Paintings

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to P...

KG Subramanyan Untitled , Gouache on Paper 8 x 11.5 inches 20.3 x 29.2 cm 2007 ( Framed & Delivered ) Style : K G Subramanyan was one of the leading artists who was part of Ind...

William Atherton Cathcart (20th Century) Sunshine and shadow at Falmouth Oil on board Signed ‘W Atherton Cathcart’ (lower left) 20 x 24 in. (50.8 x 61 cm.)

Blair Hughes Stanton (British, 1902-1981) Girl with a Guitar, 1929 oil on canvas 16.3/8 x 25.3/4 in. (41.4 x 65.5 cm.) Provenance: the Estate of the Artist Note: Blair Hughes Stanto...

My Only Working Tool, 1949, oil on panel, signed and dated lower right, 16 x 12 inches, remnant of exhibition label verso, exhibited at the Art News Second Annual National Amateur Co...

English mid century oil painting Portrait of a Miniature Poodle Kate Gray was a British animal portrait painter during the last half of the 20th century. She also painted flower subj...

Vinicio Berti Archived Year 1974

There is no definitive answer to the message my work seeks to communicate.
I begin my work with mixed feelings between ‘feeling-self’ and ‘conscious-self’.
We cannot logically explai...

Antique American modernist abstract oil painting. Oil on canvas, circa 1960. No signature found. Displayed in a period frame. Image, 30"...

Compelling figurative study in gouache and pencil by Joesph Capozio (American, 1928-2016). Estate stamp lower right corner with bio on verso. Presented in mahogany wood frame. Framed size: 19"H x 17"W. Capozio was born in Philadelphia, Pennsylvania in 1927. After serving in World War II, he attended art school in Philadelphia, Pennsylvania. He lived and worked in San Francisco, California; New Orleans, Louisiana; Siesta Key...

Title: "Venezia" Media: Oil on canvas size: 50 x 70 cm Sergio Scatizzi Lucca 1918 – Florence 2009 Art and nature are the themes of Scatizzi’s work of a journey through contemporan...

A half-naked model posing for a portrait. A classic depiction by Volodymyr Makarenko on a large oil on canvas. The artist feels the space, he works...

There is no definitive answer to the message my work seeks to communicate.
I begin my work with mixed feelings between ‘feeling-self’ and ‘conscious-self’.
We cannot logically explai...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Mykola Zhuravel came to New York in 2005 and worked in a studio in Greenpoint, Brooklyn for 6 months. This painting was created during this time. The artist had an idea to depict Jes...

This painting was acquired by me directly from the artist in his Paris studio in 2007. It is full of joy, painted a la prima, with masterful strokes of Volodymyr Makarenko...

Donald McIntyre. English ( b.1923 - d.2009 ). Girl and Chapel, North Wales. Oil on card. Signed with monogram twice lower left. Image size 12 inches x 15.6 inches ( 30.5cm x 39.5cm ...

Ravello , Italy, original painting by Andy Gradwell circa 2005. Watercolour, body colour and pastel on paper. Signed. Glazed hardwood frame: 42.5cm x 52cm painting: 27cmx 37cm Ravel...

Rabin Mondal - Face 14 x 10 Inches Acrylic on Paper 2018 Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They c...

Antique American modernist abstract painting. Oil on board, circa 1940. Signed. Image size 22L x 30H. Housed in a period modern frame.

Walking Home [2023] original Oil on Canvas Image size: H:8.5 cm x W:10 cm Complete Size of Unframed Work: H:46 cm x W:55 cm x D:1.5cm Frame Size: H:60 cm x W:79 cm x D:5cm Sold Fram...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

'Solstice, Stonehenge' circa 2012. Mixed media , signed piece. Glazed oak wood frame 52cmx 42cm painting 28cmx20cm. Watercolour , pencil, felt pen , inkjet print and varnish. A take...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

A fantastic modern portrait of a young boy. This work is signed what appears to be Paul Sellers and dated 1937, but we have not found information on the artist. The work dated 1936...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Pompeii , Unearthed Material, ' signed c 2005 glazed oak frame 42.5 x 52cm painting 23cmx 34cm Mixed media, watercolor, ink varnish and inkjet print.

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

Choosing to acquire a Swedish mid-20th-century modern Impressionist landscape by Helge Cardell is an opportunity to bring a harmonious blend of artistic innovation and natural beauty...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Lalu Prasad Shaw - Bibi - 21 x 15 Inches 2021 Tempera on Board ( Framed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Pras...

