Neo-Expressionist Abstract Paintings

A wonderful composition of one of Slonem's most iconic subjects, Butterflies and Birds. This piece depicts gestural figures of Butterflies and Birds against a multicolor background. ...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

Translated title: " Towards the sky ". Mixed media on canvas.

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

"Magicians Dream" Painting 71" x 59" inch by Vera Kochubey * * * SHIPPED: ROLLED CANVAS * * * The majority of Kochubey’s paintings take the form of hea...

This painting from Sax Berlin's studio overlooking the wild Atlantic Ocean captures the essence of ecstasy. It's imbued with the hot sense of the urgency and frenetic energy of New Y...

Primary, rich red defines this painting, yet the face is so magnetic. Berlin is hugely conscious of the environment and these highly immediate works are his way of trying to draw att...

Signed lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

"Valley of Wonders" Mixed media Painting 59" x 43" in by Emanuele Tozzoli Mixed media on canvas ABOUT THE ARTIST Born in Italy in 1989, Emanuele discovered painting in the very ...

"Indigo" Abstract Painting 35.5" x 75" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of things that is more important or...

It's long believed that "the machine" is capitalism and the oppressive structures at the highest levels of society. Renegade artist Basquiat became drawn into this machine and became...

"Il re dello zucchero filato" Painting 31" x 24" inch by Emanuele Tozzoli Mixed media on wood ABOUT THE ARTIST Born in Italy in 1989, Emanuele discovered painting in the very fir...

Entire title: "Testa d'asino tagliata che grida e brucia nel fuoco" Translated title: "Head of a donkey that screams and burns in a fire" Acrylic on canvas.

Translated title: "I found myself flying" Acrylic on canvas.

Translated title: "(Oh) my life!" Acrylic on canvas.

Translated title: "Vanity necessity" Acrylic on canvas.

Translated title: "The strength of the myths / legends /mild-mannered" In Italian "Mito" means "fallacy", "myth" and also "mild-mannered". Acrylic on canvas.

"Sand and Surf" Abstract Painting 49" x 79" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of things that is more important or is it what is presented to us visually? Naturally, the human notices the appearance of things and deals with things that have a direct connection with the senses without considering what is behind them. This makes one go directly to a materialist mindset. It is a mentality that drives one to consider things only from the surface while trapped in a corner in the judgment of only the shape of things observed. So I find the perfect way to describe my project, Primitive Life, as a process of connecting shapes from the internal cells of the human body from which comes the inner sociological forum of that body, expressing it visually and using color as harmony. While extracting the visual values, composing the forms of the cells and representing them in a new abstract way, I express the primitive side of life, concentrating on this often neglected part for the human experience/observation. This expression helps to create a community line of thinking and a social consciousness making it easier to find a common language for all human beings to understand and deal with each other. All the while knowing more about the special world of the artist and creating an arena of communication between the artist as the main subject and the community around him. Born In Cairo 1987 Where He Currently Lives And Works. He Received His Bachelor’s Degree In Information Systems In 2008 From The Higher Institute Of Advanced Studies And Followed The Evening Classes (Painting Department)Of Fine Arts Faculty, Helwan University From 2005 To 2007. After His Graduation as an Information System Engineer, He Gave Up His Engineer Practices And Decided To Be An Independent Visual Artist. He Participated In Many Solo And Collaborative Exhibitions,Among Which; Nabokov Signs Exhibition In Etejah Gallery, Palace Of Arts In Cairo Opera House In 2016, Kamal Khalifa Gallery At The Gezira Art Center In 2012. Beit El Umma Gallery At Saad Zaghloul Center In 2012, Engy Aflaton Gallery In Cairo Atelier at 2010, Ahmed Nagy Gallery In Cairo Atelier In 2009, Tahya Halim Gallery In Cairo Atelier In 2008, Salon Of Youth Exhibition In Palace Of Arts From 2008 To 2015, The Mediterranean Symposium In 2010. He Also Participated In The Following Workshops In Cairo In 2008 At The Cairo Opera House, The Fine Arts Sector Cultural Workshop And In The Mahmoud Mukhtar...

This is a stunning, subtle painting from Sax Berlin that evokes the phrase used by Jean-Michel Basquiat. Berlin's interpretation of the quotation draws on his own personal knowledge ...

