Realist Figurative Paintings

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

Casey Childs' (US based) "Last Light" is an oil painting that depicts a lone female figure sitting with a red umbrella looking out towards a field and tre...

William Redmore Bigg (English, 1755-1828) The Reprimand Oil on panel, 18 1/2 x 24 inches FRAMED: 30 x 24 inches This rural interior is typical of the anecdotal scenes of village li...

Fred Wessel's "Dogwood Blossom" is a stunning egg tempera painting on gold leaf. Created in 2024, this piece features an icon of a dogwood blossom, resting in an ornate gold leaf des...

Summer Garden Study I by Dylan Lloyd [2022] original and hand signed by the artist Oil on Canvas Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:...

Festive Village Gathering Artist: Unidentified (18th Century) Medium: Oil on canvas Date: Circa late 18th Dimensions: Framed: 91 × 138 cm Unframed (sight): 75 × 124 cm This large, vi...

Fred Wessel's "The Constellation Delphinus" is an egg tempera painting with gold and silver leaf created in 2019 depicting a female with a gold leaf background. About the artist: ...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts mercedes car in realistic style. MICHAŁ WOJTYSIAK (ur. 1984) Graduated of Academy of Fine Art...

"Beyond Reality #2" Portrait Oil Painting 47" x 39" inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, femin...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 x 15 frame) inches Emin Abbasov ...

Janusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow. 1983 onward, he became the m...

"Portrait of The Sage" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 1/2 (16 x 14 1/2 frame) inches Emin Abbasov is classically ...

Known for her bold visionary take on figurative realism, Erin Cone has twice been recognized in the national art press as one of the top young emerging artists in the country. After ...

Jason Walker's (CAN based) "Pink Sprinkle Donut" is an original, handmade oil painting that depicts a donut glazed with pink frosting and sprinkles set against a black background. About the Artist: Jason Walker’s imagery reflects popular culture: from Disney’s Mary Poppins or Mickey Mouse to frosted doughnuts. As observer and conveyor of cultural icons, he is an anthropologist and his beautiful and often endearing paintings resonates with art viewers. But this Toronto artist is also an analyst. Conceived with the clear-eyed vision of a native of Nairn, Scotland, Walker’s compositions challenge viewers to consider contemporary culture. Through his iconography, Walker creates artifacts, a paint-on-canvas time capsule for future generations. His images are representational rather than abstract. His subjects from Dorothy from the Wizard of Oz to Peter Pan’s Tinker Bell are non-elitist, international, and easily identified. A portrait of our time, Walker’s renditions are intimate and lifelike, crafted with diffused edges or Old-Master chiaroscuro. Painted in Renaissance jewel...

