Canvas Figurative Paintings

Boats. 1980. Canvas, oil, 70x70 cm Contrasting landscape with boats in cubistic style in red and yellow tones

"La grandi calle" is a colorful art line painting by Maestro Vittorio Angini About the artwork: TECHNIQUE: oil painting on canvas STYLE: Impressionist, Contemporary Edition : Unique, signed Weight: Approximately 3 kg. The painting is unframed The paintings brings emotion of happiness, love, pure energy, peace and beauty represented by the vast creative power of his talent.” Dear art lovers, if you like the art of Maestro Vittorio Angini please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Frame: Optional Snow Pearl gallery offers the possibility to increase the value of this artwork by adding a gorgeous wooden Italian contemporary frame. For some paintings we can also offer a very special ancient restored frame. The frame can be hand-carved with composition ornamentation and hand-applied, with water gilded with 22 Kt. genuine gold leaf over rouge burnishing bole and then patinated to the appropriate patina. This will slightly increase the price, the shipping cost and the delivery time. Maestro Vittorio Angini was born in in 1946 in Italy in Arrezo, Toscana. He lives and works in Arezzo in the former Franciscan Hospice of Bagnaia. He has participated in the artistic activities of many cultural groups including: the “Cultural Center Artistico Aretino "," Studio 8 "," Bottega d'Arte del Valdarno "," National Association of Artists Italians ". He was invited to the exhibition of figurative arts in Siena and to "Bolsena Arte 82". Three works of him make part of the traveling exhibition "Mondial 1986". Angini attended the School of Goldsmithing and Jewelery of "Uno AErre", developing refined artistic skills such as to be required by the most important goldsmith companies in Arezzo and to undertake a collaboration with the Private Mint of Rome. In 2007 he was invited by Josè Van Roy Dalì, son of art of the famous Catalan painter, to participate in the "Quadrennial of Contemporary Art Leonardo da Vinci", held in Rome at the "Vittoriano". Since 2009 his works have been part of the artistic project “In Mostra con Dalì” and his works are were exhibited at the "Galleria Tondinelli" in Rome. In 2012 he participated in the "Affordable Art Fair" in London and in 2013 in the "Tuscan Art on Tour" in Chicago and Menasha in the United States. The artist's works are on permanent display at the gallery Borley Twist in Chicago and Hinsdale (USA). In 2014 at the exhibition "Memories of natures, myths and geometries" at the Chiostro del Bramante-Rome. October 2014 - Matalon Foundation Museum Exhibition in Milan. In 2018 Modern Gallery Arezzo His works are exhibited in the “La Bottega” Gallery in Castellina in Chianti (Si). His artworks are owned in museum and private collections worldwide. Our gallery provides Certificate of authenticity of this artwork. Dicono di Angini Tra spiritualità e colore La scomposizione delle sue opere è frutto di quella della sua anima, sempre alla ricerca di qualcosa che vada oltre. Nei suoi occhi, come nelle sue tele, c’è una malinconia “viva” che ci attraversa e ci emoziona, trasportandoci in un mondo fantastico e complesso; come lui. Tutta la sua vita è stata una sperimentazione artistica volta alla conoscenza di sé, degli altri e del mondo che lo circonda. Nei suoi colori predomina il giallo della luce divina e della speranza. Una consapevolezza del sé ottenuta mediante la sperimentazione artistica come strumento di conoscenza, come atto di autoriflessione, attraverso l’indagine del proprio vissuto, in costante tensione con l’esterno, quasi volesse far emergere quel tripudio di emozioni che tiene nelle stanze della sua anima. Olimpia Bruni Intervista con Dalì Da un’idea di Josè Van Roy Dalì, “In mostra con Dalì”. Un progetto d’arte che si concretizza in una mostra itinerante, in omaggio