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Vivian Liddell
Green Glow - Work on Paper Contemporary Neon Abstraction, Green and Black

2016

$637.50
$85025% Off
£489.77
£653.0225% Off
€562.74
€750.3225% Off
CA$896.72
CA$1,195.6325% Off
A$1,007.43
A$1,343.2425% Off
CHF 526.38
CHF 701.8425% Off
MX$12,296.13
MX$16,394.8425% Off
NOK 6,683.52
NOK 8,911.3625% Off
SEK 6,291.13
SEK 8,388.1725% Off
DKK 4,199.36
DKK 5,599.1425% Off

About the Item

"Green Glow" is a neon work on paper contemporary abstraction by artist Vivian Liddell. Similar to other works, Liddell uses a subtraction method of removing paint to create the pathways seen in the piece. Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. This piece is currently unframed, but framing options are available. For more works, follow our storefront at Gallery 1202. "As a painter, I often work on large, raw canvas. My abstract paintings merge formal painting and “bad” craft to challenge the high-low separation of materials (and related gender hierarchies) that have traditionally been present in the art world. The monotypes are like a calligraphic practice. I use them as a warm-up to allow me to feel confident with a gesture before committing it to a larger scale. I work in layers, often sewing or incorporating fabric into the finished piece and incorporate chance into each stage of my process. The text/titles often come from song lyrics, local radio commercials, and news headlines. I edit these snippets and piece them together to reflect my interpretation of current politics and social norms, especially as they relate to gender." We will ship this via standard parcel boxed with internal support to maintain the integrity of the piece. The work will be fully insured during shipping. If you prefer a different shipping method, inquire, and we are happy to accommodate your requests. Our first priorities are our collectors' satisfaction and the artwork's safety in transit. We accept returns within 7 days if we are notified within 24hrs of receipt of the work to ensure a worry-free collecting process. If you are local to the San Francisco Bay Area, we will deliver for free. Handling time will be 2-3 business days, and shipping will be 2-5 business days from the date of order confirmation for standard parcel.
  • Creator:
  • Creation Year:
    2016
  • Dimensions:
    Height: 26 in (66.04 cm)Width: 20 in (50.8 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Gilroy, CA
  • Reference Number:
    Seller: VL-20161stDibs: LU129826097182

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Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. This piece is not framed, but we are able to work with a framer local to you in order to have it framed and ready to hang. We can also frame it before shipment. For new listings, more work by Liddell and sales, please follow our storefront at Gallery 1202. "As a painter, I often work on large, raw canvas. My abstract paintings merge formal painting and “bad” craft to challenge the high-low separation of materials (and related gender hierarchies) that have traditionally been present in the art world. The monotypes are like a calligraphic practice. I use them as a warm up to allow me to feel confident with a gesture before committing it to a larger scale. I work in layers, often sewing or incorporating fabric into the finished piece, and incorporate chance into each stage of my process. The text/titles often come from song lyrics, local radio commercials, and news headlines. I edit these snippets and piece them together to reflect my interpretation of current politics and social norms, especially as they relate to gender." Vivian Liddell is an interdisciplinary artist in Athens, Georgia who works with painting, fiber and craft techniques, sculpture, printmaking, photography, animation and sound. Born in Memphis, Tennessee, she received her BFA from the University of Georgia and her MFA from the Pratt Institute in Brooklyn. Liddell’s work has been featured in solo and curated exhibitions throughout the United States, including at the Wiregrass Museum of Art, the Macon Museum of Arts and Sciences, and Trestle Gallery in Brooklyn. In 2019 she had two solo exhibitions of her “Men” series at the Versa Gallery in Chattanooga and 621 Gallery in Tallahassee, with a review of the Versa exhibition in BURNAWAY and was recently picked by Berlin curator Tina Sauerlaender as a featured artist on Foundwork. Liddell hosts a podcast (Peachy Keen) as an extension of her art practice, interviewing women on art and the South. She is an Assistant Professor of Painting and Drawing at the University of North Georgia...
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"Myth of Sisyphus XI (Revolt devoid of future)" is an original contemporary painting by Georgia-based artist Vivian Liddell. This work is part of her new 2022 series titled "Myth of Sisyphus." As a multidisciplinary artist, Liddell brings a dynamic approach to her vivid, colorful two-dimensional pieces. This particular piece has a bold contrast between a light blue-laced layer in the foreground and a magenta background. Images are examples of similar works framed. From the artist: "Gender and power are core concepts in my work. I’ve spent two decades in “The Classic City” (Athens, Georgia), surrounded by a dual Greek culture. Fraternities and sororities separate students by gender and play a part in cementing gender roles and power structures for the next generation; ubiquitous Classical architecture (often accompanied by manicured landscape) is a constant reminder of Western ideals. After a career of painting the female figure and exploring themes related to the male gaze and the lingering inequalities that women face, I’ve focused the past five years on the male figure and his domain. My education was dominated by Western art history, where women were seen as muses; I’m reversing this traditional dynamic between the male artist/intellectual and his female subject. I create tiny “plays” with handmade props and puppet plasticine figures to reenact imagined dramas that might happen on any given home game day...
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Materials

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