Realist Figurative Paintings

"Guardian Angel" late 19th c. Original hand-painted KPM Porcelain In Jewel Encrusted Frame approx. 6 3/8 x 5 inches

Fred Wessel's "Autumn Zinnia" is a stunning egg tempera painting on gold leaf with malachite cabochons. Created in 2024, this piece features a freshly bloomed stem of an Autumn Zinni...

Allison Leigh Smith's "Reflection: Barred Owl" (2023) is a captivating original oil painting on aluminum, measuring 10 x 10 inches with a frame size of 12.5...

Words within painting: Share my life, take me for what I am 'Cause I'll never change all my colors for you. Take my love, I'll never ask for too much. Just all that you are and eve...

Large magnificent colorful Ruth Schloss oil painting of a child with a wagon with a doll or a baby in a carriage stroller.. Signed in Hebrew size measures 31x43 with frame , 23x35.25 without the frame. (this is being sold unframed). Ruth Schloss (22 November 1922 – 2013) was an Israeli painter and illustrator who mainly depicted neglected scenes such as Arabs, transition camps, children and women at eye-level as egalitarian, socialist view via social realism style painting and drawing. Schloss became Israeli painting’s sensitive, conscious, remembering eye. Ruth Schloss was born on 22 November 1922, in Nuremberg, Germany, to Ludwig and Dian Schloss, as the second of three daughters of bourgeois assimilationist Jewish family well-integrated into German culture. As the Nazis came into power in 1933, her family immigrated to Israel in 1937, and settled in Kfar Shmaryahu, then an agricultural settlement. Schloss studied at the Department of Schloss graphic design at "Bezalel" from 1938 to 1942 alongside Friedel Stern and Joseph Hirsch. She was a realistic painter who focused on disadvantaged people in the society and social matters as an egalitarian. Her realism was thus an “inevitable realism,” motivated by an inner necessity: the need to observe reality as it is. Her painting repeatedly addressed the door pulled from its frame, employing drawing’s unique ability to stop time and prolong the image’s persistence in the retina, she repeatedly committed to paper - in a matter-of-fact, non-evasive manner devoid of mystery – man’s tendency to generate chaos, suffering and pain. Throughout her life, Schloss remained minimalist. Painting about human fate was the main subject of her artworks. Her natural inclination was to describe the darker aspect of human existence. 1930s The Schloss household was characterized by open, liberal spirit, in keeping with the parents’ progressive views. It deeply influenced Ruth’s mental development, as she learned to tie culture and art with sensitivity towards the weak and underprivileged. In Jerusalem, she joined a commune of Hashomer Hatzair in which she shaped her socialist views, which she maintained throughout her long career. 1940s In this period she mainly depicted landscapes of kibbutz and wretched women living hard life, children in huger, older people, refugees. After completing her art studies, Schloss joined a training group at Kibbutz Merhavia in 1942, and after two years moved to Karkur region, the nucleus established Kibutz Lehavot Habashan in the Upper Galilee. Through this time, she fell in love with the surroundings and drew landscapes. They are simple and direct with fresh, lucid lines. These paintings were selected as the main works of her first exhibition in 1949. In early 1945, Schloss started to draw illustrations in the children’s magazine Mishmar Leyeladim, and designed the logo of Al Hamishmar, the paper’s new name in 1948. In 1948, upon the founding of Mapam (United Workers’ Party), she designed her party’s emblem, which became a well-known icon. She kept working as an illustrator for Mishmar Layeladim until 1949. "Mor the Monkey" project yielded financial profits and this income was used for a study trip to Paris for two years. She was succesfull as illustrator however, she had inner conflicts of her identity as witnessed painter toward neglected class in Israeli society. First Exhibition at Mikra-Studio Gallery, 1949 She presented forty drawings on paper in her first solo exhibition, representing a selection of the themes of kibbutz landscape, its lifestyle. Schloss confidently proposed her direction through simplicity without using colors in her drawings. 