al padre Salvador Dalì. Lo scorso anno partiva, come una caccia al tesoro, presso la Galleria Tondinelli, nel favoloso scenario del Complesso Monumentale di San Carlino delle Quattro Fontane, a Roma, la prima edizione della mostra itinerante con la partecipazione degli artisti: Vittorio Angini, Graziano Peretti, Fausto Ciotti, Ileana Della Matera, Loredana Bendini, Ada Cardilli, Patrizio Veronese e Mario Spigariol. Tra gli artisti in mostra di particolare rilievo – non togliendo prestigio agli altri partecipanti – le sorprendenti opere del pittore aretino Vittorio Angini. Invitato nel 2007 su segnalazione di Josè Van Roy Dalì, figlio d’arte del famoso pittore catalano, a partecipare alla “Quadriennale d’Arte Contemporanea”, tenutasi a Roma presso il “Vittoriano”, Angini collabora attualmente all’importante progetto d’arte “In mostra con Dalì”. I suoi quadri si trovano in collezioni private negli USA, Canada, Australia, Nuova Zelanda, Sud Africa, Inghilterra, Irlanda. La sua pittura, risplendente di luce diffusa, penetra nella nostra capacità e sensibilità di stimolare ricordi ancestrali, che pensiamo sepolti nei meandri della nostra memoria. In molte delle sue opere par di cogliere una sorta di metempsicosi del colore, che nelle sue ricercate tinte pare trasferirsi, espandersi, in ogni angolo della tela, fluttuando oltre le rigide forme del contorno, e dove la sacralità della luce rischiara quelle impalpabili zone della nostra anima in cui risiedono i sentimenti e le emozioni più profonde. I riverberi della luce scaturita dal colore allargano l’immagine, che pare perdersi, oltrepassare i confini della percezione visiva, quasi ad illustrare, ad indicare la strada di un mondo che necessariamente dimora e vive oltre il quadro, espandendosi in orizzonti più ampi. Le forme, i paesaggi, i giochi di colore, i ritratti, appaiono come effigi della nostra esistenza, che coesistono nell’intercalare del ticchettio del tempo che scorre. Addentrarsi nelle parole di Josè Van Roy Dalì è sempre oltremodo affascinante e l’incontro avvenuto presso la sua casa museo mi ha fornito l’occasione per approfondimenti sul pittore Vittorio Angini e su “In Mostra con Dalì”. D. I quadri di Angini, che ha voluto appartenessero sin dagli esordi al suo “viaggio” itinerante, svelano le verità nascoste dei nostri desideri e della nostra immaginazione. Trovano affinità con le Sue opere d’arte ed il Suo percorso pittorico? R. Prima di tutto trovano affinità con il mio gusto e con il mio senso estetico del bello. Inoltre, scavando nel “labirinto” artistico di Angini, tra i lavori del passato e nei vari percorsi, ho trovato molteplici mondi paralleli multicromatici, che mi hanno fatto apprezzare ulteriormente il lavoro di questo artista. D. Ho avuto modo di ammirare tra le molte opere esposte nella sua galleria privata, appunto in Via Salvador Dalì, quelle di Vittorio Angini. So che sono state largamente apprezzate nel mondo della cultura e dell’arte. Un suo parere strettamente personale su tali opere? R. Il modo immediato di trasmettere, attraverso i colori, indefinibili emozioni, con la medesima semplicità di un grande romanziere. D. Maestro, in questa interessante esposizione “In mostra con Dalì”, ciascun artista presenterà, accanto alle sue, tre opere. So che ha fatto la ricerca dei pittori presenti in mostra con molto impegno e serietà, con quale criterio li ha selezionati? R. Ho saputo “ascoltare” le vibrazioni del colore e individuare, attraverso le varie tematiche, la peculiare sensibilità di ogni singolo artista. E poi, per dirla tutta, mi sono affidato al mio gusto personale, immaginando quali fossero le opere che avrei gradito collocare nella mia residenza… e quali tra queste, avrebbe apprezzato anche mio padre. D. Com’è sbocciata e che traguardi vuol raggiungere questa mostra? È puramente un omaggio a suo padre Salvador o è un omaggio ad entrambi i Dalì o...

