Modern Figurative Paintings

Still life with red flowers is an artwork realized by Claude Decamps, mid-20th Century. Oil on canvas.  25 x 20 cm. Hand signed in red in lower margin. Good conditions!

Moshe Katz (Romanian Israeli), 1937- an Israeli citizen, studied art at the Bezalel Academy of Art in Jerusalem, as well as at the Chicago Academy of Fine Arts. Although not an expo...

by Paul-Louis Bolot (French 1918-2003) signed inverso original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ e...

Maurice Ambroise Ehlinger (1896–1981) — Portrait of Mademoiselle France Noël, 1957. Radiating timeless Parisian elegance, this exceptional mid-century oil on canvas by noted French p...

The Theatre Stage is an original artwork realized in the first half of the 20th Century by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Total d...

Title: French Gouache Painting of Indigenous Council Gathering in Colorado Nevada by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed...

The Green Skirt British artist, contemporary oil on canvas, unframed canvas: 40 x 30 inches Provenance: private collection, UK Condition: very good condition For more any more info...

Annieo Klaas Only Pay if We Win (Yester Oaks and Montlimar) 2024 Oil on Wood Panel 12 x 12 inches (30.48 x 30.48 cm) Signed verso COA provided *Ready to hang Annieo Klaas’s Alabama...

“Six Figures, c. 1965-70” by Sakti Burman (b. 1935). A wonderful example of Burman’s distinctive fusion of Indian folkloric imagery with European surrealist and fantastical sensibil...

Raoul DUFY The Fisherman (Angling) Original woodcut Signed stamp of the artist's studio Justified Artist Proof (aside the edition numbered on /220) Titled in the board 50.5 x 65.4 c...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Blushing Roses in a Golden Vase Continental School, late 20th century most likely a pastiche work after an earlier composition oil on canvas, unframed canvas : 36 x 24 inches provena...

Oil on canvas by Pere Creixams Pico (1893-1965), School of Paris, ca.1920. Beautiful Spanish woman. Provenance: Charpentier Gallery, 76 rue du Faubourg Saint Honore, Paris (Sotheby's...

Title: French Gouache Painting of Navajo Night Dance in New Mexico by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper, Size: 1...

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

Wayne A. Timm MFA In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, in the time he had an Art studio loft in New York City ...

Still Life is an artwork realized by an unknown artist in the late 19th Century. Oil on Canvas Mounted on Board. Original wooden frame. 18 x 13 cm. Good conditions

