1950s Figurative Paintings

Signed lower right, "Di Gesu", for Victor Di Gesu (American, 1914-1988); further signed and titled verso, and bearing original exhibition label. A substantial figural oil showing Victor di Gesu's wife, the artist Janet Ament, with a white shawl over her knees and seated cross-legged in front of a large ficus. A major work by this notable California Fauve...

'Reclining Nude', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Gesu es...

Neoclassical Head in profile Watercolor and graphite on paper, 1950 Signed and dated lower left in ink (see photo) Provenance: Washington, D.C. private collection Condition: Excellen...

Wonderful acrylic on wood panel by Georges Connan. Comes with frame Georges Connan born in 1912 and dead in 1987.

Oil on canvas Beige wooden frame 60 x 71 x 4 cm

Irish mid-century landscape of Mulroy Bay, Co. Donegal. Well painted scene of the Irish landscape with water and mountains. The artist was active during the 1950s-1960s and these s...

Girl with fruit. Market. Year 1958. Signed Sergio Cirno Bissi (Carmignano, 1902 - Florence, 1987). The very colorful and expressive painting is created...

Italy,Dancer,White ,Grey Little Girl ,Italian Painter Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to techni...

The Adoration of the Golden Calf is an original modern artwork realized by Jacob Willemsz I de Wet (Haarlem, c. 1610 – between 1675 and 1691) in the half o...

Henry Schnakenberg is mostly known for New York City scenes. This is clearly a departure. It is signed at the lower left and dated '4-53' on the r...

Once The Master - Mid Century Figurative Landscape "Once the Master" a portrait of a Zuni Master Potter in contrast with the emergent modernism around him. He is beneath an adobe an...

This superb British Post Impressionist figurative landscape oil painting is by war artist Gerald Spencer Pryse. Painted circa 1953 it depicts festivities outside Buckingham Palace, L...

Caterwaul by Orovida Pissarro (1893-1968) Oil on canvas 51 x 61 cm (20 ¹/₈ x 24 inches) Provenance Estate of the artist With John Bensusan-Butt, cousin of the artist G Hassell, 25th...

Henri Gadbois (Born 1930) Houston Artist Image Size: 29 x 13 Frame Size: 34 x 18 Medium: Oil 1953 Mid Century Modern Juggler Biography Henri Gadbois (1930 - present) 1930 Born Houston, Texas St. Joseph’s Hospital 1947 Ceramic Bowl accepted in the Texas General 1948 Graduated Lamar High School, Houston, Texas Houston Artists Exhibit 1948 to 1960 1952 Bachelor of Fine Arts, University of Houston Instructor Museum of Fine Arts, Houston School (Now the Glassel School) 1952 to 1965: “16 Texas Painters” Valley House Gallery, Dallas Texas 1953 Master of Letters, University of Houston Registrar, Business Manager, Museum of Fine Arts, Houston One-man Exhibit, James Bute Gallery, Houston, Texas 1954 U.S. Army, Fort Bliss, El Paso, Texas, Camp Gordon, Augusta, Georgia Archives of American Art, Personal Papers 1954 to 1970 “Red Tights” Allied Art Purchase Prize, Museum of Fine Arts, Houston “Clump of Trees, Hermann Park” Western Artists Exhibit, Denver, Colorado Contemporary Arts Museum, Houston, Art Rental Exhibit 1955 One-Man Exhibit, Herbert Institute, Augusta Georgia 793 MP Battalion, Nurnberg, Germany Studio space at University of Georgia, Furth, Germany 1956 Married Leila McConnell August 18, 1956 Art Teacher, Houston Public Schools Chaired Exhibit “Contemporary German Graphics” Contemporary Arts Museum, Houston, Texas Exhibit, Men of Art Guild, San Antonio, Texas “Landscape-Stuttgart” Flaxman Purchase prize, Houston Artists Exhibit, Museum of Fine Arts, Houston 1957 “Three Tiered Formation”, American Federation of Arts Survey of Texas Painting “Illogical Organism” Bute Gallery 1958 “Budding Stump”, Feldman Collection Exhibit, Little Studio, New York, New York “Espaliered Burlap” Autumn Show, Delgado Museum, New Orleans, Louisiana One-Man Exhibit, Rudi’s Club, Houston, Texas Texas Fine Art Association Exhibit, Austin, Texas TFAA Circulating Exhibit 1958-1959, San Marcos, Seguin, Corpus Christi, Edinburg, Brownsville, and Kingsville “Night Crossing”, Four-man Exhibit Petroleum Club, Houston, Texas “Gold Flow” Texas ’58 Circulating Exhibit “White Out” Honorable Mention, Houston Artists Exhibit, Museum of Fine Arts, Houston “Spring”, Terrace Show, Handmakers, Houston, Texas “Winter”, “Start With Art” Exhibit, Junior League, Houston, Texas 1959 One-man Exhibit, Driscoll Gallery, Austin, Texas One-man Exhibit, Houston Geophysical Club, Houston, Texas Faculty-Student Exhibit, Museum of Fine Arts, Houston, Texas Dallas Art Rental, Dallas, Texas “Winter”, Western Artists Exhibit, Denver, Colorado “Portrait of a Dress” Junior League, Houston, Texas 1960 “Field Patterns, Europe” One-man exhibit James Bute Gallery, Houston, Texas 1961 Instructor Hill Country Arts Foundation 1961 to 197? “ Katy Road”, Texas Annual Exhibit, San Antonio Art league Purchase Prize, Witte Museum, San Antonio, Texas 1962 “Field Pattern, Wurzburg” Western Arts Exhibit, Denver Colorado One-man Exhibit, St. Luke’s Church, Houston, Texas “Mystic Road, Germany” Azalea Trail Exhibit, River Oaks Garden Forum, Houston, Texas Art Teacher, Robert E. Lee High School, Houston 1963 One-man Exhibit, James Bute Gallery, Houston, Texas “Landscape at Nysa”, Longview Invitational, Longview, Texas 1964 Chaired...