1950s Between 1949 and 1951, she studied at the Académie de la Grande Chaumière in Paris. She began working in oils, with which she continued throughout the 1960s. The exhibition “Back from Paris” opened in November 1951 at Mikra-Studio Gallery . In 1951 she married Benjamin Cohen, who served as chairman of the national leadership of Hashomer Hatzair Workers Party in Tel Aviv. He was a theoretician and a man of principle, highly esteemed by its leaders who became a professor of history at Tel Aviv University. In 1953, following the Mordechai Oren affair and the publication of Moshe Sneh 's followers from Kibbutz Artzi, she and her husband left the kibbutz and moved to the agricultural farm, Kfar Shmaryahu, where she lived until her death. At a certain point in Israeli history, segments of the socialist movement felt that Israel should become part of the Communist bloc, rather than seek the support of the western world. Because the Schloss couple support of Moshe Sneh’s left-wing party, they had to leave the kibbutz. She loved to depict ordinary women as figurative on her painting without hiding or making up anything. The poet Natan Zach wrote about her works in 1955: “Her motto remains that which has been all these years: life as it is, without bluffing." Schloss’s “Pietà” (1953) became a universal cry expressing the pain of mothers on either side of the divide. In the late 1950s, she was the mother of two daughters. When she drew her daughters, unlike the universal babies she depicted, naked and with clenched fists, the painting of her children employed babyish sweetness to the full in a quiet, peaceful and heart-stirring filling rather than urgency. She also painted children in the transition camp and Jaffa in the 1950s and 1960s. 1960s-1980s – The period of Studio in Jaffa Schloss painted at a studio in Jaffa from 1962 till 1983. In this time, she turned her interest to people around her more than kibbutz – the children, mothers, and poor workers, the alleys and houses. She opened the space to the street and its dwellings, built interactions around it, and was nurtured by the presence of the outside in her work. 1960s Schloss familiarized to an Arab woman, Nabava, lived in poor. Schloss returned to painting images of old people later, and she called her painting figurative elderly people in the old age homes “waiting”. In the late 1960s, Ruth discovered acrylic paint and never turn back to oil painting. In 1965 Schloss devoted a series “Area 9 (1965)”, dedicated to the demolition of Israeli-Arab houses and the expropriation of the land, and carried a definite socio-political messages. The series was exhibited at Beit Zvi, Ramat Gan, in 1966. She was the only artist who addressed the result of the Six-Day War immediately afterward. In 1968, Schloss and Gansser-Markus presented “Drawing of War” in Zurich gallery. She expressed the war as an ultimate expression of destruction and ruin, regardless of victors and vanquished. 1970s In late 1970s Schloss began printing the selected photograph directly on the canvas, posterior reworking it in acrylic. She decided to print her work at Har-El Printers in Jaffa, and these became the surface of her painting. This technique was mainly adopted in two large series: Anne Frank (1979-1980) and Borders (1982). Through this technique she placed the figure of elder Frank next to that of the famous young Frank, and released it at the exhibition at Bet Ariela Cultural Center, Tel Aviv, in 1981. The series touched upon the Nazi Holocaust. 1980s The Lebanon War raised the question of “The Good Fence” and the effect of the war. She dedicated a large series Boarders, one of the most powerful image linked to the series is the figure of Yemenite woman raising her hand. She was the first to raise the Black Panthers demonstration to the level of a social icon. In the 1980s and again in 2000, the Intifada uprisings also led Schloss to the easel to render a good number of representational and symbolic works that in their way denounced Israel's political and military actions. 1990s – 2000s Ruth Schloss never had an exhibition in a major Israeli museum. Her works were presented in private galleries and small museums. The main museums, the Tel Aviv Museum of Art and the Israel Museum, included her works only in group exhibitions, and only in 1991 was her retrospective exhibited at the Herzliya Museum. In the 2000s, Schloss’s metaphors turned into animal kingdom and Bedouins in the south. A huge rhinoceros, birds of prey, and other "bad animals," as Cohen Evron, daughter of Ruth, calls them and "I connected this to the Nazis," said Schloss. Schloss' work after she didn't find human expression able to transmit the endless cruelty she saw in Israel's political mentality. Schloss also continued to follow and collect documentary photographs of destructions of houses from the war, the Intifada, the sequence of her work about ruin from 1949 to 2005, was a cumulative testimony about the painful history of Israel and Palestine. In 2006, a large retrospective exhibition of her work was presented at the Museum of Art in Ein Harod, curated by Tali Tamir. Education 1938-41 Bezalel Art Academy, Jerusalem, with Mordecai Ardon 1946 painting course for Kibbutz Artzi artists with Yohanan Simon and Marcel Janco 1949-51 Académie de la Grande Chaumière, Paris Awards and recognition 1965 Silver Medal, International exhibition in Leipzig, Germany 1977 Artist-in-Residence, The Cité Internationale Universitaire de Paris Selected solo exhibitions 2004 “Micha...

