Glove Figurative Paintings

Colorful contemporary portrait of Andy Warhol by Texas-based artist Robert Sandman. The work features realistic portraits of Warhol sitting against a pink background and eating a bow...

Anne Siems was born in Berlin, Germany. As a child, she lived for three years near Buenos Aires, Argentina. Her first extended stay in the US was as an exchange student. After finish...

keywords; surrealism, humour, uncanny, animals, rabbit, terra cota, fire red, earth tones, indian red, oil painting, figurative painting, strangeness, contemporary surrealistic, un...

Gardener. 2018. Oil on canvas, 70x60 cm Colorful bright artwork with gardener Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at th...

Sanjay Bhattacharya - Untitled - 30 x 22 inches (unframed size) Watercolour & Ink on Paper Inclusive of shipment in roll form. Style : Sanjay's fi...

Girbent captures joy and motion in this drawing in charcoal on paper. The female subject runs, playfully laughing. His persistent use of the Louvre as the setting for many of his wor...

Chimney Sweeper, 2010., oil on canvas, 60x60 cm A boy on a rooftop, looking into a chimney. Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...

Joe Magrane Pitching for the St Louis Cardinals - Figurative Sports Painting Action-packed illustration of left-handed pitcher Joe Magrane by Greg ...

Painting MAN AT WORK. By Carole Grandgirard, title and signature on the back of the canvas. Oil on canvas. Contemporary, France 2024. Carole Grandgirard is a French painter born ...

Scott Duce Biography American, b. 1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable...

Oil on canvas. Engaging. Ben Affleck's batman homage. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern feeling of reflection, observation and cultural critique. Somewhere between the Cohen Brothers...

Acrylic on canvas, Nino Nasidze is a Georgian painter born in 1968 who lives and works in Tbilisi, Georgia. Text by Ketevan Akhobadze, art critic. Time consistently changes dynami...

Finger clicking style

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled with ecology, making their lives more diverse and fascinating'' Rusiko Chikvaidze is a Georgian artist born in 1970, who lives and works between Tbilisi, Georgia and Chevy Chase...

Scheepskat Cat of the Ship Big Woman Red Boat Fish Funny In Stock Ada Breedveld was born in Dordrecht at the start of the Dutch “Hunger winter” in 1944. Together with Ada’s brother...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Acrylic on canvas

“Harbor Stories: The Pulse of Pier 12” illustrates a dynamic specific to narrative painting, embodying a visual crossroads of individual and collective stories within an effervescen...

A World in Her Hand 48.0 x 48.0 x 1.5, 3.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: "'A World in Her Hand' beautifully captures the essence of a little girl's exploration of her creative abilities and the limitless possibilities that lie within her grasps." About the Artist: Esther...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Mixed media, acrylics, pigments, oil on canvas

Signed verso American, b. 1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collec...

Ernani Silva, Brazilian - Mother and Child, Medium: Acrylic, Collage and Enamel on board, signed in marker lower right, Size: 10.75 x 21 in. (27.31 x 53.34 cm)

Procession with elephant, expressionist style oil painting, signed and dated. George Russin was born in New York 1910-2010. He attended the High School of Music and Art to pursue bot...

Signed on reverse Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives. In ...

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Antonio Maria Fabrés y Costa (Barcelona 1854 - Rome 1938), In the Restaurant (1880) Oil painting on panel 14 x 21 cm signed and dated on the right.

"Limiting Beliefs" Oil painting 36" x 36" inch by Alina Shimova PURE SOUL series Shimova cares about the conservation of the fauna. She draws public attention to the problems of a...

In Case of Need, Original Contemporary Surrealist Painting, 2014 18" x 11.25" x 1.625" (HxWxD) Gouache on Wood Panel Hand-signed. by the artist. A conceptual surrealist painting in a muted color scheme, this work makes the viewer think about the juxtaposition of subject matter present in attempt to piece together a logical narrative that appears to be out of reach. Two hands poke out from beneath an undulating sandy landscape. One rests upon the ground's surface, the other sticks straight up, delicately holding a baby bottle...

Gonzalo García’s work explores the influence of Western culture and European painting on Mexican art, focusing on 17th- and 18th-century still lifes, Flemish Baroque bodegones, and more recently, 15th-century medieval painting. He reimagines symbolic elements, textiles, and furniture from these styles within his own queer perspective, creating pastel-toned works that contrast historical aesthetics with his personal experiences as a contemporary queer artist. In recent years, García has developed a project examining the dialogue between 1970s Mexican cinema and contemporary painting. Drawing on films as cultural records, he uses them to reflect on memory and the societal concerns of their time. His series Cachorros intertwines two sources: Alfredo González...

