Modern Figurative Paintings

Jogen Chowdhury Woman Face with Braid, Dry Pastel on Paper 10 x 6.3 inches , 2022 ( this is the unframed size ) The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Exercising Ponies by Orovida Camille Pissarro (1893-1968) Oil on board 101.5 x 76 cm (40 x 30 inches) Signed and dated lower right Orovida 1954 Provenance Estate of Orovida Pissarro With John Bensusan-Butt, cousin of the artist Sotheby's London, 12th October 1988 G Hassell, 25th November 1988 With John Noott, 10th June 1992 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 161 (illustrated) Exhibitions London, Bowmore Gallery, Women in Art 1850-1989, 2nd-11th November 1989 Fort Lauderdale, Museum of Art, Camille Pissarro and his Descendants, January-April 2000, no.123 This work was included in the above important museum exhibition and a catalogue of the Fort Lauderdale museum show will be included with this painting. Biography Orovida Camille Pissarro, the only child of Lucien and Esther Pissarro, was the first woman in the Pissarro family to become a professional artist and the first Pissarro of her generation to take up painting. Born in Epping, England, in 1893, she lived and worked predominantly in London, where she was a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style from her father and, after a brief period of formal study with Walter Sickert in 1913, she renounced formal art schooling. Throughout her career, Orovida always remained outside mainstream British art movements. Much to Lucien's disappointment, she soon turned away from naturalistic painting and developed an unusual style that combined elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which, for the Pissarro family, was a way of life, and her simultaneous decision to drop her famous last name and use simply Orovida as a nom de peintre, reflected a desire for independence and distance from the family legacy, of which she nevertheless remained proud. Orovida's most distinctive works are her paintings from the 1920s...

August Dressler is one of the painters of the New Objectivity. He is one of the lesser-known artists of the Weimar era, but he too, like his famous contemporaries Georg Grosz, John H...

A modern industrial landscape painting. Signed on the reverse what appears to be Palamar. Possibly Ukrainian artist Ivan Palamar.

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

this small oil study depicts my iconic campfire. It's a work where I was experimenting with a wet-on-wet technique. On the reverse it reads: #042016 ( the 54th work of 2016, CAMPFIRE IN AUGUST ( title) ©Francis X Pavy...

Hollands Canal Face with Figs is a splendid oil paint on panel realized by the Dutch artist Gerard Diepeveen . Beautiful and suggestive view of Dutch canals. Dimensions: cm 35 x ...

View of Rome is an original watercolour on paper realized by Alfonso Avanessian in the 1990s. The piece is hand signed on the lower right. Frame included (59,5x70 cm). Good conditi...

Eternal recurrence #16 by Natasha Zupan Original photo collage with intervention by the artist Image size: 10 in. H x 7 in. W Framed 2015 All Prices ar...

WPA era signed framed modernist oil painting of houses and trees in summer with a stormy cloud in Colorado by Paul K. Smith in shades of green, ...

Crazy He Calls Me by Natasha Zupan Collage Image size: 12 in. H x 9.5 in. W Edition of 5 Framed 2015 Natasha Zupan’s work juxtaposes emotion, reflection, shadows, light, time, imag...

Jogen Chowdhury Sleepless Night, Dry Pastel on Paper 7 x 9.25 inches , 2022 The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron art...

'The Cyclists Rest Stop in Honfleur' by Jean-Marie Luc Blanpain, oil on canvas (circa 1970s). The artist's depiction of the terrace of the well known Honfleur restaurant, 'Au Relais ...

Colorful modern figurative portrait of a man playing billiards or pool by Connecticut artist Gerald Garston. The work features a man in a blue bowler ha...

This artwork titled "Meditation" c.2000 is an oil painting on canvas by Italian/American artist Karl Gasser, 1948-2017. It is signed at the lower right corner by the artist. The size...

