Realist Figurative Paintings

Provenance Acquired by the gallery directly from the artist Artist Statement “Eating flowers symbolizes finding comfort in kindness, compassion, tenderness and beauty. However, eating certain flowers can be deadly.” —Natalia Fabia...

Felicia Forte's painting "Zenith" created in 2016 features a vintage tv with a neon yellow background. Felicia attended the Art Students League of New York in 2006, moving next to...

Landscape in the Ardennes Asselbergs Alphonse Brussels 1839 – 1916 Belgian Painter Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 60,50 x 100 cm, frame size 73,50 x 113 cm The place this painting depicts is a small village Achouffe in the municipality of Houffalize, in Wallonia, Belgium. It is located in the forested Ardennes region. Situated within the Bastogne district Luxembourg province. Biography: Asselbergs Alphonse was born on June 19, 1839 in Brussels, Belgium. He was a painter of landscapes and forests. He studied with the master teacher and artist Edouard Huberti from 1863. After having led a world traveled life as a trader, he returned to the countryside of Belgium in 1867 and stayed in the Tervuren region and spent his time painting landscapes with great artists such as H. Boulenger, E. Huberti, J. Coosemans and Th. Baron. In 1868, he co-founded the “Societé Libre des Beaux-Arts”. From 1873 to 1874, he traveled and painted in North Africa with the watercolourist, Arthur Bouvier. It resulted in a number of canvases in the oriental style, but unfortunately without any commercial success. Despite having been shown at numerous exhibitions, they were all still in his studio at the time of his death. After returning from his travels, he lived near the artists’ colony in Genk and made occasional excursions to the forests of Fontainebleu in France. From 1875 to 1877 he worked in the Barbizon region with students of Rousseau. In 1877, Asselbergs moved to Brussels. He painted quite actively in the Brussels countryside, in the Ardennes and Campine regions. He had a studio with a round tower, on a street that is now named after him. He also made short trips abroad to France and Italy. During the 1880’s, he held exhibitions at the Salon de Paris. In 1881, receiving a second commission in 1896, he was named Officer in the Order of Leopold: it is the oldest and highest Order of Belgium and is named in honor of its founder the King Leopold...

"Grandpa's First Car Ride" by Lorenzo Chavez (US based) is a handmade oil painting that depicts a rural road in New Mexico. “Grandpas first Car Ride” I tried to image the first aut...

When I was very young I lost self-confidence, and self-esteem, Losing self-confidence and self-esteem at a young age can be a difficult experience. It can impact how you view yoursel...

When I was very young I lost self-confidence, and self-esteem, Losing self-confidence and self-esteem at a young age can be a difficult experience. It can impact how you view yoursel...

"Smile" by Eyitayo Alagbe is a heartwarming artwork that beautifully captures the essence of joy and innocence embodied in a young boy. The title, "Smile," serves as a thematic ancho...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Painting Institute in Beijing. This painting Red and Green Farce is based on the author Bernini's classic sculpture Robbing Parsephone as the creation of the cornerstone. From three-dimensional monochrome sculptures to paintings of figures with urban backgrounds and baroque colors. This distinguishes mechanical painting...

Robin Cole's (Us based) "Raspberry Greens" is an original, handmade oil painting that depicts a small patch of foliage and leaves with contending light and shadows dotting their form...

Graduate. Oil on canvas, 124x63 cm Valentina Dauksis (1905-1984) (until 1934 Valentina Andreeva) - an artist and ballerina. She was born in the family of a Russian accountant and b...

Title: Easter’s Dream Size: 20” x 30” inches Medium: Original oil on canvas

In a small town. 2011, oil on canvas, 65x81 cm Juris Germanis (1941) The artist has always had a tendency to catch the most significant features when working in landscape genre, usi...

This is an original one of a kind figurative oil painting by southern California artist, Jess Perna. Its dimensions are 24"x18". It is framed in a white floater frame as pictured. A ...