Artist: Bruce Richards – American (1948-) Title: Landmark Year: 1989 Medium: Oil on canvas Size: 62 x 36 inches. Framed size: 64 x 38 inches Signature: Signed, dated, titled en verso Condition: Very good This painting has a wonderful presence. I believe it is from Richards’ “Change in the Weather Series”. The sky and the figure in the painting change in various paintings in the series. This is a relatively peaceful figure (sword at side) and fair sky (blue, no clouds). Other works from this series are more turbulent. Richards is an uncommon artist whose work is both conceptually and aesthetically engaging. The sky in this painting has a beautiful luminosity and depth. The painting measures 62” x 36” (64” x 38” framed). It is composed of oil on canvas and is in very good condition. The frame is also in good condition and works well with the painting. Education: 1970 B.A., University of California, Irvine 1973 M.F.A., University of California, Irvine Awards & Fellowships: 1998-1999 Visual Arts Fellowship, Artist Fellowship Program, California Arts Council, Sacramento, CA 1997-98 Individual Fellowship, Cultural Grants Program, City of Los Angeles, (C.O.L.A.), Los Angeles, CA 1992 Commissioned Artist, Graphics Arts Council, Los Angeles County Museum of Art, Los Angeles, CA 1984 First Award, 8th National Exhibition, Los Angeles Print Society, Ed Ruscha, Juror,Los Angeles, CA 1976 Visual Arts Fellowship, Visual Arts Program, National Endowment for the Arts, Washington, D.C. As Group Exhibitions occur more frequently they have been listed ahead of the Solo Exhibition list: Selected Group Exhibitions 2016-17 "SHAME- 100 Reasons for Turning Red", Deutsches Hygiene -Museum Dresden, Germany 2016 'SKIN', Los Angeles Muncipal Art Gallery, curated by Scott Canty and Isabelle Lutterodt 2014 "Look at Me: Portraiture from Manet to the Present", Leila Heller Gallery, co curated by Paul Morris and Beth Rudin DeWoody, New York, NY "A Glimpse into This Side of Paradise", Laurie M. Tisch Illumination Fund, curated by Manon Slome, New York, NY 2013 "Lust Letters", Coagula, LosAngeles, CA "Letters from Los Angeles" ( expanded), Los Angeles Art Fair exhibition, Los Angeles, CA 2012 "Letters from Los Angeles, Text in Art", Jack Rutberg Fine Arts, Los Angeles, CA "This Side of Paradise", No Longer Empty, Andrew Freedman House, Curated by Manon Slome, Bronx, NY 2011 "Best Kept Secret, UC Irvine and the Development of Contemporary Art in Southern California 1964 - 1971", P.S.T exhibit, Laguna Art Museum, Laguna Beach, CA "The Lords + the New Creatures", Nye + Brown Gallery, Los Angeles, CA 2010 "Open Kitchen", Da Gallery, Chelsea, NY “Pyschedelic: Optical and Visionary Art Since the 1960’s” curated by David Rubin, San Antonio Museum of Art, San Antonio, Texas (catalog) “Collecting California, Selections from Laguna Art Museum, Laguna Art Museum, Laguna Beach, CA (catalog) 2009 “Ship of Fools”, No Longer Empty, Chelsea Hotel, curated by Michael Bevilacqua and Manon Slome, Chelsea, NY “4 Artists”, Kips Gallery, New York. “Contemporary Confrontations 2009”, Katonah Museum of Art, Katonah, NY “The Art of Democracy”, The New York Society of Etchers, The National Arts Club, New York, NY 2008 “Occult”, The Flat, Massimo Carasi, Milano, Italy “The Toy Show”, Hunsaker / Schlesinger Fine Art, Santa Monica, CA 2007 “Tattoo Flash”, Saved Tattoo, curated by Scott Campbell, Brooklyn, NY “POPcentric”, Gering & LoPez, curated by Michael Bevilacqua and Sandra Gering, New York, NY 2004 “Disturbing the Peace”, Danese, New York, NY “Shakespeare as Muse”, curated by Josine Ianco –Starrels, Schneider Museum of Art, South Oregon Univ., Ashland, OR 1998 "City of Los Angeles (C.O.L.A.) Individual Artist's Grants, 97-98," Los Angeles Municipal Art Gallery, Barnsdall Park,Los Angeles, CA 1997 "End of the Century: Prints Since 1970 from the Collection," Los Angeles County Museum of Art, Los Angeles, CA 1994 "Printmaking on the Westcoast," Saddleback Community College, Mission Viejo, CA 1993 "Intersections: Art and Play," The Armory Center for the Arts, Pasadena, CA 1991 "Individual Realities in the California Art Scene," Sezon Museum of Art,Tokyo, Japan 1984 "California Drawings," Modernism, San Francisco, CA 1981 "Abstraction in Los Angeles,1950 - 1980" Selections from the Ruth and Murray Gribin Collection," Fine Arts Gallery, California State Univ.,Northridge, Fine Arts Gallery, University of California, Irvine, CA 1979 "Black and White are Colors: Paintings of the 1950's - 1970's," Galleries of the Claremont Colleges, Claremont, CA 1978 "Southern California Styles of the 60's and 70's," La Jolla Museum of Art, La Jolla, CA 1977 "Abstract Painting: A Selected Exhibition," Long Beach City College, Long Beach, CA 1976 "Los Angeles," Penthouse Gallery, Museum of Modern Art, New York, NY 1973 "Kurt Schwitters and Related Developments," La Jolla Museum of Art (now San Diego Museum of Art), La Jolla, CA "Market Street Program," Oakland Museum of Art, Oakland, CA Solo Exhibitions: 2014 "Bruce Richards: Future/Past" Jack Rutberg Fine Arts, LA, CA 2013 "Bruce Richards: The Scenery in my Mind," Katherine Cone Gallery, LA, CA 2001 "Bruce Richards," Fullerton College, Fullerton, CA 2000 “Bruce Richards” The Colburn School of Performing Arts, Los Angeles, CA 1999 "Bruce Richards," Grand Central Art Gallery, California State University, Fullerton, CA 1994 "Reflections and Revisitations," Mark Moore Gallery...

