Early 19th Century Figurative Paintings

Circle of Jacques-Louis David Joseph and Potiphar 88x72 cm oil on canvas. The story tells of Joseph's duties in Egypt. Sold as a slave to Putiphar, chief of the king of Egypt's guar...

Originally the property of Mrs. John D. Rockefeller, Jr., this watercolor scene, depicting a group of ordinary, early 19th-century English folk and their dogs resting in the shade, p...

A fine pair of oil portraits of a lady & gentleman, probably husband & wife, attributed to Zedekiah Belknap (1781-1858). Belknap was born in Auburn, MA and graduated from Dartmouth College...

A sweet and intimate family scene by the rarest of artists: French early 19th Century child prodigy Henri-Louis-Hippolyte Poterlet (1804-1835). Poterlet was a close friend and confi...

Venetian painter (19th century) - Padua, Porta Liviana. 37.5 x 48.5 cm without frame, 50.5 x 60 cm with frame. Oil on canvas, in carved wooden frame. Condition report: Good state ...

Il dipinto è uno studio piuttosto elaborato e finito della figura del decemviro Appio Claudio, e del suo entourage con i littori, che primeggia nella parte sinistra della monumentale...

Oil on canvas Shooting by the woods by Chapman Bayley (1818-1832) Early 19th Century gent standing by the woods with his two dogs shooting. Signed by the artist in original frame. Ch...

Oil on canvas framed representing a monk reading sitting on a chair in the taste of François Granet.

La scena raffigurata è presa dal capitolo 20 del vangelo apocrifo dello Pseudo Matteo e raffigura un evento avvenuto durante la fuga in Egitto. Maria, stanca, chiede a Giuseppe di ra...

This captivating gouache on paper painting, dating from the early 19th century, offers a beautifully detailed view of St. Peter's Square in Vatican City, making it a likely relic of ...

François CARLIER-RUBRECQ (active around 1820-1830) Study of various works of art Oil on canvas H. 50 cm; L. 58.5 cm Signed and dated upper left, countersigned on the stretcher 1825 ...

Provenance: Exhibited at Pennsylvania Academy of Fine Arts, 1911 #229 Description: William Wallace Gilchrist (1879-1926) was an American painter known for his captivating depictions of everyday life scenes and his ability to capture the ambiance and aesthetic of the late 19th century. Born in Philadelphia, Gilchrist showed an early passion for art and pursued his artistic education at the Pennsylvania Academy of the Fine Arts Gilchrist’s artwork often revolved around intimate domestic settings, where he skillfully portrayed the beauty and tranquility of ordinary moments. His painting “The Morning News...

Allegory of Asia: a cassocked woman, with a blue cloth edged with gold, is lying on a triclinium, in her right hand she holds a crown of flowers; her gaze is turned upwards, her head encircled by a diadem of flowers. Next to her bed there is a censer and a gilded vase carved with cherubs, filled with flowers; scattered at her feet are roses, pearl and coral necklaces...

The Windswept Sky Attributed to Patrick Nasmyth (Scottish 1787-1831) oil on canvas laid over board, framed Framed: 14 x 17 inches painting: 11 x 14 inches Provenance: private collect...

Solemn Ritual with Figures in Black Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection Condition: great condition ...

Anonymous (English School) The Ballad Singers, ca. 1820 Oil on canvas Lively, theatrical, and brimming with charm, The Ballad Singers is a rare surviving example of early 19th-centu...

Constant Félix SMITH Paris, 1788 – Paris, 1873 The Dream of Athalie Oil on canvas 38 x 46 cm (43 x 51 cm with the frame) Beautiful 19th century giltwood frame Good condition (but num...

Artist/ School: Englsh School, early 19th century, circle of George Morland Title: The Country Stable Medium: oil on canvas, framed actual canvas size: 25. x 30 inches framed: 34....