WEISBUCH, Claude. Oil on Canvas "Clown a la Colerette" 1961. Signed lower right, further signed, titled and dated verso. Dimensions: 18.25" high x 24" wide. Claude Weisbuch, 1927-2014 French painter, draftsman and engraver. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy and upon graduation became a professor of engraving at the Ecole des Beaux-Arts de of St. Etienne. His first solo exhibition was in 1957. In 1968 , he became a full member of the Society of French Painters-Engravers . In 1997 he was awarded the Legion of Honor His work is essentially devoted to engraving, by which he likes to translate, thanks to the line, the life, movement and character of his characters: Punchinels, harlequins, musicians or equestrian scenes. He practices various techniques ( lithography, drypoint etching etc.) that he puts to use in the illustration of bibliophile books. Claude Weisbuch is also a painter and draftsman. His favorite colors are ochres, browns and whites, with which he seeks to introduce the effects of light by compositions where the line and finesse of the drawing preserve the life found in his engravings. His precise and dynamic line delivers a moving and swirling work on themes he loves: theater, opera, equestrian, musicians, card players, Kabuki dancers and many portraits. His works have the appearance of unfinished sketches mixing few colors but a great vivacity of the line. He illustrated many limited edition signed fine art books. Alon with Christo, Arman and Cesar he is considered among the great post war French artists of the last generation. Exhibitions 1957: Saint Placide Gallery, paintings and engravings 1958: Galerie de Presbourg, Paris, paintings - Saint Placide Gallery, Paris, paintings - Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961: Salon of the young painting and painters witnesses of their time 1962: O'Hanna Gallery, London , paintings 1963: Galerie Hervé, "Portrait Of Man", Paris, Paintings - Nichido Gallery, Tokyo, Paintings 1965: Hervé Gallery, "100 Drawings", Paris Dresdener Gallery, Toronto, paintings 1966: Dantesca Gallery, Turin , paintings, engravings, drawings 1968: New Vision Gallery, Paris, engravings 1969: Galerie Hervé, Paris, paintings - Galerie Reflets, Brussels , prints, paintings - Galerie Dresder, Montreal , paintings 1970: Taménaga Gallery, Tokyo, paintings - Sagot Gallery - The Garrec, Paris, etchings - Museum of Modern Art of the City of Paris ARC, Paris, prints 5 1971: War Gallery, Avignon , etchings Biennial of Engraving, Epinal 1972: Dantesca Gallery, Turin Festival, Sarlat , paintings 1973: Wayss Gallery, Nancy , paintings, engravings, drawings Auguste Comte Gallery, Lyon , paintings, engravings, drawings Taménaga Gallery, Tokyo, paintings - New Vision Gallery, "Homage to Rembrandt", Paris, etchings 1974: Esthetika Gallery, Kortrijk, engravings - Galerie Hervé Odermatt, Paris, paintings Ésthetika Gallery, Kurne, prints - Galerie Wayss, Nancy, engravings, drawings, pastels Dietesheim Gallery, Neuchâtel , engravings - Grafikhuset Gallery, Stockholm , prints, drawings 1975: Schwarzer Gallery, Vienna , engravings, paintings, drawings Fogola Gallery, Turin, drawings, pastels Sotheby-Parke Benett, Munich, engravings, drawings Hervé Odermatt Gallery, Paris, drawings Joly Gallery, Washington , engraving 1976: Taménaga Gallery, Tokyo, paintings - Wayss Gallery, Nancy, engravings, drawings - Tabula Gallery, Tübingen, engravings, drawings - New Vision Gallery, "The horse-The painter and his model", Paris, drawings, engravings 1977: Grafikhuset, Futura, Stockholm - Jivô Gallery, Vänersborg Pigalle Gallery, Norrköping Celsius Gallery, Uppsala Möbius Gallery, Gothenburg - New Vision Gallery, Jerusalem - Cultural Center of Sainte-Menehould Castle, retrospective, engravings 1978: David Barnett Gallery, Milwaukee , engravings, drawings Orangery Gallery, Cologne , engravings, drawings, pastels Grafikhuset Futura, Stockholm, paintings, drawings Les Cordeliers, Châteauroux, engravings, drawings, paintings House of Culture, Montbéliard, engravings House of Culture, Chelles , engravings, paintings, drawings 1979: L'Empreinte Gallery, Strasbourg, prints, drawings - Galerie Reflets, Brussels, prints, drawings - Galerie Bon à tirer, Los Angeles , prints, pastels 1980: Hervé Odermatt Gallery, Paris, "Calligraphy of the figure", paintings - E. Gollon Gallery, Saint-Paul-de-Vence 1981: European Biennale of Engraving, Baden-Bade Galerie The Art Shop, Nice Galerie Hélène Trintignant, Montpellier Martine Remy Gallery, Strasbourg 1982: Vallen Gallery, Stockholm - Sagot Gallery - The Garrec, Paris - Taménaga Gallery, Tokyo, paintings - New Vision Gallery, Tokyo, Nagoya, Osaka, etchings 1983: Hélène Trintignant Gallery, Montpellier 1984: Perrine Museum, Laval , etchings - Music Festival, Quimper , etchings Etchings, Moscow - Presence Gallery, Brussels, paintings, etchings 1985: Galerie Moyon-Avenard, Nantes, paintings - Taménaga Gallery, Paris, paintings - New Otani Hotel, Ōsaka, realization of murals 1986: Taménaga Gallery, Tokyo, paintings - Greenhouse of the School of Fine Arts, Saint-Étienne , paintings, engravings 1988: Retrospective paintings, Château de Chenonceau Retrospective engravings, Artothèque Museum Montpellier Taménaga Gallery, Paris, drawings, pastels New Vision Gallery, Tokyo, engravings 1989: Galerie Taménaga, Paris, paintings Exit of the book Weisbuch , texts of Jean-Denis Bredin of the French Academy, preface by Jean-Marie Tasset. 1990: Taménaga Gallery, Paris, paintings 1992: Retrospective, Sarlat - Taménaga Gallery, Paris, drawings 1993: Taménaga Gallery, Tokyo and Osaka 1994: Paintings for the second international meetings of the cello ensemble, Beauvais - Elegance Gallery, Taipei - Sanbi Gallery, Tokyo, graphic works - Mitsukoshi, Tōkyō 1995: Taménaga Gallery, Ōsaka - Exhibition of the Gobelins Municipal Circle, Paris 13 th 1996: 2nd Music Trades Fair, Premonstratensian Abbey , Pont-à-Mousson , paintings - Ginza Spring, Tokyo, paintings - New Otani Museum, Tokyo, paintings 1997: Galerie Raugraff, Nancy, paintings, pastels, drawings, engravings, lithographs - Theater Gallery, Besançon, paintings, drawings, engravings, lithographs 1999: A retrospective "Weisbuch, 50 years of prints", 230 works exhibited in Strasbourg under the direction of its publisher, L'Estampe Éditions 3 - Taménaga Gallery, Paris, Tōkyō 2000: Retrospective Château de Vascœuil , by L'Estampe - Theater Gallery, Besançon , paintings, drawings, engravings, pastels, lithographs - Retrospective Chamber of Commerce, Strasbourg - engravings (retrospective), Jacques Brel cultural center, Thionville - engravings (retrospective ), chamber of commerce, Nancy 2001: Retrospective Orangerie of Madame Élisabeth, Versailles , paintings 2002: Taménaga Gallery "Movements", Paris 2003: L'Estampe Gallery, in partnership with the Theater Gallery - prints and paintings, Besançon 2004: Taménaga Gallery "Prometheus presenting the secret of fire to humans", Paris Crid'Art Gallery, L'Estampe Gallery, Amnéville-les-Thermes , paintings, prints, drawings, prints - Galerie des Arts, Nîmes , paintings 2010: Galerie125, Argancy , recent works, exhibition of 100 recent works by the artist. 2012: Exhibition at the Château de Malbrouck . More than 150 works by the artist. Organized by the General Council of Moselle and L'Estampe (editor Claude Weisbuch). 2012: Print, Strasbourg, paintings, engravings, drawings 2012: Exhibition at the House of wines of Graves de Podensac in Gironde. 150 works by the artist Event organized by Course N ° 3. 2013: Galerie125, Argancy, "Weisbuch, major works", exhibition of drawings, engravings, lithographs and oils on canvas 2014: Galerie125, Argancy, "Weisbuch, from 1947 to 1960", exhibition of 100 ancient engravings...