Large magnificent colorful Ruth Schloss oil painting of a child with a wagon with a doll or a baby in a carriage stroller.. Signed in Hebrew size measures 31x43 with frame , 23x35.25 without the frame. (this is being sold unframed). Ruth Schloss (22 November 1922 – 2013) was an Israeli painter and illustrator who mainly depicted neglected scenes such as Arabs, transition camps, children and women at eye-level as egalitarian, socialist view via social realism style painting and drawing. Schloss became Israeli painting’s sensitive, conscious, remembering eye. Ruth Schloss was born on 22 November 1922, in Nuremberg, Germany, to Ludwig and Dian Schloss, as the second of three daughters of bourgeois assimilationist Jewish family well-integrated into German culture. As the Nazis came into power in 1933, her family immigrated to Israel in 1937, and settled in Kfar Shmaryahu, then an agricultural settlement. Schloss studied at the Department of Schloss graphic design at "Bezalel" from 1938 to 1942 alongside Friedel Stern and Joseph Hirsch. She was a realistic painter who focused on disadvantaged people in the society and social matters as an egalitarian. Her realism was thus an “inevitable realism,” motivated by an inner necessity: the need to observe reality as it is. Her painting repeatedly addressed the door pulled from its frame, employing drawing’s unique ability to stop time and prolong the image’s persistence in the retina, she repeatedly committed to paper - in a matter-of-fact, non-evasive manner devoid of mystery – man’s tendency to generate chaos, suffering and pain. Throughout her life, Schloss remained minimalist. Painting about human fate was the main subject of her artworks. Her natural inclination was to describe the darker aspect of human existence. 1930s The Schloss household was characterized by open, liberal spirit, in keeping with the parents’ progressive views. It deeply influenced Ruth’s mental development, as she learned to tie culture and art with sensitivity towards the weak and underprivileged. In Jerusalem, she joined a commune of Hashomer Hatzair in which she shaped her socialist views, which she maintained throughout her long career. 1940s In this period she mainly depicted landscapes of kibbutz and wretched women living hard life, children in huger, older people, refugees. After completing her art studies, Schloss joined a training group at Kibbutz Merhavia in 1942, and after two years moved to Karkur region, the nucleus established Kibutz Lehavot Habashan in the Upper Galilee. Through this time, she fell in love with the surroundings and drew landscapes. They are simple and direct with fresh, lucid lines. These paintings were selected as the main works of her first exhibition in 1949. In early 1945, Schloss started to draw illustrations in the children’s magazine Mishmar Leyeladim, and designed the logo of Al Hamishmar, the paper’s new name in 1948. In 1948, upon the founding of Mapam (United Workers’ Party), she designed her party’s emblem, which became a well-known icon. She kept working as an illustrator for Mishmar Layeladim until 1949. "Mor the Monkey" project yielded financial profits and this income was used for a study trip to Paris for two years. She was succesfull as illustrator however, she had inner conflicts of her identity as witnessed painter toward neglected class in Israeli society. First Exhibition at Mikra-Studio Gallery, 1949 She presented forty drawings on paper in her first solo exhibition, representing a selection of the themes of kibbutz landscape, its lifestyle. Schloss confidently proposed her direction through simplicity without using colors in her drawings. 1950s Between 1949 and 1951, she studied at the Académie de la Grande Chaumière in Paris. She began working in oils, with which she continued throughout the 1960s. The exhibition “Back from Paris” opened in November 1951 at Mikra-Studio Gallery . In 1951 she married Benjamin Cohen, who served as chairman of the national leadership of Hashomer Hatzair Workers Party in Tel Aviv. He was a theoretician and a man of principle, highly esteemed by its leaders who became a professor of history at Tel Aviv University. In 1953, following the Mordechai Oren affair and the publication of Moshe Sneh 's followers from Kibbutz Artzi, she and her husband left the kibbutz and moved to the agricultural farm, Kfar Shmaryahu, where she lived until her death. At a certain point in Israeli history, segments of the socialist movement felt that Israel should become part of the Communist bloc, rather than seek the support of the western world. Because