A term familiar to most of us as a state of mind, Berlin has crafted his own idiosyncratic, ultra contemporary piece of Neo-Expresionism to reflect on this delusional condition. He h...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on an ultramarine blue background with thick use of pa...

Great piece by Peter Keil. The piece is from his family's private collection. It is framed in its original gold wood frame with a linen liner. Background is a beautiful blue with ma...

"River Between" Painting 66" x 64.5" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of things that is more important or i...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

Have we evolved since 9/11? Are we embarking on the dark march to whatever it is we’re globally approaching? It’s not easy to pose such an emotive philosophical question on canvas; but using the literary reference from Tennessee Williams’ heroine Blanche DuBois...

"Ascent" Painting 67" x 63" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of things that is more important or is it what...

Diptych “Interaction”, 100x160 cm

Diptych “Interaction”, 100x160 cm

Heroin Kills is a cry from the soul from Berlin. A contemporary of Basquiat in the New York art scene of the 1980's Berlin was very much on the frontline when it came to witnessing t...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts two delicate butterflies in ascension placed in a wonderful golden landscape. Slonem ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Candy Apple Red background with thick use of pain...

Generalization, 2018, 70x100 cm

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of Multicolored bunnies on a metallic gold and silver surface. Slonem tr...

Acrylic, Latex, Mixed Media on Canvas, include upcycled tin from a food product that has been painted gold, highly textured with molding paste and crackling paste.

"Summer Day" Abstract Acrylic Painting on Canvas 104" x 53" inch by Erik White Loose canvas. Ships rolled.

A wonderful composition of one of Slonem's most iconic subjects of Abraham Lincoln. The thick use of paint is greatly recognizable as he slathers on layer after layer of oil paint, d...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a light Purple Lavender background with thick use of paint. It is housed in a wonderful antique style frame...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of Bunnies against a white background with Diamond Dust. The color white...

A wonderful composition Slonem's Hummingbirds. This piece depicts gestural figures of colorful Humming Birds on a French Sky Blue background with thick use of paint. It is housed in ...

A wonderful composition of one of Slonem's most iconic subjects, Florals and Butterflies. This piece depicts swallowtail Butterflies in ascension placed in a wonderful deep yellow la...

"Streetplant" Abstract Acrylic Painting on Canvas 70" x 63" inch by Erik White Loose canvas. Ships rolled.

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of Multicolored bunnies on a metallic gold surface. Slonem traces these ...

Original artwork by DARIA KUSTO. the magic flow reality. markers on paper.

A wonderful composition of one of Slonem's most iconic subjects, Catelayas. This piece depicts a yellow and royal purple flowers placed in a wonderful background with black marks rep...

Translated title: "Mask ". Acrilic on canvas.

A term familiar to most of us as a state of mind, Berlin has crafted his own idiosyncratic, ultra contemporary piece of Neo-Expresionism to reflect on this delusional condition. He h...

"Rioja" Abstract Painting 31" x 39" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of things that is more important or is ...

"Call of the Wild" Painting 79" x 71" inch by Ahmed Gaafary To begin this description, let me start with this question: Is it the internal side of th...

"Rainbow Eater" Painting 23.5" x 29.5" inch by Emanuele Tozzoli Mixed media on board ABOUT THE ARTIST Born in Italy in 1989, Emanuele discovered painting in the very first years ...

Original artwork by DARIA KUSTO. the magic flow reality. Markers on paper.

Mixed media on paper by artist Daria Kusto. Shipped well protected, unframed

Acrylic painting with frame. Total size with the c-us wooden frame is 88x102 cm Work signed " Angelo" artist unknown from the gallery. Dated 2001

The artist Richard Hennessy creates pictorial space as a complex and contradictory entity. The colorful ground uses alternately concave and convex forms and negative space to indicate overlapping geometric shapes. Signed and titled on verso by the artist. Richard Hennessy, 1972. Born in Rochester, NY, in 1941, Hennessy began as a gifted concert pianist studying at the Eastman School of Music from 1954-1959. He went on to study art history at the Institute of Fine Arts, New York University, from 1963-66, after which he began his career as a fine artist. His early paintings were quickly admired and supported by Henry Geldzahler, curator of Modern Art at the Metropolitan Museum of Art. His first exhibition was in 1969 at Olivier Bernier Inc. NYC, followed in 1970 by a show at the Tibor De Nagy Gallery, also in NYC. Over the years he has shown in San Francisco, Indiana, Arizona, Florida, and at other prominent NYC galleries...