A charming early 19th-century genre scene depicting figures having an altercation in a tavern interior. Unsigned. Presented in a wooden frame with a gilt-painted inner window. On can...

Oil painting of a garden scene from ‘The Heart of Midlothian’ by Leslie English, c. 1830 Canvas: Height 30cm, width 25cm Frame: Height 38.5cm, width 32.5cm, depth 3cm This beautiful...

The Crucifixion French School, circa 1830's circle of Eugene Delacroix (1798-1863) oil on canvas, unframed canvas: 37.5 x 22.5 inches provenance: private collection, northern France ...

Circle of Fulchran Jean HARRIET (Paris, 1776 – Rome, 1805) Saul asks the pythonisse of Andor to call the ghost of Samuel Oil on canvas 31 x 42 cm Around 1800 The episode is taken ...

An important & fine antique George IV period oil painting; a portrait of John & Sara Ogle of Kirkley Hall Northumbria, England, by Sir John Hayter RA, signed & dated 1829. Sir John ...

French school from the beginning of the 19th century Three-quarter bust portrait of a man Oil on panel 28 x 21 cm Circa 1830

Pierre DUVAL LECAMUS (Lisieux 1790 - Saint-Cloud 1854) Dinner in good company Oil on canvas H. 32.5 cm; W. 24.5 cm Around 1820 Related works : - Painting from the 1822 Salon and kep...

Work on canvas

English School, circa 1800 Napoleonic Wars Period marine scene with soldiers on a French beach. oil on canvas, framed framed: 10.5 x 13 inches canva...

Italian school from the beginning of the 19th century Oil on canvas (2) 99 x 65 cm (103 x 78 cm with the frame) Old frames with gadroons and palmette decoration Excellent condition ...

Esta obra es una de las escenas de la Misericordia, en concreto la de "Visitar a los presos" La obra aparentemente no va firmada Se presenta tal cual sin enmarcar El estado de la ...

Esta obra es una de las escenas de la Misericordia, en concreto la de "Dar de comer al hambriento" La obra aparentemente no va firmada Se presenta tal cual sin enmarcar El estado ...

This charming gouache on paper painting, from the early 19th century, presents a detailed view of Trajan’s Column in Rome, a historically significant landmark dating back to ancient ...

Oil painting of a Whitsuntide fair after Munnings English, early 20th Century Frame: Height 78cm, width 96cm, depth 5.5cm Canvas: Height 50cm, width 70cm, depth 2cm This fine oil pa...

A very fine English School folk art portrait of a young boy in an East Anglian landscape. The artist intricately captures the contrasting plaid overcoat that the young boy wears in r...

La obra no va firmada La obra se presenta enmarcada (el marco presenta algunas faltas) Medidas de la obra: 97 cm. de altura x 78 cm. de ancho Medidas del marco: 106 cm. de altura ...

Jean-Jacques CHAMPIN (Sceaux, 1796 – Paris, 1860) View of the Basilica of Saint-Denis from the Montmartre Cemetery Oil on paper mounted on canvas Signed lower right 15 x 27 cm Arou...

English School, circa 1800 Napoleonic Wars Marine Scene oil on canvas, framed framed: 10.5 x 13 inches canvas: 8 x 10 inches private collection, England condition: The painting is i...

Karl Schindler (1821–1842) – Romantic Genre Scene Artist: Karl Schindler Period: Early 19th Century Medium: Watercolor on Paper Dimensions: Framed: 35 x 28 cm Artwork: 21 x 16 cm St...