Micah Crandall-Bear’s abstract landscape paintings examine Earth’s intrinsic resources and our disposition toward their accelerated transformation. His concept is infused with linear...

Acrylic and Flashe on linen Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is on...

"This time I put flowers" (Esta vez puse flores), Acrylic and mixed media on wood panel, 75x60 cm. The pictures of Raquel Fariñas are presented before our eyes with an almost naive ...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors, earth colors

"ADawn Chorus" is a 2023 unique acrylic on canvas painting by German mid-career artist Dr. Michael Pröpper. Comes with certificate on back. 80 x 60 cm (HxW) It depicts a luminescent play of colors in abstract forms. Comes with Certificate. The artists Michael Pröpper recent works focus on luminescent abstract squares which fill the entire canvas. A painted picture is not in the least a two-dimensional representation of a figurative reality with color and canvas. It is much more. A painted picture is a living force-object, which releases the stored energy and soul for years at every sight. Each of these moments is an encounter with the depth, the feeling, the power and the inspiration that has been inscribed to it. Dr. Michael Pröpper, born 1968, artist and anthropologist, lives and works as a painter and installation artist near Hamburg. Various national and international exhibitions and art fairs, e.g. in Belgium, Denmark, England Italy, Japan, Luxembourg, Namibia, Austria, Sweden. For Dr. Michael Pröpper art and anthropology are two field that enrich each other and are important to one another. It is abut the pictorial reflection on how modern people...

Hoffmann's work looks to the history of landscape painting, while grounded in larger issues around climate change, resilience, breaking racial, social, economic boundaries, food apar...

Scott Conary's "The Conversation" is an original, handmade oil painting that depicts a folding chair and a wooden chair with green upholstery situated together. About the Artist: ...

CHRIS GWALTNEY is a painter from Southern California. He paints in a lush style, combining areas of abstraction with loose figurative elements. He experiments with sensuous surface...

Strange women III, 2015 Acrylic on canvas pad 23.62 H x 17.71 W in. 60 H x 45 W cm "Strange women" is a cycle of eight canvases, each representing a fem...

Cyanotype inspired diptych of lush blue and white botanicals interspersed with whispers of yellow. Electric Daydream, Diptych (2022) by Amanda Besl. Oil on board.

This is a one of a kind original encaustic mixed media artwork by Tiffany Bociek. Its dimensions are 12.8 x 14 x 2 in. A certificate of authenticity will follow delivery. Created ...

This artwork is named after "Nissa", the ancient name of the "Nice" French city, which the painting refers to. It depicts a bouquet with large leaves, in a compact and central composition balanced by a cluster of palm trees flushed with sunlight. This piece is not framed. Andrée de Frémont...

Kristy Chettle (American, born 1968) "Blue Vase" 2022 Oil Paint, Reclaimed Wood, Wire The artist signed the back of the painting. The artwork "Blue Vase" by Kristy Chettle is a capt...

The Essence is a unique modern abstract expressionist painting in subtle tones of acrylic wash on silk satin by British contemporary artist Rose Fulbright. The artwork is signed, a...

Acrylic and Aerosol Original comes framed in a wood frame 13 x 17 x 1.5 inches Signed by DeGrupo

The picture is written in bulk. Picture from the series Animalism. Abstract expressionism, acrylic on canvas.

"Loci" is a beautiful oil painting by Michele Mikesell. Her animal-human figure has a flawless and beautiful face combined with abstract elements and her signature pristine painting ...

Charming mid century French School oil on canvas. Signed Bornheizel?? I think. Either way a very talented painter. It comes unframed and measures 24 inches wide by 20 high.

A fine and heavily impasto 20th Century seascape showing the fading sunset being engulfed in darkness on the horizon of a calm ocean. The painting is unsigned and presented in a wood...

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. His work bears the influence of the mid century school of Paris in particular Jean Carzou. He was a regular exhibitor at the Sidewalk Art...

Cyanotype inspired square painting of lush blue and white botanicals with interwoven tendrils of purple. Here Come The Death Pretzels (2022) by Amanda Besl. Oil on board.

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Sekhar Kar - Untitled - 14 x 11 inches (unframed size) Set of 2 works. Mixed media on paper Inclusive of shipment in a roll form. Style : Sekhar Kar paintings depict men and women i...

