Figurative Paintings

Nude study by Honora Berg (American, 1897-1985). Image, 26"H x 20"W on artsits cardboard. Signed/stamped "Estate of Honora Berg" on verso, from a collection of her works. Berg studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...

Stamped verso with estate stamp for Victor Di Gesu (American, 1914-1988) and painted circa 1960. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art ...

Beautiful oil on canvas by the french artist Paul Guiramand. Provenience: Important private collection. Very good conditions.

Irish mid-century landscape of Mulroy Bay, Co. Donegal. Well painted scene of the Irish landscape with water and mountains. The artist was active during the 1950s-1960s and these s...

Badri Narayan - Ganapati - 10.25 x 8.5 inches ( unframed size) - 20.25 x 18.5 inches ( Framed ) Condition: A very small tear on the top le...

Flying is an original artwork in pencil and watercolor on paper realized by Maurice Rouzée. Good conditions. Sheet dimension:44.5 x 37 cm Included a white Passapartout: 69 x 49 cm...

Image dimensions: 20 x 28 cm. The Christmas is an original artwork realized by Esy Beluzzi in 1958. Original tempera on paper. Hand-signed and dated in pencil on the lower right margin: Esy 58. On the lower right corner "Julie Laure" is written in capital letters in pencil. Mint conditions. Beautiful work representing an angel dressed with a pink long dress and two long wings in the center of a scene theatre. On the left side, a tree without leaves but full of stars. All the composition is enriched with golden stars and the frame is characterized by dark blue curtains...

Untitled Signed, l.r. Oil on paper 16 x 13 inches (40.6 x 33 cm), framed 10 x 7.5 inches (25.4 x 19.1 cm), image This work is offered by CLAMP in New York City.

Artist: William Harnden, American (1920 - 1983) Title: Concert Medium: Oil on Masonite, signed Image Size: 15.5 x 20 inches Frame Size: 22.5 x 27 inches

'Reclining Nude', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Gesu es...

Multi-colored figurative oil painting of a woman in bikini bathing in the California sun by listed California artist Jon Blanchette (American, 1908-1987). The colorful background is...

A colorful, 1950s oil on canvas painting of a bull fight by artist Francis Chapin in a brown frame. Estate stamped on reverse. Artwork size: 18" x 24". Framed size: 18 1/2" x 24...

Artist: Charles Cobelle, French (1902 - 1994) Title: Two Women by the Shore Medium: Oil on Canvas, signed Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size: 42 x 30 inches

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

Artist: Gladys Rockmore Davis, American (1901 - 1967) Title: Young Ballerina Year: circa 1950 Medium: Oil on Canvas, signed 'GRD' l.r. Size: 18 x 1...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 25 1/4 x 32 1/4 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

This oil on canvas is signed and dated in the lower right and measures 32.5" x 37" including the frame. The scene depicts a young lady playing her guitar by the light of the fire. Th...

Salvatore Grippi was my art professor at Ithaca college from 1970- 1971 Who was doing paintings like this in 1950? Jackson Pollack, Willem De Kooning and Salvatore Grippi, and a few...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Along the fence. Plywood, oil, 14x14 cm

Standing Nude with Sun (28) John F. Leonard American (1921–1987) Date: 1957 Oil on Board, signed Size: 21.5 in. x 26 in. (54.61 cm x 66.04 cm)

Wine Enologist Claude Wolf - Mid Century Portrait A stately mid-century portrait of Claude Wolf (1904-1973), a vintner Enologist by Abel George Warshawsky...

Signed lower right, "Di Gesu", for Victor Di Gesu (American, 1914-1988); further signed and titled verso, and bearing original exhibition label. A substantial figural oil showing Victor di Gesu's wife, the artist Janet Ament, with a white shawl over her knees and seated cross-legged in front of a large ficus. A major work by this notable California Fauve...

This superb British Post Impressionist figurative landscape oil painting is by war artist Gerald Spencer Pryse. Painted circa 1953 it depicts festivities outside Buckingham Palace, L...

Charming diminutive nude study of a seated figure on raw linen in pastel tones. Signed "Jan" lower right corner. Framing stamp on back from San Francisco. Presented in gilt-toned rus...

Dorothea Stefula was born in Hamburg, Germany in 1914 and studied at the art academy in Hamburg. Stefula illustrated numerous children's books, designed postage stamps, painted fresc...

Mid century figurative of romantic adventures by Duleich (American, 20th Century). Presented in a wooden frame. Signed "Duleich '59" lower left. Image size, 30.25"H x 24"W. Framed si...