Nude study by Honora Berg (American, 1897-1985). Image, 26"H x 20"W on artsits cardboard. Signed/stamped "Estate of Honora Berg" on verso, from a collection of her works. Berg studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...

Still life of roses is an artwork of mid-20th made by an unknown artist. Oil on canvas, monogrammed H.v.D. and dated (19)57 lower left. 36 x 30 cm, framed 45 x 38 cm. Very good c...

The hunter is a modern artwork realized by a european artist in 1952. Mixed colored oil on plywood. Includes frame:34.5 x 3 x 26.5 Monogrammed "GV" and datet 1952 on the lower lef...

Jean Billon Portrait Of His Niece - Circa 1950 Oil on canvas 46 x 38 cm The back well straight, hair tidily combed, in her schoolgirl blouse, the little girl is looking at us, wi...

To shed. Oil on canvas. 21,3x26,8 cm

Knight and Girl is an original painting realized by an anonymous artist in the 1950s. Painting in tempera, watercolor, and China ink on paper. Included a Passepartout: 41 x 51 cm. ...

Original oil on canvas painting of a young girl with guitar by the Russian/French artist, Boris Simon. Signed top right. Circa 1955. Condition is excellent...

On the Beach is an artwork realized by Renzo Vespignani in 1955. Oil on Canvas, 128x102 cm. It Includes a gilded modern frame. Hand signed and date lower left. Good conditions. Renzo Vespignani was born in Rome on February 19, 1924 to Guido Vespignani and Ester Molinari, great-grandson of Virginio Vespignani, a famous architect. After the death of his father, a surgeon and cardiologist, he had to move very young with his mother to the proletarian area of Portonaccio, adjacent to the San Lorenzo district, where he grew up. He began to paint during the Nazi occupation, hiding with the engraver Lino Bianchi Barriviera, his first teacher. Other important points of reference, which influenced his artistic beginnings, were Alberto Ziveri and Luigi Bartolini while, especially in his first paintings, the influence of expressionists such as George Grosz and Otto Dix seems evident. In 1945 he exhibited his first personal exhibition and began to collaborate with various political-literary magazines (Domenica, Folla, Mercurio, La Fiera Letteraria) with satirical writings, illustrations and drawings. His work, between 1944 and 1948, describes the attempt to resurrect an Italy destroyed by the war. In 1956 he founded, with other intellectuals, the magazine Città Aperta, focused on the problems of urban culture. In 1961 he was among the winners of the Spoleto Prize; an essay was dedicated to the selected artists accompanied by large-format reproductions (black and white and four-color) of the exhibited works. In 1963 a work by him was exhibited at the Contemporary Italian Paintings exhibition, set up in some Australian cities . In 1963-64 he exhibited at the exhibition Peintures italiennes d'aujourd'hui, organized in the Middle East and North Africa. Since 1969, Vespignani has been working on large pictorial cycles dedicated to the crisis of the society of well-being: Imbarco per Citera (1969), concerning the intellectual class involved in '68; Album di Famiglia...

