19th Century Animal Paintings

Six Antique Pith Rice Paper Chinese Watercolour Paintings Birds Chinese, 19th Century Height 33cm, width 42.5cm, depth 1.5cm This captivating set of six Chinese paintings, dati...

Greyhounds Hare Coursing, 19th Century circle of RICHARD JONES (1767-1840) Circa 1800 Century English Greyhound Coursing scene, oil on canvas. Excellent quality and condition rare ...

Monogrammed JS Work on canvas Gilded carved wooden frame 45 x 35 x 4.5 cm

A charming, signed and dated 1883, oil on canvas painting of a soldier and his horse in period gilt-wood frame.

Martinus Kuytenbrouwer Amersfoort, The Netherlands 1821 – 1897 Paris, France Dutch Painter Along the River “La Meuse” Signature: signed lower right 'Martinus' Medium: oil on canvas...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Artist/ School: English School 19th Century Title: A mother and child feeding chickens and a donkey in a stable Medium: oil on canvas, framed actual canvas size: 25.5 x 21.25 inch...

British Painter (dated 1899) - Dogs chasing a mouse. 51 x 76.5 cm without frame, 68 x 93.5 cm with frame. Old painting, oil on canvas, in a gilded wooden frame. - Work signed and ...

Work on wood Golden wooden frame 45 x 51.5 x 3.5 cm

Asa Coolidge Warren (1819 - 1904) Oil on Canvas Sight Size: 18x20 Overall frame size: 26x28 Signed and Dated left: 1884 Housed in original gold gilded frame Overall very good conditi...

Oil Painting by Henry Garland "The Donkey Ride, Littlehampton" 1834 - 1913 Winchester Landscape painter who exhibited at the Royal Academy from 1854 to 1890 in several provincial mus...

Work on canvas

Sold as a pair/Final price is for two paintings of 'Hunting scenes" by Henry Barraud (1811–1874), a British painter best known for his portraits, genre scenes, and animal paintings, ...

The Travelling Herd, Impressionist Landscape, Oil Painting, Signed English School, mid 19th century Oil painting on canvas, framed Framed size: 14.5 x 18.5 inches Majestic scenic oi...

Oil on canvas Canvas size: 18 x 30 inches Framed size: 25.25 x 37.5 inches Signed lower left

Portrait of a Black Labrador Retriever, 19th Century by Collender Goldsmith (British) Large 19th Century English portrait of a Black Labrador Retriever in a landscape, oil on canva...

”Rooster and Hens at Daybreak” is a delightful painting of rural life, created by the Belgian artist Frans van Severdonck (1809-1889). Van Severdo...

London painter, George Armfield's original oil painting "Untitled -Terrier with Bowl" is an excellent example of this wonderful 19th century artist who is highly sought after for his dog paintings of Terriers. Original's by the renowned 19th century dog painting...

A. LEONARD (19th-20th) Flower Girl and Her Dog Oil on canvas signed low left Old Frame regilded with Leaves Dim canvas : 46 X 38 cm Dim Frame : 55 X 46 cm

Thomas Baker British, (1809-1864) Cows with a Willow Tree Oil on canvas, signed & dated 1860 Image size: 14 inches x 11.75 inches Size including frame: 20.5 inches x 18.25 inches P...

Teutward SCHMITSON (1830-1863) – Winter Scene with Horses and Cart Medium: Oil on canvas Framed Dimensions: 34 x 42 cm Canvas Dimensions: 19 x 29 cm Signature: Lower right corner A c...

"Bantam Rooster w/Hen and Chick" Matthieu Theeuwes van Ginneken (1811-1888) Oil on canvas mounted on wood panel 11 x 9 1/2 (18 x 16 1/2 x 3 inches frame) inches Matthieu Theeuwes v...

Work on wood Brown wooden frame 16.5 x 19 x 1.6 cm

William Edward Powell (English, 1878/85 - 1955) Signed: W. E. Powell (Lower, Left) " Contemplation ", circa 1910 (Titled on Verso) Watercolor on Paper 22 1/2" x 18 1/2" Housed i...

Horatio Henry Couldery (1832-1893) An aristocratic Pomeranian signed 'H.H. Couldery' (lower left) oil on canvas 19 ⅛ x 24 ⅛ in. (48.5 x 61 cm.) frame 24 x 28 ⅛ in. (61 x 71.4 cm.) H...

Franz Quaglio: 1844-1920. Well listed 19th century German painter. He has Auction prices over $30,000.. This fabulous oil on canvas of a ho...

Sheep is a modern artwork realized by Sebastiano De Albertis in 19th Century. Mixed colored oil on plywood. Hand signed by the artist. Includes frame: 38 x 41 cm Antonio Feltrinelli (Milan, 1887 – Gargnano, 1942) He was born in Milan on June 1, 1887 to Giovanni Feltrinelli, the nephew of Giacomo, who was the founder of the Feltrinelli partnership. Feltrinelli was not only a prominent figure in the Italian economic and financial field, but he was also a painter, who was characterized as a strong, impetuous hot colorist, and preferred still lifes, portraits and landscapes. He started his career in 1930 at La Permanente (Milan), where he exhibited a portrait and a still life that won him the Fornara award. That same year, Feltrinelli exhibited his work at the Venice Biennial and at the Pesaro Gallery in Milan. Together with other prominent avant-garde artists, he participated in various foreign exhibitions on modern Italian painting...

