed _______ The paintings of Sergio Bazán have a strong gesture and expr...

Las Tablas de JC. From "La Música Ausente" series. Painting Acrylic on canvas Image Size: 57 7/8 H x 83 7/8 W in. Unframed _______ The paintings of Sergio Bazán have a strong gestu...

Abstract image made using egg tempera on hardboard panel.

Rizzi selects the most dynamic portions of gestural marks produced from purely extemporaneous experimentation. He rearranges pieces, zooming in on certain areas and making impulsive ...

Cenizas y diamantes XVIII, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 45 H cm. x 33 W cm. Unframed The arti...

Cenizas y diamantes XX, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 45 H cm. x 3...

Cenizas y diamantes XIX, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 45 H cm. x 33 W cm. Unframed The artist...

Enigmatic shapes and calligraphic lines dance across a flood of turquoise beneath a sky of burnished orange in this large scale painting by Alice Teichert. The artist works with thin...

Everything you Touch Turns to Gold by Lélia Pissarro (b. 1963) Acrylic and gold powder on canvas 146 x 114 cm (57 ¹/₂ x 44 ⁷/₈ inches) Signed and titled on the reverse Executed in 20...

Cenizas y diamantes XVI, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 45 H cm. x 33 W cm. Unframed The artist...

Mantra (Waves), 2022 by Yunior Manino Acrylic paint on canvas Image size: 142 cm H X 152 cm W Unframed Signed by artist _______ Yunior Marino complet...

The landscape, as interpreted by the uniquely talented eye of abstract artist, Otto Rogers. In his characteristic modernist style, this appears to be a view focused on the horizon wh...

Cenizas y diamantes XVII, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 45 H cm. x 33 W cm. Unframed The artis...

One Day by Lélia Pissarro (b. 1963) Oil on canvas 146 x 114 cm (57 ½ x 44 ⅞ inches) Signed and titled on the reverse Executed in 2008 Literature Lélia Pissarro, The Colours of Silen...

*UK BUYERS WILL NEED TO PAY AN ADDITIONAL 20% ON TOP OF THE ABOVE PRICE Wo Alu und Honig Fließen by OTTO PIENE (1928-2014) Fire gouache with aluminium on cardboard 99 x 64 cm (39 x...

Cenizas y diamantes XIV, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 45 H cm. x 33 W cm. Unframed The artist...

Cenizas y diamantes XIII, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 45 H cm. x 33 W cm. Unframed The artis...

Cenizas y diamantes XV, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 45 H cm. x 33 W cm. Unframed The artist'...

F. AC (Ficelle AC Bristol) by JEAN-PAUL RIOPELLE (1923-2002) Acrylic on paper laid down on canvas 89.7 x 49.5 cm (35 1⁄4 x 19 1⁄2 inches) Signed with initial lower right, R and titl...

Phenomena Greet by Day by Paul Jenkins (1923-2012) Acrylic on canvas 146 x 114.3 cm (57 ½ x 45 inches) Signed lower right, Paul Jenkins Executed in 1994-1996 Provenance: Private collection, New York (acquired directly from the artist) Stern Pissarro Gallery, London Private collection, Netherlands Artist biography Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Serra’s (Italian, b. 1946) revival of archaic painting techniques is founded on his intimate understanding of these older materials and deep respect for “Old Master” paintings from t...

Cenizas y diamantes X, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 45 W cm. Unframed The artist's...

Cenizas y diamantes XI, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 45 W cm. Unframed The artist'...

And island of burnished ochre and white floats on a pale green ground in this contemplative abstraction by Jutta Naim. Naim's artwork explores the creative psychological state, a m...

Séptico I, by Alec Franco Acrylic, pastel, oil on canvas Image Size: 90 cm H X 70 cm W Signed by artist 2022 _______ The artist's works are based on time and on informal aesthetic ...

Cenizas y diamantes IV, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 4...

Red tone cube in human scale, by Jose Ricardo Contreras González From The Composition with Tools series Acrylic and oil on canvas Image size: 170 H cm x 8...

Mantra, 2017 by Yunior Manino Acrylic paint on canvas Image size: 180 cm H X 220 cm W Unframed Signed by artist _______ Yunior Marino completed his ...

Liberté Interdite by LÉLIA PISSARRO (b. 1963) Acrylic on canvas 115.5 x 85.5 cm (45 1⁄2 x 33 5⁄8 inches) Signed lower right, Lélia Pissarro Signed Lélia Pissarro and titled Liberté ...

Cenizas y diamantes IX, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 4...

Cenizas y diamantes VIII, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 45 W cm. Unframed The artis...

Cenizas y diamantes VII, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 45 W cm. Unframed The artist...

Cenizas y diamantes VI, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 45 W cm. Unframed The artist'...

Hue, Saturation and Lightness by Jose Ricardo Contreras González From The Composition with Tools series Acrylic and oil on canvas Overall size: 130 H cm x 39W cm. Individual pain...

Cenizas y diamantes V, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 45 W cm. Unframed The artist's...