'On the Path', pastel and ink on art paper, by Suzanne Tourte (circa 1950s). Executed with a lively palette of colour, this is a surprisingly sophisticated modern work of art which belies its rather naive style. Flowered fields, green grassy patches, a curved path and blue skies all figure in this engaging landscape with two figures. Newly framed and glazed in anti-reflective glass, this work is in good overall condition. Signed: 'S X Tourte' in the lower right hand. Please enjoy the many photos accompanying the listing. Upon request, a video may be provided. About the Artist: Suzanne Tourte (1904-1979) was a French painter, engraver, medalist, fresco artist, lithographer and illustrator. She was also an excellent vocalist. She studied at the school of Beaux-Arts in Reims while continuing her musical studies at the Conservatoire de la Ville. She chose painting as a profession and returned to Paris to continue her studies. She was friends with artists Yves Brayer and Robert Humblot...

MATERNAL LOVE Oil on board Size: 72 x 57.5 cm (including frame) An outstanding mid-century modernist abstract figurative composition, painted in oil onto board by Swedish painter Ha...

Paris is an orginal modern artwork realized in the mid-20th century by an unknown artist. Mixed colored painting on canvas. Unreadable signature on lower right. Titled on the lowe...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...

Title: Vibrant French Gouache Painting of Navajo Jewelry Makers in Albuquerque by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed p...

Title: Modern French Oil Painting Still Life with Glass Bottles and Fruit in Blue Tones by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting...

French Orientalist, signed and dated (19)98 oil on canvas dated 98' framed: 39 x 31 inches canvas: 29 x 21 inches Provenance: private collection, France Condition: very good conditi...

Albert Heckman Woodstock Landscape Oil on board 8 x 10 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art ...

The Hand Kisser is an artwork realized by an unknown Painter of Center Italy. Oil on Canvas, Early 19th Century. Copy of an earlier painting, probably...

Work on cardboard

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

A lovely scene of the canals in Annecy, France by renowned American artist Emma Fordyce MacRae (1887-1974). This work highlights the geometric nature of the historic architecture al...