Pair of paintings each in original American Federal Period white pine gilded scoop frames with inner row of beads. Framed Dimensions: 24 x 29 1/2 inches. Provenance available upon request. Michele Felice Cornè, considered to be Salem, Massachusetts’ most versatile early nineteenth century artist, painted this remarkable pair of paintings about a decade after he arrived in America from Naples, Italy. Cornè worked and lived in Salem from 1800-06 when he moved to Boston. During his Boston tenure (1807-22) the artist was noted for painting portraits of Boston ships and naval battles of the War of 1812, as well as taking on major mural commissions. This charming pair of paintings, each of two children playing, were possibly intended as overdoor decorations for a Federal period house. Cornè’s most ambitious decorations were the wall murals which he painted for the Sullivan Dorr house in Providence in 1810. And this pair of paintings seems to date from about the same period. From 1822 to his death in 1845 he lived in Newport, Rhode Island. The pair of paintings of Children playing was long in the famous Americana collection of Benjamin Flayderman. Flayderman was said to have set the standard for collecting in American furniture and decorative arts in the 1920s. Much of his collection was sold at a legendary sale at the American Art Association-Anderson Galleries (predecessor of Parke-Burnet and Sotheby’s, New York) in April of 1931. These paintings, however, were retained by Flayderman and descended in his family. Cornè was instrumental in transferring current Neapolitan painting techniques as well as Italian landscape themes to America. On the subject of Cornè's non-marine work, Nina Fletcher Little, the Cornè expert, stated: “Although Cornè's claim to twentieth century recognition has rested chiefly on his marine subjects, it is becoming increasingly apparent that he was equally successful in the charming landscapes he placed upon overmantles, fireboards, and framed canvases. Many depict the rolling countryside of his native Italy, which he copied from romantic engravings. These compositions, featuring grazing cows and frolicking peasants, are extremely colorful and picturesque. Arched bridges, steepled churches, crenellated castles, and round stone towers form most decorative backgrounds.” The two paintings: Two Children at Play with a White Bird and Two Children Playing recall earlier European and Italian models. Cherub paintings were popular throughout western Europe in the last quarter of the 18th century. But these Cornè paintings also recall the Renaissance paintings of putti such as the little angels by Raphael, painted as part of his Sistine Madonna, and lately enjoying greatly renewed popularity and notice. Cornè often used Italian old master models as a basis for landscape or figure paintings. Cornè was born on the island of Elba in 1752. During the Napoleonic Wars, he sought refuge and sailed to America on the ship Mount Vernon commanded by Elias Hasket Derby, Jr., at whose father's house Cornè resided in Salem. The artist arrived in Salem, Massachusetts in July of 1800. Derby, impressed by the Neapolitan marine paintings that he had seen and collected during his Mediterranean voyages of the late eighteenth century, sought to make the same skills available in Salem by encouraging Cornè to live and work in that town. Cornè was quite successful in transferring the current Neapolitan decorative painting to America, and his popularity grew rapidly. Cornè attracted the patronage of many in Salem, and was introduced to Samuel McIntire with whom he worked on many of Salem's houses. Between 1807 and 1809 he was at 27 Hanover Street in Boston, but by 1810 the city directories list him at 61 Middle Street. By 1822, he was settled in Newport, Rhode Island and received enough patronage to support him the rest of his life. Cornè is well represented in public and private collections including the American Antiquarian Society, Worcester, Massachusetts, the Peabody-Essex Museum of Salem, Bowdoin College Museum of Art, Boston Museum of Fine Arts, New Haven Colony Historical Society, the New York Historical Society, Newport Historical Society, Redwood Library and Athenaeum, Rhode Island Historical Society, the Smithsonian Institution, the Society for the Preservation of New England Antiquities, the United States Department of State, the United States Naval Academy...

Fantastic oil on panel possibly Dutch school. Looks to be at least 19 century possibly earlier. The scene looks like a very important gentleman or possibly royalty with a scribe taki...

Pair of early 19th century Chinese export watercolour paintings Chinese, Early 19th Century Paper: Height 51cm, width 41cm Frame: Height 70cm, width 59cm, depth 6cm This exquisite...

Sin firmar, la obra es de autor anónimo El estado de la obra es bueno, aunque comentar que la tela está reentelada Se presenta bien enmarcada la obra con un marco posterior a la pi...