Monogrammist F. G. 19th Century French School Doe Trophy Oil on Vachet panel Monogrammed FG and dated lower right 41 x 32 cm 1831 This animal still life, signed with the monogram ...

Franciscus Melzer (1808-1865) Interior painting with a cat that gives out a scratch Signed lowerright corner F. Melzer Oil on mahogany wooden pane...

Arthur James Stark (1831-1902) Husky in a snowy landscape Signed 'a j Stark, 1879' lower right Oil on canvas Canvas size - 20 x 26 in Framed size - ...

Basse cour d'Alexandre Defaux (1826–1900) Huile sur panneau Dimensions : 45 x 31 cm Cadre ancien en bois doré à décor de godrons et perles Cette scène rurale baignée d’ombre et de ...

Provenance: Private Collection Cross Gate Gallery / Fasig-Tipton Auction, Saratoga Springs, New York, August 8, 1997, lot 27. William and Bernadette...

Artist: J. Bowker Title: St. Bernard Year: 1887 Medium: Oil on Canvas, signed and dated l.r. Size: 30 in. x 48 in. (76.2 cm x 121.92 cm)

Jacob THOMPSON (1806 – 1879) Deer by the Banks of a Lake 1842 oil on canvas 18.9 x 27.6 inches; 22.5 x 31 inches Inc. frame Jacob Thompson (1806–1879) was an English landscape-pa...

Under Mother's Watchful Eye by Edgar Hunt British, 1876–1953 Oil on canvas Canvas size: 8.25 x 10 inches Framed size: 17 x 19 inches Signed and dated 1911 lower right

William Baptiste Baird: 1847-1917. Well listed American painter with auction records over $16,000 for similar size and subject. He was born in Chicago and lived in Paris for most of his adult life. He often exhibited at the Paris Salon as well as National Academy of Design and PAFA. This subject is what you want in a Baird. Chickens in a French farm yard. Oil on panel measuring 8 1/2 inches high by 6 1/4 wide. The antique distressed frame...

19th century landscape oil painting COCKEREL AND HENS by J L VAN LEEMPUTTEN Here we have a fine small oil painting on board .An exquisitely painted scene by Jef Louis Van Leemputten ...

Friedrich Wilhelm Karl Kuhnert, around 1900, Majestically striding lion Decorative painting by the well-known artist Wilhelm Kuhnert. Representation of a striding lion in the African savannah...

John Frederick Herring Snr (Surrey 1795-1863 Kent) The Pharaoh's Horses Oil on canvas Painting Size - 32 x 32 in Framed Size -39 x 39 in Provenance Frost & Reed, London, where purc...

Portrait of a Chow Dog "Pagoda Mah Gye", 19th Century by Monica Gray (19th Century British) 19th Century English portrait of a Chow dog called Pagoda Mah Gye, oil on panel by Monica Gray. Excellent quality and condition example of Grays work, a popular turn of the century painter based in London commissioned by dog owners to capture their beloved pets. Presented in its original ebonised frame. Signed and titled. Measurements: 15" x 14" framed approx Artist Biography Matthijs Maris was the brother of Jacob and Willem Maris. He was awarded a retainer by the Dutch Crown. He moved to Antwerp around 1855 to be with his brother. There, he studied under Nicaise de Keyser...

Portrait Of Corvette, A Corgi, 19th Century by K Harris (English 19th Century) Large 19th Century English portrait of Corvette A Corgi, oil on canvas by K Harris. Excellent qualit...

After a Good Hunt Kremer Petrus Antwerp 1801 – 1888 Belgian Painter Signature: Signed bottom left Dimensions: Image size 49,50 x 44 cm, frame size 63,50 x 58,50 cm Medium: Oil on panel Biography: Kremer Petrus was born on May 9 in 1801 in Antwerp. He was a Belgian painter of genre scenes with religious and historic context, still lifes and portraits. He studied at the Antwerp Academy of Fine Art, with master teachers and artists Guillaume Herreyns (1743 – 1827) and Mattheus van Bree (1773 – 1839). He perfected himself in Paris, travelled in 1838 Germany, France and Italy where he studied in the museums the pictures of the Dutch and Flemish masters. He excelled in the representation of flowers, poultry and game. Some of his paintings were engraved by English engraver Joseph Brown (1809 – 1887) and other artists. Belgian painter Gustaaf Wappers (1803 – 1874) painted his portrait. Kremer was honoured with several medals at various exhibitions, notably in London in 1929. He exhibited at the Brussels National Exhibition of 1842 “Examination of Don Carlos...

Watering from the Loch's Waters Scottish School, late 19th/ early 20th century signed, "Jamieson Lainge" oil painting on canvas painting: 20 x 24 inches provenance: private collecti...