Séptico II, by Alec Franco Acrylic, pastel, oil on canvas Image Size: 90 cm H X 70 cm W Signed by artist 2022 _______ The artist's works are based on time and on informal aesthetic...

Mantra (Infinito), 2022 by Yunior Manino Acrylic paint on canvas Image size: 100 cm H X 200 cm W Unframed Signed by artist _______ Yunior Marino com...

Composición con Herramientas, Triptych by Jose Ricardo Contreras González From The Composition with Tools series Acrylic and oil on canvas individual painting size: 40 H cm x 30 W c...

Acrylic and polymer on aluminum panel

Stanley Boxer devoted nearly five decades to the development of an expressive, abstract practice, encompassing drawing, sculpture, and printmaking. “In the manufacture of my art, I u...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Red Composition by TOSHIMITSU ÏMAI (1928-2002) Oil on canvas 80.2 x 55.3 (31 ⅝ x 21 ¾ inches) Signed, TOSHIMITSU IMAÏ, dated, 1963 Paris and inscribed in Japanese on the reverse Provenance Private collection, USA Born in Kyoto, Japan in 1928 Imai was part of the 20th century Japanese avant-garde. He began his formal education at the Tokyo State Art Academy where he took up painting. His early works are characterised by colourful abstractions, reminiscent of Favuism. In 1951 Imai was awarded the Kansai-Shinseisaku Prize and in 1952 the prize for the best new artist at the 15th Shinseisaku Salon. Imai relocated to Paris in 1953, the same and subsequent year he exhibited at the Salon de L’Art Sacré. Meanwhile, he attended the Académie de la Grande Chaumière and the Sorbonne to read medieval history and philosophy. In 1955, Imai completely abandoned representational art in favour of abstraction. After meeting the art critic Michel Tapié via the artist Sam Francis, Imai was the first Japanese artist to join the Art Informel movement. In 1956 Imai was called upon by the Japanese artist Taro Okamoto to curate an exhibition entitled The World: Today’s Art in Tokyo. Artists such as Jean Dubuffet, Jean Fautrier, Lucio Fontana, and Karel Appel gained important exposure in Japan. It was also in 1957, when Imai arranged for Tapié and the artists Georges Mathieu and Sam Francis to travel to Japan, that a connection between Art Informel and Gutai occurred. The Ashiya-based Gutai Art Association formed in 1954 was proclaimed a kindred spirit by Tapié which he subsequently promoted internationally. Founding members included Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo and Shozo Shimamoto...

Kramer’s modern and graphic paintings express lyrical, geometric abstraction via a harmonic interplay of syncopated shapes of various sizes and colours. Trained at Yale University ...

Blue tone cube, by Jose Ricardo Contreras González From The Composition with Tools series Acrylic and oil on canvas Image size: 50 H cm. x 40 W cm. Mounted on a strecher The “Compo...

As if ascending to the heavens, a luminous silvery cloud set against a brilliant blue background appears to rise from the base of this stunning composition by Alice Teichert. For the...

Agua en el humo y cielo en el fuego (Polyptych), 2022 by Yunior Manino Acrylic paint on canvas Total installation size (32 pieces): 246 cm H X 425 cm ...

Black glitter bucket, by Jose Ricardo Contreras González From The Composition with Tools series Acrylic and oil on canvas Image size: 50 H cm. x 40 W cm....

1007, 2021 by Alex Quintanilla Acrylic paint on Canvas Canvas size: 140 cm H x 225 cm W Unframed Production time 5 weeks. Alejandra Quintanilla...

Triptych Cenizas y diamantes III, IV and V, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Over...

Cenizas y diamantes III, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 45 W cm. Unframed The artist...

Kandahar Acrylic and mixed media on fabric, c. 1970 Signed by the artist lower right (see photo) Kandahar is one of the thirty-four provinces of Afghanistan, located in the southern part of the country next to Pakistan. Inspired by the Dehns visit to Afghanistan in the 1960's. Provenance: Estate of the Artist Dehn Heirs Condition: Excellent Canvas size: 18 x 20 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Cenizas y diamantes II, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 4...

Cenizas y diamantes I, 2020 by Cecilia Méndez Casariego From the series "Cenizas y diamantes" Acrylic paint on sulphite paper Image size: 33 H cm. x 45...

abstract painting with yellow and green tones

Paris born Alice Teichert’s ethereal graphic work is inspired by a rich background in art, music and literature. Her love of the old masters is evident in the composition and colours...

Waves and Particles, 2021 by Yunior Manino Acrylic paint on canvas Image size: 170 cm H X 192 cm W Unframed Signed by artist _______ Yunior Marino c...

And Lia by LÉLIA PISSARRO (b. 1963) Acrylic and gold powder on canvas 100 x 70 cm (39 ¼ x 27 ½ inches) Signed lower left, Lélia Pissarro Titled on the reverse “And Lia”, signed Léli...

This striking abstract painting by Vancouver artist Pat Service was inspired by a watercolour of a lake in summer. Bright turquoise waters, a band of trees in soft green, a cabin in ...