Adelaide Lawson Gaylor New York Skyline, circa 1925 Oil on canvas 48 x 45 inches Modernist artist Adelaide Jaffrey Lawson Gaylor was born in New York City and studied at the Art St...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

A very stylish image of a reclining nude in an elegant interior. Beautiful palette. William Crosbie (1915-1999) Reclining nude Signed and dated "XCI" (91) Oil on board 8½ x 20 inche...

"Bklyn Transfer, East River Crossing" by Frederick Reimers (1911–1994) This unique, captivating cityscape painting by Frederick Reimers (USA, 1911–1994) offers a dynamic view of the ...

Summer Resort in Michigan is an exceptional work painted by the Chicago Modernist, William Schwartz. He studied at the Art Institute of Chicago shortly ...

Modern nude study of woman seated in chair by American painter, Patricia Gren Hayes (b. 1932). Red haired women with side view of same woman with asymmetrical composition circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 29"H x 29"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

In the paintings of this series , images of antique figures and statues are used to talk about the eternal in modern language , as well as to present antiquity in a modern way .The w...

Sunil Das - Bull Ink on Paper 11 x 15 inches, 2011 ( Framed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from his co...

L’Enfant au Bateau Huguette Ginet-Lasnier (French 1927-2020), signed lower front inscribed verso oil painting on canvas 22 x 18 inches. All the paintings we have for sale by this art...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

From the estate of Jerry Opper & Ruth Friedman Opper Tighties c. 1950's Gouache on Paper 15" x 18" blue lacquered frame 18.5"x1.75"x21.5" Unsigned From the estate of Ruth Friedmann Opper & Jerry Opper. Ruth was the daughter of Bauhaus artist, Gustav Friedmann...

Beach Games Huguette Ginet-Lasnier (French 1927-2020) oil painting on textured canvas 29 x 24 inches. All the paintings we have for sale by this artist have come from the artists estate in France. The painting is in very good and presentable condition. Color: Pink, green, black and white Ginet-Lasnier, the wife of the painter Jean Lasnier...

A beautiful 20th century oil on board depicting figures in an industrial Northern landscape by Vincent Dott. Excellent quality work in the manner of L.S. ...

Jim’s of Lambertville is proud to offer this artwork: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Ben...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper mounted on card size: 18.75 x 24 inches condition: very good and ready to be enjoyed provenance...

This artwork "Bond" is a vibrant and dynamic abstract painting that immediately captivates the viewer with its bold use of color and form. This painting makes part of the series dedi...

Woman is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Signature on the lower margin. Provenance Galleria Pesaro, Milan...

The Hareem Interior French Orientalist School, late 20th century (painted after an earlier style) oil on canvas, framed framed: 30 x 34 inches canvas: 20 x 24 inches provenance: priv...

"On the Wave of My Soul" is a painting about memories and faith in dreams. While creating it, I revisited my childhood — those moments when the future seemed endlessly bright, filled...

by Paul-Louis Bolot (French 1918-2003) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tears whic...

Vintage American modernist oil painting. Oil on canvas. Framed. No signature found.

Deep in Conversation by Pierre Georgeot (French mid 20th century) oil on canvas, framed framed: 25 x 30 inches canvas : 24 x 29 inches Provenance: private collection, France Conditio...

"Daffodils for Victory" is a painting about rebirth and the power of life. It has become a symbol of the triumph of good over evil, of life over death. The daffodils depicted on the...

Beni E. Kosh/Charles Elmer Harris (American, 1917-1993) Untitled Oil on canvas board Estate stamped #611 verso 24 x 18 inches Charles Elmer Harris was born in 1917 in Cleveland, Oh...

Title: Modern French Figurative Oil Painting Reclining Nude on a Sofa with Blue Blanket by Bernadette Kelly (French b. 1933) Unsigned Mediu...

SHARED MOMENTS Size: 58.5 x 67 cm (including frame) Oil on canvas A beautifully atmospheric mid-century modernist oil painting depicting two figures in a quiet interior scene, execu...

A strong modernist oil painting depicted in the 1950's of a Boy seated with a bowl of fruits. Comes displayed in a distressed wood frame, signed lower left illegibly. Art measures 1...