Presenting a mid century mixed media painting by American artist Robert McIntosh, "Cubist Nude in Green:, an original oil and collage on panel, ...

Portrait of a Man in a Polka Dot Clown Suit - Oil on Canvas Portrait of a man in a white and red polka dot suit by a Joan Tidwell (American, 1930-2005...

Mid Century Modern "Jazz Club" Original Oil Painting by Sandra Thaw Bright, bold and colorful oil painting of a Jazz Club c.1950s. Signed in the lower right corner "Sandra Thaw". ...

Pointilliste View of Istanbul is a modern artwork realized by Stan Reszka in 1951 Oil on Canvas. Hand signed Stan Reszka. Titled, signed, dated on the reverse. Includes frame. S...

Abstract Expressionist Bay Area Fauvist Oil on Paper Honora Berg Berkeley 1959 San Francisco Bay area abstract expressionist painting by Honora Berg (American, 1897-1985).A brilliant fauvist example of the bold slashes of colors Honora Berg creates. Splashes of blue over red and green hues with bright canary yellow swirls and patches. Estate stamp on verso "Estate of Honora Berg - Miller Fine Art" Unframed. 30"H x 22"W. Larry Miller 1958-2003, Larry was a specialist in bay area abstract artists and purchased numerous bay area artists estates. He purchased the entirety of the Honora Berg Estate and we purchased many of those works directly form Larry. Honora Berg, an Abstract Expressionist and Bay Area Figurative School artist, studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon...

This artwork titled "Freight Dock" is an original oil on canvas by noted American artist John Rockwell, 1902-1960 It is signed at the lower right corner by the artist, and also signe...

Wine Enologist Claude Wolf - Mid Century Portrait A stately mid-century portrait of Claude Wolf (1904-1973), a vintner Enologist by Abel George Warshawsky...

Irish mid-century landscape of Errigal, Co. Donegal. Well painted scene of the Irish landscape with water and mountains. The artist was active during the 1950s-1960s and these soug...

Mid Century Modern Portrait of a Man in a Suit in Oil on Masonite Mid Century Modern portrait of an older man by Honora Berg (American, 1897-1985). This portrait is made of layers o...

Image dimensions: 20.5 x 25 cm. Optique is an original artwork realized by the French artist Esy Beluzzi in 1956. Original tempera on paper. Hand-signed an dated in pencil on the lower right corner: Esy 56. Excellent conditions. Very colored and beautiful artwork representing a big eye inside a black circle. The figure is on a colored background with white pois. In the center of the composition we read "Leroy Verres de contact Optique" written on a colored tape. The work is for sure an advertising of the time that Esy Beluzzi realized for a contact lens...

Bay Area Expressionist Standing Nude from Behind in Oil on Cardboard Standing nude woman from behind by Honora Berg (American, 1897-1985). Bold...

Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the L...

Beautiful view of the hill of the italian region of Marche, where the artist was born and lived. Autenthication on photograph by the Artist dated november 11th 1996. Very good condit...

Gorgeous mid century modernist abstract combining earth-tones and subtlest metallic silver background by Corban LePell (American, b. 1933), 1955. Signed ...