Oil on cardboard

Mid 20th Century oil on canvas painting of a Paris street scene with the columns of La Madeleine in the distance, signed Deuvray bottom left. The canvas is on its original stretcher ...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Female Portrait is an original artwork realized in 1931 by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corner. ...

Suhas Roy - Radha Mixed Media on Board , 11 x 14 inches , 2010 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a series of work where he sees an ethereal mystic godlike and innocent spirit in every woman he meets. Style : He is one of the biggest and the most enduring names in the genre of Indian modern art. Often dubbed the father of female figurative forms. Radha Series and the Christ Series in soft pastel on paper and intense Oil on canvas paintings .Consequently, his recent body of works, "Drops of Silence", executed in oil, pastels and pen-and-ink etchings on backdrops in watercolours, are all studies of "mysterious slightly surreal nude women floating in a void". Roy's forte is Radhika - dark, enigmatic, beautiful Indian women with the slightest smile and ethereal in its quality . About the Artist & his work : Born : 1936, Bangladesh. Education : 1953-58 : Diploma in Painting, Indian College of Art and Draughtsmanship, Calcutta. 1956-66 : Studied graphic art under the guidance of S.W. Hayter, Atelier 17 and mural art at cole Superior Des Beaux Art, Paris. Exhibitions : His works have been exhibited all over the world through exhibitions like the Asian Graphic Prints Traveling Exhibition, USA, the Tokyo Print Biennale, Japan, Contemporary Indian Art...

Suhas Roy Radha (a) Mixed Media on Board, 5.4 x 5.6 inches, 2009 (b) Mixed Media on Board, 4.8 x 6 inches, 2006 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canva...

Landscapes with Views of Ancient Rome is an original pair of oil on canvas realized in the Second Half 19th Century. Mixed colored oil on canvas, mounted on panel. Minor damage to ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Frans Masereel created a universal reality from the material of the present, concrete, and local. Amidst life in the big city, the streets and the fate of the masses in their histori...

Flowers Basket is a beautiful oil on canvas painting probably realized in the 1990s by an Anonymous artist. Indistinct hand-signature overleaf. The piece is in good conditions with...

Suhas Roy - Radha - 20 x 20 inches ( unframed size) Tempera Coloured Conte on Pastel on Paper , 2005 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or sof...

Prakash Karmakar - Laughing Cow - 15.5 x 11.5 inches (unframed size) Ink on Paper , 2006 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible for ...

Oil on canvas

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Bijan Choudhury - Untitled - 48 x 60 inches (unframed size) Mixed Media on Canvas Inclusive of shipment in roll form. Style : The Marxist orientation did not allow Bijan Chowdhury "...

Oil on linen mounted on board signed and dated on reverse.

Late 20th century modernist oil painting of Greco Roman wrestlers done in the classical style. By David Loeb. Oil on handmade paper. Signed on reverse and dated 1989. Loeb was born in 1953 and raised in Chappaqua, New York, David Loeb’s mother and her identical twin were painters, and he has been painting since childhood. He studied with Gillian Pederson-Krag at Cornell University; Reed Kay at Boston University; Louis Finkelstein, Wolf Kahn and Philip Guston at the Yale Summer School of Art and Music; and attended graduate school at Indiana University, Bloomington, where he studied with Robert Barnes...

Somnath Hore - Family Pen & Ink on Paper, 13.6 x 10 inches ; 1991 ( Unframed & Delivered ) Inclusive of shipment mounted not framed, Should you wish to receive the same framed and s...

Riders Through the Canyon, c. 1941 Oil on board Signed lower right 24 x 32.25 inches "Also, on this second trip the significant colors of the Southwest became apparent - the prep...

Work on canvas Gilded wooden frame 73 x 84 x 4 cm Canvas Back Artist Stamp

***Please note the glass will be removed for shipping*** For local and London deliveries the glass can be retained if agreed prior to purchase. George Large, R.I. (born 1936) Feeding the swans...