A Canal View of Bruges with White Swans – Beguinage Entrance Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter Signature: Signed bottom left Medium: Oil on panel Dimensions: Image size 38,50 x 64,50 cm, frame size 47 x 55 cm Biography: Verbrugghe Charles was born into Belgian aristocracy on June 15, 1877, in Bruges. He was an Impressionist painter of town views, landscapes, views of the sea and beaches, still lifes, flowers and portraits. He is well known for painting of the convents and city views of Bruges and Paris. In 1907, he went to Paris to study under the master teacher Flori Van Acker (1858 – 1940). There, he became friends with the artist Maurice Utrillo...

The experience of art itself can be an intimate one, and this bed canopy, hand-painted over 100 years ago by an artist in Canton, was more intimate than most. Delicately painted pheasants...

After Eugene Joseph Verboeckhoven (Belgian, 1798-1881), "Passing the Brook", Oil on Canvas, 1854, unsigned. Image: 29" H x 40" W; frame: 34" H x 46" W.

Edward Brice Stanley Montefiore, (1855 -1918). A London painter and illustrator of landscapes, often with working horses. Exhibited at the Royal Academy, Royal Institute and Manchest...

Oil on canvas Canvas size: 16 x 12 inches each Framed size: 24.25 x 20 inches each Signed lower left

Oil Painting by John Sturgess "The Blue Ribbon Army" A Fine painter of equestrian scenes horse portraits and everday scenes of horses at work. Exhibited at the Royal society of Briti...

Oil on canvas Shooting by the woods by Chapman Bayley (1818-1832) Early 19th Century gent standing by the woods with his two dogs shooting. Signed by the artist in original frame. Ch...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Oil on canvas Canvas size: 21 x 17 inches Signed lower right

Oil painting on canvas portrait of a poodle dog 19th Century *** This painting is one of a pair *** ( see photo attached ) Title: portrait of a poodle dog Materials: oil on canvas...

Oil on cardboard mounted on canvas, signed lower right Image size: 9 x 7 1/4 inches (23 x 18.5 cm) Original gilt frame This painting shows a horse standing in profile in front of, w...

PAIL Edouard (1851-1916) Landscape with pond and gooses. Oil on canvas signed lower left and dated 1884 Old frame gilded with leaf Frame size: 50 X 65 cm Dim frame: 70 X 85 cm. PAIL Edouard (1851-1916) School of Crozant - Post-Impressionist. French painter born in Corbigny, October 17, 1851 and died in Villeneuve-le-Roi on December 6, 1916. Student of local painter and engraver Hippolyte Lavoignat at the School of Fine Arts in Nevers. He exhibited at the Paris Salon in 1870, at the age of nineteen, two landscape paintings: Le Ruisseau de Varennes near Corbigny and Les Chaumes de Corbigny. In 1877, he became a professor at the School of Fine Arts in Nevers. Then he abandoned this position to join Paris in 1880. He then undertook trips to England, Egypt, Palestine and Algeria. He exhibits every year at the Paris Salon. In 1888, he was a member of the Salon des Artistes Français. He obtained a medal in 1893. In 1896, he was appointed Academy Officer. In 1903, he became an Officer of Public Instruction. In 1912, he exhibited at the Salon Le soir at Mont Sabot and in 1914 L'Éang aux bruyères. His favorite subjects are pastures and heather, backyards, shaded rivers, pink and misty panoramas. They are treated in clean tones and a palette dominated by greens and browns. Museums : Brest, Clamecy, Clermont-Ferrand, Nevers, Perpignan, Cannes. Bibliography : Bellier and Auvray, General Dictionary of Artists of the French School, Paris, Renouard, 1885. - E. Bénézit, Dictionary of painters, sculptors, designers and engravers, Paris, Grund - C. Rameix, L'École de Crozant: The painters of Creuse and Gargilesse. 1850-1950, - Marion Vidal...

After John James Audubon (American, 1785-1851) Title: "Bay-breasted Warbler," no. 44, pl. LXIX Medium: hand-colored engraving with aquatint on J. Whatman wove paper Dimensions: plate 19.38" x 12.25" . frame 48.88" x 38.38" Description: from "The Birds of America (1826-1838)," Robert Havell edition...

This is a stunning artwork entitled a ‘Landscape with Highland Cattle’. It is circa 20th Century and is an original oil on canvas painting by the English Artist William Perring Holly...

Arthur Walker Redgate British, (1860-1906) A Wayside Chat Oil on canvas, signed Image size: 13.5 inches x 20.5 inches Size including frame: 19.5...

Oil painting on canvas portrait of a poodle dog 19th Century *** This painting is one of a pair *** ( see photo attached ) Title: portrait of a poodle dog Materials: oil on canvas...

Thomas Blinks British, (1853-1910) Midday Rest Oil on canvas, signed & dated (18)87 Image size: 11.5 inches x 17.5 inches Size including frame: 20.25 inches x 26.25 inches A pleasing landscape painting of a plough team at rest next to a barn by Thomas Blinks. Three horses are shown eating hay from a cart in the shade of a barn. Two figures and a dog are also depicted taking their repast. On the left of the scene, open fields can be seen through a gate whilst in the far distance a church and other buildings can be made out on the brow of a hill. Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction. He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...