Early 19th Century Figurative Paintings

Victor Marais-Milton 1872-1948 French Cardinals Playing Cards Signed "V. Marais-Milton" (lower right) Oil on canvas Two red-robed cardinals engage in a friendly game of cards in ...

This is one of Raeburns best works from his best period that is not in a museum or private collection. Three-quarter length portrait, seated in a white dress with a black scarf over...

El estado de conservación se puede ver, presenta faltas y precisará restauración Se presenta enmarcada la obra (el marco también presenta faltas) Medidas obra: 48 cm altura x 42 cm...

This captivating gouache on paper painting, dating from the early 19th century, offers a beautifully detailed view of St. Peter's Square in Vatican City, making it a likely relic of ...

The Artist at Work French School, circa 1800's oil on canvas, framed: 13.5 x 17 inches canvas: 11 x 14 inches Provenance: private collection, France Condition: very good condition ...

La obra no va firmada Se presenta enmarcada la obra con un marco de la época de la obra en madera dorara El estado de la pintura es aceptable, solo comentar que hay algunas restaur...

French school circa 1815 Portrait of Madame Leblond Oil on canvas H. 66 cm; W. 55 cm Named on the back Comparable to the works of painters such as Louis Hersent, our portrait, unsig...

A fine pair of oil portraits of a lady & gentleman, probably husband & wife, attributed to Zedekiah Belknap (1781-1858). Belknap was born in Auburn, MA and graduated from Dartmouth College...

Thangkas are devotional paintings displayed by Buddhists in monasteries, temples, and even in their homes. The rich red, orange, green, and blue hues are still incredibly vibrant on ...

Oil painting of a Whitsuntide fair after Munnings English, early 20th Century Frame: Height 78cm, width 96cm, depth 5.5cm Canvas: Height 50cm, width 70cm, depth 2cm This fine oil pa...

John Opie RA (1761-1807, English) c. 1802 Oil on canvas Canvas dimensions 36 x 32 inches Framed dimensions 46.5 x 43.25 inches Original gilded period frame. John Opie was a Corni...

Il dipinto è uno studio piuttosto elaborato e finito della figura del decemviro Appio Claudio, e del suo entourage con i littori, che primeggia nella parte sinistra della monumentale...

This early 19th-century oil painting by Hungarian artist Joszef Schmidt (1810-1875) depicts the Mater Dolorosa. It’s after a work by Italian artist, Guido Reni (1575-1642). Schmidt w...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...

Anonymous (English School) The Ballad Singers, ca. 1820 Oil on canvas Lively, theatrical, and brimming with charm, The Ballad Singers is a rare surviving example of early 19th-centu...

A Turkish Garden Party Early 19th Century Oil on board Image size: 16 x 20 inches Contemporary frame

Oil on canvas Shooting by the woods by Chapman Bayley (1818-1832) Early 19th Century gent standing by the woods with his two dogs shooting. Signed by the artist in original frame. Ch...

The Crucifixion French School, circa 1830's circle of Eugene Delacroix (1798-1863) oil on canvas, unframed canvas: 37.5 x 22.5 inches provenance: private collection, northern France ...

La scena raffigurata è presa dal capitolo 20 del vangelo apocrifo dello Pseudo Matteo e raffigura un evento avvenuto durante la fuga in Egitto. Maria, stanca, chiede a Giuseppe di ra...

Venetian painter (19th century) - Padua, Porta Liviana. 37.5 x 48.5 cm without frame, 50.5 x 60 cm with frame. Oil on canvas, in carved wooden frame (not signed). Condition report...

Originally the property of Mrs. John D. Rockefeller, Jr., this watercolor scene, depicting a group of ordinary, early 19th-century English folk and their dogs resting in the shade, p...

Measurements with frame: 87 x 69 cm The Ademollian tempera, which can be dated roughly between the first and third decades of the 19th century, illustrates two episodes of war and mo...

Esta obra es una de las escenas de la Misericordia, en concreto la de "Dar de comer al hambriento" La obra aparentemente no va firmada Se presenta tal cual sin enmarcar El estado ...

Henry William Pickersgill, attributed to (London 1782 – London 1875) Portrait of Captain Samuel Wright Oil on canvas H. 92 cm; L. 73 cm Circa 1810/1815 Provenance: – Brother of the ...

Constant Félix SMITH Paris, 1788 – Paris, 1873 The Dream of Athalie Oil on canvas 38 x 46 cm (43 x 51 cm with the frame) Beautiful 19th century giltwood frame Good condition (but num...

A sweet and intimate family scene by the rarest of artists: French early 19th Century child prodigy Henri-Louis-Hippolyte Poterlet (1804-1835). Poterlet was a close friend and confi...

Sin firmar, la obra es de autor anónimo El estado de la obra es bueno, aunque comentar que la tela está reentelada Se presenta bien enmarcada la obra con un marco posterior a la pi...