Badri Narayan The Flower Water colour on Paper 8 x 8 inches 20.3 x 20.3 cm 8th April 1993 ( Framed & Delivered ) This work features in the Book on Badrinarayan Written by Ms. ...

François Jean SABLET (Morges, 1745 – Nantes, 1819) Portrait of Jean Claude Pellegrini (1787-1854) Honorary Divisional Inspector of Bridges and Roads. Oil on canvas Monogrammed and dated lower right 30x25cm 1819 Painter of portraits, Jean François Sablet, originally from Morges, born November 23, 1745, is the eldest son of Jacob Sablet (1720–1798), bourgeois of this city, house painter, gilder, art dealer, and Suzanne Dupuis (1722–1775), settled in Lausanne from 1754. In 1767, on June 8, he prepared to leave to “improve in the art of painting” with a viaticum from the Council of Morges and a scholarship from Bern. In Paris, he was a pupil of Joseph-Marie Vien at the Royal Academy (1768–73). In 1772, he was joined by his younger brother Jacques, who in 1776 left for Rome to pursue a brilliant career there. François, he remains in Paris, goes almost unnoticed there having neither competed, nor received a prize, nor even exhibited. In 1774, he signed and dated the Portrait of the Count of Artois, as Colonel-General of the Swiss and Graubünden. In 1777, he married Marie Madeleine Borel, daughter of a wood merchant, and settled near the Quinze-Vingt at the Bastille, as a portrait painter. He entered the Masonic lodge of Celestial Friendship and therefore enjoyed a certain notoriety. He executed the portrait of Charles-Henri, Comte d'Estaing, engraved by Charles-Etienne Gaucher (1779). In 1781, L. Perrot reproduced two of his works from the cabinet of Madame de Saint-Maurice, Childhood in the Countryside and Visit to the Nurse, for the philanthropic society founded in particular by Louis d'Affry, captain of the Swiss Guards. . In addition to the fact that these subjects denote an ideal of benevolence under the aegis of Jean-Jacques Rousseau, they testify to relations with the Swiss milieu. Finally, the format and quality of two large full-length portraits Vestal pouring incense (1781) and the Offering to Hymen (1783) reflect her favor in society on the eve of the Revolution and, although in shadow, he is able to build life annuities. From this first stage are dated two sketchbooks in black chalk and red chalk of characters, interior scenes, theatrical evocations, including the Vestal Virgin pouring incense. He also signed a series of wash illustrations relating to mythology and other subjects taken from Ovid. In 1789, the political climate suddenly darkened, the amateurs left, dragging the artists with them. François Sablet took the road to Switzerland and, in January 1792, joined his brother in Rome, a genre painter in Italian costumes and portraits in nature called "conversation pieces", models from which François was to draw inspiration. François spent the summer in Genzano in the Roman countryside, where he also devoted himself to landscape and popular costumes. Beat d'Hennezel, their compatriot, evokes the evenings at the Sablets' with their artist friends, busy drawing portraits while exchanging heated remarks on the political situation. However, the events in Paris had repercussions in Rome. In January 1793 the French representative was assassinated, the French and other French speakers...