"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil. 30 x 40 inches. Oil on canvas, c. 1942. Signed lower right. Titled on the stretcher. Housed in a sensational Heydenryk frame. Our gallery, Helicline Fine Art...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Artist/ School: Rene Bellanger (French 1895-1964), signed Title: Castellon de la Plana, boats in the port. The work was exhibited with the French Salon...

Artist/ School: French School, signed and dated 1960's Title: Interior scene with a figure in red jacket Medium: oil painting on board, framed. framed: 41.75 x 33.75 inches paint...

Study for Sculpture by Ernst Neizvestny, Russian (1926–2016) Ink and brush on paper, signed upper right Size: 17.5 x 12 in. (44.45 x 30.48 cm) Frame Size: 22.75 x 16.75 inches

Artist's study of a model in studio by Los Gatos, California artist Maryanne Z. Murphy (American, 20th century). Signed with initials "MZM" lower right. Unframed. Image, 24"H x 18"L....

The Parrot is an original artwork realized in the 1930s by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corner. ...

Indonesian Atmosphere is an original artwork realized in 1970s by Anonymous balinese artist. Batik on paper. The state of preservation of the artwork is good except for some foxin...

Still Life with Window in the Background is an original mixed media painting on paper realized by Alfonso Avanessian in 1980. The piece is han...

Oil on cardboard

Cirrus Acrylic / canvas 150 x 50 cm. Vertical landscape where the predominance of the sky transmits the living and real contact with the fresh and transparent air, its luminosity nuanced by the thin bands of some clouds. (The artist frames almost all his paintings with a wooden strip between 0,5 and 1 cm. thick, which can be removed at will of the client). NB: This painting can be combined as a diptych or triptych with two other items by the same artist: Cirrocumulus (item reference: LU74439055992) Cumulonimbus (item reference: LU74439055402) ABOUT THE ARTIST Ángel Luis Úbeda...

Clarence Holbrook Carter (American, 1904-2000) Dichotomy, 1962 Oil on paper Signed and dated upper left 20 x 25 inches Mid-century figural abstract green painting of woman swimming ...

From the estate of Jerry Opper & Ruth Friedmann Opper Shapes with Figure c. 1950's Gouache on paper 15" x 18", Unframed From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann. San Francisco Abstract Expression A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets...

In the summer of 1952, Motesiczky took a holiday in the Austrian alpine village of Judenstein in Tyrol, near Innsbruck. Back home in London and workin...

Paris is an orginal modern artwork realized in the mid-20th century by an unknown artist. Mixed colored painting on canvas. Unreadable signature on lower right. Titled on the lowe...

Signed lower right, 'A.Danitschek' for Amanda Danitschek (American, born 1956) and painted circa 2010. Additionally signed, verso, and titled, 'No One Said It Would Be Easy'. A subs...

Overflight over the city. 1947, paper, mixed media, 23x20 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his arti...

Georges Lapchine 1885-1951 Russian "La Voile Rouge" Oil on canvas Signed lower left Canvas : 19 5/8" high x 39 3/8" wide Frame: 26 3/4" high x 46 1/2" wide Georges LAPCHINE : Russian painter, born in Moscow in 1885. Died in 1951. Painter of figures, landscapes, post-impressionist. A pupil of Fernand Cormon and Léon Lhermitte...

Dreaming of the dawn is one of the best photo on canvas realized by Giuseppe Marani in 2010. Always passionate about landscapes and photography, the artist then devoted himself to l...

Prakash Karmakar - Landscape - 15 x 11 inches (unframed size) Ink on Paper , 2005 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible for the Ben...

Prakash Karmakar - Beach Series - 14.5 x 11 inches (unframed size) Ink on Paper Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible for the Benga...

Clarence Holbrook Carter (American, 1904-2000) The Gold Coast, 1979 Collage and acrylic on scintilla Signed and dated lower right 22 x 30 inches Clarence Holbrook Carter achieved a...