Artist: Jacquelinne White– American (1919-2008) Title: Sketch of Carla at the Age of 12 Year: 1957 Medium: Oil on canvas Sight size: 37.5 x 27.5 Framed size: 41 x 31 inches Signatur...

Exceptional mid century Abstract Expressionist figurative painting from her study with David Park by Honora Berg (American, 1897-1985). Signed lower right "Honora Berg" and on verso. Unframed. Image 36"H x 30"W. Berg studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Castle Doorway is an original modern artwork realized in the half of the XX Century by Giuseppe Scognamiglio (Neaples, 1901 - Neaples, 1985). Original oil on cardboard. Hand-sign...

Flying is an original artwork in pencil and watercolor on paper realized by Maurice Rouzée. Good conditions. Sheet dimension:44.5 x 37 cm Included a white Passapartout: 69 x 49 cm...

Mr Millerson with Mrs. 1959. Paper, mixed media, 16x6.5 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his artist...

This oil on canvas is signed and dated in the lower right and measures 32.5" x 37" including the frame. The scene depicts a young lady playing her guitar by the light of the fire. Th...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret...

Beautiful oil on canvas by the french artist Paul Guiramand. Provenience: Important private collection. Very good conditions.

Mid century mother and child woodblock print by Kaoru Kawano (Japanese, 1916-1965). Unframed and un-matted. Signed "Kaoru Kawano", circa 1955. Image 16.75"H x 11.25"L. Kaoru Kawano...

Here for your consideration is a mid century modern oil painting on masonite by the well known Russian/American artist, Nahum Tschacbasov. The painting depicts an old man with a long wispy beard holding a group of birds. Signed lower right and dated 1954. Presently unframed. Condition is very good. Provenance: The estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...

Artist: William Harnden, American (1920 - 1983) Title: Conductor with Orchestra Medium: Oil on Masonite, signed Image Size: 15.5 x 19 inches Frame Size: 18 x 21 inches

Artist: William Harnden, American (1920 - 1983) Title: Concert Medium: Oil on Masonite, signed Image Size: 15.5 x 20 inches Frame Size: 22.5 x 27 inches

Painter's family (Ed. Kalnins). Oil on cardboard, 50x79,5 cm

Stamped verso with estate stamp for Victor Di Gesu (American, 1914-1988) and painted circa 1960. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art ...

Wonderful Bay Area Figurative by unknown artist (signature marred), circa 1955. In style of Nathan Oliveria and Norman Bluhm. Image size 16"H x 23"W. Presented in rustic frame. Frame...

An interesting, American School Mid-century tempera painting showing a view of a seated clown rehearsing his dogs for a dance routine while a bareback rider in costume observes in th...

Pascal av. Montaigne is an original tempera and golden oil painting on a light blue paper, realized in 1956 by the artist Esy Belluzzi. Hand-signed, titled and dated in pencil on l...

Untitled Signed, l.r. Oil on paper 16 x 13 inches (40.6 x 33 cm), framed 10 x 7.5 inches (25.4 x 19.1 cm), image This work is offered by CLAMP in New York City.

Italy,Italian Painter,Women,Nude,Orange,Red ,1952 Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical a...

Bernard Meninsky was a painter of figures and landscapes in oils, watercolour and gouache. He was born in 1891 in Karotopin, the Ukraine, of Jewish parents; brought to England six we...

Image dimensions: 20 x 28 cm. The Christmas is an original artwork realized by Esy Beluzzi in 1958. Original tempera on paper. Hand-signed and dated in pencil on the lower right margin: Esy 58. On the lower right corner "Julie Laure" is written in capital letters in pencil. Mint conditions. Beautiful work representing an angel dressed with a pink long dress and two long wings in the center of a scene theatre. On the left side, a tree without leaves but full of stars. All the composition is enriched with golden stars and the frame is characterized by dark blue curtains...

Antique American modernist surreal landscape oil painting. Oil on canvas. Framed. Signed.

UMBERTO ROMANO "HORSE TRAINERS" OIL ON PANEL, SIGNED AMERICAN, DATED 1952 23.74 X 35.75 INCHES Born: 1905 - Naples, Italy Died: 1984 - New York C...