White and Pink Peonies in Vase Charles Swyncop Brussels 1895 – 1970 Belgian Painter Signature: Signed top left Medium: Oil on canvas Dimensions: Image size 46 x 38 cm, frame size 64 x 56 cm Biography: Swyncop Charles was born in Brussels in 1895. Charles was a painter of landscapes, city views, seascapes, still lifes, flowers, children, genre scenes, figures (often Spanish beauties) and portraits. He was also illustrator and lithographer. Younger brother and pupil of Philippe Swyncop. He studied at the Academy of Brussels (1908-1917 and 1919-1920) with as teachers, J. Delville, H. Richir and Alfred Bastien. He also travelled to Rome and Venice. In Rome he studied iconography and the study of the great masters. Also found, like his brother, inspiration in Spain. Like his brother, he painted in a lighter genre. But, unlike his brother, he used subtle, spontaneous brushstrokes such as the French Fauvists. His colourful sea views are reminiscent of the works of Henri Matisse and André Derain. In 1920 Swyncop assisted his teacher Alfred Bastien with the panoramic painting “Panorama de l’Yser”. Other assistant painters were Charles Léonard and Jef Bonheur, also former pupils of Bastien. The work was done in what later became the mosque of the Cinquantenaire Park. From 1924 onwards, it was given a suitable panoramic building in Ostend. The canvas was severely damaged during the Second World War. Charles Swyncop took part in a group exhibition at ‘Maison d’Art Moderne’ in Brussels in 1920 together with Jean Colin, Philippe Swyncop, Arthur Navez, Samuel Milbauer, L. Bisschops, J. Payro and Jean-Jacques Gailliard. He received an honourable mention (third prize) on the Prize of Rome in 1920. In the years 1922-1923 he made study trips to Spain and Italy. There he made portraits of the local population. He regularly returned to Spain. Commissioned by the Ministry of Colonies, he painted decorative panels for the 1930 World Fair in Antwerp. Swyncop was a member of the group ‘La Lierre’ and took part in the annual exhibitions. Other members of ‘La Lierre’ included Alfred Bastien, Julius Brouwers, Louis Clesse, Henri De Clerck...

Titled on lower center. Image 36.4x49 - 14.33 x 19.29 in. / Frame 54.7 x 66.5 - 21.54 x 26.18 in. Beautiful 19th century representation of the Gulf and the Bay of Pozzuoli near Nap...

Measurements with frame: 87 x 69 cm In this tempera dated between the second and third decade of the 19th century we find an iconographic design with a sacred character by neoclassic...

William Redmore Bigg (English, 1755-1828) The Reprimand Oil on panel, 18 1/2 x 24 inches FRAMED: 30 x 24 inches This rural interior is typical of the anecdotal scenes of village li...

The port of Étaples, France Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16.5 inches inscribed verso Provenance: private collection Condition: great co...

Oil Painting circle of William Redmore Bigg "Spinning" 1755 -1828 Fine rural scene circa 1800 much in the manner of W.R Bigg who painted rural English views. Oil on canvas and fine o...

Original Title: Veduta del Tempio Esastilo Perittero dalla Parte di Ponente Tempera painting on paper, cm 34x46.5, including coeval gilded frame, cm 42.7x1.6x54.3 Wonderful View of...

Pair of antique classical French salon drawings. Charcoal on paper. Illegibly signed. In giltwood frames, early 19th century. # grand tour

Early 19th or late 18th century Barbizon school Genre painting. Definitely a mystery piece here. Obviously academically painted but I cannot find a signature but painting needs a goo...

La obra va firmada por el artista en la parte inferior y en la trasera va firmada a lápiz La obra se presenta enmarcada Medidas obra: 41 cm. altura x 60 cm. ancho Estado de conser...

Entourage of Jacques SABLET Woman in mourning in a stormy mountain landscape Oil on canvas H. 60 cm; W. 84.5 cm Around 1805 More than a landscape, our painting is a psychological wo...

Pastel by Charles Vasnier, a french painter, born at Caen. (1873-1961) His works are exposed at the caen Museum of Arts. With frame it measures: 74x62 cm.

Work on canvas Golden molded wooden frame 60 x 72.5 x 5.5 cm

Francesco Gandolfi (Chiavari, 1824 - Genoa, 1873) Pastoral Idyll, 1855 Oil on canvas, 138 x 84 cm With frame 152 x 98 cm Bibliography: Orlando Grosso, Francesco Gandolfi, S.E.A.I...

ATELIER DI LOUIS LEOPOLD ROBERT (La Chaux-de-Fonds, 13 maggio 1794 – Venezia, 20 marzo 1835) Le retour de la fête de la Madone de l'Arc, près de Naples, oil on canvas 140 x 100 cm....