Title: Grotto Dated: 1981 Size: 72 X 96 inches Technique: Oil paint on canvas Provenance: Robert Miller Gallery New York This is a large magnificent, Neo figurative, expressionist painting. A bright, vibrant piece in yellow and purple, green, gray and black colors. Louisa Lizbeth Chase (1951 – 2016) was an American neo-expressionist painter and printmaker. Louisa Chase was born in 1951 in Panama City, Panama. She grew up in Lancaster, Pennsylvania. She earned her BFA in printmaking from Syracuse University in 1973 and her MFA in fine art from Yale University School of Art in New Haven, Connecticut in 1975. In the year of her graduation she had her first New York exhibition, at the alternative gallery Artists Space. She taught painting at the Rhode Island School of Design from 1975–1979, and at the School of Visual Arts from 1980-1982. She was a National Endowment for the Arts grantee. She exhibited at the 1984 Venice Biennale. Her solo exhibitions include: Brooke Alexander Gallery (1989) The Texas Gallery in Houston (1987); Gallery Inge Baker in Cologne, Germany (1983) and others. She had solo exhibitions at Boston’s Institute of Contemporary Art, Wisconsin’s Madison Art Center, and Baltimore’s Contemporary Museum. Her work was featured in group exhibitions at the New Museum, the Whitney Museum, the Rhode Island School of Design’s Museum of Art, SFMoMA, LACMA and the Brooklyn Museum. Her work is in the collections of: the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Corcoran Gallery, the Library of Congress, the Minneapolis Institute of Arts, the Walker Art Center, the Mount Holyoke College Art Museum, the Denver Art Museum, the Elvehjem Museum of Art, and the Madison Museum of Contemporary Art.[ Chase lived in Sag Harbor, New York. She died on May 8, 2016 in East Hampton, New York, at the age of 65. Louisa Chase is known for her use of schematically drawn body parts (i.e. hands, feet, torsos) and elements of landscape, separately or combined. She used a bright color palette and geometric forms. Chase paid special attention to the brushstrokes and markings in wood in her pieces. Chase’s work shows influence from New Image Painting and Neo-Expressionism. She was an accomplished printmaker and worked in woodcut, lithograph, etching, monoprint woodblock print, collage and chine colle along with watercolor and oil painting techniques. Chase’s paintings often have a sense of juxtaposition between disturbing imagery and lightness or even humor of style. “When peopled, her fragments of place are inhabited by partial figures: torsos, hands, feet. They are hovering or falling or drowning or being assumed into the sky.” This imagery is contrasted by the cartoonish style with which Chase would symbolize these body parts, the many energetic brushstrokes and the bold colors she would use. Swimmer, in the collection of the Honolulu Museum of Art, is an example of Chase's use of cartoonish human bodies and body parts rendered in geometric shapes. Exhibitions 1975 Artists Space, New York 1979 Chase's work "Tears, Ocean II" part of Painting: The Eighties at NYU 1985 New Currents: Louisa Chase. Institute of Contemporary Art, Boston 1996 Madison Art Center 2008 Goya Contemporary & Goya–Girl Press in Baltimore, Maryland Works and publications Chase, Louisa (1982). Louisa Chase. New York, N.Y.: Robert Miller Gallery. Chase, Louisa; Salcman, Michael (2003). Louisa Chase : New Paintings. Baltimore, Md.: Contemporary Museum. Amenoff, Gregory; Tallman, Susan (1989). Contemporary Woodblock Prints: Gregory Amenoff, Richard Bosman, Louisa Chase ... Jersey City, N.J.: Jersey City Museum.She was included in the seminal show "American Painting: The Eighties" organized by the Grey Art Gallery and Study Center, New York University. Artists in the exhibition Included Dennis Ashbaugh, Frances Barth, Louisa Chase, Elaine Lustig Cohen, Sam Gilliam, Nancy Graves, Richard Hennessy, Elizabeth Murray, George Noel...

Mixed media on paper by artist Daria Kusto Shipped well protected, unframed