the Schloss couple support of Moshe Sneh’s left-wing party, they had to leave the kibbutz. She loved to depict ordinary women as figurative on her painting without hiding or making up anything. The poet Natan Zach wrote about her works in 1955: “Her motto remains that which has been all these years: life as it is, without bluffing." Schloss’s “Pietà” (1953) became a universal cry expressing the pain of mothers on either side of the divide. In the late 1950s, she was the mother of two daughters. When she drew her daughters, unlike the universal babies she depicted, naked and with clenched fists, the painting of her children employed babyish sweetness to the full in a quiet, peaceful and heart-stirring filling rather than urgency. She also painted children in the transition camp and Jaffa in the 1950s and 1960s. 1960s-1980s – The period of Studio in Jaffa Schloss painted at a studio in Jaffa from 1962 till 1983. In this time, she turned her interest to people around her more than kibbutz – the children, mothers, and poor workers, the alleys and houses. She opened the space to the street and its dwellings, built interactions around it, and was nurtured by the presence of the outside in her work. 1960s Schloss familiarized to an Arab woman, Nabava, lived in poor. Schloss returned to painting images of old people later, and she called her painting figurative elderly people in the old age homes “waiting”. In the late 1960s, Ruth discovered acrylic paint and never turn back to oil painting. In 1965 Schloss devoted a series “Area 9 (1965)”, dedicated to the demolition of Israeli-Arab houses and the expropriation of the land, and carried a definite socio-political messages. The series was exhibited at Beit Zvi, Ramat Gan, in 1966. She was the only artist who addressed the result of the Six-Day War immediately afterward. In 1968, Schloss and Gansser-Markus presented “Drawing of War” in Zurich gallery. She expressed the war as an ultimate expression of destruction and ruin, regardless of victors and vanquished. 1970s In late 1970s Schloss began printing the selected photograph directly on the canvas, posterior reworking it in acrylic. She decided to print her work at Har-El Printers in Jaffa, and these became the surface of her painting. This technique was mainly adopted in two large series: Anne Frank (1979-1980) and Borders (1982). Through this technique she placed the figure of elder Frank next to that of the famous young Frank, and released it at the exhibition at Bet Ariela Cultural Center, Tel Aviv, in 1981. The series touched upon the Nazi Holocaust. 1980s The Lebanon War raised the question of “The Good Fence” and the effect of the war. She dedicated a large series Boarders, one of the most powerful image linked to the series is the figure of Yemenite woman raising her hand. She was the first to raise the Black Panthers demonstration to the level of a social icon. In the 1980s and again in 2000, the Intifada uprisings also led Schloss to the easel to render a good number of representational and symbolic works that in their way denounced Israel's political and military actions. 1990s – 2000s Ruth Schloss never had an exhibition in a major Israeli museum. Her works were presented in private galleries and small museums. The main museums, the Tel Aviv Museum of Art and the Israel Museum, included her works only in group exhibitions, and only in 1991 was her retrospective exhibited at the Herzliya Museum. In the 2000s, Schloss’s metaphors turned into animal kingdom and Bedouins in the south. A huge rhinoceros, birds of prey, and other "bad animals," as Cohen Evron, daughter of Ruth, calls them and "I connected this to the Nazis," said Schloss. Schloss' work after she didn't find human expression able to transmit the endless cruelty she saw in Israel's political mentality. Schloss also continued to follow and collect documentary photographs of destructions of houses from the war, the Intifada, the sequence of her work about ruin from 1949 to 2005, was a cumulative testimony about the painful history of Israel and Palestine. In 2006, a large retrospective exhibition of her work was presented at the Museum of Art in Ein Harod, curated by Tali Tamir. Education 1938-41 Bezalel Art Academy, Jerusalem, with Mordecai Ardon 1946 painting course for Kibbutz Artzi artists with Yohanan Simon and Marcel Janco 1949-51 Académie de la Grande Chaumière, Paris Awards and recognition 1965 Silver Medal, International exhibition in Leipzig, Germany 1977 Artist-in-Residence, The Cité Internationale Universitaire de Paris Selected solo exhibitions 2004 “Micha...

Janusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow. ...

Almazan Realistic Still Life watercolor Painting. . frame MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and ...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Volkswagen 1500 car in realistic style. The color is vibrant and saturated. Michal Wojtysiak p...

Contemporary figurative landscape acrylic on board painting by Polish artist Janusz Szpyt. Artwork style is classic and realistic achieved with wide brush strokes. Janusz Szpyt was...

Oil painting of a Long Island seascape. A calm bay plays host to a variety of small boats, anchored still in their slots. The horizon is met with distant land, green trees flank eith...

Claudine Picard is a French artist born in 1949 who lives & works in Sainte Marie, France. She is graduated from the Ecole Nationale des Arts Décoratifs in 1973 (ENSAD).

Provenance Acquired by the gallery directly from the artist Artist Statement "This painting represents innocence. Flowers represent peace and love. This flower girl is uninhibited and loves all living things." —Natalia Fabia...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts mercedes car in realistic style. MICHAŁ WOJTYSIAK (ur. 1984) Graduated of Academy of Fine Art...

Fred Wessel's "Sagittarius Study (Jeanne D'Arc)" is a stunning egg tempera painting on gold leaf. Created in 2018, this piece depicts a young woman, Joan of Arc, looking forward with...

Kid Dynamite is an oil painting by V...Vaughan of Steve Navarro of California. In late November Steven Navarro is participating in the PanAmerican games in Cali, Colombia after winning the Gold Medal at the PanAmerican Games in Guadalajara. He is ranked #1 in his weight division of 114 lbs.He most likely will qualify for the Paris 2024...

Provenance Acquired by directly from the artist. UNFRAMED: 32" x 24" FRAMED: 40" x 32" x 2"

Italian painter (late 19th century) - The Falconer. 65.5 x 76.5 cm. Antique oil painting on canvas, without frame. Condition report: Original canvas. Good condition of the pictori...

Provenance On consignment to the gallery FRAMED: 28.125 x 24.125" x 1.625" UNFRAMED:20" x 16"

'Lovers' a mysterious and fascinating portrayal of a women with two heads and singular body draped in an intricately painted multicolored kimono. The scene includes interior architec...

Janusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow. 1983 onward, he became the m...

Hand signed lower left. Oil on panel.Original Paintings. Published in the catalogue “Vincenzo De' Stefani” , Rizzoli Editore, Milano 1939, tav.III.

Acquired by the gallery directly from the artist UNFRAMED: 15.75" x 11" FRAMED: 23.375" x 18.5" x 1.125" Artist Statement “‘Tinker Bell’ is one of my series of pictures for a fort...

J. BREYNAT (XXth century) Oil on cardboard 20 x 30 cm (28 x 38 cm with the frame) Signed and dated lower left "J. Breynat / 1921" Beautiful carved wooden frame from the 19th century ...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Janusz Szpyt was born in 1960, he is a Polish painter. He graduated from the Graphic design faculty and painting from the Academy of Fine Arts in Krakow. 1983 onward, he became the m...

Known for her bold visionary take on figurative realism, Erin Cone has twice been recognized in the national art press as one of the top young emerging artists in the country. After ...