Louis Charles Moeller A Toast Signed lower right Oil on canvas 12 x 16 inches Louis Charles Moeller was a master of American genre painting. His meticulously detailed, highly finish...

Gregory Block's (US based) "Leftovers" is an original, handmade painting that depicts a half dozen fresh donuts in high detail. About the Artist: Gregory was born in Kansas City, Mi...

Ina Pesenka, Gordon Beach in the winter, Oil on canvas, Tel-aviv beach, israeli artist, Israeli art, art

This is an original one of a kind figurative oil painting by southern California artist, Jess Perna. Its dimensions are 24"x18". It is framed in a white floater frame as pictured. A ...

Signed with monogrammed initials and has his name written on verso. Realistic portrait of an older rabbi. CHARLES E. HANNAFORD, English; 1863-1955, Hannaford was a British waterco...

Unique Oil painting on panel. 2 separate pieces that screw together to form a continuous painting Christina Major was born in Concord, New Hampshire in 1982. She has lived all ove...

Afternoon. Oil on canvas, 60,5x78,5 cm Work in the socialist realist manner. People workers and tractor by the river

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

What for? Yes, I'm alive, I take walks, go to cafes, and even hang out with friends, but inside everything is dead. There are no plans, no hopes, no desires... One question: Why? For...

George Tzannes' Corner Stone at Chora Castle is a 24"x24" inches acrylic figurative painting. It depicts an architectural detail of the ancient castle in Chora, in the Greek island of Kythira. Ancient ruins have been often the subject of paintings through out art history, frequently depicted for their romantic and timeless spiritual quality. This painting by Tzannes is certainly not oblivious of such tradition, yet showing a very personal and unique approach. Instead of depicting the entire building, Tzannes chooses to concentrate on a architectural detail of an ancient castle in the Greek island of Kythira. The clarity and realistic precision with which the stones are painted, like a trompe-l'oeil, confer to this artwork a sculptural quality. The viewer can almost feel the roughness of the stone, the warmth of the Greek sun...

This piece, "Grace", is a 24x18 oil painting on canvas by artist Marie Channer. Featured is a female ballet dancer caught in pose in the spotligh...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

"FLOWERS" 1950- Juan Lara-Original- oil canvas-still life painting

"Hillside at Sundown" by Shawn Krueger (United States) is a handmade landscape oil painting that is framed in a black frame and ready to hang. Krueger depicts a scene of trees in the autumn with warm afternoon light. Shawn Krueger, born 1973, is a contemporary landscape painter whose work sits comfortably in both the American Tonalist and Arts & Crafts traditions. Shawn received a Bachelor of Fine Arts degree from Calvin College in 1998, studying under Chris Stoffel...

"Evening (Ode to B. Foster)" by Shawn Krueger (United States) is a handmade landscape oil painting that is painted on a cradled board and ready to hang. Krueger depicts a marsh in the autumn with warm afternoon light. Shawn Krueger, born 1973, is a contemporary landscape painter whose work sits comfortably in both the American Tonalist and Arts & Crafts traditions. Shawn received a Bachelor of Fine Arts degree from Calvin College in 1998, studying under Chris Stoffel...

"An Autumn Memory" by Shawn Krueger (United States) is a handmade landscape oil painting that is framed in an arts and crafts frame and ready to hang. Krueger depicts a scene of trees in the autumn with warm afternoon light. Shawn Krueger, born 1973, is a contemporary landscape painter whose work sits comfortably in both the American Tonalist and Arts & Crafts traditions. Shawn received a Bachelor of Fine Arts degree from Calvin College in 1998, studying under Chris Stoffel...

