Modern Figurative Paintings

Jogen Chowdhury - Face Coloured Dry Pastel Charcoal , Wash on Paper 11.6 x 8.2 inches ( Unframed ) 2021 Signed in Bengali ( All in door delivered ; framed and ready to hang ) Style ...

Gunnar Donald Anderson (American, 1927-2022) Untitled, c. 20th Century Oil on board Sight: 11 1/2 x 15 3/4 in. Framed: 20 1/2 x 24 1/2 x 1 1/4 i...

'The Fishermen', oil on canvas, by Anna Costa (circa 1970s). Cassis is a small, Provencal fishing village in southern France, located about 45 minutes east of Marseille and 45 minute...

Still Life is an original modern artwork realized by an Unknown Artist in the mid-20th Century. A mixed colored oil on board. Hand signed on the lower left margin J. Meamier. Incl...

Signed verso, on stretcher bar, 'Janice Haefner' (American, 1919-2002) and painted circa 1960. A substantial mid-century, Expressionist figural abstraction showing two women seated ...

A gorgeous nude from 1969 by James Wallace, showing masterful foreshortening (very difficult to pull off this convincingly) and beautifully sensual. One tiny repair visible on back c...

FIGURE IN THE DARK Size: 49 x 40 cm (including frame) Oil on canvas An emotive and expressive semi-abstract figurative portrait, executed in oil onto canvas and dated 1975. The co...

Vintage Abstract Expressionist Standing Pensive Figurative Nude - Heavy Impasto Abstract expressionist figurative composition of a nude woman by California artist Harald "Harry" Dr...

Early 20th Century oil on board view of fishermen in the port of Collioure in the south of France, home to the Fauvists, by D Cadine. The painting is signed bottom right. The paintin...

Artist/ School: French School, circa 1960's, signed with monogram Title: Portrait of a fashionable lady in an emerald green dress. Medium: oil...

Seymour Chwast (born August 18, 1931) is an American graphic designer, illustrator, and type designer. Chwast was born in Bronx, New York, and graduated with a Bachelor of Fine Arts from Cooper Union in 1951. With Milton Glaser, Edward Sorel...

Symbolist Portrait signed by Bernard Labbe (French mid 20th century) original oil on artist paper, mounted in a card frame overall size: 31.5 x 20 inches painting size: 27.5 x 18 inc...

Andre Lhote (French, 1885-1962), "Portrait d'Anne (Mme. Lhote)" [Portrait of Anne (Mrs. Lhote)], Oil on Paper Laid to Canvas, 1930, signed "A. Lhote" lower right, Soufer Gallery and ...

Artist/ School: Jill Jackson, British contemporary, signed initials lower right corner Title: Interior scene with a writing desk or bureau, illuminated b...

"Personage" Heavy Impasto Expressionist Portrait of Lady with a Hat Abstract expressionist portrait of a woman wearing a hat by California artist Harald "Harry" Dry Schmidt (America...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

This evocative vintage oil painting from the 1930s–1940s captures a classic adobe church in New Mexico, likely inspired by the historic San Francisco de Asís Mission Church in Rancho de Taos. Painted by Denver modernist Paul K...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a watercolor and gouache beach scene three young men bathing...

MOONRISE WITH YELLOW CUP Size: 54.5 x 62.5 cm (including frame) Oil on canvas A quiet and introspective mid-century modernist figurative painting, executed in oil onto canvas by the...

Annieo Klaas Highway Sunset 2024 Oil on Canvas 40 x 30 inches (101.6 x 30.48 cm) Signed lower right COA provided *On stretcher frame - gallery wrapped - ready to hang Annieo Klaas’...

Portrait of Woman is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative artwork of a female...

Illegible signature Work on canvas Golden wooden frame 46.5 x 41.5 x 5.5 cm

Oil on canvas mounted on board, realized by Francesco Settimj in 1930s. Good condition.

Nude woman is a beautiful and impressive oil on canvas by Antonio Feltrinelli. It was realized between the end of the 1920s and the beginning of t...

Landscape is a modern artwork realized by Kurt Schwitters in 1936. Mixed colored oil on canvas. Signed with monogram and dated on the lower right rec...

Portrait of a Lady, Black Dress and Pearl Necklace circa 1970's oil on canvas, unframed canvas: 36 x 24 inches provenance: private collection, England condition: good and sound condi...

Inscribed verso, 'P. Johnstone' (American, 20th century) and painted circa 1965. A substantial Modernist figural oil of a young woman shown reading a book in a rose-colored room, wi...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

'Portrait of a Man', oil on canvas, by Yvonne Guégan (circa 1970s). This is not a portrait of the reclusive billionaire, Howard Hughes. Regrettably, we d...