"Fancy Gen" is a very interesting artwork because the character is inspired by a real person the artist met in Miami. The character of Fancy Gen is simple yet very complex. He is ver...

Giacomo Francesco Cipper, called the Todeschini (Feldkirch, 1664 - Milan, 1736) The fishmonger Oil on canvas, 64 x 83 cm - Framed, 85 x 101 cm The crisp harbor air that saturates ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

This contemporary figurative oil painting portrait of a woman catcher playing softball is part of the athlete series, depicting and celebrating the strength and beauty of women athle...

The King & The Beggar Maid, early 20th Century by MARJORIE MCGILL (BRITISH, 1908-1996) Large early 20th Century English Arts & Crafts School scene of the King & The Beggar, oil on...

Date: 1940s Medium: Mixed Media on Board Dimensions: 22.50" x 17.00" Signature: Signed Lower Right

Madame. Oil on canvas, 100x80 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creatin...

Oil on board Board size: 19.5 x 29.5 inches Framed size: 30.5 x 40.25 inches Signed lower right Further signed and inscribed verso

Oil paint and acrylic paint on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – W...

The painting "Military Joy" offers a poignant testimonial into a moment in history, capturing the spirit of celebration and camaraderie among soldiers of the Kingdom of Croatia-Slavo...

Mixed media, signed bottom left Image size: 9 x 9 1/2 inches (23 x 24.25 cm) Mounted and framed

Medium: Gouache on Paper Signature: Signed Lower Left A well-crafted, stylish, and eye-catching cover painting by the renowned pin up calendar artist and commercial illustrator Fritz Willis. This was used as a cover for a Shipstads & Johnson Ice Follies...

Medium: Oil on Canvas Dimensions: 38.00" x 25.00" Signature: Signed Lower Left Mail Pouch -- The Finishing Touch, Mail Pouch Tobacco Company ad illustr...

Oil on canvas

Oil on board Board size: 18 x 29 inches Framed size: 28.5 x 39.25 inches Signed lower right Further signed and inscribed verso

Oil Portrait of famed French actress - Catherine Deneuve. About the Artist: John Francis Gallagher is a Boston-based contemporary artist. Born in Drogheda, Ireland in the Boyne Valley, he emigrated to the United States at 19. John worked in graphic design, advertising and architectural rendering before turning his hand, full-time, to painting. A self-taught figurative artist, his work has a vintage style that is influenced by the so-called pulp artists of the 20th century. In his large-scale canvases, tone is given precedent to create realism. Working within a limited palette of tones, The paint is woven under, over, and into itself in layers to create a portrait that is seemingly simple but satisfyingly complex. The work has a strong quiet energy that creates space for itself in a frenetic, busy world by being the exact opposite. Often drawn from 1960s European Cinema...

Acrylic on canvas

Gouache on card, signed lower right Image size: 16 1/2 x 11 1/2 inches (42 x 29.25 cm) Contemporary style frame Joan Fairfax Whiteside Joan Fairfax Whiteside was a prodigious arti...

Date: 1932 Medium: Oil on Board Dimensions: 17.00" x 32.00" Signature: Signed Lower Right Illustration for Cosmopolitan magazine, 1932 - "It's his word against mine." Twelve of von...

JANA PALECKOVA is a self taught artist from the Czech Republic. Paint on discarded photographs. Her work is represented in many fine private collection. My work is about revitalizin...

Date: 1923 Medium: Oil on Board Dimensions 24.50" x 25.50" Signature: Signed Lower Left

Date: 1923 Medium: Oil on Canvas Dimensions: 28.00" x 32.00" Signature: Signed Lower Right Advertisement for Cream of Wheat cereal

Date: 1968 Medium: Acrylic on Board Dimensions: 20.00" x 27.00" Signature: Signed Lower Right The Lincoln Highway, 1916 Chevrolet, calendar illustration, Great Moments in Early Amer...

Painting: Oil on Canvas

Conceptual piece. Commentary on life. Humorous. Featuring astronaut and a bottle of Tide detergent. Acrylic on canvas. About the artist: Born in Aberdeen, Scotland, Stephen H...

TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of genres including fashion, lifestyle, editorial, conceptual, sports, portraiture, and nightlife photography...

Born in 1961, Alexej Ravski exhibits in France, Germany, Belgium, The Netherlands, the United States, Belarus and his native Russia. Alexej’s painting is dynamic in its form and pea...