A very fine English School folk art portrait of a young boy in an East Anglian landscape. The artist intricately captures the contrasting plaid overcoat that the young boy wears in r...

A charming early 19th-century genre scene depicting figures having an altercation in a tavern interior. Unsigned. Presented in a wooden frame with a gilt-painted inner window. On can...

Oil painting of a garden scene from ‘The Heart of Midlothian’ by Leslie English, c. 1830 Canvas: Height 30cm, width 25cm Frame: Height 38.5cm, width 32.5cm, depth 3cm This beautiful...

Esta obra es una de las escenas de la Misericordia, en concreto la de "Visitar a los presos" La obra aparentemente no va firmada Se presenta tal cual sin enmarcar El estado de la ...

A delightful early 19th Century copy of Raphael's c.1514 'Madonna della Seggiola' in oil. Raphael's choice to forgo his linear style and strict geometric form is still clear in this ...

Fantastic oil on panel possibly Dutch school. Looks to be at least 19 century possibly earlier. The scene looks like a very important gentleman or possibly royalty with a scribe taki...

Artist/ School: Englsh School, early 19th century, circle of George Morland Title: The Country Stable Medium: oil on canvas, framed actual canvas size: 25. x 30 inches framed: 34....

The Windswept Sky Attributed to Patrick Nasmyth (Scottish 1787-1831) oil on canvas laid over board, framed Framed: 14 x 17 inches painting: 11 x 14 inches Provenance: private collect...

Solemn Ritual with Figures in Black Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection Condition: great condition ...

Karl Schindler (1821–1842) – Romantic Genre Scene Artist: Karl Schindler Period: Early 19th Century Medium: Watercolor on Paper Dimensions: Framed: 35 x 28 cm Artwork: 21 x 16 cm St...

18th Century European School Figurative and Landscape Painting of Soldiers at Rest Evocative Dutch School painting of soldiers resting at end of day in old ruins, signed J. Kamp (D...

Badri Narayan The Flower Water colour on Paper 8 x 8 inches 20.3 x 20.3 cm 8th April 1993 ( Framed & Delivered ) This work features in the Book on Badrinarayan Written by Ms. ...

Joséphine Henriette, known as Jenny des ROYS d’ESCHANDELYS, born HOCHE (Thionville, 1796 – Paris, 1867) Neoclassical landscape Oil on canvas Signed lower left 20 x 30.5 cm 1821 Th...

Work on canvas

Jean-Jacques CHAMPIN (Sceaux, 1796 – Paris, 1860) View of the Basilica of Saint-Denis from the Montmartre Cemetery Oil on paper mounted on canvas Signed lower right 15 x 27 cm Arou...

Attributed to Jeanne Élisabeth CHAUDET (Paris, 1761 – Paris, 1832) Cupid holding his arrow Oil on oval canvas Not signed 33 x 26.5 cm Élisabeth Chaudet, born Gabiou in Paris on Ja...

Early American oil portrait on canvas of a man seating wearing a suit holding a book. The painting has a signature in the bottom right corner as seen in the photographs. The painting's style is similar to American artist, William Matthew Prior, John Stanley, and John Brewster...

ATELIER DI LOUIS LEOPOLD ROBERT (La Chaux-de-Fonds, 13 maggio 1794 – Venezia, 20 marzo 1835) Le retour de la fête de la Madone de l'Arc, près de Naples, oil on canvas 140 x 100 cm....

Titled on lower center. Image 36.4x49 - 14.33 x 19.29 in. / Frame 54.7 x 66.5 - 21.54 x 26.18 in. Beautiful 19th century representation of the Gulf and the Bay of Pozzuoli near Nap...

Leonardo Roda (Racconigi, 1868 - Turin, 1933) When the day is over Oil on canvas, 120 x 170 cm Framed, 151 x 201 cm Signed at lower right: "L.Roda" The majestic canvas under con...

Original Title: Veduta del Tempio Esastilo Perittero dalla Parte di Ponente Tempera painting on paper, cm 34x46.5, including coeval gilded frame, cm 42.7x1.6x54.3 Wonderful View of...

Italian school from the beginning of the 19th century ? Oil on canvas (2) 99 x 65 cm (103 x 78 cm with the frame) Old frames with gadroons and palmette decoration Very good condition...

The Wrestlers, dated 1962 signed EE dates 1962 - Large 1962 British Figurative School portrait of two male wrestlers, oil on board. Good quality and ...

William Redmore Bigg (English, 1755-1828) The Reprimand Oil on panel, 18 1/2 x 24 inches FRAMED: 30 x 24 inches This rural interior is typical of the anecdotal scenes of village li...

Entourage of Jacques SABLET Woman in mourning in a stormy mountain landscape Oil on canvas H. 60 cm; W. 84.5 cm Around 1805 More than a landscape, our painting is a psychological wo...