Henry George Keller (American, 1869–1949) Shepherdess with Sheep and Dog, Munich, 1891 Oil on canvas Signed and dated lower left 19 x 24 inches 25 x 30 inches, framed Keller, a lead...

Artist/ School: French School, mid 20th century, indistinctly signed lower right corner. Title: Portrait of a Young Girl Medium: oil on canvas, framed Framed: 23.5 x 17 inches Pa...

Portrait of a Young Lady French School, mid 20th century signed, S. Ascher signed oil on canvas, unframed canvas: 16 x 13 inches provenance: private collection, Paris condition: good...

Oil on canvas 24 x 18 in., 27 x 21 in with frame. This is a tribute painting, it was inspired and dedicated to Leroy Neiman. Paolo Corvino was born September 20, 1930 in Bronx, New ...

On the River Huguette Ginet-Lasnier (French 1927-2020) signed and inscribed verso in a wooden frame oil painting on canvas framed: 29 x 37 inches All the paintings we have for sale b...

When the sun hits and the moon is shining, when dreams are confusing and the picture in the trees hides my thoughts, you immediately saw these frames

 Realized by Mustapha Yehya in the mid-20th century. Hand signed. In excellent condition, it includes a coeval wooden frame.

Alison Bolton studied fine art at Salisbury School of Art and Hornsey College of Art with Maurice de Sausmarez. After leaving college, Alison resumed painting once her children were ...

Portrait of a Child French abstract artist, circa 1960's circle of Pablo Picasso oil on board, unframed board: 26 x 21 inches provenance: private collection, Luberon Valley, Provence...

A Captivating, Mid-Century Modern Painting of a Standing Female Nude Model. Great colors! Painted in the 1960s, this wonderful "Mod" studio scene exemplifies the abstracted Modern ...

Clarence Holbrook Carter (American, 1904-2000) Dichotomy, 1962 Oil on paper Signed and dated upper left 20 x 25 inches Mid-century figural abstract green painting of woman swimming ...

Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...

Orientalist Scene European artist, late 20th century possibly a copy of an earlier work judging from the style oil on canvas, unframed canvas : 24 x 20 inches provenance: private col...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

George Petrie (1790–1866) - Romantic Irish Landscape, Oil on Canvas This captivating oil on canvas by the renowned Irish artist George Petrie, often referred to as the "Father of Ir...

Genevieve Hamel Sky is the Limit Oil on Wood Panel Year: 2024 Size: 36 x 18 x 1.625 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for desi...

Portrait of Young Lady French School, early 1900's period oil on canvas, unframed canvas: 26 x 21 inches provenance: private collection, Paris condition: very good and sound condition

An original 1942 oil on board painting by American female artist Catherine Koenig depicting the interior of the Buffalo Art Institute which was home to the legendary Charles Burchfie...

Bold figurative work by Richard Cronin (American, b. 1952). Two figures are at the edge of the sea, one of which is seated and holding two beach balls. ...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

A Large, Sensational Mid-Century Modern Painting of a Chicago Night Club Showgirl. Painted in the 1950s, this is a large, vertical, abstracted portrayal of a standing Burlesque danc...

Colorful Samurai, Large-Scale Modern Figural Geometric Abstract Colorful modern figural abstract of a samurai figure fractured into fields of color and pattern by S. Baker (Susan Baker...

Madame in the blossom garden is an original painting realized by Lucie Navier in the 1931. Original tempera on paper. Very good conditions. Colorful composition representing a f...

Portrait of a Lady by Maurice Delavier (French 1902-1986) stamped verso with the artists studio mark oil on board, unframed board: 7.75 x 9.5 inches provenance: private collection, F...

This painting captures the fleeting beauty of tulips. The delicate flowers, embraced by the young woman, symbolize the transient nature of life’s most exquisite moments. Their soft p...

A ca. 1935 painting of a boxing match in Mexico by artist Francis Chapin. Image size: 12" x 28". Framed size: 15 1/2" x 31 1/2". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Clarence Holbrook Carter (American, 1904-2000) Torre di Tiberio, 1951 Oil on canvas Signed and dated lower left 21 x 18 inches 28.5 x 26.5 inches, framed Clarence Holbrook Carter ac...

Reclined Nude with Parrot is an original artwork realized by the Italian artist Antonio Feltrinelli in 1930s. Oil on canvas Beautiful and representative artwork depicting a reclin...

Artist: Philippe Henri Noyer (French, 1917-1985) Title: New York times Year: circa 1966 Medium: Oil on Canvas, signed l.l. Image Size: 25.5 x 21.5 in. (64.77 x 54.61 cm) Frame Size...

Paris is an orginal modern artwork realized in the mid-20th century by an unknown artist. Mixed colored painting on canvas. Unreadable signature on lower right. Titled on the lowe...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Bibliography Art in America, April 1951, p.78 About this artists: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...