Konstanty Szewczenko (1910-1991), signed oil Judaica Oil Painting, Chassidic Rebbe, Polish. Frame: 17 X 15.25 Image: 11.5 X 9.5 Konstantin Shevchenko studied at the Institute of Fine Arts in Warsaw in the years 1927 - 1928. Then, in 1932 he studied painting under the guidance of Kowarski and Pruszkowski at the Warsaw Academy of Fine Arts. Practiced easel painting, mostly judaic hassidic rabbi portraits, genre scenes. Among others, a portrait Moscicki, Rydz - Rydz, and after the war Rokossowski.He worked as a set designer. In the years 1934 - 1935 was production designer Variety Theatre. He collaborated with publishing houses with illustrations. He exhibited in Warsaw, Poland, Vienna, Austria and New York. In 1947 he took part in Exhibition Independent Artists Group) and abroad (solo exhibition at the Gallery G. Tomalsky in New York, 1964) . He is one of many great Jewish Polish artists that included Leopold Gottlieb, Maurycy Gottlieb, Henryk Hechtkopf, Leopold Pilichowski, Isidor Kaufmann, Lazar krestin, Alois Heinrich Priechenfried and Itshak Holtz. His works are in the collection of the Museum of the Polish Army. He was an Polish, Austro-Hungarian painter of Jewish themes...

Rafael de Soto - Village street - Oil on canvas Oil measurements 41x33 cm. Without frame.

This painting is part of our exhibition American Coast to Coast: Artists of the 1930s Subway Construction, c. 1928, oil on board, 19 x 15 ¾ inches, signed upper left, artist and title verso; exhibited: 1) 12th Annual Exhibition of the Society of Independent Artists, The Waldorf Astoria, New York NY, from March 9 to April 1, 1928, no. 864 (original price $250) (see Death Prevailing Theme of Artists in Weird Exhibits, The Gazette (Montreal, Quebec, Canada), March 8, 1928); 2) Boston Tercentenary Exhibition Fine Arts and Crafts Exhibition, Horticultural Hall, Boston MA, July, 1930, no. 108 (honorable mention - noted verso); 3) 38th Annual Exhibition of American Art, Cincinnati Art Museum, Cincinnati, OH, June, 1931 (see Alexander, Mary, The Week in Art Circles, The Cincinnati Enquirer, June 7, 1931); and 4) National Art Week Exhibition [Group Show], Montross Gallery, New York, New York, December, 1940 (see Devree, Howard, Brief Comment on Some Recently Opened Exhibitions in the Galleries, The New York Times, December 1, 1940) About the Painting Ernest Stock’s Subway Construction depicts the excavation of New York’s 8th Avenue line, which was the first completed section of the city-operated Independent Subway System (IND). The groundbreaking ceremony was in 1925, but the line did not open until 1932, placing Stock’s painting in the middle of the construction effort. The 8th Avenue line was primarily constructed using the “cut and cover” method in which the streets above the line were dug up, infrastructure was built from the surface level down, the resulting holes were filled, and the streets reconstructed. While many artists of the 1920s were fascinated with the upward thrust of New York’s exploding skyline as architects and developers sought to erect ever higher buildings, Stock turned his attention to the engineering marvels which were taking place below ground. In Subway Construction, Stock depicts workers removing the earth beneath the street and building scaffolding and other support structures to allow concrete to be poured. Light and shadow fall across the x-shaped grid pattern formed by the wooden beams and planks. It is no surprise that critics reviewing the painting commented on Stock’s use of an “interesting pattern” to form a painting that is “clever and well designed.” About the Artist Ernest Richard Stock was an award-winning painter, print maker, muralist, and commercial artist. He was born in Bristol, England and was educated at the prestigious Bristol Grammar School. During World War I, Stock joined the British Royal Air Flying Corps in Canada and served in France as a pilot where he was wounded. After the war, he immigrated to the United States and joined the firm of Mack, Jenny, and Tyler, where he further honed his architectural and decorative painting skills. During the 1920s, Stock often traveled back and forth between the US and Europe. He was twice married, including to the American author, Katherine Anne Porter. Starting in the mid-1920s, Stock began to exhibit his artwork professionally, including at London’s Beaux Arts Gallery, the Society of Independent Artists, the Salons of America, the Cincinnati Art Museum, the Whitney Studio and various locations in the Northeast. Critics often praised the strong design sensibility in Stock’s paintings. Stock was a commercial illustrator for a handful of published books and during World War II, he worked in the Stratford Connecticut...