An oil painting by Contemporary Italian Realist painter, Daniela Astone - A nude figure sits on a sterile, white floor. A mirror presents the figure's back from another angle. She holds a towel up to her face, partially covering her chest and lap. One leg is tucked up behind her, her reflection however shows neither the hand with the towel nor the foot she sits on. Artist Bio: Daniela Astone was born in Pisa, Italy, in 1980 and raised in Porto Santo Stefano...

Figurative Painting of People admiring Manhattan Henge Sunset New York City NYC with dramatic light and colours by Leading British Urban Artist, Angela ...

Timoleon Lobrichon (1831-1914) French Tempest in a Teapot Oil on canvas, 6 1/2 x 8 1/4 inches FRAMED: 16 1/2 x 15 inches Signed at lower left: [indistinct] This work is a related to...

Voici une peinture d'une intensité saisissante, réalisée avec une maîtrise remarquable. Le sujet au centre de l'œuvre est un homme d'âge mûr, absorbé dans une expression de profonde ...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Jaguar car in realistic style. MICHAŁ WOJTYSIAK (ur. 1984) Graduated of Academy of Fine Arts ...

Jen Starling's Still Oil Painting "Cyclical Plasticity" (2024), is a masterful capturing of a butterfly resting on a dandelion, with dim afternoon light casting colored shadows acros...

"The Skeptic" is a realist oil on linen painting. It depicts a man with long golden red hair and beard in a coat. His eyes gaze to the side of the viewer, eyebrows furrowed. Frame ...

'So Long' a mysterious and fascinating portrayal of a young women standing inside of a ring of red flowers, in front of a heavy velvet gold and red drape, that is falling on either ...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 1/2 x 15 1/2 frame) inches Emin ...

Fred Wessel's "Autumn Zinnia" is a stunning egg tempera painting on gold leaf with malachite cabochons. Created in 2024, this piece features a freshly bloomed stem of an Autumn Zinni...

"Portrait of Zola" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 1/2 x 15 3/8 frame) inches Emin Abbasov is classically ...

An fine period watercolor, dated 1910, an illustration by Charles Edmund Brock (English, 1870-1938). This, from a semi-autobiographical novel written by William Makepeace Thackeray, "Pendennis", in full "The History of Pendennis: His Fortunes and Misfortunes, His Friends and His Greatest Enemy." The novel was published in monthly installments from 1848 to 1850 and published in book form in two volumes in 1849–50. Below this image is a quote from "Pendennis," Chapter VI, "Captain Costigan leaves Pendennis & Miss Fotheringay at the great window looking out into the Deans Garden". Signed lower left. Displayed in a rustic giltwood frame. Image, 8.5"H x 6.25"W. Charles Edmund Brock was a widely published English painter, line artist and book illustrator, who signed most of his work C. E. Brock. He received his first book commission at the age of 20. He became very successful, and illustrated books for authors such as Jonathan Swift, William Thackeray, Jane Austen, Charles Dickens, and George Eliot. Brock also contributed pieces to several magazines such as The Quiver, The Strand, and Pearsons...

I sought to capture a moment of bold independence amidst the stark expanse of the American roadside. The crisp realism contrasts with a punchy assertiveness expressed through the assertive stance of the figure in the leather jacket. Set against the backdrop of a vintage gas...

A super circa 1955 British portrait oil painting in tones of blue and brown. A very evocative period portrait of a woman painted by British listed female artist Constance Anne Parke...

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

Today is the big day! All of the lessons, studying and practicing are coming to a crescendo! The only item left to do before the concert is to select the flowers to be presented on stage to our conductor. Tulips? Roses? Sunflowers? Lilies? Decisions, decisions! Selecting a mixed bouquet would certainly ensure that she would receive her favorite flowers! This realist figurative landscape is the portrait of a young girl seen in soft lighting, appropriate to her tender age, making what feels like the most important decision of her life! This original oil painting was envisioned and painted by noted artist Joseph Sundwall...

Broken Egg is an original oil painting realized in 2007 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame: 50.5 x 3.5 x 60.5...