George Tzannes' Corner Stone at Chora Castle is a 24"x24" inches acrylic figurative painting. It depicts an architectural detail of the ancient castle in Chora, in the Greek island of Kythira. Ancient ruins have been often the subject of paintings through out art history, frequently depicted for their romantic and timeless spiritual quality. This painting by Tzannes is certainly not oblivious of such tradition, yet showing a very personal and unique approach. Instead of depicting the entire building, Tzannes chooses to concentrate on a architectural detail of an ancient castle in the Greek island of Kythira. The clarity and realistic precision with which the stones are painted, like a trompe-l'oeil, confer to this artwork a sculptural quality. The viewer can almost feel the roughness of the stone, the warmth of the Greek sun...

Antique figurative oil painting of children playing. Oil on board. Framed.

Tukums 1976, oil on board, 47,5x33,5 cm "Tukums" is an artwork created in 1976 using oil on board as the medium. The dimensions of the artwork are 47.5x33.5 cm. The painting is named after the city of Tukums, which is located in Latvia. The buildings portrayed in the painting vary in architectural style, reflecting the character and charm of Tukums. They are depicted with attention to detail, capturing the unique features of each structure. The artist has used various colors and brushstrokes to convey the textures and character of the buildings, adding depth and visual interest to the composition. Stanislavs Kreics...

Daud Akhriev's (EUR and US based) "View from Ponte de Piscina, Venice" is an original, handmade oil painting that depicts a channel within the brick lined...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

Daud Akhriev's (EUR and US based) "Finca Naranja" is an original, handmade oil painting that depicts a sunny ledge with blooming glowers with a blue pool in the background. Artist ...

This realistic equine piece, "Walking to the Track", by artist Dahl Taylor is a 24x36 oil painting on canvas featuring 7 jockeys atop their brown thoroughbred race horses making their way down a dirt path towards the Saratoga Springs racetrack in upstate New York. Dappled sunlight enters through the trees, glistening on the horses' coats. Bright green trees...

Claudine Picard is a French artist born in 1949 who lives & works in Sainte Marie, France. She is graduated from the Ecole Nationale des Arts Décoratifs in 1973 (ENSAD).

A young man hurries after a beautiful young woman, wanting to meet her, despite the rain and bad weather. Maybe this is fate and love for life, and nothing will stop him. A large det...

Black, plum, and green-toned realistic portrait by Houston, TX artist, YAG. This portrait depicts Cillian Murphy, a.k.a. Thomas Shelby in the famous Bri...

Luo Tong "Young Chinese Boys" Image Size: 30 x 24 Frame Size: 38.5 x 32.5 Medium: Oil "Two Boys" Biography Tong Luo was born in Huai Yang, County of Henan Province, China, in 1...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

Provenance Acquired by the gallery directly from the artist Artist Statement "Although the imposing Diaolou are now largely abandoned, that is not the case with the intensively cult...

Unique Oil painting on panel. 2 separate pieces that screw together to form a continuous painting Christina Major was born in Concord, New Hampshire in 1982. She has lived all ove...

Portrait of a Miami Local surrounded by graffiti. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No ::...

Joseph McGurl's "Prism, River and Sky" is an original, handmade oil painting that depicts a bright yellow and orange sunrise or sunset over the waters reflective surface, casting the...

This original painting by Mandii Pope takes a unique painterly approach to the butterfly motif. Pope here contrasts the traditional painterly portrayal of the butterfly against a mod...

David Cheifetz's "Thrum of the Forge" is an oil painting depicting a city avenue lined with buildings and cars as a surreal red evening colors the sky overhead. Bio/artist statement...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

Storm over Trevose head [2021] original Oil on canvas Image size: H:76 cm x W:76 cm Complete Size of Unframed Work: H:76 cm x W:76 cm x D:1cm Sold Unframed Please note that insitu i...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...