Early 19th or late 18th century Barbizon school Genre painting. Definitely a mystery piece here. Obviously academically painted but I cannot find a signature but painting needs a goo...

Pair of paintings each in original American Federal Period white pine gilded scoop frames with inner row of beads. Framed Dimensions: 24 x 29 1/2 inches. Provenance available upon request. Michele Felice Cornè, considered to be Salem, Massachusetts’ most versatile early nineteenth century artist, painted this remarkable pair of paintings about a decade after he arrived in America from Naples, Italy. Cornè worked and lived in Salem from 1800-06 when he moved to Boston. During his Boston tenure (1807-22) the artist was noted for painting portraits of Boston ships and naval battles of the War of 1812, as well as taking on major mural commissions. This charming pair of paintings, each of two children playing, were possibly intended as overdoor decorations for a Federal period house. Cornè’s most ambitious decorations were the wall murals which he painted for the Sullivan Dorr house in Providence in 1810. And this pair of paintings seems to date from about the same period. From 1822 to his death in 1845 he lived in Newport, Rhode Island. The pair of paintings of Children playing was long in the famous Americana collection of Benjamin Flayderman. Flayderman was said to have set the standard for collecting in American furniture and decorative arts in the 1920s. Much of his collection was sold at a legendary sale at the American Art Association-Anderson Galleries (predecessor of Parke-Burnet and Sotheby’s, New York) in April of 1931. These paintings, however, were retained by Flayderman and descended in his family. Cornè was instrumental in transferring current Neapolitan painting techniques as well as Italian landscape themes to America. On the subject of Cornè's non-marine work, Nina Fletcher Little, the Cornè expert, stated: “Although Cornè's claim to twentieth century recognition has rested chiefly on his marine subjects, it is becoming increasingly apparent that he was equally successful in the charming landscapes he placed upon overmantles, fireboards, and framed canvases. Many depict the rolling countryside of his native Italy, which he copied from romantic engravings. These compositions, featuring grazing cows and frolicking peasants, are extremely colorful and picturesque. Arched bridges, steepled churches, crenellated castles, and round stone towers form most decorative backgrounds.” The two paintings: Two Children at Play with a White Bird and Two Children Playing recall earlier European and Italian models. Cherub paintings were popular throughout western Europe in the last quarter of the 18th century. But these Cornè paintings also recall the Renaissance paintings of putti such as the little angels by Raphael, painted as part of his Sistine Madonna, and lately enjoying greatly renewed popularity and notice. Cornè often used Italian old master models as a basis for landscape or figure paintings. Cornè was born on the island of Elba in 1752. During the Napoleonic Wars, he sought refuge and sailed to America on the ship Mount Vernon commanded by Elias Hasket Derby, Jr., at whose father's house Cornè resided in Salem. The artist arrived in Salem, Massachusetts in July of 1800. Derby, impressed by the Neapolitan marine paintings that he had seen and collected during his Mediterranean voyages of the late eighteenth century, sought to make the same skills available in Salem by encouraging Cornè to live and work in that town. Cornè was quite successful in transferring the current Neapolitan decorative painting to America, and his popularity grew rapidly. Cornè attracted the patronage of many in Salem, and was introduced to Samuel McIntire with whom he worked on many of Salem's houses. Between 1807 and 1809 he was at 27 Hanover Street in Boston, but by 1810 the city directories list him at 61 Middle Street. By 1822, he was settled in Newport, Rhode Island and received enough patronage to support him the rest of his life. Cornè is well represented in public and private collections including the American Antiquarian Society, Worcester, Massachusetts, the Peabody-Essex Museum of Salem, Bowdoin College Museum of Art, Boston Museum of Fine Arts, New Haven Colony Historical Society, the New York Historical Society, Newport Historical Society, Redwood Library and Athenaeum, Rhode Island Historical Society, the Smithsonian Institution, the Society for the Preservation of New England Antiquities, the United States Department of State, the United States Naval Academy...

This refined devotional painting, executed in oil on copper, is a distinguished example of the 19th-century Spanish School, known for its emotive sacred imagery and profound spiritua...

This finely executed 19th-century devotional painting, rendered in oil on copper, depicts Saint Thomas the Apostle, traditionally recognized as the patron saint of architects and bui...

Work on canvas Golden molded wooden frame 60 x 72.5 x 5.5 cm

In Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. Painted with blue, orange, and r...

Oil Painting circle of William Redmore Bigg "Spinning" 1755 -1828 Fine rural scene circa 1800 much in the manner of W.R Bigg who painted rural English views. Oil on canvas and fine o...

Pastel by Charles Vasnier, a french painter, born at Caen. (1873-1961) His works are exposed at the caen Museum of Arts. With frame it measures: 74x62 cm.