When I was very young I lost self-confidence, and self-esteem, Losing self-confidence and self-esteem at a young age can be a difficult experience. It can impact how you view yoursel...

"Smile" by Eyitayo Alagbe is a heartwarming artwork that beautifully captures the essence of joy and innocence embodied in a young boy. The title, "Smile," serves as a thematic ancho...

Felicia Forte's painting "Zenith" created in 2016 features a vintage tv with a neon yellow background. Felicia attended the Art Students League of New York in 2006, moving next to...

Landscape in the Ardennes Asselbergs Alphonse Brussels 1839 – 1916 Belgian Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 60,50 x 100 cm, frame size 73,50 x 113 cm The place this painting depicts is a small village Achouffe in the municipality of Houffalize, in Wallonia, Belgium. It is located in the forested Ardennes region. Situated within the Bastogne district Luxembourg province. Biography: Asselbergs Alphonse was born on June 19, 1839 in Brussels, Belgium. He was a painter of landscapes and forests. He studied with the master teacher and artist Edouard Huberti from 1863. After having led a world traveled life as a trader, he returned to the countryside of Belgium in 1867 and stayed in the Tervuren region and spent his time painting landscapes with great artists such as H. Boulenger, E. Huberti, J. Coosemans and Th. Baron. In 1868, he co-founded the “Societé Libre des Beaux-Arts”. From 1873 to 1874, he traveled and painted in North Africa with the watercolourist, Arthur Bouvier. It resulted in a number of canvases in the oriental style, but unfortunately without any commercial success. Despite having been shown at numerous exhibitions, they were all still in his studio at the time of his death. After returning from his travels, he lived near the artists’ colony in Genk and made occasional excursions to the forests of Fontainebleu in France. From 1875 to 1877 he worked in the Barbizon region with students of Rousseau. In 1877, Asselbergs moved to Brussels. He painted quite actively in the Brussels countryside, in the Ardennes and Campine regions. He had a studio with a round tower, on a street that is now named after him. He also made short trips abroad to France and Italy. During the 1880’s, he held exhibitions at the Salon de Paris. In 1881, receiving a second commission in 1896, he was named Officer in the Order of Leopold: it is the oldest and highest Order of Belgium and is named in honor of its founder the King Leopold...

Alexander Chistov's "Wildwood Regional Parks, Thousand Oaks" is an original, handmade, plein air oil painting depicting the landscape in southe...

Summer Garden Study I by Dylan Lloyd [2022] original and hand signed by the artist Oil on Canvas Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:...

As the opaque mist begins to dissipate the horsemen ride on undeterred. The motion captured in this 40x30 equestrian landscape will not be overshadowed by the accuracy of the horses themselves! A multiple award winning artist, including both from the renowned Salmagundi Club and the Hudson Valley Art Association, Barry DeBaun...

Daud Akhriev's (EUR and US based) "The Red Door" is an original, handmade oil painting that depicts an ornate, red door with large doorknobs in a European...

Small town view at spring. Oil on cardboard, 97x130 cm

Thelma Appel Rescued Doll, with Flower Vase, 2016 Pastel on paper drawing Signed on the back of the artwork; also signed and titled by artist on the back of the accompanying board; u...

Still Life, 2015 Oil on canvas 30 x 40 cm real

'Lady in bar' oil on canvas by Andrew Jackson Working Fine Artist since 1991, Andrew Jackson brings to the Outer Edge Studio, his 20 year experience of...

Samuel S.Hoskins Statement on White Roses: "White Roses" is an endeavor to evoke the enchanting fragrance of roses. One of the most delightful aspects of living in Florence, Italy, is cycling through the outskirts of the city in spring after a refreshing rain shower. The rain seems to awaken the scents of various flora. I utilized Viridian Green and Cerulean Blue to capture the cool contrast that rain imparts to the flowers, seeking to encapsulate the sensory experience of those post-rain, blossoming moments. White Roses 14x18 20x24 with Frame As a graduate of The Florence Academy of Art and a devoted oil painter, Samuel Hoskins...