Jogen Chowdhury Mixed Media on Paper 6 x 4.1 inches 2023 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual styl...

Lalu Prasad Shaw Ganesha Tempera on Board 26 x 20 Inches 2016 Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the...

Additional Information: Costume designer Freddy Wittop won a Tony Award for his work on “Hello, Dolly!” and was also the recipient of a TDF Irene Sharaff...

"Security" Tania Butler (second half 20th century) ‘Security, Smith's Lawn, Windsor’ oil on canvas, signed and dated 1961 lower right, inscribed verso, gilt frame oil on canvas, fram...

"Green and Yellow Falling Bottles" is a modern still life painting that captures the essence of contemporary aesthetics with a vibrant interplay of patterns and forms against a beaut...

Stil life with flowers is an artwork realized by an artist of the mid-20th Century.  Oil on panel, 35 x 48 cm with frame; panel 20 x 32 cm. Good conditions

A stunning original oil painting by Mid 20th Century British artist Roy Spencer. The work has come directly from his studio and is new to the market. It is a well sized and extremel...

Head Portrait Fantasy Study French School, 21st century indistinctly signed oil on canvas, unframed canvas: 14 x 10.5 inches provenance: private collection, France condition: very go...

Figural abstract inspired by Chinese art and calligraphy featuring a large totem-like form in textured earth tones with black Chinese characters in bold, black brushstrokes by Anna Wu Weakland...

This etching by Jean-Claude Bourgeois, created in the 1980s, portrays an autumnal landscape featuring a sprawling field illuminated by the golden hues of the season. The scene unfold...

Composition 22 is an original painting realized by Clément Kons (1879-1956). The artwork is on tempera, in very good conditions and mounted on a cardboard (42x52). Image Dimension...

Khawam’s first genre of paintings started in 1980 during the heights of the Superrealism movement in New York City where Khawam was the youngest among the group and in his first year...

Oded Feingersh. painter and chemical engineer. Born in Jerusalem. Graduate of Bezalel Art Academy, studied art in Paris. Education 1960–63 Bezalel Academy of Art & Design,, Jerusalem...

Watercolour and ink on graphite, signed lower right Image size: 22 x 17 1/2 inches (56 x 44.5 cm) Original frame POA Inscribed on reverse 'Frank Dobson's Assistant - Celia Gills' F...

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 14L x 18H.

Work on paper

Signed oil on canvas coastal landscape by French modern painter Maurice Brianchon who was known as one of the Painters of Poetic Reality. This simple and charming piece depicts a view of the beach at Soorts-Hossegor on a grey day. The figures of two soldiers walk across the sand and others are gathered on the walkway beyond. Signature: Signed lower right Dimensions: Framed: 30"x38" Unframed: 21"x29" Provenance: Private collection - Switzerland As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for stained glass windows at the church of Assy in 1946. He taught at the Estienne school and the École des Arts Décoratifs in 1937 and in 1949 at the École des Beaux-Arts. He often painted landscapes showing the banks of the Seine, as did the Impressionists, and demonstrated a particular interest in circuses and music halls, as can be seen in Acrobats and French Can Can...

Erotic Scene is a gouache and China ink original painting on silk, realized probably in the second half of XIX century by an anonymous Japanese artist of XIX century, From a collection of twelve Japanese erotic silk paintings, wrongly titled "Shunga", mounted under a yellow cardboard Passepartout, cm 37 x 26.8, this modern artwork of little dimensions, but of extraordinary quality represents an erotic scene between two young Japanese lovers portrayed in their intimate situation and with their sophisticated traditional costumes and hairstyle. Without ever being vulgar or too explicit but with extreme elegance, our ancient Japanese artwork...

Austin Christian Fine Art is proud to present another great example of Gilot's work. I have had the pleasure of handling many original painti...

Suhas Roy - Untitled Charcoal on Paper, 11 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 11 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 12 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Rolando Aguilar was born in the year 1957. He studied at the Municipal School of Plastic Arts of Quetzaltenango. He has presented personal exhibitions and participated in more than 50 collective exhibitions in Quito, Ecuador, Taiwan, Norway, El Salvador, Nicaragua and Canada. He was director of the Regional School of Art "Humberto Garavito", of Quetzaltenango. He has won Gold and Bronze glyphs at the Art Paiz Biennial (1980, 1982 and 1984) and two awards at the Arturo Martínez Contest. Efrain Recinos...