By Gustav Likan This piece depicts a couple on horseback followed by a man in a red military uniform. A dog runs by the group. This pieces is from the Eva Perón commissioned mural sk...

Painter's family (Ed. Kalnins). Oil on cardboard, 50x79,5 cm

Suhas Roy - Untitled Watercolour on Paper, 11 x 15 inches, 1954 ( Unframed & Delivered ) Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored past...

UMBERTO ROMANO "HORSE TRAINERS" OIL ON PANEL, SIGNED AMERICAN, DATED 1952 23.74 X 35.75 INCHES Born: 1905 - Naples, Italy Died: 1984 - New York C...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and created circa 1970. A substantial American Expressionist figural oil painting of a woman with copper hair wearing a cream and lilac...

"Shovel Handles" is an original 1953 semi-abstract modernist oil painting on board by renowned Denver artist Paul K. Smith (1893-1977). This captivating piece showcases Smith’s signa...

Italian painting from the mid-20th century. Artwork oil on canvas, glued on cardboard, depicting Seascape with boats and fishermen at sunset, in impressionist style, of good pictoria...

Oil on masonite encaustic painting by the well known Russian/American artist, Nahum Tschacbasov. Signed and dated top right, 1952. In good to very good condition. Provenance: Est...

Al Parker was one of America's greatest and most inventive illustrators. He did work for magazines such as: Chatelaine, Collier's, Ladies' Home Journal and Woman's Home Companion. ...

Fritz Aigner, The Holy Family, 1951 Signed, dated, and inscribed lower right. Inscription: "Sing, oh sing, you sorrow to God, the Almighty in death... Josef Maria f. Aigner 1951." Oi...

This piece is a unique, original gouache on paper by Erte, also known as Romain de Tirtoff. It was created in 1957 as a costume design for a cabaret show and is from the private coll...

This striking 1950s abstract oil on canvas painting, created by Henriette "Yetti" Stolz in 1956, features a captivating blend of brown, white, black, and gray tones. Signed by the artist in the lower right corner, the piece showcases Stolz’s modernist approach to abstract figurative art. The painting is presented in a vintage frame with overall dimensions of 42 ¾ x 16 ¾ inches, while the image size measures 42 ¼ x 16 ¼ inches. Provenance: Estate of the Artist, Henriette "Yetti" Stolz. The painting is in good condition—please contact us for a detailed condition report. About the Artist: Henriette "Yetti" Stolz, born in 1935 in Serbia, emigrated to Denver, Colorado, in the early 1950s with her family after WWII. She attended East High School before pursuing her art studies at Colorado College in Colorado Springs during the mid to late 1950s. While there, Stolz was influenced by modernist artists, including Mary...

Surrealist painting from 1950 by artist Camilo of two relaxing harlequin performers by the seaside dressed in yellow and pink. Signed and dated by artist. Cleaned And Restored.

George Giusti is in the Art Directors Hall of Fame. George Giusti’s graphic designs and illustrations have graced the covers of Time, Fortune, Holiday. He collaborated with Herbert ...

Refined Italian painting of the 20th century. Oil on board painting depicting a splendid coastal landscape with maritime pines overlooking a cliff that plunges into the sea. Painting...

This piece was created by Italian artist Mario Toppi in 1959. Toppi worked primarily in fresco, creating works that pay material homage to Italy's long artistic history, yet remain m...

Woman portrait. 1955, oil on canvas, 50.8 x 40.6 cm Provenance Bonhams

To shed. Oil on canvas. 21,3x26,8 cm

Old bath-house. Oil on canvas, 51, 5 x 64, 7 cm

Wonderful Surreal Latin American painting. Painting is oil on masonite board with original frame. Appears to be unsigned. Condition is excelle...

Chester Snowden (1900 - 1984) Houston Artist Image Size: 16 x 12 Frame Size: 23 x 19 Medium: Oil 1951 Biography Chester Snowden (1900 - 1984) Chester Snowden was born in Elgin, Texas. He attended The University of Texas in Austin and the Cooper Union in New York as well as studying at the Art Students League of New York, Grand Central Galleries Art School, also in New York and the Richard Art School in Los Angeles. His teachers included Harry Sternberg, Boardman Robinson and Walter Jack Duncan. Snowden worked as a painter and an illustrator, for decades providing art for the publications of naturalist author, Royal Dixon...

At the autumn garden. Oil on cardboard, 80x57 cm Janis Rikmanis (1901.5.IV – 1968.25.III) graduated Figurative painting studio of Latvia Art academy (1931). He took part in exhibiti...