Poppies,Red ,Flowers,russian,art,1960 NADEZHDA VOROBIEVA (Moscow, 1924 - 2011) Works by Nadezhda Vorobieva can be found in various private collections in Europe, Japan, United Sta...

In a small town. 2011, oil on canvas, 65x81 cm Juris Germanis (1941) The artist has always had a tendency to catch the most significant features when working in landscape genre, usi...

The memory of the festive Coca-Cola commercial came to mind, where a truck adorned with holiday lights rushes along the night road. There's no festive truck... Only the night and the...

I would like to wear an evening dress and go to a restaurant to celebrate the New Year. I would like to... In this painting, I crafted a narrative of elegance and joy. The radiant fi...

Once upon a time, a disco used to be an event). New clothes were prepared, and makeup took three hours). The discos were held in the club in the vestibule. Sneakily, one could climb ...

Kate Knott: Unicorn This original oil painting of an old and wise Unicorn is traditional yet quirky. It is an oil on primed paper and is framed behind glass. Size: H:45 cm x W:50 cm

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born in 1991 in the Western Ugandan town of Fort Portal, Switzin Twikirize...

Kid Dynamite is an oil painting by V...Vaughan of Steve Navarro of California. In late November Steven Navarro is participating in the PanAmerican games in Cali, Colombia after winning the Gold Medal at the PanAmerican Games in Guadalajara. He is ranked #1 in his weight division of 114 lbs.He most likely will qualify for the Paris 2024...

Timur Akhriev Image Size: 31 x 58 Frame Size: 38 x 65 Medium: Oil "Kate In The Barn" Biography Born in Vladikavkaz, the territory where Southern Russia meets...

Jason Walker's (CAN based) "Edith 2" is an oil painting that depicts a realistic portrait of a feminine face at three quarters view with a dark background

William Redmore Bigg (English, 1755-1828) The Reprimand Oil on panel, 18 1/2 x 24 inches FRAMED: 30 x 24 inches This rural interior is typical of the anecdotal scenes of village li...

Figurative paintings - 'The Wine Drinkers' - oil on canvas ' The wine drinkers ' is fresh , alive and an homage to the Fauve movement by Scott Jackson TYPE: Wine paintings, contempo...

Expressionist Realistic portrait of a Jewish refugee family World War II era by Lithuanian French Jewish artist. Here the artist conveys a sense of quiet grandeur through the eyes of...

Dianne L. Massey Dunbar's (US based) "Daffodils" is an original, handmade oil painting that depicts a bouquet of yellow daffodils with a white background. About the artist: When Dianne Massey...

"Fascination" abstract acrylic paint on bristol paper linen panel 54x81cm 2014 The title is enough on its own… tonic color chords.

Stuart Bush says of his work: "My painting practice has evolved though recording, interrogating and investigating the public realm. I want to work within and beyond the practical ...

Tomkins Harrison Matteson Playing with Grandfather, 1869 Signed and dated lower left Oil on canvas 29 5/16 x 24 3/16 inches Provenance: Sotheby's New York, May 24, 2001, Lot 150 Estate of a New Hampshire Collector Tompkins H. Matteson was one of the most noted painters in upstate New York during the 1850s and was well-known for genre and historical subjects. Born in Peterboro, New York, he studied and exhibited at the National Academy of Design - established himself as a portrait painter in Sherburne, New York before moving in 1841 to New York City. In 1850, he returned to Shelburne, where he spent the remainder of his life. A follower of William Sidney Mount...

Oil on canvas This painting bellows to the serie "We are Sejourners". Total dimension of the serie: 200 x 1100 cm Total price of the serie: $78,000 Su Yu is a Chinese artist born i...

"The Skeptic" is a realist oil on linen painting. It depicts a man with long golden red hair and beard in a coat. His eyes gaze to the side of the viewer, eyebrows furrowed. Frame ...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

"Battery Point Lighthouse" is a realist oil painting. The scene depicts an island, and a winding rode up the cliffside leading to a white and red lighthouse. In the foreground are sm...

"Azur Sun" Figurative Oil Painting 24" x 20 "inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, feminine, pr...