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CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the at...

Cyanotype inspired square painting of lush blue and white botanicals speckled with bursts of a warm, ghostly yellow. Voltage (2022) by Amanda Besl. Oil on board.

Kristy Chettle (American, born 1968) "Ooh La La" 2024 Oil Paint, Wood, Wire The artist signed the back of the painting. In "Ooh La La," artist Kristy Chettle captures a raw and visc...

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Oil, acrylic on paper Framed 79 x 57 x 3 cm Keti Bubunauri is Georgian artist born in 1993 who lives and works in Tbilisi, Georgia. Her source of inspiration are people, their faces...

Artist Duan Z. was Born in 1955 in Yunnan, China, and is a renowned Chinese Opera Figure Painter, Educator, Playwright, and Producer. Mr. Duan serves as Director of the Chinese Dramatic Literature Society and Chairman of the American Chinese Culture Artists Association. Since 1986, Mr. Duan has been written about in more than twenty regular columns under the title “Duan’s Opera Figure Painting Column” on Chinese Newspapers and Magazines in the US and China. He has published thousands of Opera Figurative paintings. He has been featured in more than two hundred reports and interviews from television, radio, newspapers, and magazines such as American Art Collector and British Art Review. His work is collected by civic institutions, and private patrons across the United States, Japan, Korea, Taiwan, and National Level Museums in China. 'Cleansing Actress Series No. 5' by Duan is a captivating diptych-style portrait that transcends time and tradition. This remarkable artwork pays homage to the beauty and mystique of old Chinese artistic styles while introducing a modern twist. In this piece, the enigmatic woman emerges as if from a bygone era, her visage a blend of art and theatricality. The striking contrast of black and white imbues her portrait with an air of timelessness, while hints of vibrant orange and fiery red add a contemporary touch. Adjacent to her, an old Chinese vase...

Clyde Steadman's "Taking the Spotlight" is an original, handmade oil painting that depicts orange, green ornaments on a white background.

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This is a pre-owned secondary market painting by Gloria Muriel. It is a framed figurative surrealist painting made with acrylic paint on canvas. Its dimensions are 9.5 x 13.5 in (L x...

Cyanotype inspired painting of lush blue and white botanicals. Fossil (2022) by Amanda Besl. Oil on board.

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Kristy Chettle (American, born 1968) "Dances with Daffodils" 2023 Oil Paint, Reclaimed Wood, Wire The artist signed the bottom left of the painting. This artwork by Kristy Chettle, ...

"Disequilibrio" is an oil painting on wood, created by the Italian artist Salvatore Travascio in 2003. It is part of a series of paintings entitled "Instability", a reflection on how...

" Da Eva…in poi" - Exhibition that was displayed in Rovigo at theStudio Arte Mose, in 2016. Subsequently, the artwork was included in the exhibition " Le Muse" displayed in Parabia...

Study of After Images II, 2017

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Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled t...

"Elegance of trees in winter" landscape painting modeling paste on canvas linen 92x65cm turquoise send in wooden crate at cost happiness, lightness of yellow, a moment of joy the ...

Acrylic on canvas Caroline de Piedoue is a French artist born in 1954 who lives & works in Berchères-sur-Vesgre, Eure-et-Loire, France. Her theme of her paintings is largely urban b...

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"Hidden away behind a floral veil, a shield so thin that her own breathe can make it falter, yet shielded enough to regain her bountiful confidence." In F...

"In my paintings I take on the role of poet-painter, creating sentimental and idealized landscapes that are devoid of any figures or formal devices traditionally used to tell a story...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is figurative and symbolic. They harken back to 80s neo-Expressionism - my favorite contemporary art movement. I tend not to beat collectors over the head with fatuous "meanings" of my work, but this one does have a subtext, a rather personal one. But you are welcome to read whatever you want into it." Comes framed in a professional high-profile float frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Quadriptych (30 x 30 cm) x 4 Contemporary, realism, figurative, oil, landscapa, waterscape, pastel colors

The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Through contextualization of reality, the Uruguayan artist...