Hal Frater's "The Artist as a Young Man" is a striking oil on canvas that captures the essence of the artist himself, rendered in a raw, emotive style. The palette is earthy, with natural browns and creams contrasted against subdued blues and hints of muted red, evoking a sense of both the mundane and the profound. Frater's use of color and form reflect a contemplative mood, a moment of introspection. The artist's gaze is direct and unflinching, suggesting resilience and a deep inner life. This mid-20th-century piece, evocative of American Realism, offers a personal narrative, exploring themes of identity and self-perception. Frater’s technique—visible brushstrokes and a textured application of paint—adds a tangible depth to the work, inviting the viewer to consider the artist's inner world and the time in which he lived. About the Artist: Hal Frater was not just an artist, but a storyteller who left us on February 3, 2008, on the cusp of his 99th birthday. His fifty-year tenure as a commercial artist was a testament to his adaptability and appeal. Yet it was in his private studio where Frater’s true passion lay — painting not for clients, but for his own soul's expression. His work, always striving to capture the nuances of the human spirit, reflected his sharp observational skills. His artistry was honed not in formal schools, but alongside his peers in spontaneous gatherings, painting from life, sharing techniques and critiques that fueled their collective growth. Influenced by the likes of Jack Levine, Raphael Soyer, John Sloan, Thomas Hart Benton, Reginald Marsh, and Phillip Reisman...

Woman portrait. 1955, oil on canvas, 50.5 x 40.6 cm Provenance Bonhams

Woman with Arms Crossed Mixed media collage-painting on stone chip surface, mounted on fabric, mounted on wood support by the artist, 1955 Signed and dated lower center Image size: 1...

Mid-century Artist Victory Kalin was too good an artist for his paperback assignments. He was as much a virtuoso graphic designer as an illustrator. The present work exemplifies his ...

Virginia Berresford Pond in Back of Her House Signed and titled on the reverse Oil on board 23 1/2 x 17 1/2 inches Virginia Berresford was an underrated American modernist who had ...

child,mother,book Boris Nicolaie (1925/2017) Museums St. Petersburg: Museum of History St. Petersburg: Museum of the Academy of Fine Arts Moscow: Ministry of Culture Kiev: Museum of ...

Genre: Classic Subject: Portrait Medium: Oil Surface: Canvas Country: United States Dimensions: 21.25" x 18.25" Dimensions w/Frame: 28.75" x 25.75" Bacia Gordon (1904-1977) came to the United States from Poland and studied at the Art Institute of Chicago. She traveled widely the United States, Mexico, Europe, and Israel. She was a member of, and has exhibited with Artists Equity, Jewish Arts Club, the Renaissance Society of the University of Chicago, The Chicago Art Institute, and in Migdal Ashkalon, Israel. She was also a member of the Chicago Society of Artists. Her work is represented in many private collections in New York, Los Angeles, Detroit, Cleveland, St. Paul, Rockford, Milwaukee, and Chicago. Mrs. Gordon spent much time in Israel in the 1950s and 1960s, and most of the works in this web site reflect her stay there. The New York art critic, Alfred Werner, has said: “I find Mrs. Gordon’s freedom of paint aesthetically rewarding. She blends the reporter’s task of objectively recording appearance with the poet’s privilege of imprinting subjective reaction upon exterior reality... Here is the talent that often omits details, to let the spectator fill in, that prefers an allegorical hint to a straight tale, and that translates the strangeness of Maabaroth and Kibbutzim into terms of universally acceptable humanity” An Israeli critic has written of Mrs. Gordon : “The Jewish Daughter, born in Lithuania and reared in the United States, was stirred by the miracle of the Ingathering of the Exiles. The men, women and children she pictures thrill and pulsate with life because of her warm and loving brush.” "My first encounter with Israel in 1955 was inspiring and productive. It was a birds-eye view of the land and the people – the kibbutz, the village, the settlement, the Maabora, the Huleh project, Lachish at its inception, dedicated Israelis, new immigrants and the military of all ranks. I lived among people of many lands sketching and painting. I felt a great urgency to record and interpret. Working at an accelerated pace – line and color merged as I endeavored to express the universal qualities in these people. It was a tremendously stimulating experience and resulted in rechanneling my creative energy. I sketched and I wandered. I sketched in the Uval Gad where pipes are made to carry water to the Negev. I wandered among the bewildered white-robed bearded men of Morocco in Lachish… and among the older Yemenite settlements in Migdal Ashkalon. In Tiberias I saw people dressed in all garbs, the orthodox mantles of the polish ghetto and the oriental robes...

Glamorous Redhead is a poster-like iconic image that sums up an era in American visual history - The 1950s. Al Parker is a giant in the history of American Illustration. He possess...