"Hear No Evil" is an oil painting. It depicts a woman, the artist, Maryann Lucas, plugging her ears with her fingers. The two tone composition represents the artist's zodiac, Gemini,...

Almazan Realistic Still Life Acrylic Painting MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and translates ...

European School Chateau Oil on wood 9 5/8 x 7 1/2 inches

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born in 1991 in the Western Ugandan town of Fort Portal, Switzin Twikirize...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born in 1991 in the Western Ugandan town of Fort Portal, Switzin Twikirize...

Almazan Realistic Still Life Acrylic Painting. frameD MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic and tra...

Realism, figurative, flowers, pastel colors, Hyperrealism, linen, oil

Antique illustration of a golfer getting out of a sand trap by well listed illustrator Leslie Saalburg whose work appeared in Vanity Fair and Esquire.

Here we have a signed French/American Oil Painting, of a beautifully rendered Japonaise Lady in Her Boudoir with a Shrine I Cannot figure out the artist! Very well done and detail...

"Small Room" Figurative Oil Painting 47" x 39" inch by Dmitriy Krestniy ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, feminine,...

Woman with a glass.2019. Oil on canvas, 45x45 cm Normunds Braslinsh (1962) Born 1962 in Riga, Latvia 1980–1986 Latvian Academy of Art, Painting Department 1973–1980 Janis Rozentāls Riga Secondary School of Art Has participated in photo exhibitions since 2002 A professional photographer for art editions since 1989 Has participated in exhibitions since 1980 Pedagogical Experience Since 2004 Professor at the Latvian Academy of Art 1998 Associate Professor at the Latvian Academy of Art Since 1997 a teacher at the Master Studio of Figurative Painting, Latvian Academy of Art Since 1988 a teacher at the Drawing Department, Latvian Academy of Art Solo exhibitions 2008 Normunds Brasliņš...

Embankment. 2017, oil on canvas, 65x81 cm Juris Germanis (1941) The artist has always had a tendency to catch the most significant features when working in landscape genre, using oi...

‘Dmytrivka’ is a historically significant painting by Oleksandr Khrapachov, created directly at the scene of the events in the spring of 2022. The 70x100 cm work is a unique document...

Filippo Lauri (Rome, 1623 - 1694) "The Stoning of Saint Stephen" Oil on Canvas Framed: 55 x 72 cm Flat: 61 x 65 cm This powerful Baroque painting by Filippo Lauri, a renowned 17th-c...

Lodovico Buffetti (Verona, 1722 - 1782) "Story of Rebecca" Oil on Canvas Framed: 89 x 71 cm Flat: 74 x 56 cm This exquisite 18th-century oil painting by Lodovico Buffetti, a disting...

"Quiet Descent" is a digital print on 5 acrylic panels by Michelle Jader.

Fishing boats 1974, oil on canvas, 57x68 cm "Fishing Boats" presents a peaceful and realistic portrayal of a fishing scene at sea. The combination of the fishing men, nets, boats, seagulls, and calm sea creates a narrative of human connection with nature, as the fishermen work in harmony with the elements to sustain their livelihood. The sky is populated with seagulls, adding a touch of movement and life to the scene. The painting invites viewers to appreciate the beauty and simplicity of a traditional fishing lifestyle and the serenity of the maritime environment. Stanislavs Kreics...

"Looking in the mirror" oil on canvas by Jackson The painting comes with a certificate of authenticity and a letter of appraisal. Represented by American Art Gallery Carmel California

I bought this beautiful instrument. Tuner told me that the instrument was in perfect working order and sounded great. But the black lacquer on the piano looked old and worn from tim...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

Black and red toned realistic acrylic painting by Cuban artist Douglas Perez Castro. The painting features a fictional scene of a black female fig...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

Pittore Attivo a Roma Nel XVII Secolo “Genre Scene” Oil on Canvas Framed: 68 x 88 cm Flat: 66 x 74 cm This exquisite 17th-century Italian genre painting, attributed to an unidentifi...